CHAPTER IV

A STRANGE MESSAGE

TOM SWIFT sank wearily into a chair, facing his damaged talking-picture

machine. That it was very seriously damaged was plainer to the eyes of

the young inventor than to those even of his father, who was one of

three persons aware of what great changes the new machine was destined

to bring about. But Tom rallied and from the ruins of his invention saw

mentally, rising like the fabled Phoenix from its own ashes, a new and

better piece of apparatus.

“Maybe, after all,” mused Tom, “this will turn out better than it looked

at first sight. I already have an idea for some improvements in the new

machine I’m going to start—as soon as I’m able,” he added somewhat

grimly.

“Tom, you’d better go back to bed!” exclaimed his father anxiously. “You

know Dr. Layton said——”

“Oh, I’m all right!” protested the young inventor. “I’m going slow. I do

feel a bit pulled out, but I don’t intend to do any work. However, I’m

on the track of something, and it’s got to be followed up.”

“Then you think this was deliberately done, Tom?” asked Mr. Swift as he

finished sending a message to have Jim Clark sent to Tom’s private

quarters.

“I’m almost positive of it,” was the reply. “And I have under suspicion

a certain man.”

“Who?” asked Mr. Swift in a low voice, making sure no one was near the

shattered door.

“Greenbaum,” was the equally low answer.

“Why, I thought he was one of your best workers, Tom!” exclaimed Mr.

Swift in surprise.

“So he is, in his own particular line. But now that I think matters

over, I see that there is a chance he had something to do with this

explosion. He was here in the laboratory just before it happened. He and

I and Ned Newton were the only ones here, as a matter of fact. Ned has

disappeared, and that’s worrying me, but I’ll come to that feature in

due time. I guess Ned can look after himself, though his disappearance

is certainly mysterious, coupled with everything else that’s happened.

But when I stop to think about Greenbaum being here just before the

explosion——”

“But, Tom,” interrupted his father, “I thought you said Greenbaum went

before you locked up and came home.”

“Apparently he did. But he may have come back. That’s what I want Clark

to do—a bit of detective work to find out if Greenbaum went to his

boarding house and stayed there. If he did——”

The entrance, at that moment, of the young workman in whom Tom placed

much confidence brought a sudden end to the talk.

“You sent for me, Mr. Swift?” asked Clark, with a smile. “Is it about

the new negative gravity machine I’m working on?”

“Not this time, Clark,” answered Tom, motioning the young fellow to take

a chair near the scorched desk which was not far from the shattered

talking-picture machine. That apparatus had, however, been covered from

prying eyes. “I want you to do a bit of detective work, if you will,”

went on the young inventor.

Without telling just why he wanted the information, Tom instructed his

agent to find out in secret something about Greenbaum, seeking to learn

just what the man did on the night of the explosion.

“I get you!” exclaimed Clark, with ready wit. “I’m wise all right. I’ll

shadow him if you want me to.”

“No, don’t dog him,” objected Tom. “Just trace his movements. You can

tell your foreman you’re working for me and it will be all right.”

With Clark dispatched on this mission, Tom took from the partial wreck

of his new apparatus such pieces as were vital for rebuilding it and

then, asking his father to have the laboratory cleaned up and put in

working shape again, Tom went back to his bedroom.

Truth to tell, he was pretty well fagged out, not so much physically as

mentally. The shock both to his hopes and his body, as well as worry

over Ned’s disappearance, was beginning to tell.

“Hadn’t you better give this up, Tom?” asked his father as, having set

men to putting the laboratory to rights, he went to his son’s room where

he found Tom stretched out on a long sofa.

“Give what up, Dad? You mean trying to find out who blew me up and why

Ned is missing? Give those problems up?”

“No, I mean work on this new talking-picture machine of yours. I don’t

believe it will ever work, Tom.”

“But it has worked, Dad!” exclaimed the young man, with enthusiasm.

“Only about an hour before Ned left and the explosion happened, I got a

pretty fine record of what Ned did in the theater room,” for so Tom

called the apartment with its battery of bright lights where the young

manager had sung and danced.

“You heard Ned’s voice?” asked Mr. Swift.

“Perfectly,” declared Tom. “Saw him, too. But the vision was not as

clear as it’s got to be to make this a commercial success. But I know

how to improve it, and I’m going to. I can’t give that up, Dad!”

“It might be better if you did, Tom.”

“Better? How?”

“Well, for your own safety. You’re using powerful electrical currents

and you’ve had one explosion already; so——”

“But didn’t I tell you, Dad,” and Tom smiled tolerantly, “that this

explosion was none of my doing? Nothing went wrong with the wires. They

were all in shape and I was just opening the door when something went

off. It was something that was set, too—a bomb, if I guess aright.”

“All the more reason for giving it up, Tom.”

“What do you mean, Dad?”

“I mean that perhaps some one, or perhaps a number of persons, don’t

want this new invention to succeed. Think what it will mean to the

moving picture industry if you can give people in their own homes

entertainment such as the big theaters present. And where will the

theaters come out if their high-priced shows can be picked up by every

one who buys one of your machines?”

“That’s their lookout,” said Tom. “It was said that the radio would kill

the phonograph; and it nearly did, but the phonograph folks came back

strong.”

“This is different, Tom.”

“Yes, I know it is—different and better. No, I’m not going to back out,

bombs or no bombs! Besides, Dad, you must realize that we are in this

thing pretty deep.”

“Deep, Tom? What do you mean?”

“I mean we have a large amount of money tied up in this thing—more than

I like to think about. I’ve just got to come through with it to break

even.”

“Well, Tom, I suppose you know best,” said the aged inventor, with

rather a weary smile. “But be careful of yourself.”

When Mrs. Baggert had put new bandages on some of Tom’s burns and he had

taken a little rest, he called up Ned’s home, only to learn that no word

had come from him. His parents were greatly worried, for Ned was not

selfish and was not the kind of young man to remain long away from home

without sending word.

“He may have decided to take a little unannounced vacation,” Tom told

Mr. Newton, “and have gone to the country. He may have sent word and the

letter or the message has failed to arrive. Shall I notify the police?”

“No, not yet,” decided Mr. Newton. “Ned may be all right and he’d hate

any police notoriety. We’ll wait a few days.”

The few days that followed were anxious ones, not only for Ned’s

parents, but also for Tom Swift. He had a double worry, divided between

the disappearance of his trusted chum and manager and concern over the

wreck of his new apparatus. The latter worry was more easily disposed

of, however, though it meant hard work and delay.

Tom set some of his most trusted men at the labor of reconstructing the

new apparatus, but in such a way that the secret could not be come at.

Only certain unimportant parts were given out, and Tom and his father

would make the more vital sections.

Since Tom already had on the market a telephoto machine and had also

made several varieties of moving picture projectors, it was not a hard

matter to let it casually be known that the new apparatus was an attempt

to improve either or both of the old inventions. Thus was gossip stilled

about the big Swift plant.

Tom, however, did not know what to think about Greenbaum. The day after

the explosion the man was lamenting loudly that some of his own

experimental apparatus, which he was working on for the Swift firm, had

been destroyed in the fire and blast.

“And,” said Tom, telling his father about it, “since I have promised him

a large bonus if he works out that magnetic gear shift, it doesn’t seem

reasonable that he would set a bomb that might destroy the results of

his own hard work.”

“No, Tom, it doesn’t.”

“And yet I can’t help suspecting him,” mused the young inventor. “He is

as friendly as ever, and seems anxious to help me. But there is

something furtive in his manner and in his looks.”

“Did Clark find out anything?”

“Only that Greenbaum went straight to his boarding place from here and

did not go out again that night. He was at home when the explosion took

place.”

“Then that clears him, Tom.”

“No, Dad, it doesn’t. He could easily have planted a time bomb or rigged

one up that was operated when I opened the door. I shall still suspect

him. But I’ve got something else to do now.”

“What is that?”

“I want to see how Jackson is coming on with the new radio tubes he is

making for the talking-picture machine and I’ve got to do something

about Ned. His unexplained absence for so long a time is getting serious

now. It doesn’t seem possible that he is remaining away voluntarily

without sending some word.”

“No, Tom, it doesn’t. What do you think?” and Mr. Swift looked up from

his work. He was making some delicate tests with a galvanometer in the

laboratory, which had been cleaned out and temporarily fitted up to be

used again.

“I’m thinking, Dad, that perhaps Ned, in some way, was concerned with

the fire and explosion.”

“Tom! You don’t mean that Ned——”

“Oh, of course I don’t mean that he set it, Dad!” and Tom laughed at his

father’s shocked face. “I mean that the same rascals who tried to blow

me up kidnapped Ned.”

“Kidnapped a young man like Ned Newton! A strong, husky chap——”

“They may have caught him napping,” said Tom. “Anyhow, I’ve got to do

something. Ned’s folks are much worried.”

“Why don’t you go to the police?”

“I think a private detective would be better. Or, best of all, I’ll get

Clark and set out on the trail myself. I’ve got things begun on the

rebuilding of my new machine now, and I’ve really got to do something

about Ned.”

“I agree with you, Tom. I was just wondering——”

What he wondered Mr. Swift never stated, as at that moment a voice was

heard out in the corridor, saying:

“Bless my storage battery, you needn’t show me the way in, Eradicate! I

guess I can find Tom Swift, or what’s left of him! My! My! It must have

been terrible! Bless my stick of dynamite! So they tried to blow Tom

up!”

“It’s Mr. Damon!” said Mr. Swift, smiling at his son.

“No need for him to send in a card!” chuckled the young inventor. “His

voice and talk give him away. Come in, Mr. Damon!” he called, and the

door opened to give entrance to the eccentric, kindly old gentleman who,

indirectly, had been the means of Tom’s starting on his great inventive

career.

“Bless my handkerchief, Tom!” exclaimed Mr. Damon, vigorously mopping

his face with the linen article in question, while he held out one hand

to the young inventor. “What’s all this I hear about you? I just got

back from a Western trip and my wife tells me you were blown sky high,

that your plant was demolished, and that the whole business is in ruins.

Bless my insurance policies! Whew!”

“Not quite so bad as that,” Tom answered, with a laugh.

“But something happened, bless my thermometer if it didn’t!” declared

Mr. Damon, pointing to a bandage on Tom’s left hand.

“Yes, there was an accident,” and in a few words Tom told what had

happened, without, however, making mention of the new machine, which was

too deep a secret as yet for even so close a friend as the eccentric man

to share. “But it might have been worse,” concluded the young man. “And,

as a matter of fact, that isn’t the worst that’s happened.”

“No, Tom? What else? Bless my spectacles!”

“Ned Newton has mysteriously vanished,” said Tom, with a serious face,

and he told as much as he knew about the strange occurrence.

“That’s terrible!” declared Mr. Damon. “It’s the worst outrage I ever

heard of! But I came back just in time, Tom Swift.”

“Time for what?”

“To help you hunt for Ned! Now, don’t stop me! I’m going to do it. I’ll

devote all my time and half my fortune to finding my young friend and

your chum. Tell me more about it.”

“I’ve told you all I know, which isn’t much,” Tom answered. “But suppose

we go to the house. I’m about through here,” and he looked around the

laboratory, asking his father to close and lock it when he left. “We’ll

go over to the house, Mr. Damon.”

“Yes, I want to pay my respects to Mrs. Baggert. But I can’t get over

your accident and the kidnapping of Ned. Why, bless my——”

But Mr. Damon had no time to complete his pet phrase, for half way up

the path to the house Tom and his friend saw an old man coming toward

them, ragged and unkempt—a veritable tramp. He held in his outstretched

hand a dirty piece of paper.

“Is this Mr. Tom Swift?” asked the ragged man, looking at Mr. Damon.

“No, I am,” answered the owner of the name.

“Then I have a strange message for you,” went on the tramp in whining

tones. “And if you see fit to reward me for bringing it, I’d be glad,

for I’m a poor old codger and I’m hungry——”

Tom Swift hastily took the dirty piece of paper and uttered an

exclamation of surprise as he read what was scrawled on it.

Tom Swift and his talking pictures · 第 4 / 25 章