CHAPTER XIII.

Ulrich was obliged to share the jester’s sleeping-room, and as

Pellicanus shrank from getting out of bed, while suffering from

night-sweats, and often needed something, he roused Ulrich from his

sleep, and the latter was always ready to assist him. This happened more

frequently as they continued their journey, and the poor little man’s

illness increased.

The count had furnished Ulrich with a spirited young horse, that

shortened the road for him by its tricks and capers. But the jester, who

became more and more attached to the boy, also did his utmost to keep

the feeling of happiness alive in his heart. On warm days he nestled in

the rack before the tilt with the driver, and when Ulrich rode beside

him, opened his eyes to everything that passed before him.

The jester had a great deal to tell about the country and people, and

he embellished the smallest trifle with tales invented by himself, or

devised by others.

While passing a grove of birches, he asked the lad if he knew why the

trunks of these trees were white, and then explained the cause, as

follows:

“When Orpheus played so exquisitely on his lute, all the trees rushed

forward to dance. The birches wanted to come too, but being vain,

stopped to put on white dresses, to outdo the others. When they finally

appeared on the dancing-ground, the singer had already gone--and now,

summer and winter, year in and year out, they keep their white dresses

on, to be prepared, when Orpheus returns and the lute sounds again.”

A cross-bill was perched on a bough in a pine-wood, and the jester said

that this bird was a very peculiar species. It had originally been grey,

and its bill was as straight as a sparrow’s, but when the Saviour hung

upon the cross, it pitied him, and with its little bill strove to draw

the nails from the wounded hands. In memory of this friendly act, the

Lord had marked its beak with the cross, and painted a dark-red spot

on its breast, where the bird hall been sprinkled with His Son’s blood.

Other rewards were bestowed upon it, for no other bird could hatch a

brood of young ones in winter, and it also had the power of lessening

the fever of those, who cherished it.

A flock of wild geese flew over the road and the hills, and Pellicanus

cried: “Look there! They always fly in two straight lines, and form a

letter of the alphabet. This time it is an A. Can you see it? When the

Lord was writing the laws on the tablets, a flock of wild geese flew

across Mt. Sinai, and in doing so, one effaced a letter with its wing.

Since that time, they always fly in the shape of a letter, and their

whole race, that is, all geese, are compelled to let those people who

wish to write, pluck the feathers from their wings.”

Pellicanus was fond of talking to the boy in their bedroom. He always

called him Navarrete, and the artist, when in a cheerful mood, followed

his example.

Ulrich felt great reverence for Moor; the jester, on the contrary, was

only a good comrade, in whom he speedily reposed entire confidence.

Many an allusion and jesting word showed that Pellicanus still believed

him to be the son of a knight, and this at last became unendurable to

the lad.

One evening, when they were both in bed, he summoned up his courage and

told him everything he knew about his past life.

The jester listened attentively, without interrupting him, until Ulrich

finished his story with the words “And while I was gone, the bailiffs

and dogs tracked them, but my father resisted, and they killed him and

the doctor.”

“Yes, yes,” murmured the jester. “It’s a pity about Costa. Many a

Christian might feel honored at resembling some Jews. It is only a

misfortune to be born a Hebrew, and be deprived of eating ham. The Jews

are compelled to wear an offensive badge, but many a Christian child is

born with one. For instance, in Sparta they would have hurled me into

the gulf, on account of my big head, and deformed shoulder. Nowadays,

people are less merciful, and let men like us drag the cripple’s mark

through life. God sees the heart; but men cannot forget their ancestor,

the clod of earth--the outside is always more to them than the inside.

If my head had only been smaller, and some angel had smoothed my

shoulder, I might perhaps now be a cardinal, wear purple, and instead of

riding under a grey tilt, drive in a golden coach, with well-fed black

steeds. Your body was measured with a straight yard stick, but there’s

trouble in other places. So your father’s name was Adam, and he really

bore no other?”

“No, certainly not.”

“That’s too little by half. From this day we’ll call you in earnest

Navarrete: Ulrich Navarrete. That will be something complete. The name

is only a dress, but if half of it is taken from your body, you are left

half-bare and exposed to mockery. The garment must be becoming too, so

we adorn it as we choose. My father was called Kurschner, but at the

Latin school Olearius and Faber and Luscinius sat beside me, so I

raised myself to the rank of a Roman citizen, and turned Kurschner into

Pellicanus....”

The jester coughed violently, and continued One thing more. To expect

gratitude is folly, nine times out of ten none is reaped, and he who is

wise thinks only of himself, and usually omits to seek thanks; but every

one ought to be grateful, for it is burdensome to have enemies, and

there is no one we learn to hate more easily, than the benefactor we

repay with ingratitude. You ought and must tell the artist your history,

for he has deserved your confidence.

The jester’s worldly-wise sayings, in which selfishness was always

praised as the highest virtue, often seemed very puzzling to the boy,

yet many of them were impressed on his young soul. He followed the sick

man’s advice the very next morning, and he had no cause to regret it,

for Moor treated him even more kindly than before.

Pellicanus intended to part from the travellers at Avignon, to go to

Marseilles, and from there by ship to Savona, but before he reached the

old city of the popes, he grew so feeble, that Moor scarcely hoped to

bring him alive to the goal of his journey.

The little man’s body seemed to continually grow smaller, and his head

larger, while his hollow, livid cheeks looked as if a rose-leaf adorned

the centre of each.

He often told his travelling-companions about his former life.

He had originally been destined for the ecclesiastical profession, but

though he surpassed all the other pupils in the school, he was deprived

of the hope of ever becoming a priest, for the Church wants no cripples.

He was the child of poor people, and had been obliged to fight his way

through his career as a student, with great difficulty.

“How shabby the broad top of my cap often was!” he said. “I was so much

ashamed of it. I am so small. Dear me, anybody could see my head, and

could not help noticing all the worn places in the velvet, if he cast

his eyes down. How often have I sat beside the kitchen of a cook-shop,

and seasoned dry bread with the smell of roast meat. Often too my

poodledog went out and stole a sausage for me from the butcher.”

At other times the little fellow had fared better; then, sitting in the

taverns, he had given free-play to his wit, and imposed no constraint on

his sharp tongue.

Once he had been invited by a former boon-companion, to accompany him to

his ancestral castle, to cheer his sick father; and so it happened

that he became a buffoon, wandered from one great lord to another, and

finally entered the elector’s service.

He liked to pretend that he despised the world and hated men, but this

assertion could not be taken literally, and was to be regarded in a

general, rather than a special sense, for every beautiful thing in the

world kindled eager enthusiasm in his heart, and he remained kindly

disposed towards individuals to the end.

When Moor once charged him with this, he said, smiling:

“What would you have? Whoever condemns, feels himself superior to the

person upon whom he sits in judgment, and how many fools, like me, fancy

themselves great, when they stand on tiptoe, and find fault even with

the works of God! ‘The world is evil,’ says the philosopher, and whoever

listens to him, probably thinks carelessly: ‘Hear, hear! He would have

made it better than our Father in heaven.’ Let me have my pleasure. I’m

only a little man, but I deal in great things. To criticise a single

insignificant human creature, seems to me scarcely worth while, but when

we pronounce judgment on all humanity and the boundless universe, we can

open our mouths-wonderfully wide!”

Once his heart had been filled with love for a beautiful girl, but

she had scornfully rejected his suit and married another. When she was

widowed, and he found her in dire poverty, he helped her with a large

share of his savings, and performed this kind service again, when the

second worthless fellow she married had squandered her last penny.

His life was rich in similar incidents.

In his actions, the queer little man obeyed the dictates of his heart;

in his speech, his head ruled his tongue, and this seemed to him the

only sensible course. To practise unselfish generosity he regarded as a

subtle, exquisite pleasure, which he ventured to allow himself, because

he desired nothing more; others, to whom he did not grudge a prosperous

career, he must warn against such folly.

There was a keen, bitter expression on his large, thin face, and whoever

saw him for the first time might easily have supposed him to be a

wicked, spiteful man. He knew this, and delighted in frightening the

men and maid-servants at the taverns by hideous grimaces--he boasted of

being able to make ninety-five different faces--until the artist’s old

valet at last dreaded him like the “Evil One.”

He was particularly gay in Avignon, for he felt better than he had done

for a long time, and ordered a seat to be engaged for him in a vehicle

going to Marseilles.

The evening before their separation, he described with sparkling

vivacity, the charms of the Ligurian coast, and spoke of the future as

if he were sure of entire recovery and a long life.

In the night Ulrich heard him groaning louder than usual, and starting

up, raised him, as he was in the habit of doing when the poor little man

was tortured by difficulty of breathing. But this time Pellicanus did

not swear and scold, but remained perfectly still, and when his heavy

head fell like a pumpkin on the boy’s breast, he was greatly terrified

and ran to call the artist.

Moor was soon standing at the head of the sick-bed, holding a light, so

that its rays could fall upon the face of the gasping man. The latter

opened his eyes and made three grimaces in quick succession--very

comical ones, yet tinged with sadness.

Pellicanus probably noticed the artist’s troubled glance, for he tried

to nod to him, but his head was too heavy and his strength too slight,

so he only succeeded in moving it first to the right and then to the

left, but his eyes expressed everything he desired to say. In this way

several minutes elapsed, then Pellicanus smiled, and with a sorrowful

gaze, though a mischievous expression hovered around his mouth, scanned:

“‘Mox erit’ quiet and mute, ‘gui modo’ jester ‘erat’.” Then he said as

softly as if every tone came, not from his chest, but merely from his

lips--

“Is it agreed, Navarrete, Ulrich Navarrete? I’ve made the Latin easy

for you, eh? Your hand, boy. Yours, too, dear, dear master... Moor,

Ethiopian--Blackskin....”

The words died away in a low, rattling sound, and the dying man’s eyes

became glazed, but it was several hours before he drew his last breath.

A priest gave him Extreme Unction, but consciousness did not return.

After the holy man had left him, his lips moved incessantly, but no one

could understand what he said. Towards morning, the sun of Provence

was shining warmly and brightly into the room and on his bed, when he

suddenly threw his arm above his head, and half speaking, half singing

to Hans Eitelfritz’s melody, let fall from his lips the words: “In

fortune, good fortune.” A few minutes after he was dead.

Moor closed his eyes. Ulrich knelt weeping beside the bed, and kissed

his poor friend’s cold hand.

When he rose, the artist was gazing with silent reverence at the

jester’s features; Ulrich followed his eyes, and imagined he was

standing in the presence of a miracle, for the harsh, bitter, troubled

face had obtained a new expression, and was now the countenance of a

peaceful, kindly man, who had fallen asleep with pleasant memories in

his heart.

A Word, Only a Word — Complete · 第 13 / 31 章