AT A TABLE D'HOTE

At the close of February, 1848, I was in Nuremberg. My original

intention had been to pass a couple of days there on my way to

Munich, that being, I thought, as much time as could reasonably be

spared for so small a city, beckoned as my footsteps were to the

Bavarian Athens, of whose glories of ancient art and German

Renaissance I had formed expectations the most exaggerated--

expectations fatal to any perfect enjoyment, and certain to be

disappointed, however great the actual merit of Munich might be.

But after two days at Nuremberg I was so deeply interested in its

antique sequestered life, the charms of which had not been deadened

by previous anticipations, that I resolved to remain there until I

had mastered every detail and knew the place by heart.

I have a story to tell which will move amidst tragic circumstances

of too engrossing a nature to be disturbed by archaeological

interests, and shall not, therefore, minutely describe here what I

observed in Nuremberg, although no adequate description of that

wonderful city has yet fallen in my way. To readers unacquainted

with this antique place, it will be enough to say that in it the

old German life seems still to a great extent rescued from the all-

devouring, all-equalizing tendencies of European civilization. The

houses are either of the fifteenth and sixteenth centuries, or are

constructed after those ancient models. The citizens have

preserved much of the simple manners and customs of their

ancestors. The hurrying feet of commerce and curiosity pass

rapidly by, leaving it sequestered from the agitations and the

turmoils of metropolitan existence. It is as quiet as a village.

During my stay there rose in its quiet streets the startled echoes

of horror at a crime unparalleled in its annals, which, gathering

increased horror from the very peacefulness and serenity of the

scene, arrested the attention and the sympathy in a degree seldom

experienced. Before narrating that, it will be necessary to go

back a little, that my own connection with it may be intelligible,

especially in the fanciful weaving together of remote conjectures

which strangely involved me in the story.

The table d'hote at the Bayerischer Hof had about thirty visitors--

all, with one exception, of that local commonplace which escapes

remark. Indeed this may almost always be said of tables d'hote;

though there is a current belief, which I cannot share, of a table

d'hote being very delightful--of one being certain to meet pleasant

people there." It may be so. For many years I believed it was so.

The general verdict received my assent. I had never met those

delightful people, but was always expecting to meet them. Hitherto

they had been conspicuous by their absence. According to my

experience in Spain, France, and Germany, such dinners had been

dreary or noisy and vapid. If the guests were English, they were

chillingly silent, or surlily monosyllabic: to their neighbors they

were frigid; amongst each other they spoke in low undertones. And

if the guests were foreigners, they were noisy, clattering, and

chattering, foolish for the most part, and vivaciously commonplace.

I don't know which made me feel most dreary. The predominance of

my countrymen gave the dinner the gayety of a funeral; the

predominance of the Mossoo gave it the fatigue of got-up

enthusiasm, of trivial expansiveness. To hear strangers imparting

the scraps of erudition and connoisseurship which they had that

morning gathered from their valets de place and guide-books, or

describing the sights they had just seen, to you, who either saw

them yesterday, or would see them to-morrow, could not be

permanently attractive. My mind refuses to pasture on such food

with gusto. I cannot be made to care what the Herr Baron's

sentiments about Albert Durer or Lucas Cranach may be. I can

digest my rindfleisch without the aid of the commis voyageur's

criticisms on Gothic architecture. This may be my misfortune. In

spite of the Italian blood which I inherit, I am a shy man--shy as

the purest Briton. But, like other shy men, I make up in obstinacy

what may be deficient in expansiveness. I can be frightened into

silence, but I won't be dictated to. You might as well attempt the

persuasive effect of your eloquence upon a snail who has withdrawn

into his shell at your approach, and will not emerge till his

confidence is restored. To be told that I MUST see this, and ought

to go there, because my casual neighbor was charme, has never

presented itself to me as an adequate motive.

From this you readily gather that I am severely taciturn at a table

d'hote. I refrain from joining in the "delightful conversation"

which flies across the table, and know that my reticence is

attributed to "insular pride." It is really and truly nothing but

impatience of commonplace. I thoroughly enjoy good talk; but, ask

yourself, what are the probabilities of hearing that rare thing in

the casual assemblage of forty or fifty people, not brought

together by any natural affinities or interests, but thrown

together by the accident of being in the same district, and in the

same hotel? They are not "forty feeding like one," but like forty.

They have no community, except the community of commonplace. No,

tables d'hote are not delightful, and do not gather interesting

people together.

Such has been my extensive experience. But this at Nuremberg is a

conspicuous exception. At that table there was one guest who, on

various grounds, personal and incidental, remains the most

memorable man I ever met. From the first he riveted my attention

in an unusual degree. He had not, as yet, induced me to emerge

from my habitual reserve, for in truth, although he riveted my

attention, he inspired me with a strange feeling of repulsion. I

could scarcely keep my eyes from him; yet, except the formal bow on

sitting down and rising from the table, I had interchanged no sign

of fellowship with him. He was a young Russian, named Bourgonef,

as I at once learned; rather handsome, and peculiarly arresting to

the eye, partly from an air of settled melancholy, especially in

his smile, the amiability of which seemed breaking from under

clouds of grief, and still more so from the mute appeal to sympathy

in the empty sleeve of his right arm, which was looped to the

breast-button of his coat. His eyes were large and soft. He had

no beard or whisker, and only delicate moustaches. The sorrow,

quiet but profound, the amiable smile and the lost arm, were

appealing details which at once arrested attention and excited

sympathy. But to me this sympathy was mingled with a vague

repulsion, occasioned by a certain falseness in the amiable smile,

and a furtiveness in the eyes, which I saw--or fancied--and which,

with an inexplicable reserve, forming as it were the impregnable

citadel in the center of his outwardly polite and engaging manner,

gave me something of that vague impression which we express by the

words "instinctive antipathy."

It was, when calmly considered, eminently absurd. To see one so

young, and by his conversation so highly cultured and intelligent,

condemned to early helplessness, his food cut up for him by a

servant, as if he were a child, naturally engaged pity, and, on the

first day, I cudgeled my brains during the greater part of dinner

in the effort to account for his lost arm. He was obviously not a

military man; the unmistakable look and stoop of a student told

that plainly enough. Nor was the loss one dating from early life:

he used his left arm too awkwardly for the event not to have had a

recent date. Had it anything to do with his melancholy? Here was

a topic for my vagabond imagination, and endless were the romances

woven by it during my silent dinner. For the reader must be told

of one peculiarity in me, because to it much of the strange

complications of my story are due; complications into which a mind

less active in weaving imaginary hypotheses to interpret casual and

trifling facts would never have been drawn. From my childhood I

have been the victim of my constructive imagination, which has led

me into many mistakes and some scrapes; because, instead of

contenting myself with plain, obvious evidence, I have allowed

myself to frame hypothetical interpretations, which, to acts simple

in themselves, and explicable on ordinary motives, render the

simple-seeming acts portentous. With bitter pangs of self-reproach

I have at times discovered that a long and plausible history

constructed by me, relating to personal friends, has crumpled into

a ruin of absurdity, by the disclosure of the primary misconception

on which the whole history was based. I have gone, let us say, on

the supposition that two people were secretly lovers; on this

supposition my imagination has constructed a whole scheme to

explain certain acts, and one fine day I have discovered

indubitably that the supposed lovers were not lovers, but

confidants of their passions in other directions, and, of course,

all my conjectures have been utterly false. The secret flush of

shame at failure has not, however, prevented my falling into

similar mistakes immediately after.

When, therefore, I hereafter speak of my "constructive

imagination," the reader will know to what I am alluding. It was

already busy with Bourgonef. To it must be added that vague

repulsion, previously mentioned. This feeling abated on the second

day; but, although lessened, it remained powerful enough to prevent

my speaking to him. Whether it would have continued to abate until

it disappeared, as such antipathies often disappear, under the

familiarities of prolonged intercourse, without any immediate

appeal to my amour propre, I know not; but every reflective mind,

conscious of being accessible to antipathies, will remember that

one certain method of stifling them is for the object to make some

appeal to our interest or our vanity: in the engagement of these

more powerful feelings, the antipathy is quickly strangled. At any

rate it is so in my case, and was so now.

On the third day, the conversation at table happening to turn, as

it often turned, upon St. Sebald's Church, a young Frenchman, who

was criticising its architecture with fluent dogmatism, drew

Bourgonef into the discussion, and thereby elicited such a display

of accurate and extensive knowledge, no less than delicacy of

appreciation, that we were all listening spellbound. In the midst

of this triumphant exposition the irritated vanity of the Frenchman

could do nothing to regain his position but oppose a flat denial to

a historical statement made by Bourgonef, backing his denial by the

confident assertion that "all the competent authorities" held with

him. At this point Bourgonef appealed to me, and in that tone of

deference so exquisitely flattering from one we already know to be

superior he requested my decision; observing that, from the manner

in which he had seen me examine the details of the architecture, he

could not be mistaken in his confidence that I was a connoisseur.

All eyes were turned upon me. As a shy man, this made me blush; as

a vain man, the blush was accompanied with delight. It might

easily have happened that such an appeal, acting at once upon

shyness and ignorance, would have inflamed my wrath; but the appeal

happening to be directed on a point which I had recently

investigated and thoroughly mastered, I was flattered at the

opportunity of a victorious display.

The pleasure of my triumph diffused itself over my feelings towards

him who had been the occasion of it. The Frenchman was silenced;

the general verdict of the company was too obviously on our side.

From this time the conversation continued between Bourgonef and

myself; and he not only succeeded in entirely dissipating my absurd

antipathy--which I now saw to have been founded on purely imaginary

grounds, for neither the falseness nor the furtiveness could now be

detected--but he succeeded in captivating all my sympathy. Long

after dinner was over, and the salle empty, we sat smoking our

cigars, and discussing politics, literature, and art in that

suggestive desultory manner which often gives a charm to casual

acquaintances.

It was a stirring epoch, that of February, 1848. The Revolution,

at first so hopeful, and soon to manifest itself in failure so

disastrous, was hurrying to an outburst. France had been for many

months agitated by cries of electoral reform, and by indignation at

the corruption and scandals in high places. The Praslin murder,

and the dishonor of M. Teste, terminated by suicide, had been

interpreted as signs of the coming destruction. The political

banquets given in various important cities had been occasions for

inflaming the public mind, and to the far-seeing, these banquets

were interpreted as the sounds of the tocsin. Louis Philippe had

become odious to France, and contemptible to Europe. Guizot and

Duchatel, the ministers of that day, although backed by a

parliamentary majority on which they blindly relied, were

unpopular, and were regarded as infatuated even by their admirers

in Europe. The Spanish marriages had all but led to a war with

England. The Opposition, headed by Thiers and Odillon Barrot, was

strengthened by united action with the republican party, headed by

Ledru Rollin, Marrast, Flocon, and Louis Blanc.

Bourgonef was an ardent republican. So was I; but my color was of

a different shade from his. He belonged to the Reds. My own

dominant tendencies being artistic and literary, my dream was of a

republic in which intelligence would be the archon or ruler; and,

of course, in such a republic, art and literature, as the highest

manifestation of mind, would have the supreme direction. Do you

smile, reader? I smile now; but it was serious earnest with me

then. It is unnecessary to say more on this point. I have said so

much to render intelligible the stray link of communion which

riveted the charm of my new acquaintance's conversation; there was

both agreement enough and difference enough in our views to render

our society mutually fascinating.

On retiring to my room that afternoon I could not help laughing at

my absurd antipathy against Bourgonef. All his remarks had

disclosed a generous, ardent, and refined nature. While my

antipathy had specially fastened upon a certain falseness in his

smile--a falseness the more poignantly hideous if it were

falseness, because hidden amidst the wreaths of amiability--my

delight in his conversation had specially justified itself by the

truthfulness of his mode of looking at things. He seemed to be

sincerity itself. There was, indeed, a certain central reserve;

but that might only he an integrity of pride; or it might be

connected with painful circumstances in his history, of which the

melancholy in his face was the outward sign.

That very evening my constructive imagination was furnished with a

detail on which it was soon to be actively set to work. I had been

rambling about the old fortifications, and was returning at

nightfall through the old archway near Albert Durer's house, when a

man passed by me. We looked at each other in that automatic way in

which men look when they meet in narrow places, and I felt, so to

speak, a start of recognition in the eyes of the man who passed.

Nothing else, in features or gestures, betrayed recognition or

surprise. But although there was only that, it flashed from his

eyes to mine like an electric shock. He passed. I looked back.

He continued his way without turning. The face was certainly known

to me; but it floated in a mist of confused memories.

I walked on slowly, pestering my memory with fruitless calls upon

it, hopelessly trying to recover the place where I could have seen

the stranger before. In vain memory traveled over Europe in

concert-rooms, theaters, shops, and railway carriages. I could not

recall the occasion on which those eyes had previously met mine.

That they had met them I had no doubt. I went to bed with the

riddle undiscovered.

The Lock and Key Library: Classic Mystery and Detective Stories: Old Time English · 第 65 / 89 题