For forty-eight hours longer the fact of the defalcation was kept back;
but then, in view of the legal action urged by those who did not accept
the theory of Northwick's death, it had to come out, and it broke all
bounds in overwhelming floods of publicity.
Day after day the papers were full of the facts, and it was weeks before
the editorial homilies ceased. From time to time, fresh details and
unexpected revelations, wise guesses and shameless fakes, renewed the
interest of the original fact. There were days when there was nothing
about it in the papers, and then days when it broke out in vivid
paragraphs and whole lurid columns again. It was not that the fraud was
singular in its features; these were common to most of the defalcations,
great and small, which were of daily fame in the newspapers. But the
doubt as to the man's fate, and the enduring mystery of his whereabouts,
if he were still alive, were qualities that gave peculiar poignancy to
Northwick's case. Its results in the failure of people not directly
involved, were greater than could have been expected; and the sum of his
peculations mounted under investigation. It was all much worse than had
been imagined, and in most of the editorial sermons upon it the moral
gravity of the offence was measured by the amounts stolen and indirectly
lost by it. There was a great deal of mere astonishment, as usual, that
the crime should have been that of a man whom no one would have dreamed
of suspecting, and there was some sufficiently ridiculous consternation
at the presence of such moral decay in the very heart of the commercial
life of Boston.
In the _Events_, Pinney made his report of the affair the work of art
which he boasted should come from his hand. It was really a space-man's
masterpiece; and it appealed to every nerve in the reader's body, with
its sensations repeated through many columns, and continued from page to
page with a recurrent efflorescence of scare-heads and catch-lines. In
the ardor of production, all scruples and reluctances became fused in a
devotion to the interests of the _Events_ and its readers. With every
hour the painful impressions of his interview with Miss Northwick grew
fainter, and the desire to use it stronger, and he ended by sparing no
color of it. But he compromised with his sympathy for her, by deepening
the shadows in the behavior of the man who could bring all this sorrow
upon those dearest to him. He dwelt upon the unconsciousness of the
family, the ignorance of the whole household, in which life ran smoothly
on, while the head of both was a fugitive from justice, if not the
victim of a swift retribution. He worked in all the pathos which the
facts were capable of holding, and at certain points he enlarged the
capacity of the facts. He described with a good deal of graphic force
the Northwick interior. Under his touch the hall expanded, the staircase
widened and curved, the carpets thickened, the servants multiplied, the
library into which "the _Events_' representative was politely ushered,"
was furnished with "all the appliances of a cultured taste." The works
of the standard authors in costly bindings graced its shelves;
magnificent paintings and groups of statuary adorned its walls and
alcoves. The dress of the lady who courteously received the _Events_'
reporter, was suitably enriched; her years were discounted, and her
beauty approached to the patrician cast. There was nothing mean about
Pinney, and while he was at it he lavished a manorial grandeur upon the
Northwick place, outside as well as inside. He imparted a romantic
consequence to Hatboro' itself: "A thriving New England town, proud of
its historic past, and rejoicing in its modern prosperity, with a
population of some five or six thousand souls, among whose working men
and women modern ideas of the most advanced character had been realized
in the well-known Peck Social Union, with its co-operative kitchen and
its clientèle of intelligent members and patrons."
People of all occupations became leading residents in virtue of taking
Pinney into their confidence, and "A Prominent Proletarian" achieved the
distinction of a catch-line by freely imparting the impressions of J. M.
Northwick's character among the working-classes. "The Consensus of
Public Feeling," in portraying which Pinney did not fail to exploit the
proprietary word he had seized, formed the subject of some dramatic
paragraphs; and the whole formed a rich and fit setting for the main
facts of Northwick's undoubted fraud and flight, and for the conjectures
which Pinney indulged in concerning his fate.
Pinney's masterpiece was, in fine, such as he could write only at that
moment of his evolution as a man, and such as the _Events_ could publish
only at that period of its development as a newspaper. The report was
flashy and vulgar and unscrupulous, but it was not brutal, except by
accident, and not unkind except through the necessities of the case. But
it was helplessly and thoroughly personal, and it was no more
philosophized than a monkish chronicle of the Middle Ages.
The _Abstract_ addressed a different class of readers, and aimed at a
different effect in its treatment of public affairs. We look upon
newspapers as having a sort of composite temperament, formed from the
temperaments of all the different men employed on them; but, as a matter
of fact, they each express the disposition and reflect the temperament
of one controlling spirit, which all the other dispositions and
temperaments yield to. This is so much the case that it is hard to
efface the influence of a strong mind from the journal it has shaped,
even when it is no longer actively present in it. A good many years
before the time of the Northwick defalcation, the _Events_ had been in
the management of a journalist, once well-known in Boston, a certain
Bartley Hubbard, who had risen from the ranks of the reporters, and who
had thoroughly reporterized it in the worst sense. After he left it, the
owner tried several devices for elevating and reforming it, but failed,
partly because he was himself a man of no ideals but those of the
counting-room, and largely because the paper could not recover from the
strong slant given it without self-destruction. So the _Events_
continued what Bartley Hubbard had made it, and what the readers he had
called about it liked it to be: a journal without principles and without
convictions, but with interests only; a map of busy life, indeed, but
glaringly colored, with crude endeavors at picturesqueness, and with no
more truth to life than those railroad maps where the important centres
converge upon the broad black level of the line advertised, and leave
rival roads wriggling faintly about in uninhabited solitudes. In
Hubbard's time the _Abstract_, then the _Chronicle-Abstract_, was in
charge of the editor who had been his first friend on the Boston press,
and whom he finally quarreled with on a point which this friend
considered dishonorable to Hubbard. Ricker had not since left the paper,
and though he was called a crank by some of the more progressive and
reckless of the young men, he clung to his ideal of a conscience in
journalism; he gave the Abstract a fixed character and it could no more
have changed than the _Events_, without self-destruction. The men under
him were not so many as Cæsar's soldiers, and that, perhaps, was the
reason why he knew not only their names but their qualities. When
Maxwell came with the fact of the defalcation which the detectives had
entrusted to him for provisional use, and asked to be assigned to the
business of working it up, Kicker consented, but he consented
reluctantly. He thought Maxwell was better for better things; he knew he
was a ravenous reader of philosophy and sociology, and he had been early
in the secret of his being a poet; it had since become an open secret
among his fellow-reporters, for which he suffered both honor and
dishonor.
"I shouldn't think you'd like to do it, Maxwell," said Ricker, kindly.
"It isn't in your line, is it? Better give it to some of the other
fellows."
"It's more in my line than you suppose, Mr. Ricker," said the young
fellow. "It's a subject I've looked up a great deal lately. I once
thought"--he looked down bashfully--"of trying to write a play about a
defaulter, and I got together a good many facts about defalcation.
You've no idea how common it is; it's about the commonest fact of our
civilization."
"Ah! Is that so?" asked Ricker with ironical deference to the bold
generalizer. "Who else is 'onto' this thing?"
"Pinney, of the _Events_."
"Well, he's a dangerous rival, in some ways," said Ricker. "When it
comes to slush and a whitewash brush, I don't think you're a match for
him. But perhaps you don't intend to choose the same weapons." Ricker
pulled down the green-lined pasteboard peak that he wore over his
forehead by gaslight, and hitched his chair round to his desk again, and
Maxwell knew that he was authorized to do the work.
He got no word from the detective, who had given him a hint of the
affair, to go ahead the night after his return from Hatboro', as he had
expected, but he knew that the fact could not be kept back, and he
worked as hard at his report as Pinney and Pinney's wife had worked at
theirs. He waited till the next morning to begin, however, for he was
too fagged after he came home from the Hilarys'; he rose early and got
himself a cup of tea over the gas-burner; before the house was awake he
was well on in his report. By nightfall he had finished it, and then he
carried it to Ricker. The editor had not gone to dinner yet, and he gave
Maxwell's work the critical censure of a hungry man. It was in two
separate parts: one, a careful and lucid statement of all the facts
which had come to Maxwell's knowledge, in his quality of reporter, set
down without sensation, and in that self-respectful decency of tone
which the _Abstract_ affected; the other, an editorial comment upon the
facts. Ricker read the first through without saying anything; when he
saw what the second was, he pushed up his green-lined peak, and said,
"Hello, young man! Who invited you to take the floor?"
"Nobody. I found I couldn't embody my general knowledge of defalcation
in the report without impertinence, and as I had to get my wisdom off my
mind somehow, I put it in editorial shape. I don't expect you to take
it. Perhaps I can sell it somewhere."
Ricker seemed to pay no attention to his explanation. He went on reading
the manuscript, and when he ended, he took up the report again, and
compared it with the editorial in length. "If we printed these things as
they stand it would look like a case of the tail wagging the dog."