IV.

Through Taine, I very soon made the acquaintance of Renan, whose

personality impressed me very much, grand and free of mind as he was,

without a trace of the unctuousness that one occasionally meets in his

books, yet superior to the verge of paradox.

He was very inaccessible, and obstinately refused to see people. But if

he were expecting you, he would spare you several hours of his valuable

time.

His house was furnished with exceeding simplicity. On one wall of his

study hung two Chinese water-colours and a photograph of Gérôme's

_Cleopatra before Caesar_; on the opposite wall, a very beautiful

photograph of what was doubtless an Italian picture of the Last Day.

That was all the ornamentation. On his table, there always lay a Virgil

and a Horace in a pocket edition, and for a long time a French

translation of Sir Walter Scott.

What surprised me most in Renan's bearing was that there was nothing

solemn about it and absolutely nothing sentimental. He impressed one as

being exceptionally clever and a man that the opposition he had met

with had left as it found him. He enquired about the state of things in

the North. When I spoke, without reserve, of the slight prospect that

existed of my coming to the front with my opinions, he maintained that

victory was sure. (_Vous l'emporterez! vous l'emporterez_!) Like all

foreigners, he marvelled that the three Scandinavian countries did not

try to unite, or at any rate to form an indissoluble Union. In the time

of Gustavus Adolphus, he said, they had been of some political

importance; since then they had retired completely from the historical

stage. The reason for it must very probably be sought for in their

insane internecine feuds.

Renan used to live, at that time, from the Spring onwards, at his house

in the country, at Sèvres. So utterly unaffected was the world-renowned

man, then already forty-seven years of age, that he often walked from

his house to the station with me, and wandered up and down the platform

till the train came.

His wife, who shared his thoughts and worshipped him, had chosen her

husband herself, and, being of German family, had not been married

after the French manner; still, she did not criticise it, as she

thought it was perhaps adapted to the French people, and she had seen

among her intimate acquaintances many happy marriages entered into for

reasons of convenience. They had two children, a son, Ary, who died in

1900 after having made a name for himself as a painter, and written

beautiful poems (which, however, were only published after his death),

and a daughter, Noémi (Madame Psichari) who, faithfully preserving the

intellectual heritage she has received from her great father, has

become one of the centres of highest Paris, a soul of fire, who fights

for Justice and Truth and social ideas with burning enthusiasm.

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