CHAPTER XI

'_Telegraph_, mum,' said a voice.

Victoria started up from the big armchair with a suddenness that almost

shot her out of it. It was the brother of the one in Portsea Place and

shared its constitutional objection to being sat upon. It was part of

the 'sweet' which Miss Briggs had divided with Mrs Bell when their

grandmother died.

'Thanks, Miss Briggs,' said Victoria. 'By the way, I don't think that

egg is quite fresh. And why does Hetty put the armchair in front of the

cupboard every day so that I can't open it?'

'The slut, I don't see there's anything the matter with it,' remarked

Miss Briggs, simultaneously endorsing the complaint against Hetty and

defending her own marketing.

'Oh, yes there is, Miss Briggs,' snapped Victoria with a sharpness which

would have been foreign to her some months before. 'Don't let it happen

again or I'll do my own catering.'

Miss Briggs collapsed on the spot. The profits on the three and sixpence

a week for 'tea, bread and butter and anything that's going,' formed

quite a substantial portion of her budget.

'Oh, I'm sorry, mum,' she said, 'it's Hetty bought 'em this week. The

slut, I'll talk to her.'

Victoria took no notice of the penitent landlady and opened the

_Telegraph_. She absorbed the fact that Consols had gone up an eighth

and that contangoes were in process of arrangement, without interest or

understanding. She was thinking of something else. Miss Briggs coughed

apologetically. Victoria looked up. Miss Briggs reflectively tied knots

in her apron string. She was a tall, lantern-jawed woman of no

particular age; old looking for thirty-five perhaps or young looking for

fifty. Her brown hair, plentifully sprinkled with grey, broke out in

wisps over each ear and at the back of the neck. Her perfectly flat

chest allowed big bags of coarse black serge to hang over her dirty

white apron. Her hands played mechanically with the strings, while her

water-coloured eye fixed upon the _Telegraph_.

'You shouldn't read that paper, mum,' she remarked.

'Why not?' asked Victoria, with a smile, 'isn't it a good one?'

'Oh, yes, mum, I don't say that,' said Miss Briggs with the respect that

she felt for the buyers of penny papers. 'There's none better. Mine's

the _Daily Mail_ of course and just a peep into _Reynolds_ before the

young gent on the first floor front. But you shouldn't have it.

_Tizer's_ your paper.'

'_Tizer_?' said Victoria interrogatively.

'_Morning Advertiser_, mum; that's the one for advertisements.'

'But how do you know I read the advertisements, Miss Briggs?' asked

Victoria still smiling.

'Oh, mum, excuse the liberty,' said Miss Briggs in great trepidation.

'It's the only sheet I don't find when I comes up to do the bed.

_Tizer's_ the one for you, mum; I had a young lady 'ere, once. Got a job

at the Inverness Lounge, she did. Married a clergyman, they say. He's

divorced her now.'

'That's an encouraging story, Miss Briggs,' said Victoria with a twinkle

in her eye. 'How do you know I want to be a barmaid, though?'

'Oh, one has to be what one can, mum,' said Miss Briggs sorrowfully.

'Sure enough, it ain't all honey and it ain't all jam keeping this

house. The bells, they rings all day and it's the breakfast that's bad

and their ain't blankets enough, and I never 'ad a scuttle big enough to

please 'em for sixpence. But you ain't doing that, mum,' she added after

a pause devoted to the consideration of her wrongs. 'A young lady like

you, she ought to be behind the bar.'

Victoria laughed aloud. 'Thanks for the hint, Miss Briggs,' she said,

'I'll think it over. To-day however, I'm going to try my luck on the

stage. What do you think of that?'

'Going on tour?' cried Miss Briggs in a tone of tense anxiety.

'Well, not yet,' said Victoria soothingly. 'I'm going to see an agent.'

'Oh, that's all right,' said Miss Briggs with ghoulish relief. 'Hope

yer'll get a job,' she added as confidently as a man offering a drink to

a teetotaller. At that moment a fearful clattering on the stairs

announced that Hetty and the pail had suddenly descended to the lower

landing. Liquid noises followed. Miss Briggs rushed out. Victoria jumped

up and slammed her door on the chaotic scene. She returned to the

_Telegraph_. The last six weeks in the Castle Street lodging house had

taught her that these were happenings quite devoid of importance.

Victoria spread out the _Telegraph_, ignored the foreign news, the

leaders and the shocking revelations as to the Government's Saharan

policy; she dallied for a moment over 'gowns for debutantes,' for she

was a true woman, and passed on to the advertisements. She was getting

quite experienced as a reader and could sift the wheat from the chaff

with some accuracy. She knew that she could safely ignore applications

for lady helps in 'small families,' at least unless she was willing to

clean boots and blacklead grates for five shillings a week and meals

when an opportunity occurred; her last revelation as to the nature of a

post of housekeeper to an elderly gentleman who had retired from

business into the quietude of Surbiton had not been edifying. The

'Financial and Businesses' column left her colder than she had been when

she left Mrs Holt with nearly thirty-seven pounds. Then she was a

capitalist and pondered longingly over the proposals of tobacconists,

fancy goods firms, and stationers, who were prepared to guarantee a

fortune to any person who could muster thirty pounds. Fortunately Miss

Briggs had undeceived her. In her variegated experience, she herself had

surrendered some sixty golden sovereigns to the persuasive owner of a

flourishing newsagent's business. After a few weeks of vain attempts to

induce the neighbourhood to indulge in the news of the day, she had been

glad to sell her stock of sweets for eighteen shillings, and to take

half a crown for a hundred penny novelettes.

Victoria turned to the 'Situations Vacant.' Their numbers were

deceptive. She had never realised before how many people live by fitting

other people for work they cannot get. Two thirds of the advertisements

offered wonderful opportunities for sons of gentlemen in the offices of

architects and engineers on payment of a premium; she also found she

could become a lady gardener if she would only follow the courses in

some dukery and meanwhile live on air; others would teach her shorthand,

typewriting or the art of the secretary. All these she now calmly

skipped. She was obviously unfitted to be the matron of an asylum for

the feeble-minded. Such experience had not been hers, nor had she the

redoubtable record which would open the gates of an emporium. An

illegible hand would exclude her from the City.

'No,' thought Victoria, 'I'm an unskilled labourer; that's what I am.'

She wearily skimmed the agencies; as a matter of habit noted the demand

for two companions and one nursery governess and put the paper aside.

There was not much hope in any of these, for one was for Tiverton, the

other for Cardiff, which would make a personal interview a costly

business; the third, discreetly cloaked by an initial, suggested by its

terseness a companionship probably undue in its intimacy. The last six

weeks had opened Victoria's eyes to the unpleasant aspects of life, so

much so that she wondered whether there were any other. She felt now

that London was waiting for her outside, waiting for her to have spent

her last copper, when she would come out to be eaten so that she might

eat.

Whatever her conceit might have been six months before, Victoria had

lost it all. She could do nothing that was wanted and desired everything

she could not get. She had tried all sources and found them dry.

Commercialism, philanthropy, and five per cent. philanthropy had failed

her. What can you do? was their cry. And, the answer being 'nothing,'

their retort had been 'No more can we.'

Victoria turned over in her mind her interview with the Honorary

Secretary of the British Women's Imperial Self Help Association. 'Of

course,' said the Secretary, 'we will be glad to register you. We need

some references and, as our principle is to foster the independence and

self-respect of those whom we endeavour to place in positions such as

may befit their social status, we are compelled to demand a fee of five

shillings.'

'Oh, self help, I see,' said Victoria sardonically, for she was

beginning to understand the world.

'Yes,' replied the Honorary Secretary, oblivious of the sneer, for his

mind was cast in the parliamentary mould, 'by adhering to our principle

and by this means only can we hope to stem the tide of pauperism to

which modern socialistic tendencies are--are--spurring the masses.'

Victoria had paid five shillings for this immortal metaphor and within a

week had received an invitation to attend a meeting presided over by

several countesses.

The B. W. I. S. H. A., (as it was called by its intimates) had induced

in Victoria suspicions of societies in general. She had, however,

applied also to the Ladies' Provider. Its name left one in doubt whether

it provided ladies with persons or whether it provided ladies to persons

who might not be ladies. The Secretary in this case, was not Honorary.

The inwardness of this did not appear to Victoria; for she did not then

know that plain secretaries are generally paid, and try to earn their

salary. Their interview had, however, not been such as to convert her to

the value of corporate effort.

The Secretary in this case was a woman of forty, with a pink face, trim

grey hair, spectacles, amorphous clothing, capable hands. She exhaled an

atmosphere of respectability, and the faint odour of almonds which

emanates from those women who eschew scent in favour of soap. She had

quietly listened to Victoria's history, making every now and then a

shorthand note. Then she had coughed gently once or twice. Victoria felt

as in the presence of an examiner. Was she going to get a pass?

'I do not say that we cannot do anything for you, Mrs Fulton,' she said,

'but we have so many cases similar to yours.'

Victoria had bridled a little at this. 'Cases' was a nasty word.

'I'm not particular,' she had answered, 'I'd be a companion any day.'

'I'm sure you'd make a pleasant one,' said the Secretary graciously,

'but before we go any further, tell me how it was you left your last

place. You were in the . . . in the Finchley Road, was it not?' The

Secretary's eyes travelled to a map of London where Marylebone, South

Paddington, Kensington, Belgravia, and Mayfair, were blocked out in

blue.

Victoria had hesitated, then fenced. 'Mrs Holt will give me a good

character,' she faltered.

'No doubt, no doubt,' replied the Secretary, her eyes growing just a

little darker behind the glasses. 'Yet, you see, we are compelled by the

nature of our business to make enquiries. A good reference is a very

good thing, yet people are a little careless sometimes; the hearts of

employers are often rather soft.'

This was a little too much for Victoria. 'If you want to know the

truth,' she said bluntly, 'the son of the house persecuted me with his

attentions, and I couldn't bear it.'

The Secretary made a shorthand note. Then she looked at Victoria's

flashing eyes, heightened colour, thick piled hair.

'I am very sorry,' she began lamely. . . .

What dreadful things women are, thought Victoria, folding up the

_Telegraph_. If Christ had said: Let _her_ who hath never sinned. . .

the woman would have been stoned. Victoria got up, went to the

looking-glass and inspected herself. Yes, she was very pretty. She was

prettier than she had ever been before. Her skin was paler, her eyes

larger; her thick eyebrows almost met in an exquisite gradation of short

dark hairs over the bridge of the nose. She watched her breast rise and

fall gently, flashing white through the black lacework of her blouse,

then falling away from it, tantalising the faint sunshine that would

kiss it. As she turned, another looking-glass set in the lower panels of

a small cupboard told her that her feet were small and high arched. Her

openwork stockings were drawn so tight that the skin there also gleamed

white.

Victoria took from the table a dirty visiting card. It bore the words

'Louis Carrel, Musical and Theatrical Agent, 5 Soho Place.' She had come

by it in singular manner. Two days before, as she left the offices of

the 'Compleat Governess Agency' after having realised that she could

not qualify in either French, German, Music, Poker work or Swedish

drill, she had paused for a moment on the doorstep, surveying the dingy

court where they were concealed, the dirty panes of an unlet shop

opposite, the strange literature flaunting in the showcase of some

publisher of esoterics. A woman had come up to her, rising like the

loafers from the flagstones. She had realised her as between ages and

between colours. Then the woman had disappeared as suddenly as she came

without having spoken, leaving in Victoria's hand the little square of

pasteboard.

Victoria looked at it meditatively. She would have shrunk from the idea

of the stage a year before, when the tradition of Lympton was still upon

her. But times had changed; a simple philosophy was growing in her; what

did anything matter? would it not be all the same in a hundred years?

The discovery of this philosophy did not strike her as commonplace.

There are but few who know that this is the philosophy of the world.

Victoria put down the card and began to dress. She removed the old black

skirt and ragged lace blouse and, as she stood before the glass in her

short petticoat, patting her hair and setting a comb, she reflected with

satisfaction that her arms were shapely and white. She looked almost

lovingly at the long thin dark hairs, fine as silk, that streaked her

forearms; she kissed them gently, moved to self-adoration by the sweet

scent of femininity that rose from her.

She tore herself away from her self-worship and quickly began to dress.

She put on a light skirt in serge, striped black and white, threading

her head through it with great care for fear she should damage her

fringe net. She drew on a white blouse, simple enough though cheap. As

it fastened along the side she did not have to call in Miss Briggs;

which was fortunate, as this was the time when Miss Briggs carried

coals. Victoria wriggled for a moment to settle the uncomfortable boning

of the neck and, having buckled and belted the skirt over the blouse,

completed her toilet with her little black and white jacket to match the

skirt. A tiny black silk cravat from her neck was discarded, as she

found that the fashionable ruffle, emerging from the closed coat,

produced an _effet mousquetaire_. Lastly she put on her hat; a lapse

from the fashions perhaps, but a lovable, flat, almost crownless, dead

black, save a vertical group of feathers.

Victoria drew her veil down, regretting the thickness of the spots,

pushed it up to repair with a dab of powder the ravage of a pod on the

tip of her nose. She took up her parasol and white gloves, a glow of

excitement already creeping over her as she realised how cleverly she

must have caught the spirit of the profession to look the actress to the

life and yet remain in the note of the demure widow.

Soho Place is neither one of the 'good' streets nor one of the 'bad.'

The police do not pace it in twos and threes in broad daylight, yet they

hardly like to venture into it singly by night. On one side it ends in a

square; on the other it turns off into an unobtrusive side street, the

reputation of which varies yard by yard according to the distance from

the main roads. It is dirty, dingy; yet not without dignity, for its

good Georgian and Victorian houses preserve some solidity and are not

yet of the tenement class. They are still in the grade of office and

shop which is immediately below their one-time status of dwellings for

well-to-do merchants.

Victoria entered Soho Place from the square, so that she was not too ill

impressed. She walked in the middle of the pavement, unconsciously

influenced the foreign flavour of Soho. There men and women stand all

day in the street, talking, bargaining, quarrelling and making love;

when a cab rattles by they move aside lazily, as a Neapolitan stevedore

rolls away on the wharf from the wheels of a passing cart.

Victoria paused for a second on the steps. No 5 Soho Place was a good

house enough. The ground floor was occupied by a firm of auctioneers; a

gentleman describing himself as A.R.I.B.A. exercised his profession on

the third floor; below his plate was nailed a visiting-card similar to

the one Victoria took from her reticule. She went up the staircase

feeling a little braced by the respectability of the house, though she

had caught sight through the area railings of an unspeakably dirty

kitchen where unwashed pots flaunted greasy remains on a liquor stained

deal table. The staircase itself, with its neutral and stained green

distemper, was not over encouraging. Victoria stopped at the first

landing. She had no need to enquire as to the whereabouts of the

impresario for, on a door which stood ajar, was nailed another dirty

card. Just as she was about to push it, it opened further to allow a

girl to come out. She was very fair; her cheeks were a little flushed; a

golden lock or two fell like keepsake ringlets on her low lace collar.

Victoria just had time to see that the blue eyes sparkled and to receive

a cheerful smile. The girl muttered an apology and, smiling still,

brushed past her and lightly ran down the stairs. 'A successful

candidate,' thought Victoria, her heart rising once more.

She entered the room and found it empty. It was almost entirely bare of

furniture, for little save an island of chairs in the middle and faded

red cloth curtains relieved the uniform dirtiness of the wall paper

which once was flowered. One wall was entirely covered by a large poster

where half a dozen impossibly charming girls of the biscuit box type

were executing a cancan so symmetrically as to recall an Egyptian

frieze. The mantlepiece was bare save for the signed photograph of some

magnificent foreign-looking athlete, nude to the waist. Victoria waited

for a moment, watching a door which led into an inner room, then went

towards it. At once the sound of a chair being pushed back and the fall

of some small article on the floor told her that the occupant had heard

her footsteps. The door opened suddenly.

Victoria looked at the apparition with some surprise. In a single glance

she took in the details of his face and clothes, all of which were

pleasing. The man was obviously a foreigner. His face was pale, clean

shaven save for a small black moustache closely cropped at the ends; his

eyes were brown; his eyebrows, as beautifully pencilled as those of a

girl, emphasized the whiteness of his high forehead from which the hair

receded in thick waves. His lips, red and full, were parted over his

white teeth in a pleasant smile. Victoria saw too that he was dressed in

perfect taste, in soft grey tweed, fitting well over the collar and

loose everywhere else; his linen was immaculate; in fact nothing about

him would have disgraced the Chandraga mess, except perhaps a gold ring

with a large diamond which he wore on the little finger of his right

hand.

'Mr Carrel?' said Victoria in some trepidation.

'Yes, Mademoiselle,' said the man pleasantly. 'Will you have the

kindness to enter?' He held the door open and Victoria, hesitating a

little, preceded him.

The inner room was almost a replica of the outer. It too was scantily

furnished. On a large table heaps of dusty papers were stacked. An

ash-tray overflowed over one end. In a corner stood a rickety-looking

piano. The walls were profusely decorated with posters and photographs,

presumably of actors and actresses, some highly renowned. Victoria felt

respect creeping into her soul.

Carrel placed a chair for her before the table and resumed his own. For

the space of a second or two he looked Victoria over. She was a little

too conscious of his scrutiny to be quite at ease, but she was not

afraid of the verdict.

'So, Mademoiselle,' said the man gently, 'you wish for an engagement on

the stage?'

Victoria had not expected such directness. 'Yes, I do,' she said. 'That

is, I was thinking of it since I got your card.'

'My card?' said Carrel, raising his eyebrows a little. 'How did you get

my card?'

Victoria told him briefly how the card had been thrust into her hand,

how curious it was and how surprised she had been as she did not know

the woman and had never seen her again. Then she frankly confessed that

she had no experience of the stage but wanted to earn her living and

that . . . She stopped aghast at the tactical error. But Carrel was

looking at her fixedly, a smile playing on his lips as he pulled his

tiny moustache with his jewelled hand.

'Yes, certainly, I understand,' he said. 'Experience is very useful,

naturally. But you must begin and you know: _il n'y a que le premier pas

qui coute_. Now perhaps you can sing? It would be very useful.'

'Yes, I can sing,' said Victoria doubtfully, suppressing 'a little,'

remembering her first mistake.

'Ah, that is good,' said Carrel smiling. 'Will you sit down to the

piano? I have no music; ladies always bring it but do you not know

something by heart?'

Victoria got up, her heart beating a little and went to the piano. 'I

don't know anything French,' she said.

'It does not matter,' said Carrel, 'you will learn easily.' He lowered

the piano stool for her. As she sat down the side of his head brushed

her shoulder lightly. A faint scent of heliotrope rose from his hair.

Victoria dragged off her gloves nervously, felt for the pedals and with

a voice that trembled a little sang two ballads which had always pleased

Lympton. The piano was frightfully out of tune. Everything conspired to

make her nervous. It was only when she struck the last note that she

looked at the impresario.

'Very good, very good,' cried Carrel. '_Magnifique._ Mademoiselle, you

have a beautiful voice. You will be a great success at Vichy.'

'Vichy?' echoed Victoria, a little overwhelmed by his approval of a

voice which she knew to be quite ordinary.

'Yes, I have a troupe to sing and dance at Vichy and in the towns,

Clermont Ferrand, Lyon, everywhere. I will engage you to sing and

dance,' said Carrel, his dark eyes sparkling.

'Oh, I can't dance,' cried Victoria despairingly.

'But I assure you, it is not difficult,' said Carrel. 'We will teach

you. There, I will show you the contract. As you have not had much

experience my syndicate can only pay you one hundred and fifty francs a

month. But we will pay the expenses and the costumes.'

Victoria looked doubtful for a moment. To sing, to dance, to go to

France where she had never been, all this was sudden and momentous.

'_Voyons_,' said Carrel, 'it will be quite easy. I am taking four

English ladies with you and two do not understand the theatre. You will

make more money if the audience like you. Here is the contract.' He drew

a printed sheet out of the drawer and handed it to her.

It was an impressive document with a heavy headline; _Troupe de Theatre

Anglaise_. It bore a French revenue stamp and contained half-a-dozen

clauses in French which she struggled through painfully; she could only

guess at their meaning. So far as she could see she was bound to sing

and dance according to the programme which was to be fixed by the

_Directeur_, twice every day including Sundays. The _syndicat_ undertook

to pay the railway fares and to provide costumes. She hesitated, then

crossed the Rubicon.

'Fill in the blanks, please,' she said unsteadily. 'I accept.'

Carrel took up a pen and wrote in the date and _cent cinquante francs_.

'What name will you adopt?' he asked, 'and what is your own name?'

Victoria hesitated. 'My name is Victoria Fulton,' she said. 'You may

call me . . . Aminta Ormond.'

Carrel smiled once more. 'Aminta Ormond? I do not think you will like

that. It is not English. It is like Amanda. No! I have it, Gladys

Oxford, it is excellent.'

Before she could protest he had begun writing. After all, what did it

matter? She signed the document without a word.

'_Voila_,' said Carrel smoothly, locking the drawer on the contract. 'We

leave from Charing Cross on Wednesday evening. So you have two days to

prepare yourself. _Monsieur le Directeur_ will meet you under the clock

at a quarter past eight. The train leaves at nine. We will take your

ticket when you arrive. Please come here at four on Wednesday and I will

introduce you to the _Directeur_.'

Victoria got up and mechanically shook hands. Carrel opened the door for

her and ceremoniously bowed her out. She walked into Soho place as in a

dream, every pulse in her body thrilling with unwonted adventure. She

stared at a dirty window pane and wondered at the brilliance it threw

back from her eyes.

A Bed of Roses · 第 11 / 28 章