CELIA THAXTER. BORN JUNE, 1835; DIED AUGUST, 1894.

If it were ever intended that a desolate island in the deep sea should

be inhabited by one solitary family, then indeed Celia Thaxter was the

fitting daughter of such a house.

In her history of the group of islands, which she calls "Among the

Isles of Shoals," she portrays, in a prose which for beauty and wealth

of diction has few rivals, the unfolding of her own nature under

influences of sky and sea and solitude and untrammeled freedom, such

as have been almost unknown to civilized humanity in any age of the

world. She speaks also of the effect produced, as she fancied, upon

the minds of men by the eternal sound of the sea: a tendency to wear

away the edge of human thought and perception. But this was far from

being the case with regard to herself. Her eyesight was keener, her

speech more distinct, the lines of her thoughts more clearly defined,

her verse more strongly marked in its form, and the accuracy of her

memory more to be relied upon than was the case with almost any one of

her contemporaries. Her painting, too, upon porcelain possessed the

same character.

Her knowledge of the flowers, and especially of the seaweeds, with

which she decorated it, was so exact that she did not require the

originals before her vision. They were painted upon her mind's eye,

where every filament and every shade seemed to be recorded. These

green "growing things" had been the beloved companions of her

childhood, as they continued to be of her womanhood, and even to

reproduce their forms in painting was a delight to her. The written

descriptions of natural objects give her history a place among the

pages which possess a perennial existence. While White's "Selborne,"

and the pictures of Bewick, and Thoreau's "Walden," and the

"Autobiography of Richard Jefferies" endure, so long will "Among the

Isles of Shoals" hold its place with all lovers of nature. She says in

one place, "All the pictures over which I dream are set in this

framework of the sea, that sparkled and sang, or frowned and

threatened, in the ages that are gone as it does to-day."

The solitude of Celia Thaxter's childhood, which was not solitude,

surrounded as she was with the love of a father and a mother, all

tenderness, and brothers dear to her as her own life, developed in the

child strange faculties. She was five years old when the family left

Portsmouth,--old enough, given her inborn power of enjoyment of

nature, to delight in the free air and the wonderful sights around

her. She gives in her book a pretty picture of the child watching the

birds that flew against the lighthouse lantern, when they lived at

White Island. The birds would strike it with such force as to kill

themselves. "Many a May morning," she says, "have I wandered about the

rock at the foot of the tower, mourning over a little apron brimful of

sparrows, swallows, thrushes, robins, fire-winged blackbirds, many-

colored warblers and flycatchers, beautifully clothed yellow-birds,

nuthatches, catbirds, even the purple finch and scarlet tanager and

golden oriole, and many more beside,--enough to break the heart of a

small child to think of! Once a great eagle flew against the lantern

and shivered the glass."

Her father seems to have been a man of awful energy of will. Some

disappointment in his hope of a public career, it has been said,

decided him to take the step of withdrawing himself forever from the

world of the mainland, and this attitude he appears to have sustained

unflinchingly to the end. Her mother, with a heart stayed as

unflinchingly upon love and obedience, seems to have followed him

without a murmur, leaving every dear association of the past as though

it had not been. From this moment she became, not the slave, but the

queen of her affections; and when she died, in 1877, the sun appeared

to set upon her daughter's life. On the morning after Mrs. Thaxter's

sudden death, seventeen years later, a friend asked her eldest son

where his mother was, with the intent to discover if she had been well

enough to leave her room. "Oh," he replied, "her mother came in the

night and took her away." This reply showed how deeply all who were

near to Celia Thaxter were impressed with the fact that to see her

mother again was one of the deepest desires of her heart.

The development wrought in her eager character by those early days of

exceptional experience gives a new sense of what our poor humanity may

achieve, left face to face with the vast powers of nature.

In speaking of the energy of Samuel Haley, one of the early settlers

of the islands, she says he learned to live as independently as

possible of his fellow-men; "for that is one of the first things a

settler on the Isles of Shoals finds it necessary to learn." Her own

lesson was learned perfectly. The sunrise was as familiar to her eyes

as the sunset, and early and late the activity of her mind was rivaled

by the ceaseless industry of her hands. She pays a tribute to the

memory of Miss Peabody, of Newburyport, who went to Star Island in

1823 and "did wonders for the people during the three years of her

stay. She taught the school, visited the families, and on Sundays read

to such audiences as she could collect, took seven of the poor female

children to live with her at the parsonage, instructed all who would

learn in the arts of carding, spinning, weaving, knitting, sewing,

braiding mats, etc. Truly she remembered what 'Satan finds for idle

hands to do,' and kept all her charges busy, and consequently happy.

All honor to her memory! She was a wise and faithful servant. There is

still an affectionate remembrance of her among the present

inhabitants, whose mothers she helped out of their degradation into a

better life."

If it was not in Celia Thaxter's nature to teach in this direct way

herself, she did not fail to appreciate and to stimulate excellence of

every kind in others. Appledore was too far away in winter from the

village at Star Island for any regular or frequent communication

between them. Even so late as in the month of May she records watching

a little fleet beating up for shelter under the lee of Appledore to

ride out a storm. "They were in continual peril.... It was not

pleasant to watch them as the early twilight shut down over the vast

weltering desolation of the sea, to see the slender masts waving

helplessly from one side to another.... Some of the men had wives and

children watching them from lighted windows at Star. What a fearful

night for them! They could not tell from hour to hour, through the

thick darkness, if yet the cables held; they could not see till

daybreak whether the sea had swallowed up their treasures. I wonder

the wives were not white haired when the sun rose and showed them

those little specks yet rolling in the breakers!" How clearly these

scenes were photographed on the sensitive plate of her mind! She never

forgot nor really lost sight of her island people. Her sympathy drew

them to her as if they were her own, and the little colony of

Norwegians was always especially dear to her. "How pathetic," she

says, "the gathering of women on the headlands, when out of the sky

swept the squall that sent the small boat staggering before it, and

blinded the eyes, already drowned in tears, with sudden rain that hid

sky and sea and boats from their eager gaze!"

What she was, what her sympathy was, to those people, no one can ever

quite express. The deep devotion of their service to her brothers and

to herself, through the long solitude of winter and the storm of

summer visitors, alone could testify. Such service cannot be bought:

it is the devotion born of affection and gratitude and admiration.

Speaking of one of the young women who grew up under her eye, she

often said: "What could I do in this world without Mine Burntssen? I

hope she will be with me when I die." And there indeed, at the last,

was Mine, to receive the latest word and to perform the few sad

offices.

To tell of the services Mrs. Thaxter rendered to some of the more

helpless people about her, in the dark season, when no assistance from

the mainland could be hoped for, would make a long and noble story in

itself. Her good sense made her an excellent doctor; the remedies she

understood she was always on hand to apply at the right moment.

Sometimes she was unexpectedly called to assist in the birth of a

child, when knowledge and strength she was hardly aware of seemed to

be suddenly developed. But the truth was she could do almost anything;

and only those who knew her in these humbler human relations could

understand how joyous she was in the exercise of such duties, or how

well able to perform them. Writing to Mine from the Shoals once in

March, she says: "This is the time to be here; this is what I enjoy!

To wear my old clothes every day, grub in the ground, dig dandelions

and eat them too, plant my seeds and watch them, fly on the tricycle,

row in a boat, get into my dressing-gown right after tea, and make

lovely rag rugs all the evening, and nobody to disturb us,--

_this_ is fun!" In the house and out of it she was capable of

everything. How beautiful her skill was as a dressmaker, the exquisite

lines in her own black or gray or white dresses testified to every one

who ever saw her. She never wore any other colors, nor was anything

like "trimming" ever seen about her; there were only the fine, free

outlines, and a white handkerchief folded carefully about her neck and

shoulders.

In her young days it was the same, with a difference! She was slighter

in figure then, and overflowing with laughter, the really beautiful

but noisy laughter which died away as the repose of manner of later

years fell upon her. I can remember her as I first saw her, with the

seashells which she always wore then around her neck and wrists, and a

gray poplin dress defining her lovely form. She talked simply and

fearlessly, while her keen eyes took in everything around her; she

paid the tribute of her instantaneous laughter to the wit of others,

--never too eager to speak, and never unwilling. Her sense of beauty,

not vanity, caused her to make the most of the good physical points

she possessed; therefore, although she grew old early, the same

general features of her appearance were preserved. She was almost too

well known even to strangers, in these later years at the Shoals, to

make it worth while to describe the white hair carefully put up to

preserve the shape of the head, and the small silver crescent which

she wore above her forehead; but her manner had become very quiet and

tender, more and more affectionate to her friends, and appreciative of

all men. One of those who knew her latterly wrote me: "Many of her

letters show her boundless sympathy, her keen appreciation of the best

in those whom she loved, and her wonderful growth in beauty and

roundness of character. And how delightful her enthusiasms were,--as

pure and clear as those of a child! She was utterly unlike any one in

the world, so that few people really understood her. But it seems to

me that her trials softened and mellowed her, until she became like

one of her own beautiful flowers, perfect in her full development;

then in a night the petals fell, and she was gone."

The capabilities which were developed in her by the necessities of the

situation, during her life at the Shoals in winter, were more various

and remarkable than can be fitly told. The glimpses which we get in

her letters of the many occupations show what energy she brought to

bear upon the difficulties of the place.

In "Among the Isles of Shoals" she says: "After winter has fairly set

in, the lonely dwellers at the Isles of Shoals find life quite as much

as they can manage, being so entirely thrown upon their own resources

that it requires all the philosophy at their disposal to answer the

demand.... One goes to sleep in the muffled roar of the storm, and

wakes to find it still raging with senseless fury.... The weather

becomes of the first importance to the dwellers on the rock; the

changes of the sky and sea, the flitting of the coasters to and fro,

the visits of the sea-fowl, sunrise and sunset, the changing moon, the

northern lights, the constellations that wheel in splendor through the

winter night,--all are noted with a love and careful scrutiny that is

seldom given by people living in populous places.... For these things

make our world: there are no lectures, operas, concerts, theatres, no

music of any kind, except what the waves may whisper in rarely gentle

moods; no galleries of wonders like the Natural History rooms, in

which it is so fascinating to wander; no streets, shops, carriages; no

postman, no neighbors, not a door-bell within the compass of the

place!... The best balanced human mind is prone to lose its elasticity

and stagnate, in this isolation. One learns immediately the value of

work to keep one's wits clear, cheerful, and steady; just as much real

work of the body as it can bear without weariness being always

beneficent, but here indispensable.... No one can dream what a charm

there is in taking care of pets, singing birds, plants, etc., with

such advantages of solitude; how every leaf and bud and flower is

pored over, and admired, and loved! A whole conservatory, flushed with

azaleas and brilliant with forests of camellias and every precious

exotic that blooms, could not impart so much delight as I have known a

single rose to give, unfolding in the bleak bitterness of a day in

February, when this side of the planet seemed to have arrived at its

culmination of hopelessness, with the Isles of Shoals the most

hopeless spot upon its surface. One gets close to the heart of these

things; they are almost as precious as Picciola to the prisoner, and

yield a fresh and constant joy such as the pleasure-seeking

inhabitants of cities could not find in their whole round of shifting

diversions. With a bright and cheerful interior, open fires, books and

pictures, windows full of thrifty blossoming plants and climbing

vines, a family of singing birds, plenty of work, and a clear head and

quiet conscience, it would go hard if one could not be happy even in

such loneliness. Books, of course, are inestimable. Nowhere does one

follow a play of Shakespeare's with greater zest, for it brings the

whole world, which you need, about you; doubly precious the deep

thoughts which wise men have given to help us, doubly sweet the songs

of all the poets; for nothing comes between to distract you."

It was not extraordinary that the joy of human intercourse, after such

estrangement, became a rapture to so loving a nature as Celia

Laighton's; nor that, very early, before the period of fully ripened

womanhood, she should have been borne away from her island by a

husband, a man of birth and education, who went to preach to the wild

fisher folk on the adjacent island called Star.

The exuberant joy of her unformed maidenhood, with its power of self-

direction, attracted the reserved, intellectual nature of Mr. Thaxter.

He could not dream that this careless, happy creature possessed the

strength and sweep of wing which belonged to her own sea-gull. In good

hope of teaching and developing her, of adding much in which she was

uninstructed to the wisdom which the influences of nature and the

natural affections had bred in her, he carried his wife to a quiet

inland home, where three children were very soon born to them. Under

the circumstances, it was not extraordinary that his ideas of

education were not altogether successfully applied; she required more

strength than she could summon, more adaptability than many a grown

woman could have found, to face the situation, and life became

difficult and full of problems to them both. Their natures were

strongly contrasted, but perhaps not too strongly to complement each

other, if he had fallen in love with her as a woman, and not as a

child. His retiring, scholarly nature and habits drew him away from

the world; her overflowing, sun-loving being, like a solar system in

itself, reached out on every side, rejoicing in all created things.

Her introduction to the world of letters was by means of her first

poem, "Land-Locked," which, by the hand of a friend, was brought to

the notice of James Russell Lowell, at that time editor of the

"Atlantic." He printed it at once, without exchanging a word with the

author. She knew nothing about it until the magazine was laid before

her. This recognition of her talent was a delight indeed, and it was

one of the happiest incidents in a life which was already overclouded

with difficulties and sorrow. It will not be out of place to reprint

this poem here, because it must assure every reader of the pure poetic

gift which was in her. In form, in movement, and in thought it is as

beautiful as her latest work.

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