ORION RISES ON THE DUNES

So came August to its close, ending its last day with a night so

luminous and still that a mood came over me to sleep out on the open

beach under the stars. There are nights in summer when darkness and

ebbing tide quiet the universal wind, and this August night was full

of that quiet of absence, and the sky was clear. South of my house,

between the bold fan of a dune and the wall of a plateau, a sheltered

hollow opens seaward, and to this nook I went, shouldering my blankets

sailorwise. In the star-shine the hollow was darker than the immense

and solitary beach, and its floor was still pleasantly warm with the

overflow of day.

I fell asleep uneasily, and woke again as one wakes out-of-doors. The

vague walls about me breathed a pleasant smell of sand, there was

no sound, and the broken circle of grass above was as motionless as

something in a house. Waking again, hours afterward, I felt the air

grown colder and heard a little advancing noise of waves. It was still

night. Sleep gone and past recapture, I drew on my clothes and went to

the beach. In the luminous east, two great stars aslant were rising

clear of the exhalations of darkness gathered at the rim of night and

ocean--Betelgeuse and Bellatrix, the shoulders of Orion. Autumn had

come, and the Giant stood again at the horizon of day and the ebbing

year, his belt still hidden in the bank of cloud, his feet in the deeps

of space and the far surges of the sea.

[Illustration: _The Fo’castle_]

My year upon the beach had come full circle; it was time to close

my door. Seeing the great suns, I thought of the last time I marked

them in the spring, in the April west above the moors, dying into the

light and sinking. I saw them of old above the iron waves of black

December, sparkling afar. Now, once again, the Hunter rose to drive

summer south before him, once again autumn followed on his steps. I had

seen the ritual of the sun; I had shared the elemental world. Wraiths

of memories began to take shape. I saw the sleet of the great storm

slanting down again into the grass under the thin seepage of moon, the

blue-white spill of an immense billow on the outer bar, the swans in

the high October sky, the sunset madness and splendour of the year’s

terns over the dunes, the clouds of beach birds arriving, the eagle

solitary in the blue. And because I had known this outer and secret

world, and been able to live as I had lived, reverence and gratitude

greater and deeper than ever possessed me, sweeping every emotion else

aside, and space and silence an instant closed together over life. Then

time gathered again like a cloud, and presently the stars began to pale

over an ocean still dark with remembered night.

During the months that have passed since that September morning some

have asked me what understanding of Nature one shapes from so strange

a year? I would answer that one’s first appreciation is a sense that

the creation is still going on, that the creative forces are as great

and as active to-day as they have ever been, and that to-morrow’s

morning will be as heroic as any of the world. _Creation is here and

now._ So near is man to the creative pageant, so much a part is he of

the endless and incredible experiment, that any glimpse he may have

will be but the revelation of a moment, a solitary note heard in a

symphony thundering through debatable existences of time. Poetry is

as necessary to comprehension as science. It is as impossible to live

without reverence as it is without joy.

[Illustration: _Sunrise from Cape Cod_]

And what of Nature itself, you say--that callous and cruel engine,

red in tooth and fang? Well, it is not so much of an engine as you

think. As for “red in tooth and fang,” whenever I hear the phrase or

its intellectual echoes I know that some passer-by has been getting

life from books. It is true that there are grim arrangements. Beware

of judging them by whatever human values are in style. As well expect

Nature to answer to your human values as to come into your house and

sit in a chair. The economy of nature, its checks and balances, its

measurements of competing life--all this is its great marvel and has

an ethic of its own. Live in Nature, and you will soon see that for

all its non-human rhythm, it is no cave of pain. As I write I think

of my beloved birds of the great beach, and of their beauty and their

zest of living. And if there are fears, know also that Nature has its

unexpected and unappreciated mercies.

Whatever attitude to human existence you fashion for yourself, know

that it is valid only if it be the shadow of an attitude to Nature.

A human life, so often likened to a spectacle upon a stage, is more

justly a ritual. The ancient values of dignity, beauty, and poetry

which sustain it are of Nature’s inspiration; they are born of the

mystery and beauty of the world. Do no dishonour to the earth lest you

dishonour the spirit of man. Hold your hands out over the earth as over

a flame. To all who love her, who open to her the doors of their veins,

she gives of her strength, sustaining them with her own measureless

tremor of dark life. Touch the earth, love the earth, honour the earth,

her plains, her valleys, her hills, and her seas; rest your spirit in

her solitary places. For the gifts of life are the earth’s and they are

given to all, and they are the songs of birds at daybreak, Orion and

the Bear, and dawn seen over ocean from the beach.

The outermost house · 第 48 / 50 题