CHAPTER II: SUPERSTITIOUS BELIEFS & NATIONAL CUSTOMS

General Characteristics

The Serbians inhabiting the present kingdom of Serbia, having been

mixed with the ancient indigenous population of the Balkan Peninsula,

have not conserved their true national type. They have mostly brown

visages and dark hair; very rarely are blonde or other complexions

to be seen. Boshnyaks (Serbians inhabiting Bosnia) are considered

to be the most typical Serbians, they having most strongly retained

the national characteristics of the pure Southern-Slavonic race. The

average Serbian has a rather lively temperament; he is highly sensitive

and very emotional. His enthusiasm is quickly roused, but most emotions

with him are, as a rule, of short duration. However, he is extremely

active and sometimes persistent. Truly patriotic, he is always ready

to sacrifice his life and property for national interests, which he

understands particularly well, thanks to his intimate knowledge of the

ancient history of his people, transmitted to him from generation to

generation through the pleasing medium of popular epic poetry composed

in very simple decasyllabic blank verse--entirely Serbian in its

origin. He is extremely courageous and always ready for war. Although

patriarchal and conservative in everything national, he is ready

and willing to accept new ideas. But he has remained behind other

countries in agricultural and industrial pursuits. Very submissive in

his Zadrooga [12] and obedient to his superiors, he is often despotic

when elevated to power. The history of all the Southern Slavs pictures

a series of violations, depositions, political upheavals, achieved

sometimes by the most cruel means and acts of treachery; all mainly

due to the innate and hitherto inexpugnable faults characteristic of

the race, such as jealousy and an inordinate desire for power. These

faults, of course, have been most apparent in the nobles, hence the

decay of the ancient aristocracy throughout the Balkans.

Paganism and Religion

There is available but slender material concerning the pre-Christian

history of the Southern-Slavonic races, and their worship of Nature has

not been adequately studied. Immediately after the Slavonic immigration

into the Balkan Peninsula during the seventh and eighth centuries,

Christianity, which was already deeply rooted in the Byzantines, easily

destroyed the ancient faith. The last survivors of paganism lived

in the western part of the peninsula, in the regions round the river

Neretva, and these were converted to Christianity during the reign of

Basil I. A number of Croatians had been converted to Christianity as

early even as the seventh century, and had established an episcopate

at Agram (Zagreb). In the course of some thousand years Graeco-Oriental

myths and legends, ancient Illyrian and Roman propaganda and Christian

legends and apocryphal writings exercised so great an influence upon

the ancient religions of the Southern-Slavonic peoples that it is

impossible to unravel from the tangled skein of such evidence as is

available a purely Southern-Slavonic mythology.

The God Peroon

Of Peroon, the Russian God of Thunder, by whom the Russian pagans

used to swear in their treaties and conventions concluded with the

Byzantines during the tenth century, only a few insignificant traces

remain. There is a village named 'Peroon' near Spalato; a small number

of persons in Montenegro bear the name; [13] and it is preserved

also in the name of a plant, 'Peroonika' (iris), which is dedicated

to the god. There is hardly a cottage-garden in the Serbian villages

where one does not see the iris growing by the side of the house-leek

(Tchuvar-Koutchye). The Serbians say that the god lives still in the

person of St. Elias (Elijah), and Serbian peasants believe that this

saint possesses the power of controlling lightning and thunder. They

also believe that St. Elias has a sister 'Ognyena Maria' (Mary the

Fiery One), who frequently acts as his counsellor.

The God Volos

From the Russian God of Cattle, 'Volos,' the city 'Veless' has obtained

its name; also a village in the western part of Serbia, and there

is a small village on the lower Danube called 'Velessnitza.' But

the closest derivative appears in the Serbian word 'Vo,' or 'Voll'

(in the singular) 'Volovi' (in the plural) which means 'Ox.'

The Sun God

Other phenomena of Nature were also personified and venerated as gods.

The Sun god, 'Daybog' (in Russian 'Daszbog,' meaning literally 'Give,

O God!'), whose idols are found in the group of idols in Kief, and

whose name reappears as a proper name of persons in Russia, Moldavia

and Poland, is to the Serbians the personification of sunshine,

life, prosperity and, indeed, of everything good. But there have

been found no remains of idols representing the god 'Daybog' among

the Southern-Slavonic nations, as with the Russians, who made figures

of him in wood, with head of silver and moustache of gold.

The Veele

The Serbian legends preserve to this day interesting traces of the

worship of those pagan gods and of minor deities--which still occupy

a considerable place in the national superstition. The "nymphai"

and "potami" mentioned by the Greek historian Procope, as inferior

female divinities inhabiting groves, forests, fountains, springs

or lakes, seem to have been retained in the Serbian popular Veela

(or Vila--in the singular; Veele or Vile--in the plural). There

are several fountains called "Vilin Izvor" in Montenegro (e.g. on

Mount Kom), as also in the district of Rudnik in Serbia. During

the Renaissance the Serbian poets of Ragusa and other cities of

Dalmatia made frequent reference to the nymphs, dryads, and oreads

beloved by them as "veele." The Serbian bards or troubadours from

the early fourteenth century to our day have ever glorified and sung

of the veele, describing them as very beautiful and eternally young,

robed in the whitest and finest gauze, with shimmering golden hair

flowing down over snow-white bosoms. Veele were said to have the most

sweet voices and were sometimes armed with bows and arrows. Their

melodious songs were often heard on the borders of the lakes or in

the meadows hidden deep in the forests, or on high mountain-peaks

beyond the clouds. They also loved to dance, and their rings are

called 'Vrzino (or Vilino) Kollo.' In Mount Kom in Montenegro,

there is one of these rings which measures about twenty metres

across and is called 'Vilino Kollo.' The Treaty of Berlin mentions

another situated between Vranya and Kuestandil, through which ran

the Serbo-Bulgarian frontier. When veele were dancing nobody dare

disturb them, for they could be very hostile to men. Like the Greek

nymphs, veele could also be amicably disposed; and on occasions they

assisted the heroes. They could become the sisters of men and of women,

and could even marry and have off-springs. But they were not by any

means invulnerable. Prince Marko, the favourite hero of the Serbians,

was endowed with superhuman strength by a veela who also presented

him with a most wonderful courser, 'Sharatz,' which was, indeed,

almost human. A veela also became his possestrima (Spiritual sister,

or 'sister-in-God') and when Marko was in urgent need of help, she

would descend from the clouds and assist him. But she refused to aid

him if he fought in duels on Sundays. On one occasion [14] Marko all

but slew the Veela Raviyoyla who wounded his pobratim (brother-in-God)

Voivode Milosh. The veele were wise in the use of herbs, and knew

the properties of every flower and berry, therefore Raviyoyla could

heal the wounds of Milosh, and his pierced heart was "sounder than

ever before." They believed in God and St. John, and abhorred the

Turk. The veele also possessed the power of clairvoyance, and Prince

Marko's 'sister-in-God' prophesied his death and that of Sharatz. [15]

Veele had power to control tempests and other phenomena of nature; they

could change themselves into snakes or swans. When they were offended

they could be very cruel; they could kill or take away the senses of

any who threatened them with violence; they would lead men into deep

waters or raze in a night magnificent buildings and fortresses. [16]

To veele was attributed also the power of deciding the destiny of

newly born children. On the seventh night after the birth of a child

the Serbian peasant woman watches carefully for the Oossood, a veela

who will pronounce the destiny of her infant, and it is the mother

only who can hear the voice of the fairy.

Predestination and Immortality

The Serbians believe firmly in predestination, and they say that

"there is no death without the appointed day" (Nema smrti bez soodyena

dana). They believe universally in the immortality of the soul,

of which even otherwise inanimate objects, such as forests, lakes,

mountains, sometimes partake. After the death of a man, the soul delays

its departure to the higher or lower spheres until the expiration of

a certain period (usually forty days), during which time it floats in

the air, and can perhaps enter into the body of some animal or insect.

Good and Evil Spirits

Spirits are usually good; in Montenegro the people believe that each

house has its Guardian-Spirit, whom they call syen or syenovik. Such

syens can enter into the body of a man, a dog, a snake, or even a

hen. In the like manner every forest, lake, and mountain has each

its syen, which is called by a Turkish word djin. So, for example,

the djin of the mountain Riyetchki Kom, near the northern side of

the lake of Scutari, does not allow passers-by to touch a branch or a

leaf in the perpetually green woods on the mountain side, and if any

traveller should gather as much as a flower or a leaf he is instantly

pursued by a dense fog and perceives miraculous and terrifying visions

in the air. The Albanians dread similar spirits of the woods in the

region round Lurya, where they do not dare touch even the dry branches

of fallen firs and larches. This recalls the worship of sacred bushes

common among the ancient Lithuanians.

Besides the good spirits there appear evil spirits (byess), demons,

and devils (dyavo), whom the Christians considered as pagan gods,

and other evil spirits (zli doossi) too, who exist in the bodies of

dead or of living men. These last are called vookodlaks or Vlkodlaks

(i.e. vook, meaning 'wolf,' and dlaka, meaning 'hair'), and, according

to the popular belief, they cause solar and lunar eclipses. This

recalls the old Norse belief that the sun and moon were continually

pursued by hungry wolves, a similar attempt to explain the same natural

phenomena. Even to-day Serbian peasants believe that eclipses of the

sun and moon are caused by their becoming the prey of a hungry dragon,

who tries to swallow them. In other parts of Serbia it is generally

believed that such dragons are female beings. These mischievous

and very powerful creatures are credited with the destruction of

cornfields and vineyards, for they are responsible for the havoc

wrought by the hail-carrying clouds. When the peasants observe a

partial eclipse of the moon or the sun, believing that a hailstorm is

imminent, they gather in the village streets, and all--men, women,

and children--beat pots and pans together, fire pistols, and ring

bells in order to frighten away the threatening monster.

In Montenegro, Herzegovina, and Bocca Cattaro the people believe that

the soul of a sleeping man is wafted by the winds to the summit of a

mountain, and, when a number of such has assembled, they become fierce

giants who uproot trees to use as clubs and hurl rocks and stones at

one another. Their hissing and groans are heard especially during the

nights in spring and autumn. Those struggling crowds are not composed

merely of human souls, but include the spirits of many animals, such as

oxen, dogs, and even cocks, but oxen especially join in the struggles.

Witches

Female evil spirits are generally called veshtitze (singular,

veshtitza, derived obviously from the ancient Bohemian word ved, which

means 'to know'), and are supposed to be old women possessed by an evil

spirit, irreconcilably hostile to men, to other women, and most of all

to children. They correspond more or less to the English conception of

'witches.' When an old woman goes to sleep, her soul leaves her body

and wanders about till it enters the body of a hen or, more frequently,

that of a black moth. Flying about, it enters those houses where there

are a number of children, for its favourite food is the heart of an

infant. From time to time veshtitze meet to take their supper together

in the branches of some tree. An old woman having the attributes of

a witch may join such meetings after having complied with the rules

prescribed by the experienced veshtitze, and this is usually done by

pronouncing certain stereotyped phrases. The peasants endeavour to

discover such creatures, and, if they succeed in finding out a witch,

a jury is hastily formed and is given full power to sentence her to

death. One of the most certain methods used to discover whether the

object of suspicion is really a witch or not, is to throw the victim

into the water, for if she floats she is surely a witch. In this case

she is usually burnt to death. This test was not unknown in England.

Vampires

The belief in the existence of vampires is universal throughout the

Balkans, and indeed it is not uncommon in certain parts of western

Europe. Some assert that this superstition must be connected with

the belief generally held in the Orthodox Church that the bodies of

those who have died while under excommunication by the Church are

incorruptible, and such bodies, being taken possession of by evil

spirits, appear before men in lonely places and murder them. In

Montenegro vampires are called lampirs or tenatz, and it is thought

that they suck the blood of sleeping men, and also of cattle and other

animals, returning to their graves after their nocturnal excursions

changed into mice. In order to discover the grave where the vampire

is, the Montenegrins take out a black horse, without blemish, and

lead it to the cemetery. The suspected corpse is dug up, pierced

with stakes and burnt. The authorities, of course, are opposed to

such superstitious practices, but some communities have threatened

to abandon their dwellings, and thus leave whole villages deserted,

unless allowed to ensure their safety in their own way. The code of

the Emperor Doushan the Powerful provides that a village in which

bodies of dead persons have been exhumed and burnt shall be punished

as severely as if a murder had been committed; and that a resnik, that

is, the priest who officiates at a ceremony of that kind, shall be

anathematized. Militchevitch, a famous Serbian ethnographist, relates

an incident where a resnik, as late as the beginning of the nineteenth

century, read prayers out of the apocrypha of Peroon when an exorcism

was required. The revolting custom has been completely suppressed in

Serbia. In Montenegro the Archbishop Peter II. endeavoured to uproot

it, but without entire success. In Bosnia, Istria and Bulgaria it

is also sometimes heard of. The belief in vampires is a superstition

widely spread throughout Roumania, Albania and Greece. [17]

Nature Worship

Even in our own day there are traces of sun and moon worship, and

many Serbian and Bulgarian poems celebrate the marriage of the sun

and the moon, and sing Danitza (the morning star) and Sedmoro Bratye

('The Seven Brothers'--evidently The Pleiades). [18] Every man has

his own star, which appears in the firmament at the moment of his

birth and is extinguished when he dies. Fire and lightning are also

worshipped. It is common belief that the earth rests on water, that

the water reposes on a fire and that that fire again is upon another

fire, which is called Zmayevska Vatra ('Fire of the Dragons').

Similarly the worship of animals has been preserved to our times. The

Serbians consider the bear to be no less than a man who has been

punished and turned into an animal. This they believe because the

bear can walk upright as a man does. The Montenegrins consider the

jackal (canis aureus) a semi-human being, because its howls at night

sound like the wails of a child. The roedeer (capreolus caprea) is

supposed to be guarded by veele, and therefore she so often escapes

the hunter. In some parts of Serbia and throughout Montenegro it is

a sin to kill a fox, or a bee.

The worship of certain snakes is common throughout the Balkans. In

Montenegro the people believe that a black snake lives in a hole

under every house, and if anybody should kill it, the head of the

house is sure to die. Certain water-snakes with fiery heads were also

considered of the same importance as the evil dragons (or hydra) who,

at one time, threatened ships sailing on the Lake of Scutari. One

of these hydras is still supposed to live in the Lake of Rikavatz,

in the deserted mountains of Eastern Montenegro, from the bottom of

which the hidden monster rises out of the water from time to time, and

returns heralded by great peals of thunder and flashes of lightning.

But the Southern Slavs do not represent the dragon as the Hellenes

did, that is to say as a monster in the form of a huge lizard or

serpent, with crested head, wings and great strong claws, for they

know this outward form is merely used as a misleading mask. In his

true character a dragon is a handsome youth, possessing superhuman

strength and courage, and he is usually represented as in love with

some beautiful princess or empress. [19]

Enchanters

Among celebrants of the various pagan rites, there is mention of

tcharobnitzi (enchanters), who are known to have lived also in

Russia, where, during the eleventh century, they sapped the new

Christianity. The Slavonic translation of the Gospel recognized

by the Church in the ninth century applies the name 'tcharobnitzi'

to the three Holy Kings.

To this same category belong the resnitzi who, as is apparent in

the Emperor Doushan's Code referred to previously, used to burn the

bodies of the dead. Resnik, which appears as a proper name in Serbia,

Bosnia and Croatia, means, according to all evidence, "the one who

is searching for truth."

Sacrificial Rites

From translations of the Greek legends of the saints, the exact

terminology of the sacrificial ceremonies and the places where they

had been made is well known. Procopius mentions oxen as the animals

generally offered for sacrifice, but we find that calves, goats,

and sheep, in addition to oxen, were used by the Polapic Slavs and

Lithuanians, and that, according to Byzantine authorities, the Russians

used even birds as well. In Montenegro, on the occasion of raising a

new building, a ram or a cock is usually slaughtered in order that a

corner-stone may be besprinkled with its blood, and, at the ceremony of

inaugurating a new fountain, a goat is killed. Tradition tells of how

Prince Ivan Tzrnoyevitch once shot in front of a cavern an uncommonly

big wild goat that, being quite wet, shook water from its coat so that

instantly a river began to flow thence. This stream is called even

now the River of Tzrnoyevitch. The story reminds one of the goats'

horns and bodies of goats which are seen on the altar dedicated to

the Illyrian god, Bind, near a fountain in the province of Yapod.

It is a fact that Russians and Polapic Slavs used to offer human

sacrifices. Mention of such sacrifices among the Southern Slavs

is found only in the cycle of myths relating to certain buildings,

which, it was superstitiously believed, could be completed only if a

living human being were buried or immured. Such legends exist among

the Serbians and Montenegrins concerning the building of the fortress

Skadar (Scutari) and the bridge near Vishegrad; with the Bulgarians

in reference to building the fort Lidga-Hyssar, near Plovdiv, and the

Kadi-Koepri (Turkish for 'the bridge of the judge') on the river Struma;

and again among modern Greeks in their history of the bridge on the

river Arta, and the Roumanians of the church 'Curtea de Ardyesh.' It

seems very likely that certain enigmatic bas-reliefs, representing

oval human faces with just the eyes, nose and mouth, which are found

concealed under the cemented surface of the walls of old buildings

have some connexion with the sacrificial practice referred to. There

are three such heads in the fortress of Prince Dyouragy Brankovitch

at Smederevo (Semendria), not far from Belgrade, on the inner side of

the middle donjon fronting the Danube, and two others in the monastery

Rila on the exterior wall close to the Doupitchka Kapiya.

Funeral Customs

During the siege of Constantinople in the year 626, the Southern Slavs

burnt the bodies of their dead. The Russians did the same during the

battles near Silistria, 971, and subsequently commemorative services

were held in all parts of Russia, and the remains of the dead were

buried.

The Slavs of north Russia used to keep the ashes of the dead in a

small vessel, which they would place on a pillar by the side of a

public road; that custom persisted with the Vyatitchs of southern

Russia as late as 1100.

These funeral customs have been retained longest by the Lithuanians;

the last recorded instance of a pagan burial was when Keystut,

brother of the Grand Duke Olgerd, was interred in the year 1382,

that is to say, he was burnt together with his horses and arms,

falcons and hounds.

There are in existence upright stones, mostly heavy slabs of stone,

many of them broken, or square blocks and even columns, which

were called in the Middle Ages kami, or bileg, and now stetyak or

mramor. Such stones are to be found in large numbers close together;

for example, there are over 6000 in the province of Vlassenitza,

and some 22,000 in the whole of Herzegovina; some can be seen also in

Dalmatia, for instance, in Kanovli, and in Montenegro, at Nikshitch;

in Serbia, however, they are found only in Podrigne. These stones

are usually decorated with figures, which appear to be primitive

imitations of the work of Roman sculptors: arcades on columns, plant

designs, trees, swords and shields, figures of warriors carrying

their bows, horsemen, deer, bears, wild-boars, and falcons; there

are also oblong representations of male and female figures dancing

together and playing games.

The symbol of the Cross indicates the presence of

Christianity. Inscriptions appear only after the eleventh century. But

many tombstones plainly had their origin in the Middle Ages. Some

tombs, situated far from villages, are described by man's personal

name in the chronicles relating to the demarcations of territories,

for example, Bolestino Groblye (the cemetery of Bolestino) near Ipek;

Druzetin Grob (the tomb of Druzet). In Konavla, near Ragusa, there

was in the year 1420 a certain point where important cross-roads met,

known as 'Obugonov Grob.' Even in our day there is a tombstone here

without inscription, called 'Obugagn Greb.' It is the grave of the

Governor Obuganitch, a descendant of the family of Lyoubibratitch,

famous in the fourteenth century.

Classic and Mediaeval Influence

When paganism had disappeared, the Southern-Slavonic legends received

many elements from the Greeks and Romans. There are references to the

Emperors Trajan and Diocletian as well as to mythical personages. In

the Balkans, Trajan is often confused with the Greek king Midas. In

the year 1433 Chevalier Bertrandon de la Broquiere heard from the

Greeks at Trajanople that this city had been built by the Emperor

Trajan, who had goat's ears. The historian Tzetzes also mentions

that emperor's goat's ears otia tragou. In Serbian legends the

Emperor Trajan seems also to be confused with Daedalus, for he is

given war-wings in addition to the ears.

To the cycle of mediaeval myths we owe also the djins (giants) who dwelt

in caverns, and who are known by the Turkish name div--originally

Persian. Notable of the divs were those having only one eye--who

may be called a variety of cyclops--mentioned also in Bulgarian,

Croatian and Slovenian mythology. On the shores of the river Moratcha,

in Montenegro, there is a meadow called 'Psoglavlya Livada' with a

cavern in which such creatures are said to have lived at one time.

The Spread of Christianity

When the pagan Slavs occupied the Roman provinces, the Christian

region was limited to parts of the Byzantine provinces. In Dalmatia

after the fall of Salona, the archbishopric of Salona was transferred

to Spalato (Splyet), but in the papal bulls of the ninth century it

continued always to be styled Salonitana ecclesia, and it claimed

jurisdiction over the entire lands as far as the Danube.

According to Constantine Porphyrogenete, the Serbians adopted the

Christian faith at two different periods, first during the reign of

the Emperor Heraclius, who had requested the Pope to send a number of

priests to convert those peoples to the Christian faith. It is well

known, however, that the Slavs in Dalmatia even during the reign of

Pope John IV (640-642) remained pagans. No doubt Christianity spread

gradually from the Roman cities of Dalmatia to the various Slav

provinces. The Croatians already belonged to the Roman Church at the

time when its priests were converting the Serbians to Christianity

between the years 642 and 731, i.e., after the death of Pope John IV

and before Leon of Isauria had broken off his relations with Rome.

The second conversion of those of the Southern Slavs who had remained

pagans was effected, about 879, by the Emperor Basil I.

At first the Christian faith spread amongst the Southern Slavs only

superficially, because the people could not understand Latin prayers

and ecclesiastical books. It took root much more firmly and rapidly

when the ancient Slavonic language was used in the church services.

Owing to the differences arising over icons and the form their worship

should take, enthusiasm for the conversion of the pagans by the Latin

Church considerably lessened. In the Byzantine provinces, however,

there was no need for a special effort to be made to the people,

for the Slavs came in constant contact with the Greek Christians,

whose beliefs they adopted spontaneously.

From the Slavonic appellations of places appearing in certain official

lists, one can see that new episcopates were established exclusively

for the Slavs by the Greek Church. The bishops conducted their

services in Greek, but the priests and monks, who were born Slavs,

preached and instructed the people in their own languages. Thus they

prepared the ground for the great Slav apostles.

The Slav apostles of Salonica, Cyrillos and his elder brother

Methodius, were very learned men and philosophers. The principal of

the two, Cyrillos, was a priest and the librarian of the Patriarchate;

in addition he was a professor of philosophy in the University of

the Imperial Palace at Constantinople, and he was much esteemed on

account of his ecclesiastical erudition. Their great work began in 862

with the mission to the Emperor Michel III., with which the Moravian

Princes Rastislav and Svetopluk entrusted them.

The Moravians were already converted to Christianity, but they wished

to have teachers among them acquainted with the Slav language. Before

the brothers started on their journey, Cyrillos composed the Slav

alphabet and translated the Gospel.

Thus the Serbians obtained these Holy Books written in a language

familiar to them, and the doctrines of the great Master gradually,

but steadily, ousted the old, primitive religion which had taken

the form of pure Naturalism. But the worship of Nature could not

completely disappear, and has not, even to our day, vanished from the

popular creed of the Balkans. The folk-lore of those nations embodies

an abundance of religious and superstitious sentiment and rites handed

down from pre-Christian times, for after many years' struggle paganism

was only partially abolished by the ritual of the Latin and afterwards

of the Greek Christian Church, to which all Serbians, including the

natives of Montenegro, Macedonia and parts of Bosnia, belong.

Superstition

The foundations of the Christian faith were never laid properly in

the Balkans owing to the lack of cultured priests, and this reason,

and the fact that the people love to cling to their old traditions,

probably accounts for religion having never taken a very deep hold on

them. Even to this day superstition is often stronger than religion,

or sometimes replaces it altogether. The whole daily life of the

Southern Slav is interwoven with all kinds of superstition. He is

superstitious about the manner in which he rises in the morning and

as to what he sees first; for instance, if he sees a monk, he is sure

to have an unfortunate day; when he builds a house, a 'lucky spot'

must be found for its foundation. At night he is superstitious about

the way he lies down; he listens to hear if the cocks crow in time,

and if the dogs bark much, and how they are barking. He pays great

attention to the moment when thunder is first heard, what kind of

rain falls, how the stars shine--whether or not they shine at all,

and looks anxiously to see if the moon has a halo, and if the sun

shines through a cloud. All these things are portents and omens to

his superstitious mind, and they play a considerable part in all his

actions. When he intends to join a hunting expedition, for example,

he decides from them whether there will be game or not; he believes

that he is sure to shoot something if his wife, or sister (or any

other good-natured person) jumps over his gun before he calls up his

dogs. Especially there are numberless superstitions connected with

husbandry, for some of which fairly plausible explanations could be

given; for others, however, explanations are hopelessly unavailing,

and the reasons for their origin are totally forgotten. Nevertheless,

all superstitions are zealously observed because, the people say,

"it is well to do so," or "our ancestors always did so and were happy,

why should we not do the same?"

The planting of fruit-trees and the growing of fruit must be aided by

charms, and numerous feasts are organized to secure a fruitful year,

or to prevent floods, hail, drought, frost, and other disasters. But

undoubtedly the greatest number of superstitions exist regarding the

daily customs, most of which refer to birth, marriage and death. Charms

are used to discover a future bridegroom or bride; to make a young man

fall in love with a maid or vice versa; also, if it seems desirable,

to make them hate each other. Sorcery is resorted to to ensure the

fulfilment of the bride's wishes with regard to children; their

number and sex are decided upon, their health is ensured in advance,

favourable conditions are arranged for their appearance. Death can

come, it is believed, only when the Archangel Michael removes a soul

from its body, and that can only happen on the appointed day.

The chief national customs of the Southern Slavs are involved in a

mass of superstition. As the Serbians are the most representative of

the Balkan Slavs, we shall consider a few of their customs in order

to show how little of the true spirit of religion is to be found in

some of their religious observances.

Marriage

When a child is born in a Serbian family, the friends congratulate

the parents and wish for them: "that they may live to see the green

wreaths," which means living to see their child married. Marriages

are most frequent in autumn, especially towards Christmas, and more

rare in summer. When parents intend to find a bridegroom for their

daughter or a bride for their son, they generally consider the question

thoroughly for a whole year beforehand. They take their daughter or

son to various social gatherings, in order that they may meet one

suited to become the husband of their daughter or the wife of their

son. When a daughter is informed of her parents' decision she must

hasten her preparations: she must see that the bochtchaluks [20]

(wedding presents) which she has to distribute among the wedding

guests (svati or svatovi) be finished soon. These presents are

articles mostly made by her own hands, such as socks, stockings,

shirts, towels, and rugs. Usually the house is put into good order and

perhaps enlarged before the marriage, and when all the preparations

are ready the rumour of her approaching marriage is allowed to spread

through the village. As marriages are usually settled by the parents,

love-matches, unfortunately, are rare, and elopements are regarded

as phenomenal. There are, however, cases where young people are not

docile to the will of their parents with regard to marriage. If a

girl has fallen in love with a young man, she may have recourse,

besides usual ways and methods, to professional enchantresses. Among

the devices recommended by these friends of lovers are the following:

The maiden looks through the muzzle of a roast sucking-pig (which has

been killed for the Christmas festivities) at her beloved, whereupon

he is sure to grow madly in love with her; her lover is bound to

die of love for her if she sees him through a hole made in a cherry

or certain other fruit; she is equally sure to gain his affection

if she can succeed in finding the trace of his right foot-print and

turns the earth under it. These and many other kinds of sorcery are

usually practised on or about St. George's Day (23rd of April, O.S.).

Young men, too, have recourse on occasion to witchcraft when they

desire the love of some obdurate maiden. For instance, if at midnight

on a certain Friday the young man goes to the courtyard of the dwelling

of the lady of his heart and there shakes a tree three times, uttering

as many times her Christian name, she is absolutely certain to answer

his call and to reciprocate his love. Another equally infallible

method is for him to catch a certain fish and to let it die near

his heart; then to roast its flesh until it is burnt to a cinder,

then to pound this, and to place the powder secretly in water or some

other beverage. If the girl can be induced to taste of it, she is as

a matter of course constrained to love him. These expedients recall

the famous exploit of the French troubadour Pierre Vidal undertaken

to win the love of his beautiful patroness Donna Azalais de Baux. A

magical recipe for success in love, taken from an Arabic monument,

was given to the poet by Hugues de Baux, a mischievous young knight

and brother-in-law of the fair Donna Azalais; the credulous Vidal

was induced to ride on a pig one moonlight night three times round

the castle of his lady-love, all unconscious that his waggish friend

had brought all the inmates to a terrace to witness his ridiculous

exhibition.

Marriage Negotiations

When parents have chosen their son's bride they send to her parents a

fully qualified delegate (navodagjya) to inquire whether or not they

would consent to give their daughter to the young man. As marriages are

rarely concluded without the aid of these delegates there are numerous

persons who make it their regular profession to negotiate marriages,

and they receive a sum of money when their offices are successful. In

addition to this fee the navodagjya receives from the future bride at

least one pair of socks. If the father of the girl is not agreeable

to the proposal, he generally does not give a decisive reply, but

finds some pretext, stating, for example, that his daughter is still

too young, or that she is not quite ready with her preparations for

marriage; but if the young man appears to be eligible and the father is

willing to give his consent, he generally answers that he would like

to see his daughter married to such an excellent man, provided the

couple be fond of each other. Then a meeting is arranged, although

in fact this is merely a matter of form, since the final decision

must come from the parents themselves, irrespective of the mutual

feelings of the prospective husband and wife. The parents ask the

young people if they like one another; usually an affirmative answer

is given, whereupon all present embrace each other, and presents are

exchanged, both between the parents and between the future husband and

bride. This event is often celebrated by the firing of pistols and

guns, in order to make it known all over the village that marriage

festivities are soon to follow. Soon after the ceremony, which may

be called a preliminary betrothal, the parents of the bridegroom,

together with the young man and a few most intimate friends, pay an

official visit to the house of the bride. The visit usually takes place

in the evening, and, after the bridegroom has given the bride a ring,

festivities begin and last until the next morning. A few days later the

bride and the bridegroom go to church, accompanied by a few friends,

and the priest asks them some stereotyped questions, such as: "Do you

wish to marry of your own free will?" to which they are, so to speak,

compelled to answer "Yes."

The Wedding Procession

A week before the wedding-day both families prepare their houses for

numerous guests, whom they will entertain most hospitably for several

days. Until very recent times, if the bride lived in some distant

village the wedding procession had to travel for several days to fetch

her, and, in the absence of good roads for carriages, the entire party

had to ride on horseback. The wedding party includes the dever [21]

(that is, leader of the bride), who remains in constant attendance

upon the bride throughout the ceremonies, being, in a sense, her

guardian; the koom (principal witness, who in due course becomes a

sort of sponsor or godfather to the children); and the stari-svat,

who is the second witness of the wedding ceremony. Throughout the

wedding ceremonies the koom has to stand behind the bridegroom and

the stari-svat behind the bride. The stari-svat is also a kind of

master of the ceremonies on the wedding-day; he keeps order among

the guests and presides at the nuptial banquets. With the dever come

also his parents, and the koom and stari-svat must bring one servant

each, to attend them during the ceremony. These two witnesses must

provide themselves with two large wax candles, generally adorned

with transparent silk lace and flowers, which they must present to

the bride in addition to many other gifts.

Before the procession sets out, the young people fire pistols, sing,

and dance, whilst the elders sit and take refreshment. The appearance

of the bridegroom in his bridal garments, and wearing flowers in his

hat, is the signal for the traditional nuptial songs from a chorus of

girls. When the carriages are ready to start they sing the following:

"A falcon flew from the castle

Bearing a letter under its wing,

Drops the letter on the father's knee

See! Father! The letter tells you

That thy son will travel far,

Beyond many running rivers,

Through many verdant forests,

Till he brings you a daughter[-in-law]."

The Tzigan (Gipsy) band begins its joyful melodies; the bridegroom,

the standard-bearer, and other young people mount their horses, all

gaily bedecked with flowers, and the procession starts for the bride's

house, the equestrians riding, generally, two and two, firing pistols

and singing. The procession is always led by a frolicsome youth who

carries a tchoutoura (a flat wooden vessel) containing red wine. It is

his duty to offer this to every person the wedding party may meet on

the road, and he is privileged to make, during the wedding festival,

jokes and witticisms at the expense of everybody. He enjoys the licence

of a court jester for that day, and nobody must resent his witticisms,

which are, at times, indelicate and coarse.

A few steps behind the tchoutoura-bearer ride the voivode (general,

or leader), whose office it is to support the former in his sallies,

and the standard-bearer, who carries the national flag; after

them, in one of the carriages profusely decorated with flowers,

ride the bridesmaids, who are selected from among the relatives of

the bridegroom. With other presents the maidens carry the wedding

dress and flowers which the bridegroom's father has bought for his

future daughter-in-law. Immediately following the bridesmaids rides

the bridegroom between the koom and the stari-svat. Then come other

relatives and guests, two and two in procession. At times these

wedding processions offer a very impressive sight.

The Arrival

When the wedding procession approaches the house of the bride, its

arrival is announced by firing off pistols and guns, whereupon a

number of girls appear and sing various songs expressive of sorrow

at the bride's departure from her old home. In some parts of Serbia

there still survives a strange old custom; the bride's father requires

that certain conditions should be fulfilled before the gates of the

courtyard are opened for the procession. For example, he sends a good

wrestler to challenge any or every man of the bridegroom's party,

and one of the wedding guests must overpower the challenger before

the gates are opened. Of course, the wrestling bout is not serious,

as a rule. Another condition, obtaining in ether parts, is that the

newcomers are not be to admitted before one of them, by firing his

pistol, has destroyed a pot or other terra-cotta vessel fastened at

the top of the chimney.

When such, or other, conditions have been successfully negotiated,

the wedding party is admitted to the house and led to tables loaded

with roast lamb or pork, cakes, fruit, wine and brandy. The bride's

father places the father of the bridegroom in the seat of honour,

and immediately next to him the stari-svat, then the koom and then the

bridegroom. When the guests are seated, a large flat cake (pogatcha)

is placed before the bridegroom's father, and he lays upon it some gold

coins; it may be a whole chain made of golden ducats, which the bride

is to wear later round her neck. His example is followed immediately

by the stari-svat, the koom, and all the other guests. Finally the

bride's father brings the dowry which he has determined to give to

his daughter and lays it on the cake. All the money thus collected is

handed over to the stari-svat, who will give it in due course to the

bride. Next the bridesmaids take the wedding dress to the bride's

apartment, where they adorn her with great care and ceremony. Her

toilet finished, one of her brothers, or, in the absence of a brother,

one of her nearest male relatives, takes her by the hand and leads

her to the assembled family and friends. The moment she appears, the

wedding guests greet her with a lively fire from their pistols, and

the bridesmaids conduct her to the bridegroom, to whom she presents

a wreath of flowers. She is then led to the stari-svat and the koom,

whose hands she kisses. That ordeal concluded, she goes into the

house, where, in front of the hearth, sit her parents on low wooden

chairs. There she prostrates herself, kissing the floor in front of

the fire. This is obviously a relic of fire-worship; now, however,

symbolical of the veneration of the centre of family life. When

she rises, the maiden kisses the hands of her father and mother,

who, embracing her, give her their blessing. Now her brother, or

relative--as the case may be--escorts her back to the bridegroom's

party and there delivers her formally to the dever, who from that

moment takes charge of her, in the first place presenting to her the

gifts he has brought.

The Return from Church

After they have feasted the guests mount their horses and, firing

tirelessly their pistols, set out with the bride for the nearest

church. When the religious ceremony is over the wedding party returns

to the bridegroom's home, and the bride has to alight from her horse

(or carriage) upon a sack of oats. While the others enter the courtyard

through the principal gate, the bride usually selects some other

entrance, for she fears lest she may be bewitched. Immediately she

enters, the members of the bridegroom's family bring to her a vessel

filled with various kinds of corn, which she pours out on the ground

"in order that the year may be fruitful." Next they bring her a male

child whom she kisses and raises aloft three times. She then passes

into the house holding under her arms loaves of bread, and in her

hands bottles of red wine--emblems of wealth and prosperity.

Although the wedding guests have been well feasted at the bride's

house, the journey has renewed their appetites, therefore they seat

themselves at tables in the same order as we have already seen, and

are regaled with a grand banquet. Throughout the meal, as at the

previous one, the voivodes and the tchoutoura-bearer poke fun and

satire at the expense of everybody. These mirthful effusions are,

as we have already said, not generally in very good taste, but no one

takes offence, and everybody laughs heartily, provided there be wit

in the jokes. After this feast, during which the young people perform

the national dances (kollo) and sing the traditional wedding songs,

the dever brings the bride to the threshold of her apartment (vayat)

and delivers her to the koom, who, in his turn, leads her in, places

her hand in that of the bridegroom and leaves them alone. The guests,

however, often remain in the house, until dawn, drinking and singing.

Slava (or Krsno Ime)

This custom is considered to be a survival of the times when the

Serbians were first converted to Christianity. Every Serbian family

has one day in the year, known as slava, generally some saint's day,

when there are performed certain ceremonies partly of a religious and

partly of a social character. The saint whom the head of the family

celebrates as his patron, or tutelary saint, is also celebrated by

his children and their descendants.

A few days before the celebration the priest comes to the house of

every svetchar--the man who as the chief of the family celebrates the

saint--in order to bless the water which has been prepared beforehand

for that purpose in a special vessel; after this he besprinkles the

heads of all the members of the family with the holy water, into

which he has dipped a small sprig of basil. Then he proceeds from

room to room performing the same ceremony in each.

In order to please their tutelary saint, all the members of the family

fast for at least a week before the feast. On the eve of the saint's

day a taper is lit before the saint's image, and remains burning for

two days. One or two days before the festival the women prepare a

kolatch (a special cake made of wheat-flour) which measures about

fifteen inches in diameter, and is about three inches thick. Its

surface is divided into quarters by being marked with a cross,

each quarter bearing a shield with the letters I.N.R.I. In the

centre there is a circle in which is a poskurnik (monogram of these

initials). Besides the kolatch, another cake of white wheat well

boiled and mixed with powdered sugar, chopped nuts, and almonds,

is made. This is called kolyivo (literally "something which has

been killed with the knife"). This is obviously a relic of the pagan

times when kolyivo was the name given to animals sacrificed on the

altar. When the Serbians were converted to the Christian faith, they

were told that the Christian God and His saints did not call for

animal, and still less for human sacrifice, and that boiled wheat

might serve as a substitute. And it is interesting to find that

kolyivo is prepared only for those saints whom the people believe

to be dead, and not for those who are believed to be still living,

such as St. Elias (Elijah), the patron Saint of Thunder, or the

"Thunderer," the Archangel Michael and certain others, for it is

emphatically a symbolic offering for the dead.

The Slava Eve Reception

On the eve of the Slava day enough food is prepared to last for the two

following days, and toward sunset, all the tables are well loaded with

refreshments in readiness for the arrival of numerous guests. Friends

and relations are invited to come by a messenger especially sent out

from the house. There are several stereotyped forms of this invitation,

one of which is the following: "My father (or my uncle, as the case may

be) has sent me to bring you his greetings and to invite you to our

house this evening to drink a glass of brandy. We wish to share with

you the blessings bestowed upon us by God, and our patron-saint. We

entreat you to come!" At these words the messenger hands to the invited

guest a tchoutoura filled with red wine and decorated with flowers,

out of which the guest is obliged to take a little. He then makes

the sign of the Cross, and says: "I thank you, and may your Slava be

a happy and prosperous one!" After tasting the wine, he continues:

"We will do our best to come. It is simple to comply with your wish,

since we are invited to share such an honour." He invariably pronounces

these words whether he really intends to accept the invitation or not.

In the meantime, while the messenger was away inviting guests, the

women of the household have been making all the preparations necessary

for their reception. Each guest, as he reaches the threshold exclaims:

"O master of the house, art thou willing to receive guests?" Hearing

this the Svetchar rushes to meet the guest and greets him in these

words: "Certainly I am, and may there be many more good guests such

as thou art!" Then the guest enters, embraces the Svetchar and says:

"I wish thee a most pleasant evening and a happy Slava!" And then as

a matter of course the host answers: "I thank thee, and welcome thee

to my house!" In the same manner the other guests are greeted. When

they have all arrived, the host invites them to wash their hands--for

no Serbian peasant would ever sit down to take food without first

doing so. Then the host shows to each one his place at the table,

always strictly observing precedence due to seniority.

The girls of the house first pass round brandy to the assembled

guests and this, at least in the winter, has generally been warmed,

and honey or sugar has been added. While that is being served all

the guests stand, and in silence wait reverently for the ceremonies

of the Slava to begin.

The host places in the middle of the table a large wax candle,

which he does not light until he has made the sign of the Cross

three times. Next he takes an earthen vessel containing a few embers,

places in it a few small pieces of incense and then lets the fragrance

ascend to the icon, which is, according to custom, occupying the

place of honour in the room, then still holding the censer he stops

for a few moments before each guest. That ceremony being ended, and

if there be no priest present, the host himself invites his guests

to say their prayers to themselves. A great many Serbian peasants

are gifted with the power of offering extempore prayers and they are

always in request at these ceremonies. The host passes the censer

to his wife, whose duty it is to see that the fumes of the incense

reach into every part of the house. Next the host breaks silence with

the following prayer: "Let us pray, O brethren, most reverently to

the Almighty Lord, our God, and to the Holy Trinity! O Lord, Thou

omnipotent and gracious Creator of Heaven and Earth, deliver us,

we pray Thee, from all unforeseen evil! O, St. George! (here he

adds the name of the saint whose festival they are celebrating),

our holy patron-saint, protect us and plead for us with the Lord,

our God, we here gathered together do pray Thee. Ye Holy Apostles,

ye, the four Evangelists and pillars upon whom rest the Heavens and

the Earth, we, being sinners, do conjure ye to intercede for us,"

and so on. When his prayer is finished, the guests make the sign of

the Cross several times and then supper begins.

Slava Toasts

During the first two or three courses, the guests continue to drink

brandy, and wine is not served until they have partaken of meat. At

the drinking of the first glass of wine the oldest guest or whoever

enjoys the highest dignity of position (generally it is the village

priest or the mayor) proposes the first toast, of which--as well

as of all the subsequent ones--it may be said that tradition has

ordered the exact programme to be followed in all these proceedings,

and even prescribed the very words to be used. In some parts of Serbia

the host himself proposes the first toast to the most distinguished

of his guests, addressing him with: "I beg to thank you, as well as

all your brethren, for the honour which you graciously show me in

coming to my Slava! Let us drink the first glass to the glory of

the gracious God! Where wine is drunk in His name, may prosperity

always be!" The principal guest accepts the toast, makes the sign of

the Cross and answers in such words as the following: "I thank you,

most kind and hospitable host! May your Slava bring you prosperity,

let us drink this second glass 'for the better hour.'" The third

toast is generally "To the glory of the Holy Trinity!" (In Serbian:

Tretya-sretya, sve u slavu Svete Troyitze!)

In some parts of Serbia there are commonly seven or even more toasts to

be drunk, but this custom shows, fortunately, a tendency to disappear.

The Ceremony at Church

Next morning all the members of the family rise very early in

order to restore order in the house, and the Svetchar goes to the

nearest church, taking with him the kolyivo, the kolatch, some wine,

incense and a wax candle. All these things he places in front of the

altar where they must remain during the morning service, after which

the officiating priest cuts the Slava cake from underneath so that

his cuts correspond with the lines of the cross shown on the upper

surface. Then he breaks the cake and turns it in a circle with the help

of the Svetchar, while they pronounce certain prayers together. This

ceremony ended, the host takes one half of the cake home and leaves the

other half to the priest. If it happens that the church is far away,

and time does not allow the host to absent himself long from home,

the Slava cake may be cut in halves by him in his own house with

the help of his male guests, chanting all the while certain formal

prayers: and standing in a circle they hold the cake so that a thumb

of each guest should be placed on the top of the cake, whilst they

each support it with four fingers.

The Slava Feast

Toward noon, a few minutes before the sun reaches his zenith, a part

of the Slava cake is placed upon the table together with a lighted

wax candle. To this midday meal many more guests are usually invited

than had attended the supper on the previous evening; furthermore,

on this day even a stranger--whatever his religion may be--has the

right to enter the house and to claim hospitality. For instance,

the Royal Prince Marko had many friends amongst the Turks, and they

would invariably come to him as guests on his Slava day. All the

guests rise together, cross themselves with great reverence, and, in

perfect silence, with glasses filled, they await the address to be made

by the Svetchar. Again three, or perhaps more, toasts are proposed

and accepted, and, of course, as many times are the glasses again

emptied and re-filled before the 'midday' meal is even begun. Eating

and drinking, in all cases, "to the glory of God, the Holy Trinity,

to the Holy Slava" and so forth continue till late at night, when the

guests remember that it is time to go home. Many, however, remain in

the house all night and for the next day. Some devotees of good wine

used actually to remain, on occasions, for three whole consecutive

days and nights. This very extreme devotion to the saints has been

practised more especially at Nish, and in that neighbourhood, and

has furnished the celebrated Serbian novelist Stefan Strematz with

abundant material for one of the finest, as it is undoubtedly one of

the wittiest, novels that have been written in Serbian.

Christmas Eve

Another festival, which the Serbians, like other nations, conduct

with many rites and customs of unmistakably pagan origin and which

fills the hearts of all with joy, is Christmas. It is a saying of

the Serbian people that "there is no day without light--neither is

there any real joy without Christmas."

The Serbian peasant is, as a general rule, an early riser, but on

Christmas Eve (Badgni dan) everybody is up earlier than usual,

for it is a day when each member of the household has his hands

full of work to be done. Two or more of the young men are sent out

from every house to the nearest forest [22] to cut, and bring home,

a young oak tree, which is called Badgnak. (The etymology of this word

is obscure, but it is probably the name, or derived from the name, of

a pagan god.) When the young man who is to cut the tree has selected

it, he kneels down, and murmuring words of greeting and uttering a

special prayer, he throws at it a handful of wheat or corn; then he

makes the sign of the Cross three times and begins carefully to cut

in such a direction that the tree must necessarily fall toward the

East, and at just about the moment when the sun first shows himself

above the horizon. He has also to see that the tree does not touch,

in falling to earth, the branches of any tree near it, otherwise

the prosperity of his house would most surely be disturbed during

the ensuing year. The trunk of the tree is now cut into three logs,

one of which is rather longer than the others.

Toward evening, when everything is ready and all the members of the

family are assembled in the kitchen, the chief room in the dwelling,

a large fire is lit, and the head of the family solemnly carries in

the Badgnak, and, placing it on the fire, so that the thicker end is

left about twelve inches beyond the hearth, he pronounces in a loud

voice his good wishes for the prosperity of the house and all within

it. In the same way he brings in the other parts of the Badgnak,

and, when all are in a blaze, the young shepherds embrace across the

largest log, for they believe that by doing so they will ensure the

attachment of the sheep to their lambs, of the cows to their calves,

and of all other animals to their young.

At this point of the proceedings the oldest member of the family

brings in a bundle of straw and hands it over to the housewife, to

whom he wishes at the same time "a good evening and a happy Badgni

dan." She then throws a handful of corn at him, thanks him for the

straw and starts walking about the kitchen and the adjoining rooms,

scattering straw on the floor and imitating the clucking of hens,

while the children gleefully follow her and imitate the sounds made

by young chicks.

This finished, the mother has next to bring a yellow wax candle and an

earthen vessel filled with burning coal. The father again reverently

makes the sign of the Cross, lights the candle and places some incense

on the embers. Meanwhile the rest of the family have already formed

themselves into a semi-circle, with the men standing on the right and

the women on the left. The father now proceeds to say prayers aloud,

walking from one end of the semi-circle to the other and stopping

in front of each person for a short space of time that the fumes of

smoking incense, in the censer, held in his right hand, should rise

to the face of every one in turn. The prayers which they utter on

these occasions last for about fifteen or twenty minutes, and vary

in nearly every district.

After the prayers they all sit down to supper, which is laid, not

upon a table, but on the floor, for it is considered a good orthodox

custom to lay sacks over the stone or clay of which the floor is

formed, and to use cushions instead of chairs, on Christmas Eve.

During supper, at which no meat is served, the father of the family

enthusiastically toasts the Badgnak, expressing at the same time his

wishes for their common prosperity for the new year, and pours a glass

of wine over the protruding end of the log. In many parts of Serbia

all the peasants--men, women, and even small children--fast for the

forty-five days immediately before Christmas. They abstain from meat,

eggs, and milk-food, and eat simply vegetables and fruit.

When the supper is over the whole family retires to bed, except one

of the young men, who remains near the fire to see that the Badgnak

does not burn off completely, and that the fire is not extinguished.

Christmas Day

It is generally believed that the rites and customs concerning this

Church festival, which we Serbians call in our own language Bojitch,

meaning 'the little God,' is nothing but the modified worship of the

pagan god Dabog (or Daybog), to whom we have already referred, or

perhaps represents several forms of that worship. Our pagan ancestors

used to sacrifice a pig to their Sun-god, and in our day there is

not a single house throughout Serbia in which "roast pork" is not

served on Christmas Day as a matter of course. The men and boys of

each household rise very early in the morning that day to make a big

fire in the courtyard, and to roast a sucking-pig on a spit, for which

all preparations are made on Badgni dan. The moment each little pig

is placed at the fire there is a vigorous firing of pistols or rifles

to greet it, showing by the sound of shot after shot that the whole

village is astir. As nearly all the houses in a village practise the

same custom most zealously, and as naturally every youth considers

it a part of his duty to fire a pistol, the neighbouring hills echo

again and again as if persistent skirmishing were going on.

Still early in the morning one of the maidens goes to the public

well to fetch some drinking water, and when she reaches the well she

greets it, wishing it a happy Christmas, throwing at the same time

into it a handful of corn and a bunch, or perhaps merely a sprig,

of basil. She throws the corn in the hope that the crops may be as

abundant as water, and the basil is to keep the water always limpid

and pure. The first cupful of the water she draws is used to make a

cake (Thesnitza) to be broken at the midday meal into as many pieces

as there are members of the household. A silver coin has been put

into the dough, and the person who finds it in his piece of cake is

considered as the favourite of fortune for the year to come.

During the morning every house expects a visitor (polaznik), who is

usually a young boy from a neighbouring house. When the polaznik

enters the house he breaks off a small branch of the Badgnak's

smouldering end, and while he is greeting the head of the house with

'Christ is born!' and all the others are answering him with a cry

of 'In truth He is born!' the mother throws at him a handful of

wheat. He then approaches the hearth, and strikes the Badgnak with

his own piece of tree repeatedly, so that thousands of sparks fly up

into the chimney, and he pronounces his good wishes: "May the holy

Christmas bring to this house as many sheep, as many horses, as many

cows, as many beehives, [and so forth,] as there are sparks in this

fire!" Then he places on the Badgnak either a silver or a gold coin,

which the head of the family keeps to give to the blacksmith to smelt

in with the steel when making his new plough--for, as he believes,

this cannot fail to make the ground more fertile and all go well. The

polaznik is, of course, made to stay and share the meal with them,

and afterwards he is presented with a special cake also containing

a coin, sometimes a gold one, sometimes silver.

After the repast all the youths go out of doors for sports, especially

for sleighing, while the older people gather together around a gooslar

(a national bard), and take much, even endless, delight in listening

to his recitals of their ancient ballads.

The Dodola Rite

The disasters which Serbian peasants most fear are of two

kinds--drought and very violent storms. In pagan times there was a

goddess who, it is believed, ruled the waters and the rain. When

the Serbians were first converted to Christianity, the power of

controlling the ocean, rivers, and storms, and the sailing of ships

at sea, was attributed to St. Nicholas, and the Dalmatians, sea-going

men, still pray only to him; whereas in the heart of Serbia, where

the peasants have no conception of what large navigable rivers are,

still less of what seas and lakes are like, recourse is taken to the

favourite goddess Doda or Dodola whenever there is an unduly long

spell of dry weather.

The Dodola rite is a peculiar one. A maiden, generally a Gipsy, is

divested of her usual garments and then thickly wrapped round with

grass and flowers so that she is almost concealed beneath them. She

wears a wide wreath of willow branches interwoven with wild flowers

around her waist and hips, and in such fantastic attire she has to

go from house to house in the village dancing, while each housewife

pours over her a pailful of water, and her companions chant a prayer

having the refrain, Oy Dodo, oy Dodole, after every single line:

Fall, O rain! and gentlest dew!

Oy, Dodo! Oy, Dodole!

Refresh our pasture-lands and fields!

Oy, Dodo! Oy, Dodole!

In each verse that follows mention is made of a cereal or other plant,

imploring Doda that rain may soon be shed upon it. Then the cottage

women give them presents, either food or money, and the maidens sing

other songs for them, always in the same rhythm, give their thanks,

offer good wishes, and are gone.

Whitsuntide

During the Whitsuntide festivities, about fifteen young girls, mostly

Christian Gipsies, one of whom personates the Standard-bearer, another

the King, and another the Queen (kralyitza), veiled and attended by a

number of Maids of Honour, pass from door to door through the village,

singing and dancing. Their songs relate to such subjects as marriage,

the choice of a husband or wife, the happiness of wedded life, the

blessing of having children. After each verse of their songs follows

a refrain, Lado, oy, Lado-leh! which is probably the name of the

ancient Slavonic Deity of Love.

Palm Sunday

"In winter, just before Lent, the great festival in honour of the Dead

is celebrated, at which every one solemnizes the memory of departed

relations and friends, and no sooner does Palm Sunday arrive than

the people join in commemorating the renovation of life.

"On the preceding Saturday the maidens assemble on a hill, and recite

poems on the resurrection of Lazarus; and on Sunday, before sunrise,

they meet at the place where they draw water and dance their country

dance (kolllo), chanting a song, which relates how the water becomes

dull by the antlers of a stag, and bright by his eye." [23]

St. George's Day

On St. George's Day, April 23rd (Dyourdyev Dan), long before dawn,

all the members of a Serbian family rise and take a bath in the

water, in which a number of herbs and flowers--each possessing its

own peculiar signification--have been cast before sunset the preceding

day. He who fails to get up in good time, and whom the sun surprises

in bed, is said to have fallen in disgrace with St. George, and he

will consequently have little or no luck in any of his undertakings

for the next twelve months. This rite is taken as a sign that the

Serbian peasants yield to the many influences of newly awakened nature.

It will be seen by anyone who studies the matter that each season

in turn prompts the Serbians, as it must prompt any simple primitive

people, to observe rites pointing to the mysterious relation in which

man finds that he stands to nature.

Hero Tales and Legends of the Serbians · 第 2 / 17 章