THE MAN
XVII
THE MONOGRAM
I had made my promise to Miss Meredith with an apparent hopefulness
which may have deceived her, but did not deceive myself. When the glow
of my first enthusiasm passed, I sat down in the solitude of my own
room to reconsider the events of the day, but one thing was clear to
me, and that was the unpromising nature of the task I had set myself
to perform. What excuse had I for the self-confidence I had shown?
What means were at my command which were not also at the command of
the police? She herself had asked this same question, and I had
parried it. But I could not parry the demands of my own intelligence.
They must be met and answered. But how? In vain I pondered ways and
means; laid innumerable plans and relentlessly discarded them;
projected interviews which I knew were fruitless, and worked myself
through labyrinths of reasoning which ended in nothing and left me no
farther advanced at the end than I was in the beginning.
Wearied at last in mind and body, I retired, and during my sleep had
an inspiration upon which I proceeded to act early the next morning.
Revisiting Sam Underhill's apartment, I told him my difficulty and
opened up my scheme. Sam Underhill, with all his faults and numberless
eccentricities, was a good fellow at bottom, and just the man to
respect my confidence. He was, besides, the only person within the
range of my acquaintances who could assist me in the plan I had
formed; a plan which demanded the active cooperation of someone not so
well known to the police as myself. Hampered as I was by my well-known
connection with the Gillespie poisoning case, I could not personally
make a move towards the ravelment of its mystery without subjecting
myself to the curiosity of the people among whom my investigations
might carry me, even if I escaped drawing upon myself the attention of
the District Attorney's office and the suspicion of the men whose
business I was in a measure attempting to usurp. But he was a free
agent; he could come and go without arousing distrust or awakening
professional jealousy. At all events he, and he alone, could put me
into communication with the private detective whom I had decided to
employ. As I had always been accustomed to visit Sam's rooms, my
presence there at any hour of the day or night would raise no comment.
I had only his laziness to fear, a laziness which with him was as
marked a characteristic as it was with Alfred Gillespie, whom he so
carelessly criticised.
Seated with him over an impromptu chafing-dish breakfast, I first
tested his good nature by a sally or two, and finding it well up to
the mark, took him, as I have already said, sufficiently into my
confidence to rouse his interest; then I put the blunt question:
"Which of the three Gillespie boys do you, upon mature reflection,
consider the most capable of the crime attributed to this family?"
His manner changed at once.
"Oh, come now!" he cried, "don't calculate upon putting me in that
box. Like the rest of the world I prefer to await developments before
committing myself on so delicate a matter. Why, Outhwaite, prejudice
is as bad as the hangman! If I had settled positively in my own mind
which of the three had emptied that phial of poison into the old
gentleman's evening glass, I would not impart my convictions. These
fellows have enough to carry without my throwing the least weight into
so trembling a balance."
I girded myself for the struggle.
"Wait," said I; "have I fully made clear to you Miss Meredith's
position?"
"Yes, I comprehend that well enough."
"Very well, then. Which is most important; to assist this unhappy
woman to escape from her anomalous position, or to prevent prejudice
from being formed in my mind, when you know how impossible it would be
for me to misuse it to my advantage?"
"I am not so sure of that," he retorted. "I don't know of a fellow
more likely to be carried away by his convictions than yourself. If
you were not a lawyer you would be doing all sorts of quixotic things;
but, being hemmed in by professional conventionalities, you show some
restraint, though not enough to warrant me in trusting you with my
opinion on this matter--since it is only an opinion."
Naturally, I became eager to know what lay behind this break. Opinions
are not formed without some show of reason, and the lightest reason
might suffice to put me on the track I sought. He saw my resolution in
my face, and made an effort to resist.
"I am as sorry as you are for Miss Meredith," he drawled, helping me
to fresh coffee. "If I had seen her the day she gave her testimony I
might be sorrier still; but I did not have that pleasure, and so am
willing to leave the matter with those whose duty it is to see that
justice is meted out to the guilty."
"Do you think their efforts are likely to be successful?"
"Oh, the question will be solved some day."
"Do you think so?"
At this repetition of the phrase, which I had made forcible by my
intonation, he raised his eyebrows and, emptying his cup before
answering, gave me an opportunity to add:
"With nothing to go upon but an accusation which, while involving all
three of Mr. Gillespie's sons, specifies none, how can any official
action be taken beyond that very ordinary one of submitting the whole
household to a continual surveillance? Unless fresh evidence comes in,
or conscience drives the guilty to confession, weeks, months, nay,
years will go by, and the hand which hesitates to move now will
hesitate still; justice needing something more definite to go upon
than a suspicion equally divided amongst three men."
"You are right there, but what can you do to better the situation? It
appears to me that you will have to wait too."
"Which contradicts your former assertion."
"Very possibly; man is full of contradictions at so early an hour as
this, and with only one cup of coffee between him and the possible
nightmare of the night before."
"Drink another cup, then, while I tell you what my hopes are. Guided
by impressions which more than once in my life have proved infallible,
I mean to run my man down till he succumbs to the pressure I will
bring upon him, and confesses. This, I believe, can be done if all my
force is concentrated on one man. At all events it is the only way I
see of attaining the desired end. Now, will you assist me to choose
the one out of these three most open to attack?"
"I don't like it; it is against all my principles, but if you must
know the exact state of my feelings on this matter, come to these
rooms to-night at nine sharp and I will allow you to hear from the
lips of a certain acquaintance of mine a story which may serve to give
you some enlightenment. He's not a man you will want to meet, so I
must ask you to content yourself with an easy chair in my den. _He_
will be received in this room, and the door yonder can be left
conveniently open. Do you object to this arrangement? It smacks of
conspiracy and other things not altogether agreeable; but it's the
best I can do for you at this time, and poor Yox won't care; it's your
feelings I am mainly considering."
"I will be here," I doggedly replied. I was resolved to let nothing,
not even my prejudices as a gentleman, interfere with the successful
pursuit of this undertaking. "Will his story contain any reference to
Miss Meredith?"
"Not the least in the world. Why?"
"Because I always find it difficult to sit still when I hear ladies
spoken of in any way short of the deepest respect; and you say he is
not a gentleman."
"He won't transgress to that degree. If he does, trust to my bringing
him to order. Sorry I must place an embargo on the cigars you will
find on the table. Smoking on your part would give away your presence;
for the man whose story you are coming to hear is one of those fellows
who smell a rat round the corner. In other words, he's a private
detective with whom I was once thrown in a peculiar way. What now?"
"Perhaps he's the very fellow I want. I have use for a private
detective."
"So--I--suppose."
This sentence, so long in coming, was uttered in a peculiar way, and
at the moment we were rising from table. Though I said nothing, I
experienced an access of courage. Unpromising as Sam's manner had
been, he was really in sympathy with me, and willing to lend me a
helping hand.
That day the law suffered, or, rather, I should say, such clients as
were misguided enough to come to my office. The uncertain nature of
the disclosure I awaited, and the doubt as to which of the three
brothers it would chiefly affect, kept me restless up to the hour set
apart for my return to Sam Underhill's room. Not till nine o'clock
arrived and I found myself in the small apartment called his den, did
I recover my poise and show anything like a steady countenance in the
long mirror stretched above the mantel. This has always been a
characteristic of mine. Great agitation up to the moment of action,
and then an unnatural calmness. In this case it was an event I
awaited; but the characteristic remained unchanged.
Sam Underhill, on the contrary, never appeared more at his ease. I
could hear him singing between the whiffs of his cigar, and, as I
followed the mellow strains of one of the finest tenors I have ever
known, I recalled the fact that I myself had not sung a note since the
experience which had made such heavy inroads into my life. Was I
growing misanthropic? Sam had not been without his dark days. I
remembered quite well all the talk that went about at the time of his
mad passion for Dorothy Loring,--that bewitching madcap who afterwards
found her match in Steve Wilson,--and I could not reconcile that
disappointment with his present gaiety.
But these reflections cannot be of any interest to my readers; enough
that they occupied me at the time and killed my impatience, till a
sudden stoppage in the strain I objected to warned me that the
expected visitor had arrived. I squared myself for the ordeal, held my
breath, and prepared to listen.
The greetings were commonplace. Sam is a proud chap and does not put
himself out much for anybody. To this man he scarcely showed common
courtesy. Perhaps he was afraid of awakening distrust by any betrayal
of interest in the coming interview; perhaps he recognised that a
barely civil greeting was all the man expected or desired.
"Halloo, Yox!"
"Good evening, Mr. Underhill."
"Did I ask you to call on me to-night?"
"You certainly did, Mr. Underhill, and set the hour."
"Well, well, I suppose you are correct. Sit down. My memory is not
much longer than this cigar, which you may observe is almost smoked
up. Have one, Yox; you won't get a better in your shop; and now, what
have you come to tell me?"
"Not much. Dennison bought seven shares last Tuesday and Little
invested in as many more yesterday. Both men show confidence, and
to-morrow's report will be all you can wish."
"Good! How much do I owe you? Will that do?"
I heard a rustle, then a short laugh preceding the remark, "You might
halve it and still please me. Oh, I'll take it. Not too much grist
comes to my mill."
Here there was a silence. Underhill was evidently lighting a fresh
cigar. When they spoke again it was to drift into generalities, to
which I listened with an impatience in marked contrast to the
complacency of Sam, who seemed just too tired to live; that is, if I
could judge from his tone and the total absence of interest he
expressed in anything said either by himself or his somewhat vulgar
guest. But suddenly there was a change, not in Underhill, whose voice
was even more languishing than before, but in myself; for I heard Sam
remark between two prolonged whiffs:
"What is that story you were trying to tell me the other night about
the row in lower ---- Street? I thought it promised to be interesting
at the time, but the other fellows were in such a hurry I couldn't
stay to hear it out. Tell it again, Yox, just as you did then; perhaps
it will wake me up."
The answer came more quickly than I expected.
"Oh, that? Well, I don't mind. It was a curious adventure and brought
me too near the police for me to forget it in a hurry. I wish I knew
who that fellow was. Did I show you the match-box I found in one of
the pockets of the coat he gave me? The monogram----"
"Never mind the monogram. We'll talk about that afterwards," broke in
Sam in the sleepiest tones imaginable. "I don't care so much about the
man as the way he acted. This struck me as being strange for a
gentleman. But begin, Yox; you relate adventures well. I have heard
you talk more than once."
Yox, who was not above flattery, hemmed, hawed, and launched out in
the following tale. I transcribe his words as nearly as I can remember
them. At first he did not interest me much.
"You see, I had business at old Mother Merry's. Do you know the place?
It's not likely, so I will describe it; you need to know something
about it in order to understand my story.
"It's an old fish-market, or, rather, that was its use once; now it's
a sort of lodging-house, standing half on the dock and half on piles,
somewhere down near ---- Street. I like the place. That is, it has a
mysterious air which we fellows don't object to. Seen from the docks
and in daylight, it has the appearance of four squat walls without
windows. But if you take the trouble to crawl around on the river
side, you will find two glazed loopholes overlooking the water, one on
the lower story and one under the roof. There is also, I am told, a
sky-light or two up above, but I can't swear to that. By night, the
one bright glimmer you see on getting near it shines through the door.
This stands open in the summer, or, rather, the upper half of it does,
for it is made in two parts, like the old Dutch ones you see in the
pictures; but in winter time an agreeable light shines through the
four small holes arranged along the top half. A calico curtain blows
in and out of this door on such nights as we have been having lately;
for Mother Merry likes a fire, and the little stove she sits at,
netting, heats the one big room below to smotheration, and the men
won't stand it. If this curtain blows high you can, if you're nervy
enough, get a peep at the inside, stewing with a horrible smell of
fish, and bright with kerosene lamps and the busy little stove. You
won't see much furniture, for Mother Merry don't spend her money on
anything she can do without; but there is a table or two and some
chairs, and in one of the corners a door which sometimes stands half
open, but more often is to be seen tight shut. Behind this door
whatever mischief the house hides takes place. You can tell this from
the old woman's eye, which is always on it; and, if you know her well,
it is quite enough to watch her twitching underlip to satisfy
yourself as to whether the mischief is big or little; prosperous in
its character, or of a kind likely to damage her reputation and empty
her well-stuffed pockets. She is no fool, this old Mother Merry; and
though she has not much of what we men call nerve, and trembles like a
leaf at the approach of a policeman, she has more control than you
would think over the tough crowd of boatmen who knock their heads
together in that little room. I have even been told that she is feared
quite beyond all reason by the few stray females who find a refuge in
the scanty garret rooms, which have given to this shanty the
highfalutin name of lodging-house. What harm goes on under her
twinkling red eye, I do not know. I have been in the place altogether
three times, but have never yet found out what that door conceals. The
men play at some sort of game around a large table, on which black
bottles and thick glasses take up as much room as the cards; but I do
not think it is gambling only which makes it next to impossible for a
fellow to get in there at night. There is something else--but I won't
stop over that. It is a hell of a place, as you can judge, and unless
one's business led him there, scarcely a spot where a man would brag
of being found.
"One night--the night I am telling you about--I got in, but got in
late. There was some sort of password necessary, and I had a hard time
getting hold of it, and a harder time yet making old Mother Merry hear
it when I had got hold of it. Yet she isn't deaf and doesn't pretend
to be. This trouble over, and the door passed, I encountered another
check. A man was there; a slouchy, disreputable wretch, and it was
he, instead of Mother Merry, who was watching that mysterious door,
which for once stood far enough ajar for one room to share the smells,
sights, and uproar of the other. I did not like this man. I did not
like the way he stood, or looked, or held his tongue. There was
something peculiar and unnatural in his whole manner, and I glanced at
Mother Merry to see what she thought of him.
"Evidently nothing bad; for she moved about quite comfortable-like,
and did not so much as look at the door I had never before seen her
let out of her sight a moment.
"'Who can he be?' I naturally asked myself, a little put out by my
doubts; for my business would soon take me into the inner room, and I
did not like to imagine myself under his eye.
"'Drink!' I suddenly shouted, to see if I could make any impression on
him.
"But I might as well have shouted at a hitching-post. Mother Merry
brought me whiskey, but the man did not budge. I began to think of
putting off my affair to a more convenient season, when I was taken
with a sudden curiosity to see just what he was staring at.
"Approaching gently, I looked over his shoulder. A portion of the
inside room was all I could see, but in that portion sat a man with a
red face and a cruel jaw. It was this face which held the attention of
the boatman before me; and while I was wondering what he found in it
to hold him stock-still for so long, I heard a sigh escape from under
the coarse jacket I dreaded touching with my own, and, much amazed at
this show of feeling in a den of such boiled-down filth and
wickedness, I moved back to where Mother Merry stood, and whispered in
her ear:
"'Who's that man? Do you know him? Has he any business here?'
"Her gaunt shoulders lifted in a shrug--she is far from jolly,
cheerful as her name is--then she drew near the man and I saw her
touch him. At that, or some low words she uttered, he roused and cast
a quick look about him, then he pointed towards a door on the other
side of the room.
"She answered by a nod, and he moved off with a poor try at a slouchy
gait. When I saw this I knew he was no sailor.
"As the door closed behind him, a sound of women screaming and
scolding came from the docks, then a child's cry cut into the night,
after which there was quiet in that quarter and in the house, too. For
Mother Merry, with a scared look, jumped towards the room where the
men were sitting, and, pushing her way in, held up her hand so as to
draw all eyes.
"'The warning,' she cried. 'It's the cops! See if you can get out by
the window.'
"One of the men arose and went to the window, looked out, and came
crawling back, putting out a light as he did so.
"'They're on the water,' he whispered; and, whether I am a fool or
not, that whisper sent the creeps up my back.
"'Both front and back?' she cried. 'That means business; you'll have
to squeeze into the hole, boys.'
"Another light went out.
"Meanwhile I had crept to the door.
"''Ware there! that fellow's trying to sneak,' shouted a voice.
"I drew back. Old Merry came to my aid.
"'Don't be a fool,' she whispered. 'Stay here or they'll think you're
in with them!'
"The growl of some half-dozen of them brought the warning home. I
laughed and got in line with the boys, grumbling aloud as I did so:
"'Then they'll make a mistake. If you are wanted by the cops, I am,
too. But how about that other fellow?' I whispered, getting close to
Mother Merry in the hubbub.
"She didn't hear me; she was telling how something was to be done.
Then another light went out. The place now was in nearly total
darkness.
"'Hush!' came from the doorway where the curtain blew in and out.
"'Hush and quick,' came in hoarse echo from Mother Merry's quivering
lips.
"Suddenly the room was empty. Of the half-dozen drunken figures I had
seen moving about me the minute before, not one was in sight. I heard
a creak, then a scuffle, and then a bang, and the room stood empty.
Only a few bottles and a pack or two of cards were left on the dirty
top of the old pine table, as proof that a tough crowd had been there
raising Cain. The old woman cleared the table and shoved the lot into
a cupboard; then she sat down. Never have I seen a woman so steady and
at the same time so frightened.
"'There is room for one more,' she quickly said, pointing to where the
men had disappeared. 'It's over the water, and the floor is full of
holes, but the police haven't got on to it yet. Will you go down?'
"'I wasn't with the crowd,' I told her.
"'That won't help you. You're in the house--Ah!'
"It was almost a cry she gave; the door to the upper rooms had opened
and the sailor who had struck me as such a peculiar chap stood in the
room before us. 'I forgot,' she wailed out. 'What am I to do with
_him_?'
"The sailor, who was no sailor, stared straight before him, as well he
might, for he had left a lighted room and found a dark one. Yet in
that stare there was a look of pain easily to be seen by the light
thrown out by the red-hot stove. He didn't mind Mother Merry's cry. He
had something else on his mind. He looked like a man suddenly wakened
up, and I had a strange idea that his dreams, if he had had them, held
him just then in a closer grip than the facts he had come among.
"'Is it so late?' he sighed; and I started, for the voice was the
voice of a gentleman.
"The words, and the way he said them, seemed to bring fresh trouble to
Mother Merry.
"'Oh, the ill-luck!' she wailed. 'The cops are at the door. The place
has been threatened for a month, and to-night they are closing round.
Will you face them, or shall I open the trap again--Oh, don't!' she
groaned, as he gave a sudden reel backward; 'it makes me feel wicked.
I ought to have warned you.'
"'It would have made no difference,' he said. 'I should still have
gone up. Help me, if you can, and remember what you have sworn.
To-morrow I will send money. O God! O God! to leave _now_----'
"'You cannot leave. Hark, that is the second signal! In another moment
they will be here. Do you want to fall into their hands?'
"'I had rather die. Quick! Some place! Money is no object. Let that
fellow I see over there help me. He looks as if he wasn't afraid of
the police. Let him change togs with me.'
"'I am a private detective,' I whispered, going very close to him in
the dark. 'My name is Yox, and you will find papers to support the
name and business in my coat pocket. They may hold you for a day, but
no longer,' and I handed over my coat.
"'I am sorry that I cannot confide my name to you with the same ease I
do this coat,' he replied, as he threw me the garment which had so
disfigured him. 'But my name is the secret I would defend with my
life. Say that you are Benjamin Jones.'
"'First fork over the cash which you say is no object to you!' I
cried.
"'You must trust me for that,' he answered. 'If I get off without
discovery you will receive a hundred dollars at your address within
the week. I have left all I had above.'
"'Chaff!' I muttered.
"'He will pay,' Mother Merry assured me.
"'Then here's my cap,' I grumbled, not any too well pleased.
"He took it, and though it was a common one enough, he looked like
another man in it.
"'Support me in my character!' he ordered, just as that blowing
curtain was caught and held back by a hand from without and the face
of a policeman looked in.
"'Hey, there! lamps up!' was the order. We got a light flashed over us
from the doorway.
"The man at my side advanced to meet it, and I saw him talking with
the officer who had pushed his head through the upper half of the
door. Then everything about and before me became mixed in the rush the
police made from every side, and I failed to see anything again for
some minutes. When a minute's quiet came about again, and I had the
chance to use my eyes, I did not find the man to whom I had lent my
coat and my name. He had been allowed to slip away.
"But I had no such luck. The place being turned over, and only a few
women found, they turned on me. But I was game, and was soon able to
show them I was one of their own sort. At which there naturally came
the question as to who the other fellow was. But I did not help them
out on this, and it ended in my being taken to Jefferson Market with
the rest.
"We all got off next day and without much trouble. I have always
thought that fellow paid the fines; at all events, one week from that
day I found an envelope addressed to me, lying on my desk at the
office. It contained bills to the amount agreed upon.
"Now, Mr. Underhill, who was this man? I have been asking myself that
question ever since I pocketed his money. The fellow who can pay out
hundreds like that is a man to know."
I waited for the answer, which was slow in coming. But then Underhill
was always slow. When he did speak it was lazily enough.
"Didn't you say you had some clue to his identity; a match-box or
something of that kind, which you found in one of the pockets of the
coat he gave you?"
"Yes, I have that."
"And that there were initials on it which you had not been able to
decipher?"
"Oh, yes, initials; but what can a fellow make out of initials?"
"Not much, of course. Have you that match-box with you?"
"I just have. I sport it everywhere. I think so much of it I have even
talked of having my name changed to fit the letters of this monogram."
"Let me see it, will you?"
The fellow drew it out.
A minute passed, then Underhill drawled out:
"It's not as easy to make out as I expected. Will you let me compare
it with a collection I have in a book here? I may have its mate."
"Sure, sir."
Underhill came my way. The sudden heat into which I was thrown by this
unexpected move acted as a double warning. I must beware of
self-betrayal, and I must take care not to give away my presence to
the sharp-eyed, sharp-eared man whose perspicacity I had reason to
dread. I therefore rose as quietly as possible and met Underhill's
entering figure with a silent inquiry, nicely adjusted to the
interest I was supposed to feel in the matter. He was no less careful,
but there was a sparkle in his eye as he handed over to my inspection
the match-box he had just taken from Yox, which contradicted his air
of unconsciousness, and led me to inspect with great interest the
monogram he displayed to my notice. It was by no means a simple one,
as you will see by the sub-joined copy.
[Illustration]
As I studied it, Underhill wrote on a sheet of paper lying open on the
table:
"I have seen that match-box a dozen times." Then, separating the
letters of the monogram, he wrote them out in a string, thus:
L L D G
"Leighton Gillespie?" I inquired in a kind of soundless whisper.
"Leighton Le Droit Gillespie," he wrote.
It was the name with which my own mind was full; the name with which
it had been full ever since the inquest.
XVIII
THE PHIAL
The moment was not propitious for a fuller understanding between us.
Sam lowered the light and sauntered back into the outer room,
remarking lazily to Yox:
"If I were you I wouldn't sport this thing around too openly. If
judiciously kept out of sight it may bring you in another hundred some
day."
"How's that? You know those initials?"
"Know Louis Le Duc Gracieux? Well, rather. But as long as you have not
the honour, keep quiet, lie low, and await events. That is, if you
care about the money. What have you done with the blouse?"
"Put it away in cotton."
"Oh, I see. Well, put the match-box with it."
"I will."
"Have another cigar?"
"Thank you. I don't often have such a snap. Well, what is it, sir?"
"Oh, nothing."
"I thought you looked as if you wanted something from me."
"I? Not the least in the world."
Silence, then a lazy movement on the part of Sam which disturbed
something on the table at which they were sitting. The small noise had
the effect of eliciting another word from Sam.
"I thought your story had more to it when I heard it last. Didn't you
say something about a small parcel which this mysterious man took out
of his pocket before handing over his blouse?"
"Perhaps; but that wasn't anything. I wonder you remember it."
Long silence on the part of Sam.
"I never forget anything," he observed at last. "Was it a big parcel
or a little?"
"It was a small one."
"How small?"
"Oh, a thing a man could hold in his fist. Why do you ask about it?"
"Whim. I am trying to wake myself up. What was the shape of this
parcel?"
"Bless me if I've given two thoughts to it."
"You'll get that blessing, Yox; for you've given more than two
thoughts to it."
"I?"
"Yes, or why should you have described it as minutely as you did the
other night?"
"Did I?"
"Undoubtedly; I can even recall your words. You said the fellow was
pretty well shaken up for a man of his size and appearance, and after
handing you the blouse he caught it back and took something out of one
of the pockets. It looked like one of those phials the homoeopaths
use. You see, you were inclined to be more dramatic on that occasion
than on this. Indeed, I have been a little disappointed in you
to-night."
"Oh, well! a fellow cannot always cut a figure. I'll try to remember
the bottle next time I tell the story."
Sam did not answer; I heard him yawn instead. But I did not yawn; that
word "phial," had effectually roused me.
"As you say, it is a small matter," Underhill finally drawled. "So is
the straw that turns the current. He was a philosopher who said, 'The
little rift within the lute,' etc., etc." Then suddenly, and with a
wide-awake air which evidently startled his companion: "Do you
suppose, Yox, that Mother Merry runs an opium-joint in those upper
rooms?"
The answer he received evidently startled him.
"She may. I hadn't thought of it before, but I remember, now, that
when those women were brought down there was amongst them one who
certainly was under the influence of something worse than liquor.
Faugh! I see her yet. But it wasn't opium he had in that bottle; that
is, not the opium which is used for smoking. The firelight shone full
upon it as he passed it from one pocket to another, and I saw
distinctly the sparkle of some dark liquid."
Sam Underhill, who seemed to have fallen back into his old condition
of sleepy interest, mumbled something about his having been able to
see a good deal, considering the darkness of the place. To which his
now possibly suspicious visitor replied:
"I would have seen more if I had known so much was to be got out of
it. Can you give me a point or two as to how I'm to get that extra
hundred?"
Whereupon Sam retorted, "Not to-night," in a way to close the
conversation.
As soon as the man had left I rushed in upon Sam without ceremony. He
was still sitting at the table smoking, and received me with a look of
mingled amusement and anxiety.
"How did the comedy strike you?" he asked.
I attempted a shrug which failed before his imperturbable nonchalance.
"How did it strike you?" he persisted.
"As cleverly carried out, but not so cleverly that the fellow will not
suspect it to be a comedy."
"Oh, well! So long as he does not associate the right name with those
four initials we are safe. And he won't; I know Yox well enough for
that."
"Then you know him for a fool. Louis Gracieux! Who is Louis Gracieux?
Besides, the phial--why, the whole town is talking about a phial----"
"I know, but not about a match-box that is worth another hundred
dollars to the man holding it. Yox isn't a member of the regular
police; he's in business for himself, which means he's in it for what
he can make. Now, he knows--or, rather, I flatter myself that I have
made him see--that there is more to be got out of this matter by
circumspection and a close tongue than by bragging of his good luck
and giving every ass about him a chance to chew upon those letters.
Oh, he'll keep quiet now, for a week or two at least. After that I
cannot promise."
"Do you think his version of this affair reliable?"
"Absolutely. He would have exaggerated more if he had been forcing an
invention upon us."
I sat down and, regarding Underhill across the table, remarked
somewhat pointedly:
"Now that the name has been mentioned between us, we can talk more
openly. What date have you been able to give to Yox's adventure? You
surely have not failed to get from him the day he went down to Mother
Merry's?"
Sam rose--he who detested rising--and, going to a little side table
where a pile of newspapers lay, he pulled off the top one and laid it
open before me, taking care, however, to stretch his arm across the
upper margin in a way to cover up effectually the date.
"Read," said he, pointing to a paragraph.
I followed his finger and read out a brief account of the descent
which had been made on Mother Merry's, and a description of the
proceedings which had ended in the release of the women involved.
"Now take a look at the date," he went on, lifting his arm.
I did so; it was a memorable one,--the evening of Mr. Gillespie's
death.
"The affair at Mother Merry's took place on the preceding night,"
commented Sam. There was no languishing note in his voice now.
I sat silent; when I did speak it was plainly and decidedly.
"I see what you mean. You think he went to that place to get the
acid."
Sam puffed away at his cigar.
"It has been a mystery to everyone where that acid came from," I
continued; "a mystery which has evidently baffled the police. If a
druggist in the whole range of this great city had lately sold a
phial of this poison to anyone answering the description given of
these brothers, we would have heard from him before now. Equally so if
a doctor had prescribed it."
"A second Daniel come to judgment," quoth Sam, sententiously.
"And now we, through chance or special providence, perhaps, have
stumbled upon a clue as to how this deadly drug may have entered the
Gillespie family."
"I regret to agree with you, but that is the way it looks. But,
Outhwaite, you must remember--and as a lawyer you will--that a long
and tangled road lies between mere supposition and the establishment
of a fact like this. This phial, so carefully transferred from a
pocket where a seemingly more valuable article lay hid, has not been
identified as holding poison, only as holding a liquid. Much less has
it been proven to be the bottle found under the clock in the Gillespie
dining-room."
"All very true."
"Yet this fellow's story of--well, let us say, Louis Gracieux'
appearance and conduct in this more than doubtful place, warrants us
in thinking the worst of his errand."
I felt the force of this suggestion.
"Quite true." I assented. Then, in some agitation, for my thoughts
were divided between the relief which a knowledge of this night's
occurrences might bring to Hope and the terrible results to the man
himself, I went on to say:
"His little girl--you never saw his little girl, Sam. Well, she's a
fairy-like creature, and the last time I saw her she had her arms
about his neck."
"Don't talk about children," he hastily objected. "You'll make a muff
of me," and then I remembered he had a great weakness for children. "I
had rather you'd talk about Miss Meredith. Nothing but the interest I
take in the peculiar position held by this young lady gives me the
requisite courage to stir in this matter. I have known those boys too
long and too well; that is, I have drunk too many bottles with George
and sat out too many nights in full view of Alfred's handsome figure,
stretched out in the mysterious apathy I have alluded to. With
Leighton I have fewer associations; but I have seen enough of him to
know perfectly well the match-box which Yox handed out."
"Do you suppose there was anything in those pockets besides the
match-box; anything, I mean, calculated to give away the wearer of
that foul blouse?"
"No. If there had been; if, in other words, he had found anything
there which suggested a member of the Gillespie family, he would never
have aired the matter in the presence of their friends. He would have
gone at once to the police, or endeavoured to make such capital out of
it as such a find would suggest."
"Then you really think he does not know that the tools he is playing
with have mighty sharp edges?"
"I am confident he does not."
"That is a relief; yet he cannot remain in such ignorance long if I
call him to my assistance."
"That depends."
"How, depends?"
"Upon what you want him to do."
For this I had no answer. My plans were as vague as the wandering
smoke-wreaths curling upward at that instant from my neglected cigar.
"You have never liked Leighton," I remarked, in the hope of adjusting
my thoughts before entering upon the more serious portion of this
conversation. "Neither have I, since surprising a very strange
expression on his face the night of his father's death."
"Yet three-quarters of the people who knew him would tell you that he
is a good man, a very good man, the best of the three, by far."
"Notwithstanding his low associates?" I ventured.
"Notwithstanding everything. People are so deceived by a few words
uttered in prayer-meeting, that their judgment is apt to be blunted to
the real character of a man like Leighton Gillespie."
"He must be an odd one," I observed. "The lights and shades of such a
nature are past finding out. In appearance and manner he is a
gentleman, yet if Yox's story is true he finds no difficulty in
visiting the worst of places under circumstances and in a garb which
bespeaks a personal interest in them. The nature of that interest we
have dared to infer from the part played in his visit by the
mysterious phial. But how account for such instincts, such murderous
impulses in a man brought up as he has been? The motive must have been
a serious one to drive a man of his connections into crime. Can you
name it? Was it the need of money, a craving for perfect liberty to
pursue his own strange courses unchecked, or just the malice of a
revengeful spirit cherishing some rankling grudge, which only the
death of its object could satisfy?"
"Do not ask me. I'm not going to supply facts and reasons, too, in
this matter. What! going?"
"Yes, I never don my thinking-cap to any purpose save in privacy and
under the influences emanating from my own room and its familiar
surroundings."
"Very good--you shall seek such inspiration as is to be found there in
just another moment. But first let me give you a little further
insight into the character of the man we are discussing. This is
something I saw myself: One day last fall I was going down West
Broadway when I came upon Leighton Gillespie standing near an elegant
turnout, talking with an ill-shod and bedraggled woman. As
philanthropy is his fad and occurrences of this kind a common affair
with him, I was passing by with no further display of interest than an
inward sneer, when I noted his expression and stopped short, if not
from sympathy, at least in some curiosity as to the woman who could
draw it forth. Outhwaite, she was a wild-eyed, panting creature, with
chestnut-coloured hair and nervously working lips; not beautiful, not
even interesting--to me. But he--well! I have seen few faces look as
his did then, and when she started to run--as she presently did, he
caught at the muddy shawl she wore and pulled her back as if his very
life depended upon restraining her at his side.
"I even saw him take that shawl in his hand--such a shawl! I would
not have touched it for a champagne supper, and there have been times
when he has shown himself more squeamish on some subjects than I. But
he was not squeamish now--far from it, for he not only held that
shawl, but fumbled with it, almost clung to it, talking all the while
with voluble persistency. At last he asked her some questions which
brought out a passionate refusal. But if discouraged, he did not show
it; on the contrary, he continued his plea with increasing
earnestness, and finally pointed to his carriage. She gave it one look
and shrank back with a gesture of fear; then she grew steadier and her
head fell forward on her breast. He went on pleading with her; and
then I saw a strange sight. With an air such as only a swell like
himself is capable of assuming, he signalled to his driver to draw up
at the curbstone before him. Then, as he might hand in one of the four
hundred, he handed her in and took his seat beside her. Not a look to
the right nor left,--he was simply the perfect gentleman; and,
obnoxious as he had always been to me up to that hour, I could not but
respect his manner if not himself. It was admirable, and so was that
of the man who sat upon the box. Though the latter must have cringed
when that disreputable foot struck the step and what might be called a
bundle of rags entered among his pearl satin cushions, he did not turn
a hair or lose a jot of that serene absorption in his own affairs
which characterises all the Gillespie coachmen. I watched him
expressly to see. A valuable fellow that, for a master of the
eccentric tastes of Leighton Gillespie!"
"You interest me," said I. "Did you watch them drive off?"
"Yes, and stood there staring till they were half down the block, for
she had not accepted the situation with the same ease as himself, and
I felt that something would happen. And there did. Before the polished
panels were lost to my sight, the door burst open and I saw her wild
figure jump out and plunge away in the direction of the river. This
time he made no attempt to follow her; the carriage rolled on and he
with it. Nor did he do what I would have done,--let the door stand
open till the air of that carriage had been purged of its late
unwholesome occupant. Altogether, it was an odd experience. What do
you make out of it, Outhwaite?"
"He's a fellow who will bear studying. Is he always so respectful to
the paupers he befriends?"
Sam shrugged his shoulders.
"I have related my sole experience with Leighton Gillespie in his
_role_ of philanthropist. My other memories of him suggest simply the
millionaire's son."
[Illustration: "I SAW HER WILD FIGURE JUMP OUT AND PLUNGE AWAY IN THE
DIRECTION OF THE RIVER"]
XIX
I MAKE MY FIRST MOVE
To attempt to fathom such a nature as this leads to little but mental
confusion. Before I had spent a half-hour in trying to untangle the
knotty problem offered by Leighton Gillespie's opposing
characteristics, I decided to follow the example of my friend
Underhill, and keep to facts.
These in themselves were startling enough to occupy my mind and
convince me absolutely of Leighton's guilt. But this was not
convincing Miss Meredith. Probabilities, possibilities even, which
might satisfy me, would count for but little with her. With her nice
sense of justice, she would demand a positive and unbroken chain of
evidence before she would allow herself to acknowledge the guilt of
the man whose innocence I presumed to challenge, and this clear and
unbroken chain I did not have. How, then, could I strengthen the
evidence just obtained? Not by showing motive. There seemed to be no
motive. To be sure, Leighton was in debt,--so were they all,--and he
was known to have quarrelled bitterly with his father more than once.
But these were not new facts, nor were they sufficiently condemnatory
to settle, even in her mind, the torturing question embodied in that
one word already alluded to: which?
Something of an absolutely criminating character must be found against
this man; some proof so direct and unanswerable that even her
scrupulous conscience would be satisfied; something like positive
evidence, say, that he had visited Mother Merry for the purpose of
obtaining in secret the poison he dared not buy openly, or that the
glass of sherry he poured out for his father had held poison as well
as wine.
As all attempts to establish this latter fact had proved abortive; as
the police had not only failed to prove that such a mixture had been
made, but to settle the exact medium by means of which Mr. Gillespie
received the poison, I turned my attention to the easier task and
decided to concentrate my energies upon establishing the fact that the
bottle carried from Mother Merry's by the would-be sailor contained
prussic acid, and that this would-be sailor was positively the man we
supposed him to be,--Leighton Gillespie.
With these facts indubitably established, even Miss Meredith must feel
that the man who could be guilty of obtaining a deadly drug through
such under-handed agency, and at such a risk to his reputation, must
have had a purpose in so doing which could only be explained by the
tragedy which took place in his home so soon afterwards.
This point reached in my meditations, I next asked myself how the
necessary inquiries could be started without risk to their success. I
could not go openly to Mother Merry, or, rather, it would be
undesirable for me to do so. If, as I sometimes suspected, I was
myself under surveillance, I could make no such move without
attracting the attention of the detectives to a matter which I hoped
to keep a sacred secret between Hope and myself. Remember that I was
not working to bring the guilty to justice, but to free a pure heart
from a soul-torturing doubt.
But if I could not go there myself, whom was I to send? What man of my
acquaintance was judicious enough to be entrusted with such a message?
Yox? I did not like the man. I looked upon him as a very shady
individual and shrank with strong distaste from further contact with
him. Underhill? I laughed at the suggestion. Who, then? Not a single
name rose in my mind till, by an association of ideas not entirely
illogical, I remembered the habits of certain members of the Salvation
Army, and how easy it would be for one of them to enter such a vile
haunt as Mother Merry's and interview the depraved beings to be found
there without attracting the notice of the police or rousing the least
suspicion as to their intentions. But could I reach such a man, and,
if I could, would I find him willing to undertake such an errand
without understanding its full purport and just what use was to be
made of the knowledge thus obtained? This seemed very doubtful, and I
was seriously deliberating over my next move, when my mind flew
straight from the topic engaging it to that memorable moment in my
experience when, amid the alarm and hurry following the suspicions
expressed by the physician called in at Mr. Gillespie's death, the
glass fell from Hewson's hand and broke into a hundred pieces on the
dining-room hearth. The tinkle made by the shattered glass, the gasp
which escaped the old man's lips, all came back to me, and with it
the startling conviction--strange that it had not struck me
before!--that this old and tried servant of a disrupted household knew
who had tampered with that glass, and by this sudden breaking of the
same had sought to shield him. Now, if I should find out that this man
regarded Leighton with an especial fondness--But such thoughts were
for further contemplation. With a resolution born, perhaps, of the
lateness of the hour, I forced my mind back into its former channel
and resolutely asked myself how a connection was to be established
between Mother Merry and myself. The small confidence I have always
had in third parties, especially when a matter of delicate inquiry was
to be pushed, made it imperative for me to see her myself. Yet
how--Ah! an idea. What if I took the bull by the horns and openly
requested the assistance of the police in my adventure? That would
disarm suspicion and render me independent of special surveillance.
The idea was a happy one, and, relieved by the prospect it offered, I
resigned myself to sleep.
Next day I went boldly to police headquarters and asked for assistance
in making some inquiries in a dangerous quarter of the town. I said
that the case then before me necessitated some evidence which could
only be gathered from a certain old woman whose name and place of
living I had yet to learn by judicious questioning in that quarter of
the city where she had been last seen. Would they give me a man to
make my projected tour safe? They would. Could I have him now? I
could.
Satisfied with the result of my first move, and more than satisfied
with the unintelligent appearance of the man they picked out to escort
me, I made for Mother Merry's, but not in a direct course or with any
appearance of knowing where I was going. I tried several
lodging-houses and chatted across several bars, and, noting the
indifference with which my thick-headed companion followed me, I
really began to cherish hopes of coming through my task without any
unpleasant consequences to myself. Sometimes he tried to help me; but
as I had given no names and confined myself to a somewhat vague
description of the person I wanted, this help was naturally futile,
and I found myself approaching my goal without any seeming advance
having been made. Should I proceed at once to the docks or should I
play the fox's game a little longer? As I weighed these alternatives
my eyes fell on a Salvation Army sign, and the idea I had scouted the
day before returned to me with renewed force.
Pointing to the windows across which it was displayed, I said that
here were people who might possibly tell me where to find the woman I
sought, and, leaving the officer outside,--he seemed quite content to
stay in the fresh air,--I went in and respectfully approached the
sweet-faced woman I saw before me.
"I am come for assistance," I began. "I am in search of a woman--"
Here the words died in my throat. Opposite me and quite near enough
for me to catch what they were saying, I saw two men. One was a
Salvation Army Captain and the other was Leighton Gillespie.
XX
THE LITTLE HOUSE IN NEW JERSEY
The surprise was great, but I doubt if I betrayed the fact to the
unsuspicious eye of the patient lass who attended me.
"I wish to see one of your captains," I explained. "I will gladly
await his convenience."
"Captain Smith will be at liberty soon," she answered, going back to
her work.
I was thus left to study the face of the man whom at that very moment
I was bent upon connecting with a great crime.
I had not seen him since that touching scene at the inquest; and I
found him looking both older and sadder. Perhaps his health was
broken; perhaps there were other and deeper reasons for the great
change I saw in him.
I had instinctively withdrawn a few steps when the lass left me and
stood in as inconspicuous a position as possible, with my face turned
from the light. But I had not retreated far enough to lose a word of
the conversation going on so near me.
They were discussing an approaching meeting; Leighton with deep
interest, the Captain with an embarrassment not often seen in one of
his calling. Listening, I heard these words.
"It will be a full one, won't it?"
This from Leighton.
"It usually is on a day like this," was the hesitating reply.
"Do women come?"
"More women than men."
"I should like to speak at the meeting."
The Captain, with an uncomfortable flush, fumbled with the ribbon on
his cap, and said nothing. Leighton repeated his request.
The Captain summoned up courage.
"I am sorry, sir," he remarked, in an apologetic tone. "You have given
the Army much help, and we have listened to many good words from you,
but I have received orders not to let you speak again; that is, from
the platform."
A painful silence ensued. Then Leighton remarked, with a forced
composure and something more than his usual melancholy:
"Because of the unhappy prominence given me by the circumstances
attending my father's death?"
"That, and something else. I may as well be frank, sir. We have heard
of the little house, leased under your name, in New Jersey."
"Ah!"
A chord had been touched which vibrated keenly in this mysterious
breast. I saw his hand go to his throat and fall again quickly.
Meantime the Captain went on:
"We are not frightened by sin and we hold out our hands to sinners;
but we have no use for a man who prays in New York and has his
pleasure on the other side of the North River. It shows hypocrisy,
sir, and hypocrisy is the enemy of religion."
A smile, whose dark depths betrayed anything but hypocrisy at that
moment, crossed Leighton's pale lips as he remarked without anger
(which I could not but consider strange in a man so openly attacked):
"That little house is empty now. Has the thought struck you that my
heart might be so too?"
The Captain, who evidently did not like his task, seemed to experience
some difficulty in answering; but when he had settled upon his reply,
spoke both clearly and with resolution:
"The house of which you speak may lack its occupant just now, but
everything goes to show she is always expected. Or why are the lamps
invariably lighted there at nightfall, the rooms kept warm, and the
larder replenished? Some birds in flitting come round again to their
forsaken nest. Your bird may; meanwhile the nest remains ready."
"Enough!" The tone was sharp now, the words cutting. "You do not
understand me nor my interest in the poor and forsaken. As for my
place among you, let it be filled by whom you will. I have my own
griefs, and they are not light, and I have anxieties such as visit few
men. A ban is upon me and upon all who bear the name of Gillespie.
This is known to you and possibly to every man and woman soon to
assemble here. Perhaps you do well not to submit me to their
curiosity. But there is something you _can_ do for me--something which
you will do for me, I am sure; something which would place me under
lasting obligation to you without doing you or anyone else the least
harm in the world. A woman may come in here; a woman, wild-eyed,
unkempt, but with a look--I am sure you will know her. There is an
unearthly loveliness in her wan features. She has--But what use is
there in my attempting to describe her? If she answers to the name of
Mille-fleurs--some persons call her Millie--she is the woman I seek.
Will you give her this?" (He had torn the edge off a newspaper lying
near and was rapidly writing on it a few words.) "It will do no harm
to the cause for which you are working, and it may save a most unhappy
woman. Of myself I make no count, yet it might save me, too."
He handed over to the Captain the slip carelessly folded. It was
received with reluctance. Mr. Gillespie, noting this, observed with
some agitation:
"You are here to do God's work. Sometimes you are called upon to do it
blindly and without full enlightenment." And having emphasised this
with a bow of remarkable dignity he went out, little realising that
the possible clue to his own future fate lay in the hands of one he at
that moment passed without a look.
"These are the crosses we are called upon to bear," spoke up the
Salvation Army Captain as the door closed upon the man they had once
held in deepest reverence. "Now, what am I to do with this?" he added,
turning over in his hands the half-rolled-up slip which had just been
given into his charge.
Involuntarily my hand went out to it. It was a perfectly unconscious
action on my part, and I blushed vividly when I realised what I had
done. I had no authority here. I was not even known to the good man
and woman before me.
The Captain, who may or may not have noted my anxiety, paid no heed
either to my unfortunate self-committal or to the apologetic question
with which I endeavoured to retrieve myself.
Turning to the lass beside him, he handed her the slip, with the look
which a man gives to a woman on whose good sense and judgment he has
come to rely.
"Take it, Sally," he said. "You will know the girl if she comes in,
and, what's more, you'll know how to manage the matter so as to give
satisfaction to all the parties concerned. And now, sir?--" he
inquired, turning towards me.
But at this instant a diversion was created by the arrival of
Detective Sweetwater, a man for whose presence I was certainly little
prepared.
"The gentleman who has just gone out passed you something," he cried,
approaching the lass without ceremony, though not without respect. Me
he did not appear to see.
"The gentleman left a note with us for one of the poor women who
sometimes straggle in here," was her quiet response. "He is interested
in poor girls; tries to reclaim them."
"I am sorry," protested the detective "but I must have a glance at
what he wrote. It may be of immediate importance to the police. Here
is my authority," he added in lower tones, opening his coat for a
moment. "You know under what suspicion the Gillespie family lies. He
is a Gillespie; let me see those lines--or, stay, read them out
yourself--that may be better."
The young woman hesitated, consulted the Captain with a look, then
glanced down at the slip trembling in her hand. It was half unrolled,
and some of its words must have met her eye.
"Why do you think this has anything to do with the serious matter you
mention?" she ventured to ask.
The detective approached his mouth to her ear, but my hearing did not
fail me even under these unfavourable circumstances.
"Everything has connection with it," I heard him say. "Everything they
do and think. I wouldn't trust one of them round the corner. I should
make the greatest mistake of my life if I allowed any secret
communication written by a Gillespie to pass under my nose without an
attempt to see what it was. This one may be of an innocent nature;
probably is. The gentleman who left it with you passes for a
philanthropist, and as such might very readily hold communication with
the worst characters in town without any other motive than the one you
yourselves can best appreciate. But I must be sure of this. I have
been detailed to watch his movements, and his movements have brought
him here. You will therefore oblige me, Miss, if you can make it clear
that the cause of justice--by which I mean the cause which I here
personally represent--will not suffer injury by the free transmission
of this slip to the person for whom it is meant."
"I will read you what he has written here," replied the girl. "He
left it open or almost open to anyone's perusal." And I heard her read
out, in low but penetrating tones, the following words:
When I last saw you, you were suffering. This is an
unbearable thought to me, yet I cannot go to you for reasons
which you can readily appreciate. Come to me, then. The
house is always open and the servants have received orders
to admit anyone who asks for me.
This was certainly warm language from a mere philanthropist to a city
waif whose misery had attracted his notice. But no remarks passed, and
Sweetwater did not seek to hinder even by a look the careful refolding
of the slip and the putting of it away in the young lass's desk.
Indeed, he seemed to approve of this, for the next moment I heard him
say:
"That's right; take good care of the slip. If the young woman comes
in, give it to her. I suppose you know her?"
"Not at all; he simply described her to us; or attempted to. She may
not come in at all."
"Then keep a grip on those lines. What kind of a person did he say she
was?"
"Oh, I don't know. He said she was wild-looking, but beautiful, and
that she answered to some such name as Millie."
"It's likely to be a fake, the whole mess. Good-day, Captain;
good-day, Miss." And Detective Sweetwater stepped away.
I had thought him keen, yet he had paid no more attention to me than
if I had been a stick. Was the corner in which I sat darker than I
thought, or had he been so full of his own affairs that he failed to
recognise me? I had kept my face turned away, but he assuredly must
have known my figure.
When he was gone the two laid their heads together for a moment, then
began to bustle towards me. In the meantime I had planned a _coup
d'etat_. I had considered if, by a little acting on my part, I could
put them in the wrong, I might succeed in getting from them some
positive facts to work upon. Accordingly, I was in a state of
suppressed feeling when the Captain found himself face to face with
me.
"I heard you," said I, flinging down the book I had taken up. "I have
ears like a hare and I couldn't help it. I know Mr. Gillespie, and it
made my blood boil to hear him addressed with suspicion. How anyone
who has ever heard him speak to the poor and unfortunate could
associate him with the atrocious death of his father, I cannot
imagine. So good to poor girls! So bountiful in his charities! I
thought you were Christians here."
The Captain may have been a Christian, but he was also a man, and,
being a man, looked nettled.
"It was a mistake for us to discuss Army affairs within reach of two
such sharp ears," said he. "Mr. Gillespie has done some good work, and
far be it from me to add myself to those who have associated his name
with the crime which has just made the family notorious. I simply fail
to stand by him because he uses us as a cloak for his personal
indulgences. He is infatuated with a woman whom he has never presumed
to present to his family. This won't do for us. The other matter
belongs to the police."
I allowed myself to cool down a trifle.
"I beg your pardon; you know your own business, of course. But it's a
little hard for me to believe that such a refined man as Mr. Gillespie
could find any other than a charitable interest in any woman likely to
come straying in here. Did you ever see his home, his child, his
friends?"
The Captain shrugged his shoulders and curtly replied:
"I can imagine." Then in a tone calculated to end the interview so far
as this topic was concerned: "We count nothing as strange in this
place, sir. We come too near the unregenerate heart. Human nature's
the same, sir, in rich and in poor. And now, sir, your business? It's
most time for our noon meeting, so I must ask you to be concise."
I had almost forgotten I had any business there, but I pulled myself
up under his eye and told him I was on the search for a woman, too.
"But she's an old one," I made haste to assure him; "a lodging-house
keeper who is in the possession of evidence of great importance to a
client of mine. Her name, as told me, is Mother Merry; do you know any
such person?"
He did not, but informed me that there were several queer old places
down by the wharves where I might hear of her. This was enough. I had
now an excuse for penetrating the district towards which I had been
pointing from the first.
Thanking him, and asking his pardon for my few brusque words, I went
out, and, giving my policeman a wink, turned in the direction of the
river.
XXI
MILLE-FLEURS
The complications which had surrounded Leighton Gillespie were,
through his own imprudence, in the way of being cleared up, though
hardly to his advantage. This was not all. Either from indifference or
ignorance--I hardly thought it was indifference--he had not only
called attention to his own secret passion, but laid such a trap for
the object of it that she could hardly fail to fall ultimately into
the hands of the police.
Under these circumstances was it my duty to proceed with the task I
had imposed upon myself? Was my help needed when Mr. Gryce's
right-hand man was at work? It would not seem so. But--as I was happy
enough to remember before my hesitation resolved itself into
action--the one clue connecting him to this murder was to be found in
my hands, not theirs. I alone knew where to look for the woman who had
procured him the phial of poison. This in itself created an obligation
I dared not slight. I must continue my quest, if I desired to fulfil
my promise to Hope Meredith.
The day was Friday and the fish-stalls were doing a lively business.
By the time I had threaded my way through innumerable sheds, I had got
enough of this commodity into my nostrils to satisfy my appetite for
a week. I was glad when I stepped out upon the wharf.
"Is it along there you want to go?" asked the officer under whose
protection I moved.
I looked, and saw fluttering before me the calico curtain which had
blown in and out of Yox's story.
"Yes, if it's where an old woman named Merry is to be found."
"I'll ask."
He approached a brother officer whose presence I had not noticed,
spoke to him, and came back.
"That's the place," said he. "Do you want me to go in with you?"
"Not if it's safe."
"Oh, it's safe enough at this hour. You haven't any too much cash on
you, I judge? Besides, I'll hang about the door, and if you don't come
out in ten minutes I'll just inquire the reason why. You see, the
place's on our books and we don't want to keep too open an eye on it."
I was glad to be allowed to go in alone. I had not dared to hope for
this and felt correspondingly relieved.
An unexpectedly quiet interior met my eye. The bare walls, the busy
stove, the woman whose gaunt frame and lowering eye I had heard
described by Yox, were before me, but nothing of a sinister, or even
suspicious, appearance. I had surprised Mother Merry's quarters at a
happy hour; that is, happy for her and possibly so for me.
But perhaps I convey a wrong impression in speaking of the walls as
bare. They were not so; for, stretched from side to side of the
steam-reeking, stifling room, were lines on which coarse garments were
hanging up to dry; and on the wall directly before me I saw a pair of
rough seaman's breeches, pinned up in a ghostly and grotesque fashion
over the little stove which even on this mild afternoon was doing its
best to keep out undesirable visitors.
The old woman, who was bending over a table on which a few broken victuals
lay, was, without doubt, Mother Merry herself; and, recognizing her as
such, I assumed the half-audacious, half-deprecatory manner I thought best
calculated to impress her. With a broad smile, I thrust my hand into my
pocket. Then as I perceived her hard eye melt and the coarse lines about
her mouth twist into something which was as near encouragement as one
could expect from a being always on her guard against strangers, I
whispered with a careful look about me:
"Anyone here? My errand won't stand peering eyes or listening ears."
She gave me a penetrating glance.
"What do you want?" she grumbled.
I took out a dollar and laid it on the table. Her hand was over it in
an instant.
"A morsel of drug," I whispered. "Three drops of something that'll do
up a man in five minutes. The man is myself," I added, as her eye
darkened.
She continued to regard me intently for a minute; then cast a quick
glance down at the hand which covered the coin.
"Sorry," she muttered, with a reluctant lift of that member; "but I'm
not in the way of getting any such stuff. Who sent you to me?"
I hesitated, then made my great venture.
"The man you helped out of here the night the police came down on you.
He had better luck than I. You didn't refuse it to him."
"You lie!" she cried.
Startled by these uncompromising words, I fell back. Had I made a
great mistake?
"He never got any such stuff from me," she went on shrilly. "That
wasn't what he came for, or else he made more of a fool of me than I
knew."
"What did he come for?"
Her look of inquiry turned into one of suspicion.
"Did you come here to ask that? If so, you'd better go. I'm not one of
the blabbing sort."
I drew out another dollar.
"Perhaps he got it upstairs," I insinuated.
"Oh!" she cried, spreading out her long fingers so as to cover both
pieces. "That may be; those girls have strange ways with them."
"May I have a peep at them? May I have a peep at _her_?"
The emphasis I placed on the last word called out from Mother Merry a
long stare, which I bore as best I could.
"She hasn't a drop left of what you were talking about," said Mother
Merry at last. "If she gave it to him it's all gone."
"Perhaps she can get more where she got that," I made bold to
suggest.
The old hag gave a grunt and looked gloatingly at the coins sparkling
between her bony fingers.
"How many of these have you saved up?" she asked.
"Ten."
"And with ten dollars in your pocket you come here for _poison_?"
Her amazement was quite real. Ten dollars in my pocket and wanting
poison! It took her some minutes to grasp the fact; then she said:
"And how many of these are for _me_?"
"Five."
She pawed at the coins till they were well under her palm.
"I'll call her down; will that do?"
"Yes."
"She may not be just right."
"No matter."
"She may be all right herself and not think you so."
"I'll risk that, too."
"Then stand near the stove so she won't see you when she first comes
in. She wouldn't stay a minute if she did."
Obeying the old hag, I watched her sidle to the door already familiar
to me in Yox's narrative; the door upstairs, I mean. As she
disappeared behind it I glanced at the table near which she had been
standing. The two silver dollars were gone.
"I'll never see them again," was my inward decision.
And I never did.
The presence of the wet clothing hanging so near me was anything but
agreeable. Moving around to the other side of the stove, I at least
avoided some of the fumes which in that stifling atmosphere were
almost insufferable; but I was more exposed to view, something which
the old woman noticed when she reentered.
"You have moved," she suspiciously snarled. "Come back and let the
clothes hide you. Perhaps I can make the girl sing if she don't see
you. She seems to be in one of her queer moods. Would you like to hear
her sing?"
As the old woman evidently expected an enthusiastic assent I gave it
with as much force as I could muster up on such short notice.
"Hush! she is coming. You mustn't mind her laugh."
It was well she gave me this warning, for the sudden wild shout of
hilarious mirth which I now heard from the region of the staircase was
so startling, that without these words of caution I might have
betrayed myself. As it was, I kept my post in silence, watching for
the girl who I had every reason to believe had given the bottle of
prussic acid to Leighton Gillespie. Would she prove to be the wild,
unkempt woman whose beautiful look he had endeavoured to describe to
the Salvation Army Captain? I hoped not; why, I hardly knew.
Suddenly there broke upon my eyes a sight I have never forgotten. A
woman came in--a woman, not a girl--and while her look was not
beautiful--far from it--she had that about her which no man could see
for the first time without emotion. Her features were ordinary when
taken by themselves, but seen together possessed an individuality
whose subtle attraction had been marred, but not entirely destroyed,
by the countless privations she had evidently undergone. And her hair,
wild and uncared-for though it was, was wonderful; so was the air of
vivacity and rich, exuberant life which characterised her. Though her
cheek was pale and her arms thin, she fairly beamed with that
indefinable but spontaneous gladness which springs from the mere fact
of being alive, a gladness which at that moment did not suggest drugs
or any unwholesome source. I was astounded at the effect she produced
upon me, and watched her eagerly. No common unfortunate, this. Yet it
would have been hard to find among the city's worst a woman more
bedraggled or more poorly nourished.
"Sing!" cried old Mother Merry, with an authority against which I
instinctively rebelled, though I had seen the object of it for only a
couple of minutes. "You feel like it, and I feel like hearing you.
SING!"
The woman's throat throbbed. She stopped just where she was and threw
out her arms. Then she smiled and then--she sang.
I have heard Guilbert, I have heard Loftus, but neither of them ever
made my temples throb, my heart swell, or my breath falter as this
woman did. That she chose the saddest of all sad songs--she who a
moment before seemed hardly able to contain her laughter--could not
quite account for this effect; nor the fact that these flights of
tragic melody rose from out a misery which no laughter could cover up.
It was genius, great and wonderful genius, misdirected and lost, but
still heaven-given and worthy of an artist's recognition. As she sang
on I yielded her mine, for my heart swelled almost to bursting, and
when she had finished and stood poised, rapt, ecstatic, enthralled
with her own melody and beautiful with her own feeling, I found my
cheeks wet with tears. I had never wept at anyone's singing before.
"Dance!" came in fresh command from the miserable hag behind me.
I had forgotten Mother Merry.
But the raised face I was contemplating drooped forward at these
words, and the arms, which had moved all through the singing, fell
inert.
"I have no strength," she wailed. Yet in another instant she was
swaying, turning, rising, and falling in mazes of movement so full of
grace and charm that I scarcely missed the music which should have
accompanied them. It was more than a dance: it was a drama;
instinctively I followed her feelings and knew as by a species of
revelation what each motion was meant to convey. I watched her as I
would some charmed being; for the marks of care had vanished from her
features, and the lips, which had been drawn and white, burned redly,
and the hair, which had hung in dishevelled locks, now blew out in
live curls, athrill with passion and breathing forth rapture and love.
Suddenly she paused. Mother Merry had pointed me out with the words:
"The gentleman is looking at you."
Instantly her beauty shrivelled and vanished. Her hands went up to her
face; and she crouched like a lost thing against the floor.
"No, no!" she wailed, and would have fled, but Mother Merry forced her
back.
"The gentleman wants something. He wants a drop of what you gave the
other one that night. You remember, the night the boys slid away and
left us to the police."
Instinctively her right hand went to her bosom and her eyes looked
wildly into mine. Suddenly she saw the moisture on my cheeks.
"Oh! he's been crying, Mother Merry, been crying. Perhaps now I can
cry, too. I should like to; it's better than singing." And she broke
into sobs so violent that I stood aghast in mingled pity and
amazement.
Just then the policeman looked in.
"How now?" he cried. "What's up?"
My impulse was to shield her from this fellow's curiosity. Motioning
him away, I whispered in her ear:
"You haven't said whether you would give me what I have come for."
"What is that?"
"A drop of what kills trouble; kills it at once, instantly, and
forever. I am wretched, heartbroken." (God knows I spoke the truth.)
She stared, and what remained of light in her face went out.
"I have none--now," she hoarsely assured me.
"Then get it where you got that."
"I cannot. I got that when it was easier to smile, and dancing was not
followed by dreadful pain. Now--" She tried to laugh as she had a few
moments before, but her jocund mood had passed. One would never
imagine from her present aspect that she had just floated through the
room an embodiment of joyousness and grace.
"You gave it all to him, _all_?" I questioned.
The emphasis did not strike her, or rather it assumed a different
place in her mind than on my lips. "To him?" she repeated, shrinking
back with evident distrust.
"Yes," I pursued, following her and speaking in her ear; "the sailor
lad who took it away from here that night. Poison--prussic acid--a
phial you could hide in your hand."
She broke into laughter, not the expression of joy, but that of
defiance if not derision. She was but a common woman now.
"Sailor lad!" she repeated, and laughed again.
I felt that the moment had come for speaking the significant word.
Looking around and seeing that Mother Merry was not too near, I
whispered:
"A sailor lad with a gentleman's name. You know the name; so do
I--Leighton Gillespie."
She had not expected me to go so far. Smothering a frightened cry, she
struck her hands together over her head and dashed towards the door by
which she had come in. Mother Merry stood before it laughing. Then she
turned to escape by the street; but there she was confronted by the
heavy form of the policeman, who had thrust himself across the
threshold. Crouching, she folded her arms over her breast and made a
plunge for the door communicating with the den beyond. It opened under
her pressure and she fell gasping and bruised upon the threshold. I
hastened to her aid, but she was up before I could reach her.
"I don't know the man you talk of; I don't know you. I am a free
woman! a--free--woman!--" she shrieked, bounding to the trap and
opening it. As she uttered the last words she swung herself down. I
tried to stop her, but she was as agile as a cat. As I leaned over the
hole I saw her disappearing among a confusion of oozy piles; and
shuddering with the chill of the mephitic air that came pouring up, I
drew back.
"That's the end of her for to-day," muttered the harsh voice of Mother
Merry behind me. "When she's like that you might as well make for
other quarters. But you've had your money's worth. You've heard her
sing; you've seen her dance. It's not every man can boast of that.
She's shy of men; at least she'll never sing for them."
Perhaps I looked surprised; perhaps I only looked dejected.
Misinterpreting the expression, whichever it was, old Mother Merry
sidled up closer, and, as I made for the door, whispered with a leer:
"If you really want what you say, come back in a week; and if I can
get it you shall have it."
I gave her another coin.
"What do you call that girl?" I asked, with my hand on the latch.
The money made her loquacious.
"Millie," she answered. "That is not how she speaks it, but it's how
we all call her."
It was, then, as I had thought. I had seen and listened to
Mille-fleurs, the woman to whom Leighton Gillespie had addressed those
appealing lines.
XXII
A DISAGREEABLE HOUR WITH A DISAGREEABLE MAN
This interview made an astonishing impression upon me. Never had I
supposed myself capable of being stirred to such sympathy by a being
so degraded as this wonderful Mille-fleurs.
Was it the contrast between her genius and the conditions under which
that genius had shown itself? Possibly. Or was it that a recognition
of the latent sweetness underlying her wild nature had caused a
feeling of rebellion against the degradation into which a creature of
such amazing possibilities had fallen?
Whatever it was, I was conscious of a haunting sense of regret such as
had followed few experiences in my life, and began to look upon the
man who could make use of such a ruin of womanhood for the obtaining
of a deadly drug, with something deeper and more active than mere
distrust.
Leighton Gillespie was a man of the world. He knew this wretched
creature's weak points and what would procure him the poison he dared
not buy from any druggist or chemist. Anyone who saw this woman could
read her story. Gay as she was, buoyant as her spirit rose in certain
moments of ecstatic passion, she had corresponding moods of morbid
depression, possibly of actual suffering, which only morphine could
relieve. He knew this and used his knowledge without let or scruple.
Was he a monster of selfishness, or only another instance of a good
man gone to the bad for the love of a worthless woman? The latter
theory seemed the more probable, since all good instincts could not be
lacking in a man who had been confessedly helpful in many ways towards
rescuing the needy and aiding the unhappy.
Undone by a woman! Was that the situation? It is a common one, God
knows. Yet I found it hard to allot her the place suggested by this
theory. She did not look like one capable of inclining a man to
murder. Yet might I not be playing the fool in cherishing so generous
an estimate of her? Might I not be as yet too much under the spell of
her peculiar grace to rightly judge the nature underlying it? What did
I know of him or of her, that I should burden him with all the blame;
and in what did my own wild, uncalculating passion for a woman who not
only did not love me, but of whose real character I knew little save
as it shone for me through her captivating face, differ from the
feeling which might easily be awakened in a still more ardent breast
by a creature of so much grace and fire?
Certainly the words I had overheard Leighton Gillespie use in his
colloquy with the Salvation Army Captain showed the existence of
feelings far beyond those usually associated with a commonplace
passion; so did the lines he had left behind him for this waif. But
if it was love which moved him, it was a love which did not shrink
from involving its object in crime. This she had herself recognised,
else why had she shown such terror at the mention of his name and made
such a hazardous attempt at escape when threatened by the prospect of
further association with him?
The progress which I had made in the case I had undertaken against
this man may seem to have reached a point justifying me in
communicating the result to Hope. But though I had succeeded in
supplying one of the missing links heretofore mentioned as necessary
to that end, I nevertheless hesitated to approach her till the whole
chain was complete. Her very desire to believe her youngest cousin
innocent would make her slow in accepting conclusions too much in the
line of her own wishes. She might even now be moved by secret hopes in
this direction, might cherish convictions and calm herself with
soothing anticipations of restored confidence in Alfred, but she would
require the most positive evidence that the potion, however and by
whomever obtained, had been actually and knowingly administered by
Leighton. To the establishment of this last link in the chain, I must
therefore address myself; an almost hopeless task, from which I shrank
with very natural misgivings.
Two paths of inquiry, and two only, offered any promise of success.
One of these struck me as practicable; the other not. But the
practicable one was not within my reach, while the other was little
more than a dream. I allude in the first instance to the knowledge
supposed to lie hidden within the breast of the old butler; while the
dream--well, the dream was this: For some time I had suspected the
existence of a secret and as yet unknown witness of this crime, a
witness for whose appearance on the scene I had daily looked, and from
whom I did not yet despair of gleaning valuable testimony. What basis
had I for this dream? I will endeavour to explain.
In presenting to your notice a diagram of the parlour floor of the
Gillespie house, I was careful to show the window to be found at the
left of Mr. Gillespie's desk. But I drew no attention to this window,
nor did I think it worth my while to say that I found the shade of
this window rolled up when I first followed Claire into the room.
Later, I drew this shade down, but not before noticing that a window
stood open in the extension running back of the Gillespie yard from
the adjoining house on Fifty- ---- Street, and that in the room thus
disclosed a man was to be seen moving uneasily about.
Now, if this man had been in that room for any length of time, the
chances were that his glances had fallen more than once on the
brilliantly lighted interior of Mr. Gillespie's den, lying as it did
directly under his eye. If so, how much or how little had he seen of
what went on there? That is what I now proposed to find out.
That this person, who was a total stranger to me, had given no sign of
being in the possession of facts withheld from the police, did not
deter me from hoping that I should yet learn something from him. Many
men, among them myself, have an invincible dislike to the publicity
inseparable from the position of witness, and if this unknown man
imagined, as he naturally might, that the police were ignorant of the
opportunity which had been given him of looking into Mr. Gillespie's
house at a moment so critical, the chances were that he would keep
silent in regard to it. That his appearance at the window had been
simultaneous with my sight of him, and thus too late for him to have
seen more than I did of what went on in Mr. Gillespie's den, was a
possibility which would occur to any man. Also, that he might have
been there and in full sight of the window from the first, yet had
distractions of his own which kept him from making use of his
opportunities.
Nevertheless, the probabilities were favourable to the hope I had
conceived; and, deciding that in my present uncertainty any action was
better than none, I made up my mind to ascertain who this young man
was, and whether any means offered for my making his acquaintance.
Sam Underhill was the only man I knew capable of bringing this about.
I therefore went below in search of him, and was fortunate enough to
come upon him just as he was returning to his room for some theatre
tickets he had forgotten to put into his pocket. I attacked him before
he could back out.
"What is the name of those people who live in the first house west
from Fifth Avenue on Fifty- ----Street?" I asked. "Don't you remember
the house I mean? That very narrow brown-stone front, with a vase of
artificial flowers in one of the parlour windows."
"---- me if I know," he protested, in a high state of impatience, as
he snatched up the tickets he was looking for. Then, seeing that I was
in no condition to be fooled with, he admitted that the name was
Rosenthal, and carelessly added, "What do you want to know for? Oh, I
see, you are still on the scent; still harping on that Gillespie
poisoning case. Well, the Rosenthals may live near the people just
mentioned, but there's nothing in that for you or anyone else
interested in this crime."
"Why?"
"Because they move in a totally different set from the Gillespies.
They have absolutely no connection with them."
"Is there a young man in the family?"
"Yes."
"Well, I want to know him. Find a way of presenting me to him, will
you?"
Sam's amazement was amusing.
"You want an introduction to Israel Rosenthal?"
"I have said so."
"Well, everyone to his taste. I'll procure you one this evening at the
theatre. He's a great patron of the Lyceum."
"And are you going there?"
"As soon as you release me."
"Very good; expect to find me in the lobby after the first act."
"I'm obliged to you." This because I had moved out of his way. I have
seen Sam when he was personally more agreeable to me.
It would be impossible for me to say what play I saw that night. It
was one of the well-known successes of the season, but it meant
nothing to me. All my mind and attention were on the young man I had
come there to see.
He was in one of the boxes; this I found out before the first act was
over; and though I caught flitting glimpses of his face, I did not see
him closely enough to form any judgment of his temper or disposition.
When the first act was over I went into the lobby, but Sam did not
join me there till it was nearly time for the curtain to rise again.
Then he came alone.
"He'll be out at the end of the third act," he remarked. "The wait is
a long one and he will be sure to improve it in the usual way."
I nodded and Sam went back. Strange to say, he was interested in the
play, if I was not.
I had no intention of forcing an immediate disclosure from Mr.
Rosenthal. Neither the time nor place was propitious for that. When,
therefore, the anticipated moment arrived and Sam sauntered out from
one aisle and Rosenthal from another, I merely pulled myself together
to the point of making myself agreeable to the rather unpromising
subject of my present interest. We were introduced offhand by Sam,
who, if he did not like the job (and it was very evident he did not),
at least went through his part in a way not to disturb the raw pride
of my new acquaintance. Then we began to talk, and I thought I saw
more than ordinary satisfaction in the manner with which young
Rosenthal received my advances, a satisfaction which led me to
mentally inquire whether his pleasure rose from gratification at
Underhill's attention or from any erroneous idea he may have had of my
being a stepping-stone to certain desirable acquaintances. Or, more
important still, was he, for reasons I was not as yet ready to dwell
upon, glad to know a man whom all recognised as an important witness
in the great affair whose unsolved mystery was still the theme of half
the town? I curbed my impatience and was eagerly pursuing the
conversation towards a point which might settle this disturbing
question, when, presto! the curtain rose on the fourth act and he flew
to regain his box.
But not before Sam, with a self-denial I shall not soon forget, had
asked him round to our apartments after the play; which invitation
young Rosenthal seemed glad to accept, for he nodded with great
eagerness as he disappeared around the curtains of the doorway.
"So much to humour a friend!" growled Sam, as he, too, started for his
seat.
I smiled and went home.
At about midnight Sam came in with my expected guest, and we had a
rarebit and ale. In the midst of the good feeling thus established,
Rosenthal broke forth in the very explanation I had been expecting
from the first.
"I say! you were with old Gillespie when he died."
"The fact is well known," I returned, refraining from glancing at Sam,
though much inclined to do so.
"Well, I've a mighty curiosity about that case; seems somehow as if I
had had a hand in it."
There was champagne on the table; I pushed the bottle towards Sam, who
proceeded to open it. While this was going on I answered Mr.
Rosenthal, with all the appearance of surprise he doubtless expected:
"How's that? Oh, I think I understand. You are a neighbour. All who
live near them must feel somewhat as you do."
"It isn't that," he protested, draining his glass, which Sam
immediately refilled. "I have never told anyone,--I don't know why I
tell you fellows,--but I was almost in at that death. You see, the
windows of my room look directly down on the little den in which he
died, and I chanced to be looking in its direction just as----"
Here he stopped to enjoy his second glass. As the rim slowly rose,
obscuring his eyes, I caught an admiring Hm! from Sam, which filled,
without relieving, this moment of suspense. As the glass rang down
again on the table, Rosenthal finished his sentence:
"--just as Mr. Gillespie lifted his window to empty out a glass of
something. Now, what was that something? I have asked myself a dozen
times since his death."
"But this is evidence! This is a fact you ought to have communicated
to the police," broke in Underhill, with momentary fire. Perhaps it
was a real one, perhaps it was the means he used to draw Rosenthal
out.
"And be dragged up before a thousand people, all whispering and
joggling to see me? No, I have too much self-respect. I only speak of
it now," said he with great dignity, "because I'm so deuced curious
to know whether it was poison he threw out, a dose of chloral, or just
plain wine. It might have been any of these three, but I have always
thought it was the first, because he seemed so afraid of being seen."
"Afraid of being seen drinking it or of throwing it out?"
"Throwing it out."
"Oh!"
Sam and I stopped helping ourselves to wine and left the bottle to
him.
"Do you know what time this was?" I asked.
"No; how should I? It was before ten, for at ten he was dead."
"It could not have been poison he threw out or even the remains of
it," I remarked, "for that would imply suicide; and the verdict was
one of murder."
Mr. Rosenthal was just far enough gone to accept this assertion.
"That's so. I wonder I never thought of that before. Then it must have
been wine. Now, I wouldn't have thought so badly of Mr. Gillespie as
that. I always considered him a sensible man, and no sensible man
pours wine out of a window," he sapiently remarked, raising his glass.
It was empty, and he set it down again; then he took up the bottle.
That was empty, too. Grumbling some unintelligible words, he glanced
at the cabinet.
We failed to understand him.
"There are but two excuses for a man who deliberately wastes wine," he
proceeded, in tipsy argument with himself. "Either he has had enough--hard
to think that of Mr. Gillespie at so early an hour in the evening--or else
the liquor's bad. Now, only a fool would accuse a man like Mr. Gillespie
of having bad liquor in his house, unless--unless--something got into
it--Oh!" he suddenly exclaimed, with the complacency of one who has
unexpectedly made a remarkable discovery, "there _was_ something in it,
something which gave it a bad taste. Prussic acid has a bad taste, hasn't
it?--and not liking the taste he flung the wine away. No man would go on
drinking wine with prussic acid in it," he mumbled on. "Now, which of
those fellows was it who poured him out that wine?"
We sat silent; both bound that he should supply his own answer.
"I ought to know; I've read about it enough. It was the slick one; the
fellow who goes by me as if I were dirt--Oh, I know; it's Leighton!
Leighton!" And he stumbled to his feet with a sickening leer.
"I'm going down to the police station," he cried. "I'm going to inform
the authorities----"
"Not to-night," I protested, rising and speaking somewhat forcibly in
his ear. "If you go there to-night they will shut you up till
morning--jail you!"
He laughed boisterously. "That would be a joke. None of that for me.
I'll see them dashed first." And he looked at us with a sickly smile,
the remembrance of which will make me hate him forever. Suddenly he
began to search for his hat. "I think I'll go home," he observed, with
an air of extreme condescension. "Leighton Gillespie, eh? Well, I'm
glad the question is settled. Here's to his health! and yours--and
yours----"
He was gone.
We were both on our feet ready to assist him in his departure. But he
got away in good shape, and when the lower door slammed we
congratulated each other with a look. Then Sam seized the bottle and I
the glass from which this fellow had drunk, and both fell crashing
into the fireplace. Then Sam spoke:
"I fear Leighton Gillespie will sleep his last sound sleep to-night."
"You must consider the drivel we have just listened to as of some
importance, then," I declared.