BY HAROLD FREDERIC.

I, who tell this story, am called Brother Sebastian. This name was given

me more than forty years ago, while Louis Philippe was still king. My

other name has been buried so long that I have nearly forgotten it. I

think that my people are dead. At least I have heard nothing from them

in many years. My reputation has always been that of a misanthrope--if

not that, then of a dreamer. In the seminary I had no intimates. In the

order, for I am a Brother of the Christian Schools, my associates are

polite--nothing more. I seem to be outside their social circles, their

plans, their enjoyments. True, I am an old man now. But in other years

it was the same. All my life I have been in solitude.

To this there is a single exception--one star shining in the blackness.

And my career has been so bleak that, although it ended in deeper

sadness than I had known before, I look back to the episode with

gratitude. The bank of clouds which shut out this sole light of my life

quickened its brilliancy before they submerged it.

After the terrible siege of '71, when the last German was gone, and our

houses had breasted the ordeal of the Commune, I was sent to the South.

The Superior thought my cheeks were ominously hollow, and suspected

threats of consumption in my cough. So I was to go to the Mediterranean,

and try its milder air. I liked the change. Paris, with its gloss of

noisy gayety and its substance of sceptical heartlessness, was repugnant

to me. Perhaps it was because of this that Brother Sebastian had been

mured up in the capital two thirds of his life. If our surroundings are

too congenial we neglect the work set before us. But no matter; to the

coast I went.

My new home was a long-established house, spacious, venerable, and

dreary. It was on the outskirts of an ancient town, which was of far

more importance before our Lord was born than it has ever been since. We

had little to do. There were nine brothers, a handful of resident

orphans, and some three-score pupils. Ragged, stupid, big-eyed urchins

they were, altogether different from the keen Paris boys. For that

matter, every feature of my new home was odd. The heat of the summer was

scorching in its intensity. The peasants were much more respectful to

our cloth, and, as to appearance, looked like figures from Murillo's

canvases. The foliage, the wine, the language, the manners of the

people--everything was changed. This interested me, and my morbidness

vanished. The Director was delighted with my improved condition. Poor

man! he was positive that my cheeks had puffed out perceptibly after the

first two months. So the winter came--a mild, wet, muggy winter, wholly

unlike my favorite sharp season in the North.

We were killing time in the library one afternoon, the Director and a

Swiss Brother sitting by the lamp reading, I standing at one of the

tall, narrow windows, drumming on the panes and dreaming. The view was

not an inspiring one. There was a long horizontal line of pale yellow

sky and another of flat, black land, out of which an occasional poplar

raised itself solemnly. The great mass below the stripes was brown;

above, gloomy gray. Close under the window two boys were playing in the

garden of the house. I recall distinctly that they threw armfuls of wet

fallen leaves at each other with a great shouting. While I stood thus,

the Brother Servitor, Abonus, came in and whispered to the Director. He

always whispered. It was not fraternal, but I did not like this Abonus.

"Send him up here," said the Director. Then I remembered that I had

heard the roll of a carriage and the bell ring a few moments before.

Abonus came in again. Behind him there was some one else, whose

footsteps had the hesitating sound of a stranger's. Then I heard the

Director's voice:

"You are from Algiers?"

"I am, Brother."

"Your name?"

"Edouard, Brother."

"Well, tell me more."

"I was under orders to be in Paris in January, Brother. As my health was

poor, I received permission to come back to France this autumn. At

Marseilles I was instructed to come here. So I am here. I have these

papers from the Mother house, and from Etienne, Director, of Algiers."

Something in the voice seemed peculiar to me. I turned and examined the

new-comer. He stood behind and to one side of the Director, who was

laboriously deciphering some papers through his big horn spectacles. The

light was not very bright, but there was enough to see a wonderfully

handsome face, framed in dazzling black curls. Perhaps it looked the

more beautiful because contrasted with the shaven gray poll and surly

features of grim Abonus. But to me it was a dream of St. John the

Evangel. The eyes of the face were lowered upon the Director, so I could

only guess their brilliancy. The features were those of an extreme

youth--round, soft, and delicate. The expression was one of utter

fatigue, almost pain. It bore out the statement of ill-health.

The Director had finished his reading. He lifted his head now and

surveyed the stranger in turn. Finally, stretching out his fat hand, he

said:

"You are welcome, Brother Edouard. I see the letter says you have had no

experience except with the youngest children. Brother Photius does that

now. We will have you rest for a time. Then we will see about it.

Meanwhile I will turn you over to the care of good Abonus, who will give

you one of the north rooms."

So the two went out, Abonus shuffling his feet disagreeably. It was

strange that he could do nothing to please me.

"Brother Sebastian," said the Director, as the door closed, "it is

curious that they should have sent me a tenth man. Why, I lie awake now

to invent pretences of work for those I have already. I will give up all

show of teaching presently, and give out that I keep a hospital--a

retreat for ailing brothers. Still, this Edouard is a pretty boy."

"Very."

"Etienne's letter says he is twenty and a Savoyard. He speaks like a

Parisian."

"Very likely he is seminary bred," put in the Swiss.

"Whatever he is, I like his looks," said our Superior. This good man

liked every one. His was the placid, easy Alsatian nature, prone to find

goodness in all things--even crabbed Abonus. The Director, or, as he was

known, Brother Elysee, was a stout, round little man, with a fine face

and imperturbable good spirits. He was adored by all his subordinates.

But I fancy he did not advance in favor at Paris very rapidly.

I liked Edouard from the first. The day after he came we were together

much, and, when we parted after vespers, I was conscious of a vast

respect for this new-comer. He was bright, ready spoken, and almost a

man of the world. Compared with my dull career, his short life had been

one of positive gayety. He had seen Frederic le Maitre at the Comédie

Française. He had been at Court and spoken with the Prince Imperial. He

was on terms of intimacy with Monsignori, and had been a protégé of the

sainted Darboy. It was a rare pleasure to hear him talk of these things.

Before this, the ceaseless shifting of brothers from one house to

another had been indifferent to me. For the hundreds of strangers who

came and went in the Paris house on Oudinot Street I cared absolutely

nothing, I did not suffer their entrance nor their exit to excite me.

This was so much the case that they called me a machine. But with

Edouard this was different. I grew to love the boy from the first

evening, when, as he left my room, I caught myself saying, "I shall be

sorry when he goes." He seemed to be fond of me, too. For that matter

most of the brothers petted him, Elysee especially. But I was flattered

that he chose me as his particular friend. For the first time my heart

had opened.

We were alone one evening after the holidays. It was cold without, but

in my room it was warm and bright. The fire crackled merrily, and the

candles gave out a mellow and pleasant light. The Director had gone up

to Paris, and his mantle had fallen on me. Edouard sat with his feet

stretched to the fender, his curly head buried in the great curved back

of my invalid chair, the red fire-light reflected on his childish

features. I took pleasure in looking at him. He looked at the coals and

knit his brows as if in a puzzle. I often fancied that something

weightier than the usual troubles of life weighed upon him. At last he

spoke, just as I was about to question him:

"Are you afraid to die, Sebastian?"

Stories by American Authors, Volume 6 · 第 21 / 23 题