my eyes; I have the greatest affection for you. But I am not yet thirty,
and----”
“I am forty-three,” said Lisbeth. “My cousin Adeline is forty-eight, and
men are still madly in love with her; but then she is handsome--she is!”
“Fifteen years between us, mademoiselle! How could we get on together!
For both our sakes I think we should be wise to think it over. My
gratitude shall be fully equal to your great kindness.--And your money
shall be repaid in a few days.”
“My money!” cried she. “You treat me as if I were nothing but an
unfeeling usurer.”
“Forgive me,” said Wenceslas, “but you remind me of it so often.--Well,
it is you who have made me; do not crush me.”
“You mean to be rid of me, I can see,” said she, shaking her head. “Who
has endowed you with this strength of ingratitude--you who are a man of
papier-mache? Have you ceased to trust me--your good genius?--me, when
I have spent so many nights working for you--when I have given you every
franc I have saved in my lifetime--when for four years I have shared my
bread with you, the bread of a hard-worked woman, and given you all I
had, to my very courage.”
“Mademoiselle--no more, no more!” he cried, kneeling before her with
uplifted hands. “Say not another word! In three days I will tell you,
you shall know all.--Let me, let me be happy,” and he kissed her hands.
“I love--and I am loved.”
“Well, well, my child, be happy,” she said, lifting him up. And she
kissed his forehead and hair with the eagerness that a man condemned to
death must feel as he lives through the last morning.
“Ah! you are of all creatures the noblest and best! You are a match for
the woman I love,” said the poor artist.
“I love you well enough to tremble for your future fate,” said she
gloomily. “Judas hanged himself--the ungrateful always come to a bad
end! You are deserting me, and you will never again do any good work.
Consider whether, without being married--for I know I am an old maid,
and I do not want to smother the blossom of your youth, your poetry, as
you call it, in my arms, that are like vine-stocks--but whether,
without being married, we could not get on together? Listen; I have
the commercial spirit; I could save you a fortune in the course of ten
years’ work, for Economy is my name!--while, with a young wife, who
would be sheer Expenditure, you would squander everything; you would
work only to indulge her. But happiness creates nothing but memories.
Even I, when I am thinking of you, sit for hours with my hands in my
lap----
“Come, Wenceslas, stay with me.--Look here, I understand all about
it; you shall have your mistresses; pretty ones too, like that little
Marneffe woman who wants to see you, and who will give you happiness you
could never find with me. Then, when I have saved you thirty thousand
francs a year in the funds----”
“Mademoiselle, you are an angel, and I shall never forget this hour,”
said Wenceslas, wiping away his tears.
“That is how I like to see you, my child,” said she, gazing at him with
rapture.
Vanity is so strong a power in us all that Lisbeth believed in her
triumph. She had conceded so much when offering him Madame Marneffe. It
was the crowning emotion of her life; for the first time she felt the
full tide of joy rising in her heart. To go through such an experience
again she would have sold her soul to the Devil.
“I am engaged to be married,” Steinbock replied, “and I love a woman
with whom no other can compete or compare.--But you are, and always will
be, to me the mother I have lost.”
The words fell like an avalanche of snow on a burning crater. Lisbeth
sat down. She gazed with despondent eyes on the youth before her, on his
aristocratic beauty--the artist’s brow, the splendid hair, everything
that appealed to her suppressed feminine instincts, and tiny tears
moistened her eyes for an instant and immediately dried up. She looked
like one of those meagre statues which the sculptors of the Middle Ages
carved on monuments.
“I cannot curse you,” said she, suddenly rising. “You--you are but a
boy. God preserve you!”
She went downstairs and shut herself into her own room.
“She is in love with me, poor creature!” said Wenceslas to himself. “And
how fervently eloquent! She is crazy.”
This last effort on the part of an arid and narrow nature to keep hold
on an embodiment of beauty and poetry was, in truth, so violent that it
can only be compared to the frenzied vehemence of a shipwrecked creature
making the last struggle to reach shore.
On the next day but one, at half-past four in the morning, when Count
Steinbock was sunk in the deepest sleep, he heard a knock at the door of
his attic; he rose to open it, and saw two men in shabby clothing, and a
third, whose dress proclaimed him a bailiff down on his luck.
“You are Monsieur Wenceslas, Count Steinbock?” said this man.
“Yes, monsieur.”
“My name is Grasset, sir, successor to Louchard, sheriff’s officer----”
“What then?”
“You are under arrest, sir. You must come with us to prison--to
Clichy.--Please to get dressed.--We have done the civil, as you see; I
have brought no police, and there is a hackney cab below.”
“You are safely nabbed, you see,” said one of the bailiffs; “and we look
to you to be liberal.”
Steinbock dressed and went downstairs, a man holding each arm; when he
was in the cab, the driver started without orders, as knowing where he
was to go, and within half an hour the unhappy foreigner found himself
safely under bolt and bar without even a remonstrance, so utterly amazed
was he.
At ten o’clock he was sent for to the prison-office, where he found
Lisbeth, who, in tears, gave him some money to feed himself adequately
and to pay for a room large enough to work in.
“My dear boy,” said she, “never say a word of your arrest to anybody,
do not write to a living soul; it would ruin you for life; we must hide
this blot on your character. I will soon have you out. I will collect
the money--be quite easy. Write down what you want for your work. You
shall soon be free, or I will die for it.”
“Oh, I shall owe you my life a second time!” cried he, “for I should
lose more than my life if I were thought a bad fellow.”
Lisbeth went off in great glee; she hoped, by keeping her artist under
lock and key, to put a stop to his marriage by announcing that he was
a married man, pardoned by the efforts of his wife, and gone off to
Russia.
To carry out this plan, at about three o’clock she went to the Baroness,
though it was not the day when she was due to dine with her; but she
wished to enjoy the anguish which Hortense must endure at the hour when
Wenceslas was in the habit of making his appearance.
“Have you come to dinner?” asked the Baroness, concealing her
disappointment.
“Well, yes.”
“That’s well,” replied Hortense. “I will go and tell them to be
punctual, for you do not like to be kept waiting.”
Hortense nodded reassuringly to her mother, for she intended to tell the
man-servant to send away Monsieur Steinbock if he should call; the man,
however, happened to be out, so Hortense was obliged to give her orders
to the maid, and the girl went upstairs to fetch her needlework and sit
in the ante-room.
“And about my lover?” said Cousin Betty to Hortense, when the girl came
back. “You never ask about him now?”
“To be sure, what is he doing?” said Hortense. “He has become famous.
You ought to be very happy,” she added in an undertone to Lisbeth.
“Everybody is talking of Monsieur Wenceslas Steinbock.”
“A great deal too much,” replied she in her clear tones. “Monsieur is
departing.--If it were only a matter of charming him so far as to defy
the attractions of Paris, I know my power; but they say that in order to
secure the services of such an artist, the Emperor Nichols has pardoned
him----”
“Nonsense!” said the Baroness.
“When did you hear that?” asked Hortense, who felt as if her heart had
the cramp.
“Well,” said the villainous Lisbeth, “a person to whom he is bound by
the most sacred ties--his wife--wrote yesterday to tell him so. He
wants to be off. Oh, he will be a great fool to give up France to go to
Russia!--”
Hortense looked at her mother, but her head sank on one side; the
Baroness was only just in time to support her daughter, who dropped
fainting, and as white as her lace kerchief.
“Lisbeth! you have killed my child!” cried the Baroness. “You were born
to be our curse!”
“Bless me! what fault of mine is this, Adeline?” replied Lisbeth, as she
rose with a menacing aspect, of which the Baroness, in her alarm, took
no notice.
“I was wrong,” said Adeline, supporting the girl. “Ring.”
At this instant the door opened, the women both looked round, and saw
Wenceslas Steinbock, who had been admitted by the cook in the maid’s
absence.
“Hortense!” cried the artist, with one spring to the group of women. And
he kissed his betrothed before her mother’s eyes, on the forehead, and
so reverently, that the Baroness could not be angry. It was a better
restorative than any smelling salts. Hortense opened her eyes, saw
Wenceslas, and her color came back. In a few minutes she had quite
recovered.
“So this was your secret?” said Lisbeth, smiling at Wenceslas, and
affecting to guess the facts from her two cousins’ confusion.
“But how did you steal away my lover?” said she, leading Hortense into
the garden.
Hortense artlessly told the romance of her love. Her father and mother,
she said, being convinced that Lisbeth would never marry, had authorized
the Count’s visits. Only Hortense, like a full-blown Agnes, attributed
to chance her purchase of the group and the introduction of the artist,
who, by her account, had insisted on knowing the name of his first
purchaser.
Presently Steinbock came out to join the cousins, and thanked the old
maid effusively for his prompt release. Lisbeth replied Jesuitically
that the creditor having given very vague promises, she had not hoped
to be able to get him out before the morrow, and that the person who
had lent her the money, ashamed, perhaps, of such mean conduct, had been
beforehand with her. The old maid appeared to be perfectly content, and
congratulated Wenceslas on his happiness.
“You bad boy!” said she, before Hortense and her mother, “if you had
only told me the evening before last that you loved my cousin Hortense,
and that she loved you, you would have spared me many tears. I thought
that you were deserting your old friend, your governess; while, on the
contrary, you are to become my cousin; henceforth, you will be connected
with me, remotely, it is true, but by ties that amply justify the
feelings I have for you.” And she kissed Wenceslas on the forehead.
Hortense threw herself into Lisbeth’s arms and melted into tears.
“I owe my happiness to you,” said she, “and I will never forget it.”
“Cousin Betty,” said the Baroness, embracing Lisbeth in her excitement
at seeing matters so happily settled, “the Baron and I owe you a debt of
gratitude, and we will pay it. Come and talk things over with me,” she
added, leading her away.
So Lisbeth, to all appearances, was playing the part of a good angel
to the whole family; she was adored by Crevel and Hulot, by Adeline and
Hortense.
“We wish you to give up working,” said the Baroness. “If you earn forty
sous a day, Sundays excepted, that makes six hundred francs a year.
Well, then, how much have you saved?”
“Four thousand five hundred francs.”
“Poor Betty!” said her cousin.
She raised her eyes to heaven, so deeply was she moved at the thought of
all the labor and privation such a sum must represent accumulated during
thirty years.
Lisbeth, misunderstanding the meaning of the exclamation, took it as the
ironical pity of the successful woman, and her hatred was strengthened
by a large infusion of venom at the very moment when her cousin had cast
off her last shred of distrust of the tyrant of her childhood.
“We will add ten thousand five hundred francs to that sum,” said
Adeline, “and put it in trust so that you shall draw the interest for
life with reversion to Hortense. Thus, you will have six hundred francs
a year.”
Lisbeth feigned the utmost satisfaction. When she went in, her
handkerchief to her eyes, wiping away tears of joy, Hortense told her of
all the favors being showered on Wenceslas, beloved of the family.
So when the Baron came home, he found his family all present; for the
Baroness had formally accepted Wenceslas by the title of Son, and the
wedding was fixed, if her husband should approve, for a day a fortnight
hence. The moment he came into the drawing-room, Hulot was rushed at
by his wife and daughter, who ran to meet him, Adeline to speak to him
privately, and Hortense to kiss him.
“You have gone too far in pledging me to this, madame,” said the Baron
sternly. “You are not married yet,” he added with a look at Steinbock,
who turned pale.
“He has heard of my imprisonment,” said the luckless artist to himself.
“Come, children,” said he, leading his daughter and the young man
into the garden; they all sat down on the moss-eaten seat in the
summer-house.
“Monsieur le Comte, do you love my daughter as well as I loved her
mother?” he asked.
“More, monsieur,” said the sculptor.
“Her mother was a peasant’s daughter, and had not a farthing of her
own.”
“Only give me Mademoiselle Hortense just as she is, without a trousseau
even----”
“So I should think!” said the Baron, smiling. “Hortense is the daughter
of the Baron Hulot d’Ervy, Councillor of State, high up in the War
Office, Grand Commander of the Legion of Honor, and the brother to Count
Hulot, whose glory is immortal, and who will ere long be Marshal of
France! And--she has a marriage portion.
“It is true,” said the impassioned artist. “I must seem very ambitious.
But if my dear Hortense were a laborer’s daughter, I would marry
her----”
“That is just what I wanted to know,” replied the Baron. “Run away,
Hortense, and leave me to talk business with Monsieur le Comte.--He
really loves you, you see!”
“Oh, papa, I was sure you were only in jest,” said the happy girl.
“My dear Steinbock,” said the Baron, with elaborate grace of diction and
the most perfect manners, as soon as he and the artist were alone, “I
promised my son a fortune of two hundred thousand francs, of which
the poor boy has never had a sou; and he never will get any of it. My
daughter’s fortune will also be two hundred thousand francs, for which
you will give a receipt----”
“Yes, Monsieur le Baron.”
“You go too fast,” said Hulot. “Have the goodness to hear me out. I
cannot expect from a son-in-law such devotion as I look for from my son.
My son knew exactly all I could and would do for his future promotion:
he will be a Minister, and will easily make good his two hundred
thousand francs. But with you, young man, matters are different. I shall
give you a bond for sixty thousand francs in State funds at five per
cent, in your wife’s name. This income will be diminished by a small
charge in the form of an annuity to Lisbeth; but she will not live long;
she is consumptive, I know. Tell no one; it is a secret; let the poor
soul die in peace.--My daughter will have a trousseau worth twenty
thousand francs; her mother will give her six thousand francs worth of
diamonds.
“Monsieur, you overpower me!” said Steinbock, quite bewildered.
“As to the remaining hundred and twenty thousand francs----”
“Say no more, monsieur,” said Wenceslas. “I ask only for my beloved
Hortense----”
“Will you listen to me, effervescent youth!--As to the remaining hundred
and twenty thousand francs, I have not got them; but you will have
them--”
“Monsieur?”
“You will get them from the Government, in payment for commissions which
I will secure for you, I pledge you my word of honor. You are to have
a studio, you see, at the Government depot. Exhibit a few fine statues,
and I will get you received at the Institute. The highest personages
have a regard for my brother and for me, and I hope to succeed in
securing for you a commission for sculpture at Versailles up to a
quarter of the whole sum. You will have orders from the City of Paris
and from the Chamber of Peers; in short, my dear fellow, you will have
so many that you will be obliged to get assistants. In that way I
shall pay off my debt to you. You must say whether this way of giving a
portion will suit you; whether you are equal to it.”
“I am equal to making a fortune for my wife single-handed if all else
failed!” cried the artist-nobleman.
“That is what I admire!” cried the Baron. “High-minded youth that fears
nothing. Come,” he added, clasping hands with the young sculptor to
conclude the bargain, “you have my consent. We will sign the contract
on Sunday next, and the wedding shall be on the following Saturday, my
wife’s fete-day.”
“It is all right,” said the Baroness to her daughter, who stood glued to
the window. “Your suitor and your father are embracing each other.”
On going home in the evening, Wenceslas found the solution of the
mystery of his release. The porter handed him a thick sealed packet,
containing the schedule of his debts, with a signed receipt affixed at
the bottom of the writ, and accompanied by this letter:--
“MY DEAR WENCESLAS,--I went to fetch you at ten o’clock this
morning to introduce you to a Royal Highness who wishes to see
you. There I learned that the duns had had you conveyed to a
certain little domain--chief town, _Clichy Castle_.
“So off I went to Leon de Lora, and told him, for a joke, that you
could not leave your country quarters for lack of four thousand
francs, and that you would spoil your future prospects if you did
not make your bow to your royal patron. Happily, Bridau was there
--a man of genius, who has known what it is to be poor, and has
heard your story. My boy, between them they have found the money,
and I went off to pay the Turk who committed treason against
genius by putting you in quod. As I had to be at the Tuileries at
noon, I could not wait to see you sniffing the outer air. I know
you to be a gentleman, and I answered for you to my two friends
--but look them up to-morrow.
“Leon and Bridau do not want your cash; they will ask you to do
them each a group--and they are right. At least, so thinks the man
who wishes he could sign himself your rival, but is only your
faithful ally,
“STIDMANN.
“P. S.--I told the Prince you were away, and would not return till
to-morrow, so he said, ‘Very good--to-morrow.’”
Count Wenceslas went to bed in sheets of purple, without a rose-leaf to
wrinkle them, that Favor can make for us--Favor, the halting divinity
who moves more slowly for men of genius than either Justice or Fortune,
because Jove has not chosen to bandage her eyes. Hence, lightly deceived
by the display of impostors, and attracted by their frippery and
trumpets, she spends the time in seeing them and the money in paying
them which she ought to devote to seeking out men of merit in the nooks
where they hide.
It will now be necessary to explain how Monsieur le Baron Hulot had
contrived to count up his expenditure on Hortense’s wedding portion,
and at the same time to defray the frightful cost of the charming rooms
where Madame Marneffe was to make her home. His financial scheme bore
that stamp of talent which leads prodigals and men in love into the
quagmires where so many disasters await them. Nothing can demonstrate
more completely the strange capacity communicated by vice, to which
we owe the strokes of skill which ambitious or voluptuous men can
occasionally achieve--or, in short, any of the Devil’s pupils.
On the day before, old Johann Fischer, unable to pay thirty thousand
francs drawn for on him by his nephew, had found himself under the
necessity of stopping payment unless the Baron could remit the sum.
This ancient worthy, with the white hairs of seventy years, had such
blind confidence in Hulot--who, to the old Bonapartist, was an emanation
from the Napoleonic sun--that he was calmly pacing his anteroom with
the bank clerk, in the little ground-floor apartment that he rented
for eight hundred francs a year as the headquarters of his extensive
dealings in corn and forage.
“Marguerite is gone to fetch the money from close by,” said he.
The official, in his gray uniform braided with silver, was so convinced
of the old Alsatian’s honesty, that he was prepared to leave the thirty
thousand francs’ worth of bills in his hands; but the old man would not
let him go, observing that the clock had not yet struck eight. A cab
drew up, the old man rushed into the street, and held out his hand
to the Baron with sublime confidence--Hulot handed him out thirty
thousand-franc notes.
“Go on three doors further, and I will tell you why,” said Fischer.
“Here, young man,” he said, returning to count out the money to the bank
emissary, whom he then saw to the door.
When the clerk was out of sight, Fischer called back the cab containing
his august nephew, Napoleon’s right hand, and said, as he led him into
the house:
“You do not want them to know at the Bank of France that you paid me the
thirty thousand francs, after endorsing the bills?--It was bad enough to
see them signed by such a man as you!--”
“Come to the bottom of your little garden, Father Fischer,” said the
important man. “You are hearty?” he went on, sitting down under a vine
arbor and scanning the old man from head to foot, as a dealer in human
flesh scans a substitute for the conscription.
“Ay, hearty enough for a tontine,” said the lean little old man; his
sinews were wiry, and his eye bright.
“Does heat disagree with you?”
“Quite the contrary.”
“What do you say to Africa?”
“A very nice country!--The French went there with the little Corporal”
(Napoleon).
“To get us all out of the present scrape, you must go to Algiers,” said
the Baron.
“And how about my business?”
“An official in the War Office, who has to retire, and has not enough to
live on with his pension, will buy your business.”
“And what am I to do in Algiers?”
“Supply the Commissariat with victuals, corn, and forage; I have your
commission ready filled in and signed. You can collect supplies in the
country at seventy per cent below the prices at which you can credit
us.”
“How shall we get them?”
“Oh, by raids, by taxes in kind, and the Khaliphat.--The country is
little known, though we settled there eight years ago; Algeria produces
vast quantities of corn and forage. When this produce belongs to Arabs,
we take it from them under various pretences; when it belongs to us, the
Arabs try to get it back again. There is a great deal of fighting over
the corn, and no one ever knows exactly how much each party has stolen
from the other. There is not time in the open field to measure the
corn as we do in the Paris market, or the hay as it is sold in the Rue
d’Enfer. The Arab chiefs, like our Spahis, prefer hard cash, and sell
the plunder at a very low price. The Commissariat needs a fixed quantity
and must have it. It winks at exorbitant prices calculated on the
difficulty of procuring food, and the dangers to which every form of
transport is exposed. That is Algiers from the army contractor’s point
of view.
“It is a muddle tempered by the ink-bottle, like every incipient
government. We shall not see our way through it for another ten
years--we who have to do the governing; but private enterprise has sharp
eyes.--So I am sending you there to make a fortune; I give you the job,
as Napoleon put an impoverished Marshal at the head of a kingdom where
smuggling might be secretly encouraged.
“I am ruined, my dear Fischer; I must have a hundred thousand francs
within a year.”
“I see no harm in getting it out of the Bedouins,” said the Alsatian
calmly. “It was always done under the Empire----”
“The man who wants to buy your business will be here this morning, and
pay you ten thousand francs down,” the Baron went on. “That will be
enough, I suppose, to take you to Africa?”
The old man nodded assent.
“As to capital out there, be quite easy. I will draw the remainder of
the money due if I find it necessary.”
“All I have is yours--my very blood,” said old Fischer.
“Oh, do not be uneasy,” said Hulot, fancying that his uncle saw more
clearly than was the fact. “As to our excise dealings, your character
will not be impugned. Everything depends on the authority at your back;
now I myself appointed the authorities out there; I am sure of them.
This, Uncle Fischer, is a dead secret between us. I know you well, and I
have spoken out without concealment or circumlocution.”
“It shall be done,” said the old man. “And it will go on----?”
“For two years, You will have made a hundred thousand francs of your own
to live happy on in the Vosges.”
“I will do as you wish; my honor is yours,” said the little old man
quietly.
“That is the sort of man I like.--However, you must not go till you have
seen your grand-niece happily married. She is to be a Countess.”
But even taxes and raids and the money paid by the War Office clerk for
Fischer’s business could not forthwith provide sixty thousand francs to
give Hortense, to say nothing of her trousseau, which was to cost about
five thousand, and the forty thousand spent--or to be spent--on Madame
Marneffe.
Where, then had the Baron found the thirty thousand francs he had just
produced? This was the history.
A few days previously Hulot had insured his life for the sum of a
hundred and fifty thousand francs, for three years, in two separate
companies. Armed with the policies, of which he paid the premium, he had
spoken as follows to the Baron de Nucingen, a peer of the Chamber, in
whose carriage he found himself after a sitting, driving home, in fact,
to dine with him:--
“Baron, I want seventy thousand francs, and I apply to you. You must
find some one to lend his name, to whom I will make over the right to
draw my pay for three years; it amounts to twenty-five thousand francs a
year--that is, seventy-five thousand francs.--You will say, ‘But you
may die’”--the banker signified his assent--“Here, then, is a policy of
insurance for a hundred and fifty thousand francs, which I will deposit
with you till you have drawn up the eighty thousand francs,” said Hulot,
producing the document form his pocket.
“But if you should lose your place?” said the millionaire Baron,
laughing.
The other Baron--not a millionaire--looked grave.
“Be quite easy; I only raised the question to show you that I was not
devoid of merit in handing you the sum. Are you so short of cash? for
the Bank will take your signature.”
“My daughter is to be married,” said Baron Hulot, “and I have no
fortune--like every one else who remains in office in these thankless
times, when five hundred ordinary men seated on benches will never
reward the men who devote themselves to the service as handsomely as the
Emperor did.”
“Well, well; but you had Josepha on your hands!” replied Nucingen, “and
that accounts for everything. Between ourselves, the Duc d’Herouville
has done you a very good turn by removing that leech from sucking your
purse dry. ‘I have known what that is, and can pity your case,’” he
quoted. “Take a friend’s advice: Shut up shop, or you will be done for.”
This dirty business was carried out in the name of one Vauvinet, a small
money-lender; one of those jobbers who stand forward to screen great
banking houses, like the little fish that is said to attend the shark.
This stock-jobber’s apprentice was so anxious to gain the patronage of
Monsieur le Baron Hulot, that he promised the great man to negotiate
bills of exchange for thirty thousand francs at eighty days, and pledged
himself to renew them four times, and never pass them out of his hands.
Fischer’s successor was to pay forty thousand francs for the house
and the business, with the promise that he should supply forage to a
department close to Paris.
This was the desperate maze of affairs into which a man who had
hitherto been absolutely honest was led by his passions--one of the
best administrative officials under Napoleon--peculation to pay the
money-lenders, and borrowing of the money-lenders to gratify his
passions and provide for his daughter. All the efforts of this elaborate
prodigality were directed at making a display before Madame Marneffe,
and to playing Jupiter to this middle-class Danae. A man could not
expend more activity, intelligence, and presence of mind in the honest
acquisition of a fortune than the Baron displayed in shoving his head
into a wasp’s nest: He did all the business of his department, he
hurried on the upholsterers, he talked to the workmen, he kept a sharp
lookout on the smallest details of the house in the Rue Vanneau. Wholly
devoted to Madame Marneffe, he nevertheless attended the sittings of the
Chambers; he was everywhere at once, and neither his family nor anybody
else discovered where his thoughts were.
Adeline, quite amazed to hear that her uncle was rescued, and to see a
handsome sum figure in the marriage-contract, was not altogether easy,
in spite of her joy at seeing her daughter married under such creditable
circumstances. But, on the day before the wedding, fixed by the Baron
to coincide with Madame Marneffe’s removal to her new apartment, Hector
allayed his wife’s astonishment by this ministerial communication:--
“Now, Adeline, our girl is married; all our anxieties on the subject are
at an end. The time is come for us to retire from the world: I shall not
remain in office more than three years longer--only the time necessary
to secure my pension. Why, henceforth, should we be at any unnecessary
expense? Our apartment costs us six thousand francs a year in rent, we
have four servants, we eat thirty thousand francs’ worth of food in a
year. If you want me to pay off my bills--for I have pledged my salary
for the sums I needed to give Hortense her little money, and pay off
your uncle----”
“You did very right!” said she, interrupting her husband, and kissing
his hands.
This explanation relieved Adeline of all her fears.
“I shall have to ask some little sacrifices of you,” he went on,
disengaging his hands and kissing his wife’s brow. “I have found in the
Rue Plumet a very good flat on the first floor, handsome, splendidly
paneled, at only fifteen hundred francs a year, where you would only
need one woman to wait on you, and I could be quite content with a boy.”
“Yes, my dear.”
“If we keep house in a quiet way, keeping up a proper appearance of
course, we should not spend more than six thousand francs a year,
excepting my private account, which I will provide for.”
The generous-hearted woman threw her arms round her husband’s neck in
her joy.
“How happy I shall be, beginning again to show you how truly I love
you!” she exclaimed. “And what a capital manager you are!”
“We will have the children to dine with us once a week. I, as you know,
rarely dine at home. You can very well dine twice a week with Victorin
and twice a week with Hortense. And, as I believe, I may succeed in
making matters up completely between Crevel and us; we can dine once a
week with him. These five dinners and our own at home will fill up the
week all but one day, supposing that we may occasionally be invited to
dine elsewhere.”
“I shall save a great deal for you,” said Adeline.
“Oh!” he cried, “you are the pearl of women!”
“My kind, divine Hector, I shall bless you with my latest breath,” said
she, “for you have done well for my dear Hortense.”
This was the beginning of the end of the beautiful Madame Hulot’s home;
and, it may be added, of her being totally neglected, as Hulot had
solemnly promised Madame Marneffe.
Crevel, the important and burly, being invited as a matter of course
to the party given for the signing of the marriage-contract, behaved as
though the scene with which this drama opened had never taken place, as
though he had no grievance against the Baron. Celestin Crevel was quite
amiable; he was perhaps rather too much the ex-perfumer, but as a Major
he was beginning to acquire majestic dignity. He talked of dancing at
the wedding.
“Fair lady,” said he politely to the Baroness, “people like us know how
to forget. Do not banish me from your home; honor me, pray, by gracing
my house with your presence now and then to meet your children. Be quite
easy; I will never say anything of what lies buried at the bottom of my
heart. I behaved, indeed, like an idiot, for I should lose too much by
cutting myself off from seeing you.”
“Monsieur, an honest woman has no ears for such speeches as those you
refer to. If you keep your word, you need not doubt that it will give me
pleasure to see the end of a coolness which must always be painful in a
family.”
“Well, you sulky old fellow,” said Hulot, dragging Crevel out into the
garden, “you avoid me everywhere, even in my own house. Are two admirers
of the fair sex to quarrel for ever over a petticoat? Come; this is
really too plebeian!”
“I, monsieur, am not such a fine man as you are, and my small
attractions hinder me from repairing my losses so easily as you can----”
“Sarcastic!” said the Baron.
“Irony is allowable from the vanquished to the conquerer.”
The conversation, begun in this strain, ended in a complete
reconciliation; still Crevel maintained his right to take his revenge.
Madame Marneffe particularly wished to be invited to Mademoiselle
Hulot’s wedding. To enable him to receive his future mistress in his
drawing-room, the great official was obliged to invite all the clerks of
his division down to the deputy head-clerks inclusive. Thus a grand ball
was a necessity. The Baroness, as a prudent housewife, calculated that
an evening party would cost less than a dinner, and allow of a larger
number of invitations; so Hortense’s wedding was much talked about.
Marshal Prince Wissembourg and the Baron de Nucingen signed in behalf of
the bride, the Comtes de Rastignac and Popinot in behalf of Steinbock.
Then, as the highest nobility among the Polish emigrants had been
civil to Count Steinbock since he had become famous, the artist thought
himself bound to invite them. The State Council, and the War Office to
which the Baron belonged, and the army, anxious to do honor to the Comte
de Forzheim, were all represented by their magnates. There were nearly
two hundred indispensable invitations. How natural, then, that little
Madame Marneffe was bent on figuring in all her glory amid such an
assembly. The Baroness had, a month since, sold her diamonds to set up
her daughter’s house, while keeping the finest for the trousseau. The
sale realized fifteen thousand francs, of which five thousand were
sunk in Hortense’s clothes. And what was ten thousand francs for the
furniture of the young folks’ apartment, considering the demands of
modern luxury? However, young Monsieur and Madame Hulot, old Crevel, and
the Comte de Forzheim made very handsome presents, for the old
soldier had set aside a sum for the purchase of plate. Thanks to these
contributions, even an exacting Parisian would have been pleased with
the rooms the young couple had taken in the Rue Saint-Dominique, near
the Invalides. Everything seemed in harmony with their love, pure,
honest, and sincere.
At last the great day dawned--for it was to be a great day not only for
Wenceslas and Hortense, but for old Hulot too. Madame Marneffe was to
give a house-warming in her new apartment the day after becoming Hulot’s
mistress _en titre_, and after the marriage of the lovers.
Who but has once in his life been a guest at a wedding-ball? Every
reader can refer to his reminiscences, and will probably smile as he
calls up the images of all that company in their Sunday-best faces as
well as their finest frippery.
If any social event can prove the influence of environment, is it not
this? In fact, the Sunday-best mood of some reacts so effectually on
the rest that the men who are most accustomed to wearing full dress look
just like those to whom the party is a high festival, unique in their
life. And think too of the serious old men to whom such things are
so completely a matter of indifference, that they are wearing their
everyday black coats; the long-married men, whose faces betray their sad
experience of the life the young pair are but just entering on; and the
lighter elements, present as carbonic-acid gas is in champagne; and
the envious girls, the women absorbed in wondering if their dress is a
success, the poor relations whose parsimonious “get-up” contrasts with
that of the officials in uniform; and the greedy ones, thinking only of
the supper; and the gamblers, thinking only of cards.
There are some of every sort, rich and poor, envious and envied,
philosophers and dreamers, all grouped like the plants in a flower-bed
round the rare, choice blossom, the bride. A wedding-ball is an epitome
of the world.
At the liveliest moment of the evening Crevel led the Baron aside, and
said in a whisper, with the most natural manner possible:
“By Jove! that’s a pretty woman--the little lady in pink who has opened
a racking fire on you from her eyes.”
“Which?”
“The wife of that clerk you are promoting, heaven knows how!--Madame
Marneffe.”
“What do you know about it?”
“Listen, Hulot; I will try to forgive you the ill you have done me if
only you will introduce me to her--I will take you to Heloise. Everybody
is asking who is that charming creature. Are you sure that it will
strike no one how and why her husband’s appointment got itself
signed?--You happy rascal, she is worth a whole office.--I would serve
in her office only too gladly.--Come, cinna, let us be friends.”
“Better friends than ever,” said the Baron to the perfumer, “and I
promise you I will be a good fellow. Within a month you shall dine with
that little angel.--For it is an angel this time, old boy. And I advise
you, like me, to have done with the devils.”
Cousin Betty, who had moved to the Rue Vanneau, into a nice little
apartment on the third floor, left the ball at ten o’clock, but came
back to see with her own eyes the two bonds bearing twelve hundred
francs interest; one of them was the property of the Countess Steinbock,
the other was in the name of Madame Hulot.
It is thus intelligible that Monsieur Crevel should have spoken to Hulot
about Madame Marneffe, as knowing what was a secret to the rest of the
world; for, as Monsieur Marneffe was away, no one but Lisbeth Fischer,
besides the Baron and Valerie, was initiated into the mystery.
The Baron had made a blunder in giving Madame Marneffe a dress far too
magnificent for the wife of a subordinate official; other women were
jealous alike of her beauty and of her gown. There was much whispering
behind fans, for the poverty of the Marneffes was known to every one in
the office; the husband had been petitioning for help at the very moment
when the Baron had been so smitten with madame. Also, Hector could not
conceal his exultation at seeing Valerie’s success; and she, severely
proper, very lady-like, and greatly envied, was the object of that
strict examination which women so greatly fear when they appear for the
first time in a new circle of society.
After seeing his wife into a carriage with his daughter and his
son-in-law, Hulot managed to escape unperceived, leaving his son and
Celestine to do the honors of the house. He got into Madame Marneffe’s
carriage to see her home, but he found her silent and pensive, almost
melancholy.
“My happiness makes you very sad, Valerie,” said he, putting his arm
round her and drawing her to him.
“Can you wonder, my dear,” said she, “that a hapless woman should be a
little depressed at the thought of her first fall from virtue, even when
her husband’s atrocities have set her free? Do you suppose that I have
no soul, no beliefs, no religion? Your glee this evening has been really
too barefaced; you have paraded me odiously. Really, a schoolboy would
have been less of a coxcomb. And the ladies have dissected me with their
side-glances and their satirical remarks. Every woman has some care for
her reputation, and you have wrecked mine.
“Oh, I am yours and no mistake! And I have not an excuse left but that
of being faithful to you.--Monster that you are!” she added, laughing,
and allowing him to kiss her, “you knew very well what you were doing!
Madame Coquet, our chief clerk’s wife, came to sit down by me, and
admired my lace. ‘English point!’ said she. ‘Was it very expensive,
madame?’--‘I do not know. This lace was my mother’s. I am not rich
enough to buy the like,’ said I.”
Madame Marneffe, in short, had so bewitched the old beau, that he really
believed she was sinning for the first time for his sake, and that he
had inspired such a passion as had led her to this breach of duty. She
told him that the wretch Marneffe had neglected her after they had been
three days married, and for the most odious reasons. Since then she had
lived as innocently as a girl; marriage had seemed to her so horrible.
This was the cause of her present melancholy.
“If love should prove to be like marriage----” said she in tears.
These insinuating lies, with which almost every woman in Valerie’s
predicament is ready, gave the Baron distant visions of the roses of
the seventh heaven. And so Valerie coquetted with her lover, while
the artist and Hortense were impatiently awaiting the moment when the
Baroness should have given the girl her last kiss and blessing.
At seven in the morning the Baron, perfectly happy--for his Valerie
was at once the most guileless of girls and the most consummate of
demons--went back to release his son and Celestine from their duties.
All the dancers, for the most part strangers, had taken possession of
the territory, as they do at every wedding-ball, and were keeping up
the endless figures of the cotillions, while the gamblers were still
crowding round the _bouillotte_ tables, and old Crevel had won six
thousand francs.
The morning papers, carried round the town, contained this paragraph in
the Paris article:--
“The marriage was celebrated this morning, at the Church of
Saint-Thomas d’Aquin, between Monsieur le Comte Steinbock and
Mademoiselle Hortense Hulot, daughter of Baron Hulot d’Ervy,
Councillor of State, and a Director at the War Office; niece of
the famous General Comte de Forzheim. The ceremony attracted a
large gathering. There were present some of the most distinguished
artists of the day: Leon de Lora, Joseph Bridau, Stidmann, and
Bixiou; the magnates of the War Office, of the Council of State,
and many members of the two Chambers; also the most distinguished
of the Polish exiles living in Paris: Counts Paz, Laginski, and
others.
“Monsieur le Comte Wenceslas Steinbock is grandnephew to the
famous general who served under Charles XII., King of Sweden. The
young Count, having taken part in the Polish rebellion, found a
refuge in France, where his well-earned fame as a sculptor has
procured him a patent of naturalization.”
And so, in spite of the Baron’s cruel lack of money, nothing was lacking
that public opinion could require, not even the trumpeting of the
newspapers over his daughter’s marriage, which was solemnized in the
same way, in every particular, as his son’s had been to Mademoiselle
Crevel. This display moderated the reports current as to the Baron’s
financial position, while the fortune assigned to his daughter explained
the need for having borrowed money.
Here ends what is, in a way, the introduction to this story. It is to
the drama that follows that the premise is to a syllogism, what the
prologue is to a classical tragedy.
In Paris, when a woman determines to make a business, a trade, of
her beauty, it does not follow that she will make a fortune. Lovely
creatures may be found there, and full of wit, who are in wretched
circumstances, ending in misery a life begun in pleasure. And this is
why. It is not enough merely to accept the shameful life of a courtesan
with a view to earning its profits, and at the same time to bear the
simple garb of a respectable middle-class wife. Vice does not triumph so
easily; it resembles genius in so far that they both need a concurrence
of favorable conditions to develop the coalition of fortune and gifts.
Eliminate the strange prologue of the Revolution, and the Emperor would
never have existed; he would have been no more than a second edition of
Fabert. Venal beauty, if it finds no amateurs, no celebrity, no cross
of dishonor earned by squandering men’s fortunes, is Correggio in a
hay-loft, is genius starving in a garret. Lais, in Paris, must first and
foremost find a rich man mad enough to pay her price. She must keep up a
very elegant style, for this is her shop-sign; she must be sufficiently
well bred to flatter the vanity of her lovers; she must have the
brilliant wit of a Sophie Arnould, which diverts the apathy of rich men;
finally, she must arouse the passions of libertines by appearing to be
mistress to one man only who is envied by the rest.
These conditions, which a woman of that class calls being in luck, are
difficult to combine in Paris, although it is a city of millionaires, of
idlers, of used-up and capricious men.
Providence has, no doubt, vouchsafed protection to clerks and
middle-class citizens, for whom obstacles of this kind are at least
double in the sphere in which they move. At the same time, there are
enough Madame Marneffes in Paris to allow of our taking Valerie to
figure as a type in this picture of manners. Some of these women yield
to the double pressure of a genuine passion and of hard necessity,
like Madame Colleville, who was for long attached to one of the famous
orators of the left, Keller the banker. Others are spurred by vanity,
like Madame de la Baudraye, who remained almost respectable in spite of
her elopement with Lousteau. Some, again, are led astray by the love of
fine clothes, and some by the impossibility of keeping a house going
on obviously too narrow means. The stinginess of the State--or of
Parliament--leads to many disasters and to much corruption.
At the present moment the laboring classes are the fashionable object
of compassion; they are being murdered--it is said--by the manufacturing
capitalist; but the Government is a hundred times harder than the
meanest tradesman, it carries its economy in the article of salaries to
absolute folly. If you work harder, the merchant will pay you more in
proportion; but what does the State do for its crowd of obscure and
devoted toilers?
In a married woman it is an inexcusable crime when she wanders from the
path of honor; still, there are degrees even in such a case. Some
women, far from being depraved, conceal their fall and remain to all
appearances quite respectable, like those two just referred to, while
others add to their fault the disgrace of speculation. Thus Madame
Marneffe is, as it were, the type of those ambitious married courtesans
who from the first accept depravity with all its consequences, and
determine to make a fortune while taking their pleasure, perfectly
unscrupulous as to the means. But almost always a woman like Madame
Marneffe has a husband who is her confederate and accomplice. These
Machiavellis in petticoats are the most dangerous of the sisterhood; of
every evil class of Parisian woman, they are the worst.
A mere courtesan--a Josepha, a Malaga, a Madame Schontz, a Jenny
Cadine--carries in her frank dishonor a warning signal as conspicuous as
the red lamp of a house of ill-fame or the flaring lights of a gambling
hell. A man knows that they light him to his ruin.
But mealy-mouthed propriety, the semblance of virtue, the hypocritical
ways of a married woman who never allows anything to be seen but the
vulgar needs of the household, and affects to refuse every kind of
extravagance, leads to silent ruin, dumb disaster, which is all the more
startling because, though condoned, it remains unaccounted for. It is
the ignoble bill of daily expenses and not gay dissipation that devours
the largest fortune. The father of a family ruins himself ingloriously,
and the great consolation of gratified vanity is wanting in his misery.
This little sermon will go like a javelin to the heart of many a home.
Madame Marneffes are to be seen in every sphere of social life, even at
Court; for Valerie is a melancholy fact, modeled from the life in the
smallest details. And, alas! the portrait will not cure any man of the
folly of loving these sweetly-smiling angels, with pensive looks and
candid faces, whose heart is a cash-box.
About three years after Hortense’s marriage, in 1841, Baron Hulot d’Ervy
was supposed to have sown his wild oats, to have “put up his horses,”
to quote the expression used by Louis XV.’s head surgeon, and yet Madame
Marneffe was costing him twice as much as Josepha had ever cost him.
Still, Valerie, though always nicely dressed, affected the simplicity
of a subordinate official’s wife; she kept her luxury for her
dressing-gowns, her home wear. She thus sacrificed her Parisian vanity
to her dear Hector. At the theatre, however, she always appeared in a
pretty bonnet and a dress of extreme elegance; and the Baron took her in
a carriage to a private box.
Her rooms, the whole of the second floor of a modern house in the
Rue Vanneau, between a fore-court and a garden, was redolent of
respectability. All its luxury was in good chintz hangings and handsome
convenient furniture.
Her bedroom, indeed, was the exception, and rich with such profusion
as Jenny Cadine or Madame Schontz might have displayed. There were
lace curtains, cashmere hangings, brocade portieres, a set of chimney
ornaments modeled by Stidmann, a glass cabinet filled with dainty
nicknacks. Hulot could not bear to see his Valerie in a bower of
inferior magnificence to the dunghill of gold and pearls owned by
a Josepha. The drawing-room was furnished with red damask, and the
dining-room had carved oak panels. But the Baron, carried away by his
wish to have everything in keeping, had at the end of six months,
added solid luxury to mere fashion, and had given her handsome portable
property, as, for instance, a service of plate that was to cost more
than twenty-four thousand francs.
Madame Marneffe’s house had in a couple of years achieved a reputation
for being a very pleasant one. Gambling went on there. Valerie herself
was soon spoken of as an agreeable and witty woman. To account for her
change of style, a rumor was set going of an immense legacy bequeathed
to her by her “natural father,” Marshal Montcornet, and left in trust.
With an eye to the future, Valerie had added religious to social
hypocrisy. Punctual at the Sunday services, she enjoyed all the honors
due to the pious. She carried the bag for the offertory, she was a
member of a charitable association, presented bread for the sacrament,
and did some good among the poor, all at Hector’s expense. Thus
everything about the house was extremely seemly. And a great many
persons maintained that her friendship with the Baron was entirely
innocent, supporting the view by the gentleman’s mature age, and
ascribing to him a Platonic liking for Madame Marneffe’s pleasant wit,
charming manners, and conversation--such a liking as that of the late
lamented Louis XVIII. for a well-turned note.
The Baron always withdrew with the other company at about midnight, and
came back a quarter of an hour later.
The secret of this secrecy was as follows. The lodge-keepers of the
house were a Monsieur and Madame Olivier, who, under the Baron’s
patronage, had been promoted from their humble and not very lucrative
post in the Rue du Doyenne to the highly-paid and handsome one in
the Rue Vanneau. Now, Madame Olivier, formerly a needlewoman in the
household of Charles X., who had fallen in the world with the legitimate
branch, had three children. The eldest, an under-clerk in a notary’s
office, was object of his parents’ adoration. This Benjamin, for six
years in danger of being drawn for the army, was on the point of being
interrupted in his legal career, when Madame Marneffe contrived to have
him declared exempt for one of those little malformations which the
Examining Board can always discern when requested in a whisper by some
power in the ministry. So Olivier, formerly a huntsman to the King, and
his wife would have crucified the Lord again for the Baron or for Madame
Marneffe.
What could the world have to say? It knew nothing of the former episode
of the Brazilian, Monsieur Montes de Montejanos--it could say nothing.
Besides, the world is very indulgent to the mistress of a house where
amusement is to be found.
And then to all her charms Valerie added the highly-prized advantage
of being an occult power. Claude Vignon, now secretary to Marshal the
Prince de Wissembourg, and dreaming of promotion to the Council of State
as a Master of Appeals, was constantly seen in her rooms, to which came
also some Deputies--good fellows and gamblers. Madame Marneffe had got
her circle together with prudent deliberation; only men whose opinions
and habits agreed foregathered there, men whose interest it was to
hold together and to proclaim the many merits of the lady of the house.
Scandal is the true Holy Alliance in Paris. Take that as an axiom.
Interests invariably fall asunder in the end; vicious natures can always
agree.
Within three months of settling in the Rue Vanneau, Madame Marneffe
had entertained Monsieur Crevel, who by that time was Mayor of his
_arrondissement_ and Officer of the Legion of Honor. Crevel had
hesitated; he would have to give up the famous uniform of the National
Guard in which he strutted at the Tuileries, believing himself quite
as much a soldier as the Emperor himself; but ambition, urged by Madame
Marneffe, had proved stronger than vanity. Then Monsieur le Maire had
considered his connection with Mademoiselle Heloise Brisetout as quite
incompatible with his political position.
Indeed, long before his accession to the civic chair of the Mayoralty,
his gallant intimacies had been wrapped in the deepest mystery. But,
as the reader may have guessed, Crevel had soon purchased the right of
taking his revenge, as often as circumstances allowed, for having been
bereft of Josepha, at the cost of a bond bearing six thousand francs of
interest in the name of Valerie Fortin, wife of Sieur Marneffe, for her
sole and separate use. Valerie, inheriting perhaps from her mother the
special acumen of the kept woman, read the character of her grotesque
adorer at a glance. The phrase “I never had a lady for a mistress,”
spoken by Crevel to Lisbeth, and repeated by Lisbeth to her dear
Valerie, had been handsomely discounted in the bargain by which she got
her six thousand francs a year in five per cents. And since then she had
never allowed her prestige to grow less in the eyes of Cesar Birotteau’s
erewhile bagman.
Crevel himself had married for money the daughter of a miller of la
Brie, an only child indeed, whose inheritance constituted three-quarters
of his fortune; for when retail-dealers grow rich, it is generally not
so much by trade as through some alliance between the shop and rural
thrift. A large proportion of the farmers, corn-factors, dairy-keepers,
and market-gardeners in the neighborhood of Paris, dream of the glories
of the desk for their daughters, and look upon a shopkeeper, a jeweler,
or a money-changer as a son-in-law after their own heart, in preference
to a notary or an attorney, whose superior social position is a ground
of suspicion; they are afraid of being scorned in the future by these
citizen bigwigs.
Madame Crevel, ugly, vulgar, and silly, had given her husband no
pleasures but those of paternity; she died young. Her libertine husband,
fettered at the beginning of his commercial career by the necessity
for working, and held in thrall by want of money, had led the life of
Tantalus. Thrown in--as he phrased it--with the most elegant women in
Paris, he let them out of the shop with servile homage, while admiring
their grace, their way of wearing the fashions, and all the nameless
charms of what is called breeding. To rise to the level of one of these
fairies of the drawing-room was a desire formed in his youth, but buried
in the depths of his heart. Thus to win the favors of Madame Marneffe
was to him not merely the realization of his chimera, but, as has been
shown, a point of pride, of vanity, of self-satisfaction. His ambition
grew with success; his brain was turned with elation; and when the
mind is captivated, the heart feels more keenly, every gratification is
doubled.
Also, it must be said that Madame Marneffe offered to Crevel a
refinement of pleasure of which he had no idea; neither Josepha nor
Heloise had loved him; and Madame Marneffe thought it necessary
to deceive him thoroughly, for this man, she saw, would prove an
inexhaustible till. The deceptions of a venal passion are more
delightful than the real thing. True love is mixed up with birdlike
squabbles, in which the disputants wound each other to the quick; but a
quarrel without animus is, on the contrary, a piece of flattery to the
dupe’s conceit.
The rare interviews granted to Crevel kept his passion at white heat.
He was constantly blocked by Valerie’s virtuous severity; she acted
remorse, and wondered what her father must be thinking of her in the
paradise of the brave. Again and again he had to contend with a sort
of coldness, which the cunning slut made him believe he had overcome
by seeming to surrender to the man’s crazy passion; and then, as if
ashamed, she entrenched herself once more in her pride of respectability
and airs of virtue, just like an Englishwoman, neither more nor less;
and she always crushed her Crevel under the weight of her dignity--for
Crevel had, in the first instance, swallowed her pretensions to virtue.
In short, Valerie had special veins of affections which made her equally
indispensable to Crevel and to the Baron. Before the world she
displayed the attractive combination of modest and pensive innocence,
of irreproachable propriety, with a bright humor enhanced by the
suppleness, the grace and softness of the Creole; but in a _tete-a-tete_
she would outdo any courtesan; she was audacious, amusing, and full of
original inventiveness. Such a contrast is irresistible to a man of the
Crevel type; he is flattered by believing himself sole author of the
comedy, thinking it is performed for his benefit alone, and he laughs at
the exquisite hypocrisy while admiring the hypocrite.
Valerie had taken entire possession of Baron Hulot; she had persuaded
him to grow old by one of those subtle touches of flattery which reveal
the diabolical wit of women like her. In all evergreen constitutions a
moment arrives when the truth suddenly comes out, as in a besieged
town which puts a good face on affairs as long as possible. Valerie,
foreseeing the approaching collapse of the old beau of the Empire,
determined to forestall it.
“Why give yourself so much bother, my dear old veteran?” said she one
day, six months after their doubly adulterous union. “Do you want to be
flirting? To be unfaithful to me? I assure you, I should like you better
without your make-up. Oblige me by giving up all your artificial charms.
Do you suppose that it is for two sous’ worth of polish on your boots
that I love you? For your india-rubber belt, your strait-waistcoat,
and your false hair? And then, the older you look, the less need I fear
seeing my Hulot carried off by a rival.”
And Hulot, trusting to Madame Marneffe’s heavenly friendship as much as
to her love, intending, too, to end his days with her, had taken this
confidential hint, and ceased to dye his whiskers and hair. After
this touching declaration from his Valerie, handsome Hector made his
appearance one morning perfectly white. Madame Marneffe could assure him
that she had a hundred times detected the white line of the growth of
the hair.
“And white hair suits your face to perfection,” said she; “it softens
it. You look a thousand times better, quite charming.”
The Baron, once started on this path of reform, gave up his leather
waistcoat and stays; he threw off all his bracing. His stomach fell
and increased in size. The oak became a tower, and the heaviness of his
movements was all the more alarming because the Baron grew immensely
older by playing the part of Louis XII. His eyebrows were still black,
and left a ghostly reminiscence of Handsome Hulot, as sometimes on the
wall of some feudal building a faint trace of sculpture remains to show
what the castle was in the days of its glory. This discordant detail
made his eyes, still bright and youthful, all the more remarkable in his
tanned face, because it had so long been ruddy with the florid hues of
a Rubens; and now a certain discoloration and the deep tension of the
wrinkles betrayed the efforts of a passion at odds with natural decay.
Hulot was now one of those stalwart ruins in which virile force asserts
itself by tufts of hair in the ears and nostrils and on the fingers, as
moss grows on the almost eternal monuments of the Roman Empire.
How had Valerie contrived to keep Crevel and Hulot side by side, each
tied to an apron-string, when the vindictive Mayor only longed to
triumph openly over Hulot? Without immediately giving an answer to this
question, which the course of the story will supply, it may be said that
Lisbeth and Valerie had contrived a powerful piece of machinery which
tended to this result. Marneffe, as he saw his wife improved in beauty
by the setting in which she was enthroned, like the sun at the centre of
the sidereal system, appeared, in the eyes of the world, to have fallen
in love with her again himself; he was quite crazy about her. Now,
though his jealousy made him somewhat of a marplot, it gave enhanced
value to Valerie’s favors. Marneffe meanwhile showed a blind confidence
in his chief, which degenerated into ridiculous complaisance. The only
person whom he really would not stand was Crevel.
Marneffe, wrecked by the debauchery of great cities, described by Roman
authors, though modern decency has no name for it, was as hideous as
an anatomical figure in wax. But this disease on feet, clothed in good
broadcloth, encased his lathlike legs in elegant trousers. The hollow
chest was scented with fine linen, and musk disguised the odors of
rotten humanity. This hideous specimen of decaying vice, trotting in red
heels--for Valerie dressed the man as beseemed his income, his cross,
and his appointment--horrified Crevel, who could not meet the colorless
eyes of the Government clerk. Marneffe was an incubus to the Mayor. And
the mean rascal, aware of the strange power conferred on him by Lisbeth
and his wife, was amused by it; he played on it as on an instrument; and
cards being the last resource of a mind as completely played out as
the body, he plucked Crevel again and again, the Mayor thinking himself
bound to subserviency to the worthy official whom _he was cheating_.
Seeing Crevel a mere child in the hands of that hideous and atrocious
mummy, of whose utter vileness the Mayor knew nothing; and seeing him,
yet more, an object of deep contempt to Valerie, who made game of Crevel
as of some mountebank, the Baron apparently thought him so impossible as
a rival that he constantly invited him to dinner.
Valerie, protected by two lovers on guard, and by a jealous husband,
attracted every eye, and excited every desire in the circle she shone
upon. And thus, while keeping up appearances, she had, in the course
of three years, achieved the most difficult conditions of the success a
courtesan most cares for and most rarely attains, even with the help
of audacity and the glitter of an existence in the light of the sun.
Valerie’s beauty, formerly buried in the mud of the Rue du Doyenne, now,
like a well-cut diamond exquisitely set by Chanor, was worth more than
its real value--it could break hearts. Claude Vignon adored Valerie in
secret.
This retrospective explanation, quite necessary after the lapse of
three years, shows Valerie’s balance-sheet. Now for that of her partner,
Lisbeth.
Lisbeth Fischer filled the place in the Marneffe household of a relation
who combines the functions of a lady companion and a housekeeper; but
she suffered from none of the humiliations which, for the most part,
weigh upon the women who are so unhappy as to be obliged to fill these
ambiguous situations. Lisbeth and Valerie offered the touching spectacle
of one of those friendships between women, so cordial and so improbable,
that men, always too keen-tongued in Paris, forthwith slander them. The
contrast between Lisbeth’s dry masculine nature and Valerie’s creole
prettiness encouraged calumny. And Madame Marneffe had unconsciously
given weight to the scandal by the care she took of her friend, with
matrimonial views, which were, as will be seen, to complete Lisbeth’s
revenge.
An immense change had taken place in Cousin Betty; and Valerie, who
wanted to smarten her, had turned it to the best account. The strange
woman had submitted to stays, and laced tightly, she used bandoline to
keep her hair smooth, wore her gowns as the dressmaker sent them home,
neat little boots, and gray silk stockings, all of which were included
in Valerie’s bills, and paid for by the gentleman in possession. Thus
furbished up, and wearing the yellow cashmere shawl, Lisbeth would have
been unrecognizable by any one who had not seen her for three years.
This other diamond--a black diamond, the rarest of all--cut by a skilled
hand, and set as best became her, was appreciated at her full value by
certain ambitious clerks. Any one seeing her for the first time might
have shuddered involuntarily at the look of poetic wildness which the
clever Valerie had succeeded in bringing out by the arts of dress in
this Bleeding Nun, framing the ascetic olive face in thick bands of
hair as black as the fiery eyes, and making the most of the rigid, slim
figure. Lisbeth, like a Virgin by Cranach or Van Eyck, or a Byzantine
Madonna stepped out of its frame, had all the stiffness, the precision
of those mysterious figures, the more modern cousins of Isis and her
sister goddesses sheathed in marble folds by Egyptian sculptors. It was
granite, basalt, porphyry, with life and movement.
Saved from want for the rest of her life, Lisbeth was most amiable;
wherever she dined she brought merriment. And the Baron paid the rent
of her little apartment, furnished, as we know, with the leavings of her
friend Valerie’s former boudoir and bedroom.
“I began,” she would say, “as a hungry nanny goat, and I am ending as a
_lionne_.”
She still worked for Monsieur Rivet at the more elaborate kinds of
gold-trimming, merely, as she said, not to lose her time. At the
same time, she was, as we shall see, very full of business; but it is
inherent in the nature of country-folks never to give up bread-winning;
in this they are like the Jews.
Every morning, very early, Cousin Betty went off to market with the
cook. It was part of Lisbeth’s scheme that the house-book, which was
ruining Baron Hulot, was to enrich her dear Valerie--as it did indeed.
Is there a housewife who, since 1838, has not suffered from the evil
effects of Socialist doctrines diffused among the lower classes by
incendiary writers? In every household the plague of servants is
nowadays the worst of financial afflictions. With very few exceptions,
who ought to be rewarded with the Montyon prize, the cook, male or
female, is a domestic robber, a thief taking wages, and perfectly
barefaced, with the Government for a fence, developing the tendency to
dishonesty, which is almost authorized in the cook by the time-honored
jest as to the “handle of the basket.” The women who formerly picked up
their forty sous to buy a lottery ticket now take fifty francs to put
into the savings bank. And the smug Puritans who amuse themselves in
France with philanthropic experiments fancy that they are making the
common people moral!
Between the market and the master’s table the servants have their secret
toll, and the municipality of Paris is less sharp in collecting the
city-dues than the servants are in taking theirs on every single thing.
To say nothing of fifty per cent charged on every form of food, they
demand large New Year’s premiums from the tradesmen. The best class of
dealers tremble before this occult power, and subsidize it without a
word--coachmakers, jewelers, tailors, and all. If any attempt is made
to interfere with them, the servants reply with impudent retorts, or
revenge themselves by the costly blunders of assumed clumsiness; and in
these days they inquire into their master’s character as, formerly, the
master inquired into theirs. This mischief is now really at its height,
and the law-courts are beginning to take cognizance of it; but in vain,
for it cannot be remedied but by a law which shall compel domestic
servants, like laborers, to have a pass-book as a guarantee of conduct.
Then the evil will vanish as if by magic. If every servant were obliged
to show his pass-book, and if masters were required to state in it the
cause of his dismissal, this would certainly prove a powerful check to
the evil.
The men who are giving their attentions to the politics of the day
know not to what lengths the depravity of the lower classes has gone.
Statistics are silent as to the startling number of working men of
twenty who marry cooks of between forty and fifty enriched by robbery.
We shudder to think of the result of such unions from the three points
of view of increasing crime, degeneracy of the race, and miserable
households.
As to the mere financial mischief that results from domestic peculation,
that too is immense from a political point of view. Life being made to
cost double, any superfluity becomes impossible in most households.
Now superfluity means half the trade of the world, as it is half the
elegance of life. Books and flowers are to many persons as necessary as
bread.
Lisbeth, well aware of this dreadful scourge of Parisian households,
determined to manage Valerie’s, promising her every assistance in the
terrible scene when the two women had sworn to be like sisters. So
she had brought from the depths of the Vosges a humble relation on her
mother’s side, a very pious and honest soul, who had been cook to the
Bishop of Nancy. Fearing, however, her inexperience of Paris ways, and
yet more the evil counsel which wrecks such fragile virtue, at first
Lisbeth always went to market with Mathurine, and tried to teach
her what to buy. To know the real prices of things and command the
salesman’s respect; to purchase unnecessary delicacies, such as fish,
only when they were cheap; to be well informed as to the price current
of groceries and provisions, so as to buy when prices are low in
anticipation of a rise,--all this housekeeping skill is in Paris
essential to domestic economy. As Mathurine got good wages and many
presents, she liked the house well enough to be glad to drive good
bargains. And by this time Lisbeth had made her quite a match for
herself, sufficiently experienced and trustworthy to be sent to market
alone, unless Valerie was giving a dinner--which, in fact, was not
unfrequently the case. And this was how it came about.
The Baron had at first observed the strictest decorum; but his passion
for Madame Marneffe had ere long become so vehement, so greedy, that he
would never quit her if he could help it. At first he dined there four
times a week; then he thought it delightful to dine with her every day.
Six months after his daughter’s marriage he was paying her two thousand
francs a month for his board. Madame Marneffe invited any one her dear
Baron wished to entertain. The dinner was always arranged for six; he
could bring in three unexpected guests. Lisbeth’s economy enabled her
to solve the extraordinary problem of keeping up the table in the best
style for a thousand francs a month, giving the other thousand to Madame
Marneffe. Valerie’s dress being chiefly paid for by Crevel and the
Baron, the two women saved another thousand francs a month on this.
And so this pure and innocent being had already accumulated a hundred
and fifty thousand francs in savings. She had capitalized her income
and monthly bonus, and swelled the amount by enormous interest, due to
Crevel’s liberality in allowing his “little Duchess” to invest her money
in partnership with him in his financial operations. Crevel had taught
Valerie the slang and the procedure of the money market, and, like every
Parisian woman, she had soon outstripped her master. Lisbeth, who never
spent a sou of her twelve hundred francs, whose rent and dress were
given to her, and who never put her hand in her pocket, had likewise
a small capital of five or six thousand francs, of which Crevel took
fatherly care.
At the same time, two such lovers were a heavy burthen on Valerie.
On the day when this drama reopens, Valerie, spurred by one of those
incidents which have the effect in life that the ringing of a bell has
in inducing a swarm of bees to settle, went up to Lisbeth’s rooms to
give vent to one of those comforting lamentations--a sort of cigarette
blown off from the tongue--by which women alleviate the minor miseries
of life.
“Oh, Lisbeth, my love, two hours of Crevel this morning! It is crushing!
How I wish I could send you in my place!”
“That, unluckily, is impossible,” said Lisbeth, smiling. “I shall die a
maid.”
“Two old men lovers! Really, I am ashamed sometimes! If my poor mother
could see me.”
“You are mistaking me for Crevel!” said Lisbeth.
“Tell me, my little Betty, do you not despise me?”
“Oh! if I had but been pretty, what adventures I would have had!” cried
Lisbeth. “That is your justification.”
“But you would have acted only at the dictates of your heart,” said
Madame Marneffe, with a sigh.
“Pooh! Marneffe is a dead man they have forgotten to bury,” replied
Lisbeth. “The Baron is as good as your husband; Crevel is your adorer;
it seems to me that you are quite in order--like every other married
woman.”
“No, it is not that, dear, adorable thing; that is not where the shoe
pinches; you do not choose to understand.”
“Yes, I do,” said Lisbeth. “The unexpressed factor is part of my
revenge; what can I do? I am working it out.”
“I love Wenceslas so that I am positively growing thin, and I can never
see him,” said Valerie, throwing up her arms. “Hulot asks him to dinner,
and my artist declines. He does not know that I idolize him, the wretch!
What is his wife after all? Fine flesh! Yes, she is handsome, but I--I
know myself--I am worse!”
“Be quite easy, my child, he will come,” said Lisbeth, in the tone of a
nurse to an impatient child. “He shall.”
“But when?”
“This week perhaps.”
“Give me a kiss.”
As may be seen, these two women were but one. Everything Valerie did,
even her most reckless actions, her pleasures, her little sulks, were
decided on after serious deliberation between them.
Lisbeth, strangely excited by this harlot existence, advised Valerie on
every step, and pursued her course of revenge with pitiless logic. She
really adored Valerie; she had taken her to be her child, her friend,
her love; she found her docile, as Creoles are, yielding from voluptuous
indolence; she chattered with her morning after morning with more
pleasure than with Wenceslas; they could laugh together over the
mischief they plotted, and over the folly of men, and count up the
swelling interest on their respective savings.
Indeed, in this new enterprise and new affection, Lisbeth had found food
for her activity that was far more satisfying than her insane passion
for Wenceslas. The joys of gratified hatred are the fiercest and
strongest the heart can know. Love is the gold, hatred the iron of
the mine of feeling that lies buried in us. And then, Valerie was,
to Lisbeth, Beauty in all its glory--the beauty she worshiped, as we
worship what we have not, beauty far more plastic to her hand than that
of Wenceslas, who had always been cold to her and distant.
At the end of nearly three years, Lisbeth was beginning to perceive the
progress of the underground mine on which she was expending her life and
concentrating her mind. Lisbeth planned, Madame Marneffe acted. Madame
Marneffe was the axe, Lisbeth was the hand the wielded it, and that hand
was rapidly demolishing the family which was every day more odious
to her; for we can hate more and more, just as, when we love, we love
better every day.
Love and hatred are feelings that feed on themselves; but of the two,
hatred has the longer vitality. Love is restricted within limits of
power; it derives its energies from life and from lavishness. Hatred
is like death, like avarice; it is, so to speak, an active abstraction,
above beings and things.
Lisbeth, embarked on the existence that was natural to her, expended in
it all her faculties; governing, like the Jesuits, by occult influences.
The regeneration of her person was equally complete; her face was
radiant. Lisbeth dreamed of becoming Madame la Marechale Hulot.
This little scene, in which the two friends had bluntly uttered
their ideas without any circumlocution in expressing them, took place
immediately on Lisbeth’s return from market, whither she had been to
procure the materials for an elegant dinner. Marneffe, who hoped to get
Coquet’s place, was to entertain him and the virtuous Madame Coquet,
and Valerie hoped to persuade Hulot, that very evening, to consider the
head-clerk’s resignation.
Lisbeth dressed to go to the Baroness, with whom she was to dine.
“You will come back in time to make tea for us, my Betty?” said Valerie.
“I hope so.”
“You hope so--why? Have you come to sleeping with Adeline to drink her
tears while she is asleep?”
“If only I could!” said Lisbeth, laughing. “I would not refuse. She is
expiating her happiness--and I am glad, for I remember our young days.
It is my turn now. She will be in the mire, and I shall be Comtesse de
Forzheim!”
Lisbeth set out for the Rue Plumet, where she now went as to the
theatre--to indulge her emotions.
The residence Hulot had found for his wife consisted of a large,
bare entrance-room, a drawing-room, and a bed and dressing-room. The
dining-room was next the drawing-room on one side. Two servants’ rooms
and a kitchen on the third floor completed the accommodation, which was
not unworthy of a Councillor of State, high up in the War Office. The
house, the court-yard, and the stairs were extremely handsome.
The Baroness, who had to furnish her drawing-room, bed-room, and
dining-room with the relics of her splendor, had brought away the best
of the remains from the house in the Rue de l’Universite. Indeed, the
poor woman was attached to these mute witnesses of her happier life;
to her they had an almost consoling eloquence. In memory she saw her
flowers, as in the carpets she could trace patterns hardly visible now
to other eyes.
On going into the spacious anteroom, where twelve chairs, a barometer,
a large stove, and long, white cotton curtains, bordered with red,
suggested the dreadful waiting-room of a Government office, the visitor
felt oppressed, conscious at once of the isolation in which the mistress
lived. Grief, like pleasure, infects the atmosphere. A first glance into
any home is enough to tell you whether love or despair reigns there.
Adeline would be found sitting in an immense bedroom with beautiful
furniture by Jacob Desmalters, of mahogany finished in the Empire style
with ormolu, which looks even less inviting than the brass-work of Louis
XVI.! It gave one a shiver to see this lonely woman sitting on a Roman
chair, a work-table with sphinxes before her, colorless, affecting false
cheerfulness, but preserving her imperial air, as she had preserved
the blue velvet gown she always wore in the house. Her proud spirit
sustained her strength and preserved her beauty.
The Baroness, by the end of her first year of banishment to this
apartment, had gauged every depth of misfortune.
“Still, even here my Hector has made my life much handsomer than it
should be for a mere peasant,” said she to herself. “He chooses that it
should be so; his will be done! I am Baroness Hulot, the sister-in-law
of a Marshal of France. I have done nothing wrong; my two children are
settled in life; I can wait for death, wrapped in the spotless veil of
an immaculate wife and the crape of departed happiness.”
A portrait of Hulot, in the uniform of a Commissary General of the
Imperial Guard, painted in 1810 by Robert Lefebvre, hung above the
work-table, and when visitors were announced, Adeline threw into
a drawer an _Imitation of Jesus Christ_, her habitual study. This
blameless Magdalen thus heard the Voice of the Spirit in her desert.
“Mariette, my child,” said Lisbeth to the woman who opened the door,
“how is my dear Adeline to-day?”
“Oh, she looks pretty well, mademoiselle; but between you and me, if she
goes on in this way, she will kill herself,” said Mariette in a whisper.
“You really ought to persuade her to live better. Now, yesterday madame
told me to give her two sous’ worth of milk and a roll for one sou; to
get her a herring for dinner and a bit of cold veal; she had a pound
cooked to last her the week--of course, for the days when she dines
at home and alone. She will not spend more than ten sous a day for her
food. It is unreasonable. If I were to say anything about it to Monsieur
le Marechal, he might quarrel with Monsieur le Baron and leave him
nothing, whereas you, who are so kind and clever, can manage things----”
“But why do you not apply to my cousin the Baron?” said Lisbeth.
“Oh, dear mademoiselle, he has not been here for three weeks or more; in
fact, not since we last had the pleasure of seeing you! Besides, madame
has forbidden me, under threat of dismissal, ever to ask the master for
money. But as for grief!--oh, poor lady, she has been very unhappy. It
is the first time that monsieur has neglected her for so long. Every
time the bell rang she rushed to the window--but for the last five days
she has sat still in her chair. She reads. Whenever she goes out to see
Madame la Comtesse, she says, ‘Mariette, if monsieur comes in,’ says
she, ‘tell him I am at home, and send the porter to fetch me; he shall
be well paid for his trouble.’”
“Poor soul!” said Lisbeth; “it goes to my heart. I speak of her to the
Baron every day. What can I do? ‘Yes,’ says he, ‘Betty, you are right;
I am a wretch. My wife is an angel, and I am a monster! I will go
to-morrow----’ And he stays with Madame Marneffe. That woman is ruining
him, and he worships her; he lives only in her sight.--I do what I can;
if I were not there, and if I had not Mathurine to depend upon, he would
spend twice as much as he does; and as he has hardly any money in the
world, he would have blown his brains out by this time. And, I tell
you, Mariette, Adeline would die of her husband’s death, I am perfectly
certain. At any rate, I pull to make both ends meet, and prevent my
cousin from throwing too much money into the fire.”
“Yes, that is what madame says, poor soul! She knows how much she owes
you,” replied Mariette. “She said she had judged you unjustly for many
years----”
“Indeed!” said Lisbeth. “And did she say anything else?”
“No, mademoiselle. If you wish to please her, talk to her about Monsieur
le Baron; she envies you your happiness in seeing him every day.”
“Is she alone?”
“I beg pardon, no; the Marshal is with her. He comes every day, and she
always tells him she saw monsieur in the morning, but that he comes in
very late at night.”
“And is there a good dinner to-day?”
Mariette hesitated; she could not meet Lisbeth’s eye. The drawing-room
door opened, and Marshal Hulot rushed out in such haste that he bowed to
Lisbeth without looking at her, and dropped a paper. Lisbeth picked it
up and ran after him downstairs, for it was vain to hail a deaf man; but
she managed not to overtake the Marshal, and as she came up again she
furtively read the following lines written in pencil:--
“MY DEAR BROTHER,--My husband has given me the money for my
quarter’s expenses; but my daughter Hortense was in such need of
it, that I lent her the whole sum, which was scarcely enough to
set her straight. Could you lend me a few hundred francs? For I
cannot ask Hector for more; if he were to blame me, I could not
bear it.”
“My word!” thought Lisbeth, “she must be in extremities to bend her
pride to such a degree!”
Lisbeth went in. She saw tears in Adeline’s eyes, and threw her arms
round her neck.
“Adeline, my dearest, I know all,” cried Cousin Betty. “Here, the
Marshal dropped this paper--he was in such a state of mind, and
running like a greyhound.--Has that dreadful Hector given you no money
since----?”
“He gives it me quite regularly,” replied the Baroness, “but Hortense
needed it, and--”
“And you had not enough to pay for dinner to-night,” said Lisbeth,
interrupting her. “Now I understand why Mariette looked so confused when
I said something about the soup. You really are childish, Adeline; come,
take my savings.”
“Thank you, my kind cousin,” said Adeline, wiping away a tear. “This
little difficulty is only temporary, and I have provided for the future.
My expenses henceforth will be no more than two thousand four hundred
francs a year, rent inclusive, and I shall have the money.--Above all,
Betty, not a word to Hector. Is he well?”
“As strong as the Pont Neuf, and as gay as a lark; he thinks of nothing
but his charmer Valerie.”
Madame Hulot looked out at a tall silver-fir in front of the window, and
Lisbeth could not see her cousin’s eyes to read their expression.
“Did you mention that it was the day when we all dine together here?”
“Yes. But, dear me! Madame Marneffe is giving a grand dinner; she
hopes to get Monsieur Coquet to resign, and that is of the first
importance.--Now, Adeline, listen to me. You know that I am fiercely
proud as to my independence. Your husband, my dear, will certainly bring
you to ruin. I fancied I could be of use to you all by living near this
woman, but she is a creature of unfathomable depravity, and she will
make your husband promise things which will bring you all to disgrace.”
Adeline writhed like a person stabbed to the heart. “My dear Adeline, I
am sure of what I say. I feel it is my duty to enlighten you.--Well, let
us think of the future. The Marshal is an old man, but he will last a
long time yet--he draws good pay; when he dies his widow would have a
pension of six thousand francs. On such an income I would undertake to
maintain you all. Use your influence over the good man to get him to
marry me. It is not for the sake of being Madame la Marechale; I value
such nonsense at no more than I value Madame Marneffe’s conscience; but
you will all have bread. I see that Hortense must be wanting it, since
you give her yours.”
The Marshal now came in; he had made such haste, that he was mopping his
forehead with his bandana.
“I have given Mariette two thousand francs,” he whispered to his
sister-in-law.
Adeline colored to the roots of her hair. Two tears hung on the fringes
of the still long lashes, and she silently pressed the old man’s hand;
his beaming face expressed the glee of a favored lover.
“I intended to spend the money in a present for you, Adeline,” said
he. “Instead of repaying me, you must choose for yourself the thing you
would like best.”
He took Lisbeth’s hand, which she held out to him, and so bewildered was
he by his satisfaction, that he kissed it.
“That looks promising,” said Adeline to Lisbeth, smiling so far as she
was able to smile.
The younger Hulot and his wife now came in.
“Is my brother coming to dinner?” asked the Marshal sharply.
Adeline took up a pencil and wrote these words on a scrap of paper:
“I expect him; he promised this morning that he would be here; but if
he should not come, it would be because the Marshal kept him. He is
overwhelmed with business.”
And she handed him the paper. She had invented this way of conversing
with Marshal Hulot, and kept a little collection of paper scraps and a
pencil at hand on the work-table.
“I know,” said the Marshal, “he is worked very hard over the business in
Algiers.”
At this moment, Hortense and Wenceslas arrived, and the Baroness, as
she saw all her family about her, gave the Marshal a significant glance
understood by none but Lisbeth.
Happiness had greatly improved the artist, who was adored by his wife
and flattered by the world. His face had become almost round, and his
graceful figure did justice to the advantages which blood gives to men
of birth. His early fame, his important position, the delusive eulogies
that the world sheds on artists as lightly as we say, “How d’ye do?” or
discuss the weather, gave him that high sense of merit which degenerates
into sheer fatuity when talent wanes. The Cross of the Legion of Honor
was the crowning stamp of the great man he believed himself to be.
After three years of married life, Hortense was to her husband what a
dog is to its master; she watched his every movement with a look that
seemed a constant inquiry, her eyes were always on him, like those of
a miser on his treasure; her admiring abnegation was quite pathetic. In
her might be seen her mother’s spirit and teaching. Her beauty, as
great as ever, was poetically touched by the gentle shadow of concealed
melancholy.
On seeing Hortense come in, it struck Lisbeth that some long-suppressed
complaint was about to break through the thin veil of reticence.
Lisbeth, from the first days of the honeymoon, had been sure that this
couple had too small an income for so great a passion.
Hortense, as she embraced her mother, exchanged with her a few whispered
phrases, heart to heart, of which the mystery was betrayed to Lisbeth by
certain shakes of the head.
“Adeline, like me, must work for her living,” thought Cousin Betty. “She
shall be made to tell me what she will do! Those pretty fingers will
know at last, like mine, what it is to work because they must.”
At six o’clock the family party went in to dinner. A place was laid for
Hector.
“Leave it so,” said the Baroness to Mariette, “monsieur sometimes comes
in late.”
“Oh, my father will certainly come,” said Victorin to his mother. “He
promised me he would when we parted at the Chamber.”
Lisbeth, like a spider in the middle of its net, gloated over all these
countenances. Having known Victorin and Hortense from their birth, their
faces were to her like panes of glass, through which she could read
their young souls. Now, from certain stolen looks directed by Victorin
on his mother, she saw that some disaster was hanging over Adeline which
Victorin hesitated to reveal. The famous young lawyer had some covert
anxiety. His deep reverence for his mother was evident in the regret
with which he gazed at her.
Hortense was evidently absorbed in her own woes; for a fortnight past,
as Lisbeth knew, she had been suffering the first uneasiness which want
of money brings to honest souls, and to young wives on whom life
has hitherto smiled, and who conceal their alarms. Also Lisbeth had
immediately guessed that her mother had given her no money. Adeline’s
delicacy had brought her so low as to use the fallacious excuses that
necessity suggests to borrowers.
Hortense’s absence of mind, with her brother’s and the Baroness’ deep
dejection, made the dinner a melancholy meal, especially with the added
chill of the Marshal’s utter deafness. Three persons gave a little life
to the scene: Lisbeth, Celestine, and Wenceslas. Hortense’s affection
had developed the artist’s natural liveliness as a Pole, the somewhat
swaggering vivacity and noisy high spirits that characterize these
Frenchmen of the North. His frame of mind and the expression of his
face showed plainly that he believed in himself, and that poor Hortense,
faithful to her mother’s training, kept all domestic difficulties to
herself.
“You must be content, at any rate,” said Lisbeth to her young cousin, as
they rose from table, “since your mother has helped you with her money.”
“Mamma!” replied Hortense in astonishment. “Oh, poor mamma! It is for me
that she would like to make money. You do not know, Lisbeth, but I have
a horrible suspicion that she works for it in secret.”
They were crossing the large, dark drawing-room where there were
no candles, all following Mariette, who was carrying the lamp into
Adeline’s bedroom. At this instant Victorin just touched Lisbeth
and Hortense on the arm. The two women, understanding the hint, left
Wenceslas, Celestine, the Marshal, and the Baroness to go on together,
and remained standing in a window-bay.
“What is it, Victorin?” said Lisbeth. “Some disaster caused by your
father, I dare wager.”
“Yes, alas!” replied Victorin. “A money-lender named Vauvinet has bills
of my father’s to the amount of sixty thousand francs, and wants to
prosecute. I tried to speak of the matter to my father at the Chamber,
but he would not understand me; he almost avoided me. Had we better tell
my mother?”
“No, no,” said Lisbeth, “she has too many troubles; it would be a
death-blow; you must spare her. You have no idea how low she has fallen.
But for your uncle, you would have found no dinner here this evening.”
“Dear Heaven! Victorin, what wretches we are!” said Hortense to her
brother. “We ought to have guessed what Lisbeth has told us. My dinner
is choking me!”
Hortense could say no more; she covered her mouth with her handkerchief
to smother a sob, and melted into tears.
“I told the fellow Vauvinet to call on me to-morrow,” replied Victorin,
“but will he be satisfied by my guarantee on a mortgage? I doubt it.
Those men insist on ready money to sweat others on usurious terms.”
“Let us sell out of the funds!” said Lisbeth to Hortense.
“What good would that do?” replied Victorin. “It would bring fifteen or
sixteen thousand francs, and we want sixty thousand.”
“Dear cousin!” cried Hortense, embracing Lisbeth with the enthusiasm of
guilelessness.
“No, Lisbeth, keep your little fortune,” said Victorin, pressing the old
maid’s hand. “I shall see to-morrow what this man would be up to.
With my wife’s consent, I can at least hinder or postpone the
prosecution--for it would really be frightful to see my father’s honor
impugned. What would the War Minister say? My father’s salary, which
he pledged for three years, will not be released before the month of
December, so we cannot offer that as a guarantee. This Vauvinet has
renewed the bills eleven times; so you may imagine what my father must
pay in interest. We must close this pit.”
“If only Madame Marneffe would throw him over!” said Hortense bitterly.
“Heaven forbid!” exclaimed Victorin. “He would take up some one else;
and with her, at any rate, the worst outlay is over.”
What a change in children formerly so respectful, and kept so long by
their mother in blind worship of their father! They knew him now for
what he was.
“But for me,” said Lisbeth, “your father’s ruin would be more complete
than it is.”
“Come in to mamma,” said Hortense; “she is very sharp, and will suspect
something; as our kind Lisbeth says, let us keep everything from
her--let us be cheerful.”
“Victorin,” said Lisbeth, “you have no notion of what your father
will be brought to by his passion for women. Try to secure some future
resource by getting the Marshal to marry me. Say something about it this
evening; I will leave early on purpose.”
Victorin went into the bedroom.
“And you, poor little thing!” said Lisbeth in an undertone to Hortense,
“what can you do?”
“Come to dinner with us to-morrow, and we will talk it over,” answered
Hortense. “I do not know which way to turn; you know how hard life is,
and you will advise me.”
While the whole family with one consent tried to persuade the Marshal to
marry, and while Lisbeth was making her way home to the Rue Vanneau, one
of those incidents occurred which, in such women as Madame Marneffe, are
a stimulus to vice by compelling them to exert their energy and
every resource of depravity. One fact, at any rate, must however be
acknowledged: life in Paris is too full for vicious persons to do wrong
instinctively and unprovoked; vice is only a weapon of defence against
aggressors--that is all.
Madame Marneffe’s drawing-room was full of her faithful admirers, and
she had just started the whist-tables, when the footman, a pensioned
soldier recruited by the Baron, announced:
“Monsieur le Baron Montes de Montejanos.”
Valerie’s heart jumped, but she hurried to the door, exclaiming:
“My cousin!” and as she met the Brazilian, she whispered:
“You are my relation--or all is at an end between us!--And so you were
not wrecked, Henri?” she went on audibly, as she led him to the fire. “I
heard you were lost, and have mourned for you these three years.”
“How are you, my good fellow?” said Marneffe, offering his hand to the
stranger, whose get-up was indeed that of a Brazilian and a millionaire.
Monsieur le Baron Henri Montes de Montejanos, to whom the climate of the
equator had given the color and stature we expect to see in Othello on
the stage, had an alarming look of gloom, but it was a merely pictorial
illusion; for, sweet and affectionate by nature, he was predestined
to be the victim that a strong man often is to a weak woman. The scorn
expressed in his countenance, the muscular strength of his stalwart
frame, all his physical powers were shown only to his fellow-men; a form
of flattery which women appreciate, nay, which so intoxicates them, that
every man with his mistress on his arm assumes a matador swagger that
provokes a smile. Very well set up, in a closely fitting blue coat with
solid gold buttons, in black trousers, spotless patent evening boots,
and gloves of a fashionable hue, the only Brazilian touch in the Baron’s
costume was a large diamond, worth about a hundred thousand francs,
which blazed like a star on a handsome blue silk cravat, tucked into a
white waistcoat in such a way as to show corners of a fabulously fine
shirt front.
His brow, bossy like that of a satyr, a sign of tenacity in his
passions, was crowned by thick jet-black hair like a virgin forest, and
under it flashed a pair of hazel eyes, so wild looking as to suggest
that before his birth his mother must have been scared by a jaguar.
This fine specimen of the Portuguese race in Brazil took his stand with
his back to the fire, in an attitude that showed familiarity with
Paris manners; holding his hat in one hand, his elbow resting on the
velvet-covered shelf, he bent over Madame Marneffe, talking to her in an
undertone, and troubling himself very little about the dreadful people
who, in his opinion, were so very much in the way.
This fashion of taking the stage, with the Brazilian’s attitude and
expression, gave, alike to Crevel and to the baron, an identical shock
of curiosity and anxiety. Both were struck by the same impression and
the same surmise. And the manoeuvre suggested in each by their very
genuine passion was so comical in its simultaneous results, that it
made everybody smile who was sharp enough to read its meaning. Crevel,
a tradesman and shopkeeper to the backbone, though a mayor of Paris,
unluckily, was a little slower to move than his rival partner, and
this enabled the Baron to read at a glance Crevel’s involuntary
self-betrayal. This was a fresh arrow to rankle in the very amorous old
man’s heart, and he resolved to have an explanation from Valerie.
“This evening,” said Crevel to himself too, as he sorted his hand, “I
must know where I stand.”
“You have a heart!” cried Marneffe. “You have just revoked.”
“I beg your pardon,” said Crevel, trying to withdraw his card.--“This
Baron seems to me very much in the way,” he went on, thinking to
himself. “If Valerie carries on with my Baron, well and good--it is a
means to my revenge, and I can get rid of him if I choose; but as for
this cousin!--He is one Baron too many; I do not mean to be made a fool
of. I will know how they are related.”
That evening, by one of those strokes of luck which come to pretty
women, Valerie was charmingly dressed. Her white bosom gleamed under a
lace tucker of rusty white, which showed off the satin texture of her
beautiful shoulders--for Parisian women, Heaven knows how, have some way
of preserving their fine flesh and remaining slender. She wore a black
velvet gown that looked as if it might at any moment slip off her
shoulders, and her hair was dressed with lace and drooping flowers. Her
arms, not fat but dimpled, were graced by deep ruffles to her sleeves.
She was like a luscious fruit coquettishly served in a handsome dish,
and making the knife-blade long to be cutting it.
“Valerie,” the Brazilian was saying in her ear, “I have come back
faithful to you. My uncle is dead; I am twice as rich as I was when I
went away. I mean to live and die in Paris, for you and with you.”
“Lower, Henri, I implore you----”
“Pooh! I mean to speak to you this evening, even if I should have to
pitch all these creatures out of window, especially as I have lost two
days in looking for you. I shall stay till the last.--I can, I suppose?”
Valerie smiled at her adopted cousin, and said:
“Remember that you are the son of my mother’s sister, who married your
father during Junot’s campaign in Portugal.”
“What, I, Montes de Montejanos, great grandson of a conquerer of Brazil!
Tell a lie?”
“Hush, lower, or we shall never meet again.”
“Pray, why?”
“Marneffe, like all dying wretches, who always take up some last whim,
has a revived passion for me----”
“That cur?” said the Brazilian, who knew his Marneffe; “I will settle
him!”
“What violence!”
“And where did you get all this splendor?” the Brazilian went on, just
struck by the magnificence of the apartment.
She began to laugh.
“Henri! what bad taste!” said she.
She had felt two burning flashes of jealousy which had moved her so
far as to make her look at the two souls in purgatory. Crevel, playing
against Baron Hulot and Monsieur Coquet, had Marneffe for his
partner. The game was even, because Crevel and the Baron were equally
absent-minded, and made blunder after blunder. Thus, in one instant, the
old men both confessed the passion which Valerie had persuaded them to
keep secret for the past three years; but she too had failed to hide
the joy in her eyes at seeing the man who had first taught her heart
to beat, the object of her first love. The rights of such happy mortals
survive as long as the woman lives over whom they have acquired them.
With these three passions at her side--one supported by the insolence of
wealth, the second by the claims of possession, and the third by youth,
strength, fortune, and priority--Madame Marneffe preserved her coolness
and presence of mind, like General Bonaparte when, at the siege of
Mantua, he had to fight two armies, and at the same time maintain the
blockade.
Jealousy, distorting Hulot’s face, made him look as terrible as the late
Marshal Montcornet leading a cavalry charge against a Russian square.
Being such a handsome man, he had never known any ground for jealousy,
any more than Murat knew what it was to be afraid. He had always felt
sure that he should triumph. His rebuff by Josepha, the first he
had ever met, he ascribed to her love of money; “he was conquered by
millions, and not by a changeling,” he would say when speaking of the
Duc d’Herouville. And now, in one instant, the poison and delirium
that the mad passion sheds in a flood had rushed to his heart. He kept
turning from the whist-table towards the fireplace with an action _a la_
Mirabeau; and as he laid down his cards to cast a challenging glance
at the Brazilian and Valerie, the rest of the company felt the sort of
alarm mingled with curiosity that is caused by evident violence ready
to break out at any moment. The sham cousin stared at Hulot as he might
have looked at some big China mandarin.
This state of things could not last; it was bound to end in some
tremendous outbreak. Marneffe was as much afraid of Hulot as Crevel was
of Marneffe, for he was anxious not to die a mere clerk. Men marked for
death believe in life as galley-slaves believe in liberty; this man was
bent on being a first-class clerk at any cost. Thoroughly frightened by
the pantomime of the Baron and Crevel, he rose, said a few words in
his wife’s ear, and then, to the surprise of all, Valerie went into the
adjoining bedroom with the Brazilian and her husband.
“Did Madame Marneffe ever speak to you of this cousin of hers?” said
Crevel to Hulot.
“Never!” replied the Baron, getting up. “That is enough for this
evening,” said he. “I have lost two louis--there they are.”
He threw the two gold pieces on the table, and seated himself on the
sofa with a look which everybody else took as a hint to go. Monsieur and
Madame Coquet, after exchanging a few words, left the room, and Claude
Vignon, in despair, followed their example. These two departures were
a hint to less intelligent persons, who now found that they were not
wanted. The Baron and Crevel were left together, and spoke never a word.
Hulot, at last, ignoring Crevel, went on tiptoe to listen at the bedroom
door; but he bounded back with a prodigious jump, for Marneffe opened
the door and appeared with a calm face, astonished to find only the two
men.
“And the tea?” said he.
“Where is Valerie?” replied the Baron in a rage.
“My wife,” said Marneffe. “She is gone upstairs to speak to mademoiselle
your cousin. She will come down directly.”
“And why has she deserted us for that stupid creature?”
“Well,” said Marneffe, “Mademoiselle Lisbeth came back from dining with
the Baroness with an attack of indigestion and Mathurine asked Valerie
for some tea for her, so my wife went up to see what was the matter.”
“And _her_ cousin?”
“He is gone.”
“Do you really believe that?” said the Baron.
“I have seen him to his carriage,” replied Marneffe, with a hideous
smirk.
The wheels of a departing carriage were audible in the street. The
Baron, counting Marneffe for nothing, went upstairs to Lisbeth. An idea
flashed through him such as the heart sends to the brain when it is on
fire with jealousy. Marneffe’s baseness was so well known to him, that
he could imagine the most degrading connivance between husband and wife.
“What has become of all the ladies and gentlemen?” said Marneffe,
finding himself alone with Crevel.
“When the sun goes to bed, the cocks and hens follow suit,” said Crevel.
“Madame Marneffe disappeared, and her adorers departed. Will you play a
game of piquet?” added Crevel, who meant to remain.
He too believed that the Brazilian was in the house.
Monsieur Marneffe agreed. The Mayor was a match for the Baron. Simply
by playing cards with the husband he could stay on indefinitely;
and Marneffe, since the suppression of the public tables, was quite
satisfied with the more limited opportunities of private play.
Baron Hulot went quickly up to Lisbeth’s apartment, but the door was
locked, and the usual inquiries through the door took up time enough to
enable the two light-handed and cunning women to arrange the scene of an
attack of indigestion with the accessories of tea. Lisbeth was in such
pain that Valerie was very much alarmed, and consequently hardly paid
any heed to the Baron’s furious entrance. Indisposition is one of the
screens most often placed by women to ward off a quarrel. Hulot peeped
about, here and there, but could see no spot in Cousin Betty’s room
where a Brazilian might lie hidden.
“Your indigestion does honor to my wife’s dinner, Lisbeth,” said he,
scrutinizing her, for Lisbeth was perfectly well, trying to imitate the
hiccough of spasmodic indigestion as she drank her tea.
“How lucky it is that dear Betty should be living under my roof!” said
Madame Marneffe. “But for me, the poor thing would have died.”
“You look as if you only half believed it,” added Lisbeth, turning to
the Baron, “and that would be a shame----”
“Why?” asked the Baron. “Do you know the purpose of my visit?”
And he leered at the door of a dressing-closet from which the key had
been withdrawn.
“Are you talking Greek?” said Madame Marneffe, with an appealing look of
misprized tenderness and devotedness.
“But it is all through you, my dear cousin; yes, it is your doing that I
am in such a state,” said Lisbeth vehemently.
This speech diverted the Baron’s attention; he looked at the old maid
with the greatest astonishment.
“You know that I am devoted to you,” said Lisbeth. “I am here, that says
everything. I am wearing out the last shreds of my strength in watching
over your interests, since they are one with our dear Valerie’s. Her
house costs one-tenth of what any other does that is kept on the same
scale. But for me, Cousin, instead of two thousand francs a month, you
would be obliged to spend three or four thousand.”
“I know all that,” replied the Baron out of patience; “you are our
protectress in many ways,” he added, turning to Madame Marneffe and
putting his arm round her neck.--“Is not she, my pretty sweet?”
“On my honor,” exclaimed Valerie, “I believe you are gone mad!”
“Well, you cannot doubt my attachment,” said Lisbeth. “But I am also
very fond of my cousin Adeline, and I found her in tears. She has not
seen you for a month. Now that is really too bad; you leave my poor
Adeline without a sou. Your daughter Hortense almost died of it when
she was told that it is thanks to your brother that we had any dinner at
all. There was not even bread in your house this day.
“Adeline is heroically resolved to keep her sufferings to herself. She
said to me, ‘I will do as you have done!’ The speech went to my heart;
and after dinner, as I thought of what my cousin had been in 1811,
and of what she is in 1841--thirty years after--I had a violent
indigestion.--I fancied I should get over it; but when I got home, I
thought I was dying--”
“You see, Valerie, to what my adoration of you has brought me! To
crime--domestic crime!”
“Oh! I was wise never to marry!” cried Lisbeth, with savage joy. “You
are a kind, good man; Adeline is a perfect angel;--and this is the
reward of her blind devotion.”
“An elderly angel!” said Madame Marneffe softly, as she looked half
tenderly, half mockingly, at her Hector, who was gazing at her as an
examining judge gazes at the accused.
“My poor wife!” said Hulot. “For more than nine months I have given her
no money, though I find it for you, Valerie; but at what a cost! No
one else will ever love you so, and what torments you inflict on me in
return!”
“Torments?” she echoed. “Then what do you call happiness?”
“I do not yet know on what terms you have been with this so-called
cousin whom you never mentioned to me,” said the Baron, paying no heed
to Valerie’s interjection. “But when he came in I felt as if a penknife
had been stuck into my heart. Blinded I may be, but I am not blind. I
could read his eyes, and yours. In short, from under that ape’s eyelids
there flashed sparks that he flung at you--and your eyes!--Oh! you have
never looked at me so, never! As to this mystery, Valerie, it shall all
be cleared up. You are the only woman who ever made me know the meaning
of jealousy, so you need not be surprised by what I say.--But another
mystery which has rent its cloud, and it seems to me infamous----”
“Go on, go on,” said Valerie.
“It is that Crevel, that square lump of flesh and stupidity, is in love
with you, and that you accept his attentions with so good a grace that
the idiot flaunts his passion before everybody.”
“Only three! Can you discover no more?” asked Madame Marneffe.
“There may be more!” retorted the Baron.
“If Monsieur Crevel is in love with me, he is in his rights as a man
after all; if I favored his passion, that would indeed be the act of
a coquette, or of a woman who would leave much to be desired on your
part.--Well, love me as you find me, or let me alone. If you restore
me to freedom, neither you nor Monsieur Crevel will ever enter my doors
again. But I will take up with my cousin, just to keep my hand in, in
those charming habits you suppose me to indulge.--Good-bye, Monsieur le
Baron Hulot.”
She rose, but the Baron took her by the arm and made her sit down
again. The old man could not do without Valerie. She had become more
imperatively indispensable to him than the necessaries of life; he
preferred remaining in uncertainty to having any proof of Valerie’s
infidelity.
“My dearest Valerie,” said he, “do you not see how miserable I am? I
only ask you to justify yourself. Give me sufficient reasons--”
“Well, go downstairs and wait for me; for I suppose you do not wish to
look on at the various ceremonies required by your cousin’s state.”
Hulot slowly turned away.
“You old profligate,” cried Lisbeth, “you have not even asked me how
your children are? What are you going to do for Adeline? I, at any rate,
will take her my savings to-morrow.”
“You owe your wife white bread to eat at least,” said Madame Marneffe,
smiling.
The Baron, without taking offence at Lisbeth’s tone, as despotic as
Josepha’s, got out of the room, only too glad to escape so importunate a
question.
The door bolted once more, the Brazilian came out of the
dressing-closet, where he had been waiting, and he appeared with his
eyes full of tears, in a really pitiable condition. Montes had heard
everything.
“Henri, you must have ceased to love me, I know it!” said Madame
Marneffe, hiding her face in her handkerchief and bursting into tears.
It was the outcry of real affection. The cry of a woman’s despair is
so convincing that it wins the forgiveness that lurks at the bottom of
every lover’s heart--when she is young and pretty, and wears a gown so
low that she could slip out at the top and stand in the garb of Eve.
“But why, if you love me, do you not leave everything for my sake?”
asked the Brazilian.
This South American born, being logical, as men are who have lived the
life of nature, at once resumed the conversation at the point where it
had been broken off, putting his arm round Valerie’s waist.
“Why?” she repeated, gazing up at Henri, whom she subjugated at once by
a look charged with passion, “why, my dear boy, I am married; we are in
Paris, not in the savannah, the pampas, the backwoods of America.--My
dear Henri, my first and only love, listen to me. That husband of mine,
a second clerk in the War Office, is bent on being a head-clerk and
officer of the Legion of Honor; can I help his being ambitious? Now for
the very reason that made him leave us our liberty--nearly four years
ago, do you remember, you bad boy?--he now abandons me to Monsieur
Hulot. I cannot get rid of that dreadful official, who snorts like a
grampus, who has fins in his nostrils, who is sixty-three years old, and
who had grown ten years older by dint of trying to be young; who is so
odious to me that the very day when Marneffe is promoted, and gets his
Cross of the Legion of Honor----”
“How much more will your husband get then?”
“A thousand crowns.”
“I will pay him as much in an annuity,” said Baron Montes. “We will
leave Paris and go----”
“Where?” said Valerie, with one of the pretty sneers by which a woman
makes fun of a man she is sure of. “Paris is the only place where we can
live happy. I care too much for your love to risk seeing it die out in
a _tete-a-tete_ in the wilderness. Listen, Henri, you are the only man
I care for in the whole world. Write that down clearly in your tiger’s
brain.”
For women, when they have made a sheep of a man, always tell him that he
is a lion with a will of iron.
“Now, attend to me. Monsieur Marneffe has not five years to live; he is
rotten to the marrow of his bones. He spends seven months of the twelve
in swallowing drugs and decoctions; he lives wrapped in flannel; in
short, as the doctor says, he lives under the scythe, and may be cut off
at any moment. An illness that would not harm another man would be fatal
to him; his blood is corrupt, his life undermined at the root. For five
years I have never allowed him to kiss me--he is poisonous! Some day,
and the day is not far off, I shall be a widow. Well, then, I--who have
already had an offer from a man with sixty thousand francs a year, I who
am as completely mistress of that man as I am of this lump of sugar--I
swear to you that if you were as poor as Hulot and as foul as Marneffe,
if you beat me even, still you are the only man I will have for a
husband, the only man I love, or whose name I will ever bear. And I am
ready to give any pledge of my love that you may require.”
“Well, then, to-night----”
“But you, son of the South, my splendid jaguar, come expressly for me
from the virgin forest of Brazil,” said she, taking his hand and kissing
and fondling it, “I have some consideration for the poor creature you
mean to make your wife.--Shall I be your wife, Henri?”
“Yes,” said the Brazilian, overpowered by this unbridled volubility of
passion. And he knelt at her feet.
“Well, then, Henri,” said Valerie, taking his two hands and looking
straight into his eyes, “swear to me now, in the presence of Lisbeth, my
best and only friend, my sister--that you will make me your wife at the
end of my year’s widowhood.”
“I swear it.”
“That is not enough. Swear by your mother’s ashes and eternal salvation,
swear by the Virgin Mary and by all your hopes as a Catholic!”
Valerie knew that the Brazilian would keep that oath even if she should
have fallen into the foulest social slough.
The Baron solemnly swore it, his nose almost touching Valerie’s white
bosom, and his eyes spellbound. He was drunk, drunk as a man is when he
sees the woman he loves once more, after a sea voyage of a hundred and
twenty days.
“Good. Now be quite easy. And in Madame Marneffe respect the future
Baroness de Montejanos. You are not to spend a sou upon me; I forbid
it.--Stay here in the outer room; sleep on the sofa. I myself will come
and tell you when you may move.--We will breakfast to-morrow morning,
and you can be leaving at about one o’clock as if you had come to call
at noon. There is nothing to fear; the gate-keepers love me as much as
if they were my father and mother.--Now I must go down and make tea.”
She beckoned to Lisbeth, who followed her out on to the landing. There
Valerie whispered in the old maid’s ear:
“My darkie has come back too soon. I shall die if I cannot avenge you on
Hortense!”
“Make your mind easy, my pretty little devil!” said Lisbeth, kissing her
forehead. “Love and Revenge on the same track will never lose the game.
Hortense expects me to-morrow; she is in beggary. For a thousand francs
you may have a thousand kisses from Wenceslas.”
On leaving Valerie, Hulot had gone down to the porter’s lodge and made a
sudden invasion there.
“Madame Olivier?”
On hearing the imperious tone of this address, and seeing the action
by which the Baron emphasized it, Madame Olivier came out into the
courtyard as far as the Baron led her.
“You know that if any one can help your son to a connection by and by,
it is I; it is owing to me that he is already third clerk in a notary’s
office, and is finishing his studies.”
“Yes, Monsieur le Baron; and indeed, sir, you may depend on our
gratitude. Not a day passes that I do not pray to God for Monsieur le
Baron’s happiness.”
“Not so many words, my good woman,” said Hulot, “but deeds----”
“What can I do, sir?” asked Madame Olivier.
“A man came here to-night in a carriage. Do you know him?”
Madame Olivier had recognized Montes well enough. How could she have
forgotten him? In the Rue du Doyenne the Brazilian had always slipped a
five-franc piece into her hand as he went out in the morning, rather too
early. If the Baron had applied to Monsieur Olivier, he would perhaps
have learned all he wanted to know. But Olivier was in bed. In the
lower orders the woman is not merely the superior of the man--she almost
always has the upper hand. Madame Olivier had long since made up her
mind as to which side to take in case of a collision between her two
benefactors; she regarded Madame Marneffe as the stronger power.
“Do I know him?” she repeated. “No, indeed, no. I never saw him before!”
“What! Did Madame Marneffe’s cousin never go to see her when she was
living in the Rue du Doyenne?”
“Oh! Was it her cousin?” cried Madame Olivier. “I dare say he did come,
but I did not know him again. Next time, sir, I will look at him----”
“He will be coming out,” said Hulot, hastily interrupting Madame
Olivier.
“He has left,” said Madame Olivier, understanding the situation. “The
carriage is gone.”
“Did you see him go?”
“As plainly as I see you. He told his servant to drive to the Embassy.”
This audacious statement wrung a sigh of relief from the Baron; he took
Madame Olivier’s hand and squeezed it.
“Thank you, my good Madame Olivier. But that is not all.--Monsieur
Crevel?”
“Monsieur Crevel? What can you mean, sir? I do not understand,” said
Madame Olivier.
“Listen to me. He is Madame Marneffe’s lover----”
“Impossible, Monsieur le Baron; impossible,” said she, clasping her
hands.
“He is Madame Marneffe’s lover,” the Baron repeated very positively.
“How do they manage it? I don’t know; but I mean to know, and you are to
find out. If you can put me on the tracks of this intrigue, your son is
a notary.”
“Don’t you fret yourself so, Monsieur le Baron,” said Madame Olivier.
“Madame cares for you, and for no one but you; her maid knows that for
true, and we say, between her and me, that you are the luckiest man in
this world--for you know what madame is.--Just perfection!
“She gets up at ten every morning; then she breakfasts. Well and good.
After that she takes an hour or so to dress; that carries her on till
two; then she goes for a walk in the Tuileries in the sight of all
men, and she is always in by four to be ready for you. She lives like
clockwork. She keeps no secrets from her maid, and Reine keeps nothing
from me, you may be sure. Reine can’t if she would--along of my son, for
she is very sweet upon him. So, you see, if madame had any intimacy with
Monsieur Crevel, we should be bound to know it.”