I nodded.

Vard stood towering--in some infernal way he seemed literally to rise

to the situation--one hand in the bosom of his coat, in the attitude of

patriotism in bronze. I glanced at his daughter: she hung on him with a

drowning look. Suddenly she straightened herself; there was something

of Vard in the way she faced her fears--a kind of primitive calm we

drawing-room folk don’t have. She stepped to him and laid her hand on

his arm. The pause hadn’t lasted ten seconds.

“Father--” she said.

Vard threw back his head and swept the studio with a sovereign eye.

“The back way, Mr. Vard, the back way,” Cornley whimpered. “For God’s

sake, sir, don’t lose a minute.”

Vard transfixed his abject henchman.

“I have never yet taken the back way,” he enunciated; and, with a

gesture matching the words, he turned to me and bowed.

“I regret the disturbance”--and he walked to the door. His daughter was

at his side, alert, transfigured.

“Stay here, my dear.”

“Never!”

They measured each other an instant; then he drew her arm in his. She

flung back one look at me--a paean of victory--and they passed out with

Cornley at their heels.

I wish I’d finished the face then; I believe I could have caught

something of the look she had tried to make me see in him. Unluckily I

was too excited to work that day or the next, and within the week the

whole business came out. If the indictment wasn’t a put-up job--and

on that I believe there were two opinions--all that followed was. You

remember the farcical trial, the packed jury, the compliant judge, the

triumphant acquittal?... It’s a spectacle that always carries

conviction to the voter: Vard was never more popular than after his

“exoneration”...

I didn’t see Miss Vard for weeks. It was she who came to me at length;

came to the studio alone, one afternoon at dusk. She had--what shall I

say?--a veiled manner; as though she had dropped a fine gauze between

us. I waited for her to speak.

She glanced about the room, admiring a hawthorn vase I had picked up at

auction. Then, after a pause, she said:

“You haven’t finished the picture?”

“Not quite,” I said.

She asked to see it, and I wheeled out the easel and threw the drapery

back.

“Oh,” she murmured, “you haven’t gone on with the face?”

The Greater Inclination · 第 38 / 40 题