Architect - W. B. Faville of San Francisco.
There are three portals on the south in the Spanish Renaissance style,
with twisted columns of the Byzantine school. Notice that the screws
twist in opposite directions.
Above the central portal is Gustav Gerlach's tympanum relief
"Education." The tree of knowledge is seen in the background. The
kindergarten stage, the half-grown, and the mature periods are shown,
the last showing the man no longer under a teacher, but working his
problem out by himself.
The modern costumes, combined with the classical styles, suggest that
the knowledge of today rests upon that of the old schools. Mr. Gerlach
is a pupil of Karl Bitter of New York, the Chief of the Sculpture.
Below the tympanum is the open book of knowledge from which light
radiates in all directions. The curtains of darkness have been drawn
aside. The hour-glass says, "Improve the shining moments as they pass."
The crown awaits those who will seek knowledge.
Atop this portal is the globe suggesting that education extends around
the world.
The panel on the left shows the female teacher in the center. She is
instructing her hearers who discuss their interests.
This panel is by Peters.
The companion panel with the male teacher is by Cesare Stea.
Both panels are quite evident in meaning. Messrs. Peters and Stea are
pupils of the Beaux Arts of Paris and the National School of Sculpture
of America, respectively.
The Palace of Education and Social Economy shows developments since
1905. Comparative exhibits of educational interests of all nations are
shown.
Child welfare, playgrounds, care of the feebleminded, treatment of the
insane, missionary work, the Red Cross system, criminology, park
systems, street improvements, methods of disposing of sewage, and many
other allied subjects are interestingly worked out for public benefit.
The flora is just about the same in front of these palaces as that which
you have noticed. The veronica buxifolia is grouped around the lawn at
the corner of Palm and Administration Avenues.
The west side of the Palace of Education as well as that of the Palace
of Food Products, has great Roman half domes above the entrances. Again
your architecture at the portals is changed to suit the style of the
palace opposite. The Fine Arts Palace is mainly old Roman.
These are called respectively "The Dome of Philosophy" and "The Dome of
Plenty." The female figures carrying the books "Ex libris," as well as
the male figures carrying cereal wreaths, are by Albert Weinert and Earl
Cummings, respectively.
"Out of books comes much knowledge," says the woman.
"If you wish to be as physically strong as I am, eat my food," says the
man. This figure then represents physical vigor.
The fountains of the vestibules are by W. B. Faville of San Francisco.
That in the vestibule of the Palace of Food Products is strongly
reminiscent of the fountain of Perugia.
The great Siena pedestals beside these palaces carry Ralph Stackpole's
"Thought."
The niches have alternate groups of "Abundance" and "Triumph of the
Fields," both by Chas. Harley of Philadelphia (studio in New York).
Abundance expresses to you the overflowing amount of all that we have
today. Her symbol, the cornucopia, is seen on either side. Her large
hands are spread out as if to say:
"I give you all that I have. Take. Choose what you will."
One certainly has a bountiful choice.
The eagle's head is on the prow of the vessel in which she sits. It
surely suggests that considering all we have put before us today, we
have reason for inspiration (the eagle being the symbol of inspiration).
The Triumph of the Fields shows man surrounded by the symbols of the
harvest festivals when the Celtic cross, to take one case, or the
standard with the bull atop, to take another, was carried through the
fields at the time of the bringing in of the harvests.
Man has been the guiding hand to the bull, but the bull has really
triumphed since it has actually done the work, while man receives the
credit. Man has surmounted the bull, as it were.
Above is the wheel of the wain of old.
The seed in the black earth appears almost to possess intelligence. You
get that idea by the head below. Has not the seed produced the bearded
barley head you see represented? Does not that power of production
appear to be intelligence in the seed?
Below the niches are facsimiles of old Roman baths such as one sees in
the Lateran Museum, in Rome. (See picture in Bannister Fletcher's
History of Architecture, page 170.)
Fronting the Esplanade are four great palaces:
The Palace of Food Products, which allows you to see how a number of our
dry groceries are made;
The Palace of Agriculture, dealing with the many interests of the farmer
and the orchardist, the fisheries, forestry, reclaimed land, etc.;
The Palace of Transportation, which enables one to see the remarkable
progress made in automobiles, aerial navigation, ocean liners, overland
trains, etc.;
The Palace of Mines, which has been spoken of before.
These four palaces have the same kind of doorway. The style is the
Spanish Plateresque, the same kind of work that was used on the fine
portals of the Palace of Varied Industries.
The Spanish Cavalier (by Allen Newman) is the type of man who came to
America in the 16th century, during the period following its discovery.
He is the type of Spanish conqueror (conquistador).
The Pirate (by Allen Newman) is the type of man who infested the shores
of Spanish-America and preyed upon the commerce.
The Palaces are intimately placed for several reasons.
From experiences at previous Expositions "tired feet" are strongly to be
considered, hence the nearness of the buildings.
San Francisco has a few (?) windy and foggy days in the Trade Wind
Season, so if the walls are high and near together, the courts on the
inside of those walls will be well protected from both winds and fogs.
The high walls lift the cool air so that it passes over the buildings of
the great block, thus sheltering the courts within.
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Now that you have walked around the façades of the palaces of this great
block system, you can start with your courts.
I would strongly suggest that you study all of your buildings of this
group first, before entering the courts for close work.
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