CHAPTER XI.

Count Frohlinger added a low “amen” to the last words of the dying man,

then approached the widow, and in the kindly, cordial manner natural to

him, strove to comfort her.

Finally he ordered his men, to loose the smith’s bonds, and instantly

guide him to the frontier with the woman and child. He also spoke to

Adam, but said only a few words, not cheery ones as usual, but grave and

harsh in purport.

They were a command to leave the country without delay, and never return

to his home again.

The Jew’s corpse was laid on a bier formed of pine, branches, and the

bearers lifted it on their shoulders. Ruth clung closely to her mother,

both trembling like leaves in the wind, while he who was dearest to them

on earth was borne away, but only the child could weep.

The men, whom Count Frohlinger had left behind as a guard, waited

patiently with the smith for his son’s return until noon, then they

urged departure, and the party moved forward.

Not a word was spoken, till the travellers stopped before the

charcoal-burner’s house.

Jorg was in the city, but his wife said that the boy had been there, and

had gone back to the forest an hour before. The tavern could accommodate

a great many people, she added, and they could wait for him there.

The fugitives followed this advice, and after Adam had seen the women

provided with shelter, he again sought the scene of the misfortune, and

waited there for the boy until night.

Beside the stump on which his friend had died, he prayed long and

earnestly, vowing to his dead preserver to live henceforth solely for

his family. Unbroken stillness surrounded him, it seemed as if he were

in church, and every tree in the forest was a witness of the oath he

swore.

The next morning the smith again sought the charcoal-burner, and this

time found him. Jorg laid the blame to Ulrich’s impatience, but promised

to go to Marx in search of him and bring him to the smith. The men

composing the escort urged haste, so Adam went on without Ulrich towards

the north-west, to the valley of the Rhine.

The charcoal-burner had lost the reward offered the informer, and could

not even earn the money due a messenger.

He had lured Ulrich to the attic and locked him in there, but during his

absence the boy escaped. He was a nimble fellow, for he had risked the

leap from the window, and then swung himself over the fence into the

road.

Jorg’s conjecture did not deceive him, for as soon as Ulrich perceived

that he had been betrayed into a trap, he had leaped into the open air.

He must warn his friends, and anxiety for them winged his feet.

Once and again he lost his way, but at last found the right path, though

he had wasted many hours, first in the village, then behind the locked

door, and finally in searching for the right road.

The sun had already passed the meridian, when he at last reached the

clearing.

The but was deserted; no one answered his loud, anxious shouts.

Where had they gone?

He searched the wide, snow-covered expanse for traces, and found only

too many. Here horses’ hoofs, there large and small feet had pressed

the snow, yonder hounds had run, and--Great Heaven!--here, by the

tree-stump, red blood stained the glimmering white ground.

His breath failed, but he did not cease to search, look, examine.

Yonder, where for the length of a man the snow had vanished and grass

and brown earth appeared, people had fought together, and there--Holy

Virgin! What was this!--there lay his father’s hammer. He knew it only

too well; it was the smaller one, which to distinguish it from the two

larger tools, Goliath and Samson, he called David-the boy had swung it a

hundred times himself.

His heart stood still, and when he found some freshly-hewn pine-boughs,

and a fir-trunk that had been rejected by one of the men, he said to

himself: “The bier was made here,” and his vivid imagination showed

him his father fighting, struck down, and then a mournful funeral

procession. Exulting bailiffs bore a tall strong-limbed corpse, and a

slender, black-robed body, his father and his teacher. Then came the

quiet, beautiful wife and Ruth in bonds, and behind them Marx and Rahel.

He distinctly saw all this; it even seemed as if he heard the sobs of

the women, and wailing bitterly, he thrust his hands in his floating

locks and ran to and fro. Suddenly he thought that the troopers would

return to seize him also. Away, away! anywhere--away! a voice roared and

buzzed in his ears, and he set out on a run towards the south, always

towards the south.

The boy had not eaten a mouthful, since the oatmeal porridge obtained

at the charcoal-burner’s, in the morning, but felt neither hunger nor

thirst, and dashed on and on without heeding the way.

Long after his father had left the clearing for the second time, he

still ran on--but gasping for breath while his steps grew slower and

shorter. The moon rose, one star after another revealed its light, yet

he still struggled forward.

The forest lay behind him; he had reached a broad road, which he

followed southward, always southward, till his strength utterly failed.

His head and hands were burning like fire, yet it was very, very cold;

but little snow lay here in the valley, and in many places the moonlight

showed patches of bare, dark turf.

Grief was forgotten. Fatigue, anxiety and hunger completely engrossed

the boy’s mind. He felt tempted to throw himself down in the road

and sleep, but remembered the frozen people of whom he had heard, and

dragged himself on to the nearest village. The lights had long been

extinguished; as he approached, dogs barked in the yards, and the

melancholy lowing of a cow echoed from many a stable. He was again among

human beings; the thought exerted a soothing influence; he regained his

self-control, and sought a shelter for the night.

At the end of the village stood a barn, and Ulrich noticed by the

moonlight an open hatchway in the wall. If he could climb up to it! The

framework offered some support for fingers and toes, so he resolved to

try it.

Several times, when Half-way up, he slipped to the ground, but at last

reached the top, and found a bed in the soft hay under a sheltering

roof. Surrounded by the fragrance of the dried grasses, he soon fell

asleep, and in a dream saw amidst various confused and repulsive shapes,

first his father with a bleeding wound in his broad chest, and then the

doctor, dancing with old Rahel. Last of all Ruth appeared; she led him

into the forest to a juniper-bush, and showed him a nest full of young

birds. But the half-naked creatures vexed him, and he trampled them

under foot, over which the little girl lamented so loudly and bitterly,

that he awoke.

Morning was already dawning, his head ached, and he was very cold and

hungry, but he had no desire nor thought except to proceed; so he again

went out into the open air, brushed off the hay that still clung to his

hair and clothes, and walked on towards the south.

It had grown warmer and was beginning to snow heavily.

Walking became more and more difficult; his headache grew unendurable,

yet his feet still moved, though it seemed as if he wore heavy leaden

shoes.

Several freight-wagons with armed escorts, and a few peasants, with

rosaries in their hands, who were on their way to church, met the lad,

but no one had overtaken him.

On the hinge of noon he heard behind him the tramp of horses’ hoofs and

the rattle of wheels, approaching nearer and nearer with ominous haste.

If it should be the troopers!

Ulrich’s heart stood still, and turning to look back, he saw several

horsemen, who were trotting past a spur of the hill around which the

road wound.

Through the falling flakes the boy perceived glittering weapons, gay

doublets and scarfs, and now--now--all hope was over, they wore Count

Frohlinger’s colors!

Unless the earth should open before him, there was no escape. The road

belonged to the horsemen; on the right lay a wide, snow-covered plain,

on the left rose a cliff, kept from falling on the side towards the

highway by a rude wall. It needed this support less on account of the

road, than for the sake of a graveyard, for which the citizens of the

neighboring borough used the gentle slope of the mountain.

The graves, the bare elder-bushes and bushy cypresses in the cemetery

were covered with snow, and the brighter the white covering that rested

on every surrounding object, the stronger was the relief in which the

black crosses stood forth against it.

A small chapel in the rear of the graveyard caught Ulrich’s eye. If it

was possible to climb the wall, he might hide behind it. The horsemen

were already close at his heels, when he summoned all his remaining

strength, rushed to a stone projecting from the wall, and began to

clamber up.

The day before it would have been a small matter for him to reach the

cemetery; but now the exhausted boy only dragged himself upward, to

slip on the smooth stones and lose the hold, that the dry, snow-covered

plants growing in the wide crevices treacherously offered him.

The horsemen had noticed him, and a young man-at-arms exclaimed: “A

runaway! See how the young vagabond acts. I’ll seize him.”

He set spurs to his horse as he spoke, and just as the boy succeeded

in reaching his goal, grasped his foot; but Ulrich clung fast to a

gravestone, so the shoe was left in the trooper’s hand and his comrades

burst into a loud laugh. It sounded merry, but it echoed in the ears

of the tortured lad like a shriek from hell, and urged him onward. He

leaped over two, five, ten graves--then he stumbled over a head-stone

concealed by the snow.

With a great effort he rose again, but ere he reached the chapel fell

once more, and now his will was paralyzed. In mortal terror he clung to

a cross, and as his senses failed, thought of “the word.” It seemed

as if some one had called the right one, and from pure Weakness and

fatigue, he could not remember it.

The young soldier was not willing to encounter the jeers of his

comrades, by letting the vagabond escape. With a curt: “Stop, you

rascal,” he threw the shoe into the graveyard, gave his bridle to the

next man in the line; and a few minutes after was kneeling by Ulrich’s

side. He shook and jerked him, but in vain; then growing anxious, called

to the others that the boy was probably dead.

“People never die so quickly!” cried the greyhaired leader of the band:

“Give him a blow.”

The youth raised his arm, but did not strike the lad. He had looked into

Ulrich’s face, and found something there that touched his heart. “No,

no,” he shouted, “come up here, Peter; a handsome boy; but it’s all over

with him, I say.”

During this delay, the traveller whom the men were escorting, and his

old servant, approached the cemetery at a rapid trot. The former, a

gentleman of middle age, protected from the cold by costly furs, saw

with a single hasty glance the cause of the detention.

Instantly dismounting, he followed the leader of the troop to the end of

the wall, where there was a flight of rude steps.

Ulrich’s head now lay in the soldier’s arms, and the traveller gazed

at him with a look of deep sympathy. The steadfast glance of his bright

eyes rested on the boy’s features as if spellbound, then he raised his

hand, beckoned to the elder soldier, and exclaimed: “Lift him; we’ll

take him with us; a corner can be found in the wagon.”

The vehicle, of which the traveller spoke, was slow in coming. It was a

long four-wheeled equipage, over which, as a protection against wind and

storm, arched a round, sail-cloth cover. The driver crouched among the

straw in a basket behind the horses, like a brooding hen.

Under the sheltering canopy, among the luggage of the fur-clad

gentleman, sat and reclined four travellers, whom the owner of the

vehicle had gradually picked up, and who formed a motley company.

The two Dominican friars, Magisters Sutor and Stubenrauch, had entered

at Cologne, for the wagon came straight from Holland, and belonged

to the artist Antonio Moor of Utrecht, who was going to King Philip’s

court. The beautiful fur border on the black cap and velvet cloak showed

that he had no occasion to practise economy; he preferred the back of a

good horse to a seat in a jolting vehicle.

The ecclesiastics had taken possession of the best places in the back

of the wagon. They were inseparable brothers, and formed as it were one

person, for they behaved like two bodies with one soul. In this

double life, fat Magister Sutor represented the will, lean Stubenrauch

reflection and execution. If the former proposed to be down or sit, eat

or drink, sleep or talk, the latter instantly carried the suggestion

into execution, rarely neglecting to establish, by wise words, for what

reason the act in question should be performed precisely at that time.

Farther towards the front, with his back resting against a chest, lay a

fine-looking young Lansquenet. He was undoubtedly a gay, active fellow,

but now sat mute and melancholy, supporting with his right hand his

wounded left arm, as if it were some brittle vessel.

Opposite to him rose a heap of loose straw, beneath which something

stirred from time to time, and from which at short intervals a slight

cough was heard.

As soon as the door in the back of the vehicle opened, and the cold

snowy air entered the dark, damp space under the tilt, Magister Sutor’s

lips parted in a long-drawn “Ugh!” to which his lean companion instantly

added a torrent of reproachful words about the delay, the draught, the

danger of taking cold.

When the artist’s head appeared in the opening, the priest paused, for

Moor paid the travelling expenses; but when his companion Sutor drew

his cloak around him with every token of discomfort and annoyance, he

followed his example in a still more conspicuous way.

The artist paid no heed to these gestures, but quietly requested his

guests to make room for the boy.

A muffled head was suddenly thrust out from under the straw, a voice

cried: “A hospital on wheels!” then the head vanished again like that of

a fish, which has risen to take a breath of air.

“Very true,” replied the artist. “You need not draw up your limbs so

far, my worthy Lansquenet, but I must request these reverend gentlemen

to move a little farther apart, or closer together, and make room for

the sick lad on the leather sack.”

While these words were uttered, one of the escort laid the still

senseless boy under the tilt.

Magister Sutor noticed the snow that clung to Ulrich’s hair and

clothing, and while struggling to rise, uttered a repellent “no,” while

Stubenrauch hastily added reproachfully: “There will be a perfect pool

here, when that melts; you gave us these places, Meister Moor, but we

hardly expected to receive also dripping limbs and rheumatic pains....”

Before he finished the sentence, the bandaged head again appeared from

the straw, and the high, shrill voice of the man concealed under it,

asked? “Was the blood of the wounded wayfarer, the good Samaritan picked

up by the roadside, dry or wet?”

An encouraging glance from Sutor requested Stubenrauch to make an

appropriate answer, and the latter in an unctuous tone, hastily replied:

“It was the Lord, who caused the Samaritan to find the wounded man by

the roadside--this did not happen in our case, for the wet boy is forced

upon us, and though we are Samaritans....”

“You are not yet merciful,” cried the voice from the straw.

The artist laughed, but the soldier, slapping his thigh with his sound

hand, cried:

“In with the boy, you fellows outside; here, put him on my right--move

farther apart, you gentlemen down below; the water will do us no harm,

if you’ll only give us some of the wine in your basket yonder.”

The priests, willy-nilly, now permitted Ulrich to be laid on the

leathern sack between them, and while first Sutor, and then Stubenrauch,

shrunk away to mutter prayers over a rosary for the senseless lad’s

restoration to consciousness, and to avoid coming in contact with

his wet clothes, the artist entered the vehicle, and without asking

permission, took the wine from the priests’ basket. The soldier helped

him, and soon their united exertions, with the fiery liquor, revived the

fainting boy.

Moor rode forward, and the wagon jolted on until the day’s journey ended

at Emmendingen. Count von Hochburg’s retainers, who were to serve as

escort from this point, would not ride on Christmas day. The artist made

no objection, but when they also declared that no horse should leave

the stable on the morrow, which was a second holiday, he shrugged

his shoulders and answered, without any show of anger, but in a firm,

haughty tone, that he should then probably be obliged--if necessary with

their master’s assistance,--to conduct them to Freiburg to-morrow.

The inns at Emmendingen were among the largest and best in the

neighborhood of Freiburg, and on account of the changes of escort,

which frequently took place here, there was no lack of accommodation for

numerous horses and guests.

As soon as Ulrich was taken into the warm hostelry he fainted a second

time, and the artist now cared for him as kindly as if he were the lad’s

own father.

Magister Sutor ordered the roast meats, and his companion Stubenrauch

all the other requisites for a substantial meal, in which they had made

considerable progress, while the artist was still engaged in ministering

to the sick lad, in which kindly office the little man, who had been

hidden under the straw in the wagon, stoutly assisted.

He had been a buffoon, and his dress still bore many tokens of his

former profession. His big head swayed upon his thin neck; his droll,

though emaciated features constantly changed their expression, and even

when he was not coughing, his mouth was continually in motion.

As soon as Ulrich breathed calmly and regularly, he searched his

clothing to find some clue to his residence, but everything he

discovered in the lad’s pockets only led to more and more amusing and

startling conjectures, for nothing can contain a greater variety of

objects than a school-boy’s pockets, if we except a school-girl’s.

There was a scrap of paper with a Latin exercise bristling with errors,

a smooth stone, a shabby, notched knife, a bit of chalk for drawing, an

iron arrow-head, a broken hobnail, and a falconer’s glove, which Count

Lips had given his comrade. The ring the doctor’s wife had bestowed as a

farewell token, was also discovered around his neck.

All these things led Pellicanus--so the jester was named--to make many a

conjecture, and he left none untried.

As a mosaic picture is formed from stones, he by a hundred signs,

conjured up a vision of the lad’s character, home, and the school from

which he had run away.

He called him the son of a noble of moderate property. In this he was

of course mistaken, but in other respects perceived, with wonderful

acuteness, how Ulrich had hitherto been circumstanced, nay even declared

that he was a motherless child, a fact proved by many things he lacked.

The boy had been sent to school too late--Pellicanus was a good Latin

scholar--and perhaps had been too early initiated into the mysteries of

riding, hunting, and woodcraft.

The artist, merely by the boy’s appearance, gained a more accurate

knowledge of his real nature, than the jester gathered from his

investigations and inferences.

Ulrich pleased him, and when he saw the pen-and-ink sketch on the

back of the exercise, which Pellicanus showed him, he smiled and felt

strengthened in the resolve to interest himself still more in the

handsome boy, whom fate had thrown in his way. He now only needed to

discover who the lad’s parents were, and what had driven him from the

school.

The surgeon of the little town had bled Ulrich, and soon after he fell

into a sound sleep, and breathed quietly. The artist and jester now

dined together, for the monks had finished their meal long before, and

were taking a noonday nap. Moor ordered roast meat and wine for the

Lansquenet, who sat modestly in one corner of the large public room,

gazing sadly at his wounded arm.

“Poor fellow!” said the jester, pointing to the handsome young man. “We

are brothers in calamity; one just like the other; a cart with a broken

wheel.”

“His arm will soon heal,” replied the artist, “but your tool”--here he

pointed to his own lips--“is stirring briskly enough now. The monks and

I have both made its acquaintance within the past few days.”

“Well, well,” replied Pellicanus, smiling bitterly, “yet they toss me

into the rubbish heap.”

“That would be....”

“Ah, you think the wise would then be fools with the fools,” interrupted

Pellicanus. “Not at all. Do you know what our masters expect of us?”

“You are to shorten the time for them with wit and jest.”

“But when must we be real fools, my Lord? Have you considered? Least

of all in happy hours. Then we are expected to play the wise man, warn

against excess, point out shadows. In sorrow, in times of trouble, then,

fool, be a fool! The madder pranks you play, the better. Make every

effort, and if you understand your trade well, and know your master,

you must compel him to laugh till he cries, when he would fain wail for

grief, like a little girl. You know princes too, sir, but I know them

better. They are gods on earth, and won’t submit to the universal lot of

mortals, to endure pain and anguish. When people are ill, the physician

is summoned, and in trouble we are at hand. Things are as we take

them--the gravest face may have a wart, upon which a jest can be made.

When you have once laughed at a misfortune, its sting loses its point.

We deaden it--we light up the darkness--even though it be with a will

‘o the wisp--and if we understand our business, manage to hack the lumpy

dough of heavy sorrow into little pieces, which even a princely stomach

can digest.”

“A coughing fool can do that too, so long as there is nothing wanting in

his upper story.”

“You are mistaken, indeed you are. Great lords only wish to see the

velvet side of life--of death’s doings, nothing at all. A man like

me--do you hear--a cougher, whose marrow is being consumed--incarnate

misery on two tottering legs--a piteous figure, whom one can no more

imagine outside the grave, than a sportsman without a terrier, or

hound--such a person calls into the ears of the ostrich, that shuts its

eyes: ‘Death is pointing at you! Affliction is coming!’ It is my duty

to draw a curtain between my lord and sorrow; instead of that, my own

person brings incarnate suffering before his eyes. The elector was as

wise as if he were his own fool, when he turned me out of the house.”

“He graciously gave you leave of absence.”

“And Gugelkopf is already installed in the palace as my successor! My

gracious master knows that he won’t have to pay the pension long. He

would willingly have supported me up yonder till I died; but my wish to

go to Genoa suited him exactly. The more distance there is between his

healthy highness and the miserable invalid, the better.”

“Why didn’t you wait till spring, before taking your departure?”

“Because Genoa is a hot-house, that the poor consumptive does not need

in summer. It is pleasant to be there in winter. I learned that three

years ago, when we visited the duke. Even in January the sun in Liguria

warms your back, and makes it easier to breathe. I’m going by way of

Marseilles. Will you give me the corner in your carriage as far as

Avignon?”

“With pleasure! Your health, Pellicanus! A good wish on Christmas day is

apt to be fulfilled.”

The artist’s deep voice sounded full and cordial, as he uttered the

words. The young soldier heard them, and as Moor and the jester touched

glasses, he raised his own goblet, drained it to the dregs, and asked

modestly: “Will you listen to a few lines of mine, kind sir?”

“Say them, say them!” cried the artist, filling his glass again, while

the lansquenet, approaching the table, fixed his eyes steadily on the

beaker, and in an embarrassed manner, repeated:

“On Christmas-day, when Jesus Christ,

To save us sinners came,

A poor, sore-wounded soldier dared

To call upon his name.

‘Oh! hear,’ he said, ‘my earnest prayer,

For the kind, generous man,

Who gave the wounded soldier aid,

And bore him through the land.

So, in Thy shining chariot,

I pray, dear Jesus mine,

Thou’lt bear him through a happy life

To Paradise divine.’”

“Capital, capital!” cried the artist, pledging the lansquenet and

insisting that he should sit down between him and the jester.

Pellicanus now gazed thoughtfully into vacancy, for what the wounded man

could do, he too might surely accomplish. It was not only ambition, and

the habit of answering every good saying he heard with a better one, but

kindly feeling, that urged him to honor the generous benefactor with a

speech.

After a few minutes, which Moor spent in talking with the soldier,

Pellicanus raised his glass, coughed again, and said, first calmly, then

in an agitated voice, whose sharp tones grew more and more subdued:

“A rogue a fool must be, ‘t is true,

Rog’ry sans folly will not do;

Where folly joins with roguery,

There’s little harm, it seems to me.

The pope, the king, the youthful squire,

Each one the fool’s cap doth attire;

He who the bauble will not wear,

The worst of fools doth soon appear.

Thee may the motley still adorn,

When, an old man, the laurel crown

Thy head doth deck, while gifts less vain,

Thine age to bless will still remain.

When fair grandchildren thee delight,

Mayst then recall this Christmas night.

When added years bring whitening hair,

The draught of wisdom then wilt share,

But it will lack the flavor due,

Without a drop of folly too.

And if the drop is not at hand,

Remember poor old Pellican,

Who, half a rogue and half a fool,

Yet has a faithful heart and whole.”

“Thanks, thanks!” cried the artist, shaking the jester’s hand. “Such

a Christmas ought to be lauded! Wisdom, art, and courage at one table!

Haven’t I fared like the man, who picked up stones by the way side, and

to-they were changed to pure gold in his knapsack.”

“The stone was crumbling,” replied the jester; “but as for the gold, it

will stand the test with me, if you seek it in the heart, and not in the

pocket. Holy Blasius! Would that my grave might lack filling, as long as

my little strong-box here; I’d willingly allow it.”

“And so would I!” laughed the soldier:

“Then travelling will be easy for you,” said the artist. “There was a

time, when my pouch was no fuller than yours. I know by the experience

of those days how a poor man feels, and never wish to forget it. I still

owe you my after-dinner speech, but you must let me off, for I can’t

speak your language fluently. In brief, I wish you the recovery of

your health, Pellican, and you a joyous life of happiness and honor, my

worthy comrade. What is your name?”

“Hans Eitelfritz von der Lucke, from Colln on the Spree,” replied the

soldier. “And, no offence, Herr Moor, God will care for the monks, but

there were three poor invalid fellows in your cart. One goblet more to

the pretty sick boy in there.”

A Word, Only a Word — Complete · 第 11 / 31 章