CHAPTER SEVENTEEN

Thursday 2:28 P.M.

"The hypersonic test flight must proceed as scheduled," Tanzan Mino

said quietly. "Now that all the financial arrangements have been

completed, the Coordinating Committee of the LDP has agreed to bring

the treaty before the Diet next week. A delay is unthinkable."

"The problem is not technical, Mino-sama," Taro Ikeda, the project

director, continued, his tone ripe with deference. "It is the Soviet

pilot. Perhaps he should be replaced." He looked down, searching for

the right words. "I'm concerned. I think he has discovered the stealth

capabilities of the vehicle. Probably accidentally, but all the same,

I'm convinced he is now aware of them. Two nights ago he engaged in

certain unauthorized maneuvers I believe were intended to verify those

capabilities."

"_So deshoo_." Tanzan Mino's eyes narrowed. "But he has said nothing?"

"No. Not a word. At least to me."

"Then perhaps he was merely behaving erratically. It would not be the

first time."

"The maneuvers. They were too explicit," Ikeda continued. "As I said,

two nights ago, on the last test fight, he switched off the

transponder, then performed a snap roll and took the vehicle into a

power dive, all the way to the deck. It was intended to be a radar-

evasive action." The project director allowed himself a faint, ironic

smile. "At least we now know that the technology works. The vehicle's

radar signature immediately disappeared off the tracking monitors at

Katsura."

"It met the specifications?"

Ikeda nodded. "Yesterday I ordered a computer analysis of the data

tapes. The preliminary report suggests it may even have exceeded them."

Tanzan Mino listened in silence. He was sitting at his desk in the

command sector wing of the North Quadrant at the Hokkaido facility.

Although the sector was underground, like the rest of the facility,

behind his desk was a twenty-foot-long "window" with periscope double

mirrors that showed the churning breakers of La Perouse Strait.

His jet had touched down on the facility's runway at 6:48 A.M. and been

promptly towed into the hangar. Tanzan Mino intended to be in personal

command when _Daedalus I_ went hypersonic, in just nineteen hours. The

video monitors in his office were hard-wired directly to the main

console in Flight Control, replicating its data displays, and all

decisions passed across his desk.

"Leave the pilot to me," he said without emotion, revolving to gaze out

the wide window, which displayed the mid-afternoon sun catching the

crests of whitecaps far at sea. "What he knows or doesn't know will not

disrupt the schedule."

Once again, he thought, I've got to handle a problem personally. Why?

Because nobody else here has the determination to make the scenario

succeed. First the protocol, and then the money. I had to intervene to

resolve both.

But, he reflected with a smile, it turned out that handling those

difficulties personally had produced an unexpected dividend.

"As you say, _Mino-sama_," Ikeda bowed. "I merely wanted to make you

aware of my concern about the pilot. He should be monitored more

closely from now on."

"Which is precisely what I intend to do." Tanzan Mino's silver hair

seemed to blend with the sea beyond. "There is an obvious solution.

When he takes the vehicle hypersonic, he will not be alone."

"What are you suggesting? No one else--"

"Merely a simple security precaution. If he is not reliable, then steps

must be taken. Two of our people will be in the cockpit with him."

"You mean the scientists from Tsukuba? The cockpit was designed to

accommodate a three-man crew, but MITI hasn't yet designated the two

researchers."

"No. I mean my personal pilot and copilot. From the Boeing. Then if

Androv deviates from the prescribed test program in any way, they will

be there, ready to take immediate action. The problem is solved." He

revolved back from the window. "That will be all."

Ikeda bowed, then turned and hurriedly made his way toward the door. He

didn't like last-minute improvisations, but the CEO was now fully in

command. Preparations for two additional life-support systems would

have to be started immediately.

After Tanzan Mino watched him depart, he reached down and activated a

line of personal video monitors beside his desk.

Thursday 2:34 P.M.

Vance recognized the sound immediately. It was the harp-like plucking

of a Japanese _koto_, punctuated by the tinkling of a wind chime.

Without opening his eyes, he reached out and touched a hard, textured

surface. It was, he realized, a straw mat, and from the firmness of the

weave he knew it was _tatami_. Then he felt the soft cotton of the

padded mat beneath him and guessed he was lying on a futon. The air in

the room was faintly spiced with Mahayana Buddhist temple incense.

I'm in Japan, he told himself. Or somebody wants me to think I am.

He opened his eyes and found himself looking at a rice-paper lamp on

the floor next to his futon. Directly behind it, on the left, was a

_tokonoma _art alcove, built next to a set of sliding doors. A small,

round _shoji_ window in the _tokonoma _shed a mysterious glow on its

hanging scroll, the painting an ink sketch of a Zen monk fording a

shallow stream.

Then he noticed an insignia that had been painted on the sliding doors

with a giant brush. He struggled to focus, and finally grasped that it

was the Minoan double ax, logo of the Daedalus Corporation.

Jesus!

He lay a minute, nursing the ache in his head and trying to remember

what had happened. All he could recall was London, money, Eva . . .

Eva. Where was she?

He popped erect and surveyed the room. It was traditional Jap anese,

the standard four-and-a-half tatami in size, bare and Spartan. A

classic.

But the music. It seemed to be coming through the walls.

The walls. They all looked to be rice paper. He clambered up and headed

for the fusuma with the double-ax logo. He tested it and realized that

the paper was actually painted steel. And it was locked. The room was

secure as a vault.

But across, opposite the _tokonoma_, was another set of sliding doors.

As he turned to walk over, he noticed he was wearing _tabi_, light

cotton stockings split at the toe, and he was clad in a blue-patterned

_yukata_ robe, cinched at the waist. He'd been stripped and re-

dressed.

This door was real, and he shoved it open. A suite of rooms lay beyond,

and there on a second futon, still in a drugged sleep, lay Eva. He

moved across, bent down, and shook her. She jerked away, her dreaming

disrupted, and turned over, but she didn't come out of it.

"Wake up." He shook her again. "The party just got moved. Wait'll you

get a load of the decor."

"What . . ." She rolled back and cracked open her bloodshot eyes. Then

she rose on one elbow and gazed around the room. It was appointed

identically to his, with only the hanging scroll in the _tokonoma_

different, hers being an angular, three-level landscape. "My God."

"Welcome to the wonderful world of Tanzan Mino. I don't know where the

hell we are, but it's definitely not Kansas, or London."

"My head feels like I was at ground zero when the bomb hit. My whole

body aches." She groaned and plopped back down on the futon. "What time

do you think it is?"

"Haven't a clue. How about starting with what day?" He felt for his

watch and realized it was gone. "What does it matter anyway? Nobody has

clocks in never-never land."

Satisfied she was okay, he stood up and surveyed the room. Then he saw

what he'd expected. There in the center of the ceiling, integrated into

the pattern of light-colored woods, was the glass eye of a video

camera.

And the music. Still the faint music.

He walked on down to the far end of her room and shoved aside another

set of sliding doors, also painted with the double-ax insignia. He

found himself looking at a third large space, this one paneled in raw

cypress. It was vast, and in the center was a cedar hot tub, sunk into

the floor. The water was fresh and steaming, and two tiny stools and

rinsing pails were located conveniently nearby on the redwood decking.

It was a traditional _o-furo_, one of the finest he'd ever seen.

"You're not going to believe this." He turned back and waved her

forward. In the soft rice-paper glow of the lamp she looked rakishly

disheveled. Japanese architecture always made him think of lovemaking.

"Our host probably figured we'd want to freshen up for the festivities.

Check it out."

"What?" She was shakily rising, pulling her yukata around her.

"All the comforts of home. Too bad they forgot the geisha."

Project Daedalus · 第 81 / 115 题