2 See _ante_, note 1 to Tale XIV.

One day when her brothers and sisters-in-law offered an entertainment to

the Grand Master of Chaumont, this widow lady was obliged to be present,

though she made it her rule not to attend such gatherings when held in

other places. And when the Frenchmen saw her, they were all admiration

for her beauty and grace, especially one among them whose name I shall

not mention; for it will suffice for you to know that there was no

Frenchman in Italy more worthy of love than he, for he was endowed with

all the beauties and graces that a gentleman could have. And though he

saw that the lady wore black crape, and remained with several old women

in a corner apart from the young ones, yet, having never known what it

was to fear either man or woman, he set himself to converse with her,

taking off his mask, and leaving the dance in order to remain in her

company.

Throughout the whole of the evening he did not cease talking to her and

to the old women, and found more pleasure in doing so than if he had

been with the most youthful and bravely attired ladies of the Court. So

much, indeed, was this the case, that when the hour came to withdraw he

seemed to have not yet had time even to sit down. And although he only

spoke to the lady on such common matters as were suited to such company,

she knew very well that he desired to win her favour, and this she

resolved to guard against by all means in her power, so that he was

never afterwards able to see her at any banquet or assembly.

He inquired about the manner of her life, and found that she often went

to churches and convents; whereupon he kept such good watch that she

could never visit them so secretly but he was there before her. And he

would remain in the church as long as he had the happiness to see

her, and all the time that she was present would gaze at her so

affectionately that she could not remain in ignorance of the love he

bore her. In order to avoid him, she resolved to feign illness for a

time, and to hear mass in her own house; and at this the gentleman was

most sorely grieved, for he had no other means of seeing her than at

church.

Thinking that she had cured him of his habit, she at last returned to

the churches as before, but love quickly brought tidings of this to the

French gentleman, who then renewed his habits of devotion. He feared,

however, that she might again throw some hindrance in his way, and that

he might not have time to tell her what he would; and so one morning,

when she thought herself well concealed in a chapel, he placed himself

at the end of the altar at which she was hearing mass; and seeing that

she was but scantily attended, he turned towards her just as the priest

was elevating the host, and in a soft and loving voice said to her--

“May I be sent to perdition, madam, by Him whom the priest has now in

his hands, if you are not causing my death. Though you take from me

all means of speaking with you, you cannot be ignorant of my desire; my

wearied eyes and my deathly face must make the truth apparent to you.”

(3)

3 The Queen of Navarre is known to have had a considerable

knowledge of the Italian language, and it is therefore quite

possible that she was acquainted with the story of

Poliphilus and Polia, which, although no French translation

of it appeared until 1554, had been issued at Venice as

early as 1499. In any case, however, there is a curious

similarity between the speech of the French gentleman given

above and the discourse which Poliphilus addresses to Polia

when he finds her saying her prayers in the temple. A

considerable portion of the Italian story is in keeping with

the character of the _Heptameron_ tales.--M.

The Tales of the Heptameron, Vol. 2 (of 5) · 第 42 / 54 题