As Lone Wolf so dramatically outlined the grounds of his accusation,

however, Lafond really began to see the face of fear. He gathered that

the very night he had chosen to quit the tribe, some one had killed the

tribe's medicine man and defiled the totem in a way not to be mentioned

here. This is with Indians the Unforgiveable Sin. Suspicion had

naturally coupled the sacrilege with his own coincidental

disappearance. Probably even at the time no one had doubted his guilt

or had suspected any other cause for his desertion. The real criminal

had been able easily to cover his trail; and now, so many years would

have hardened even a slight suspicion, let alone a positive certainty,

into conviction absolute. Lafond saw that his chances were desperate,

and yet so suddenly was the knowledge forced upon him that he could

hardly realize it. But a few hours before, he had held in the hollow

of his hand more power than any other one man in the territory. Now he

was in danger of his life.

He knew well enough that his only chance lay in keeping cool. He must

not interrupt the orator with denials. He must try to make his

eloquence tell.

Lone Wolf ceased abruptly, drew his blanket about his shoulders and sat

down. Two squaws noiselessly entered the circle, bearing wood for the

fire. After they had withdrawn, Lafond rose to his feet.

He was at once uncomfortably conscious of the circle of snake eyes. It

was for him the predominant note in the scene.

He began haltingly, partly because he did not know what to say, partly

because long disuse had impaired his fluency in the Indian tongue. But

in a moment, as he began to realize that he was now in the act of

making the only plea for his life which his captors would permit him,

his speech quickened until it was as rapid as that of Lone Wolf himself.

It was a masterly effort, for Lafond had not lost the old eloquence

which had earned him the name of "Man-who-speaks-Medicine." He

reviewed, as had Lone Wolf, his services to the tribe. He did it

modestly, stating plainly the facts and leaving the savages to draw

their own conclusions. He showed further that in so bending his

efforts to the tribe's betterment, he had been actuated by no selfish

motives, in proof of which proposition he enumerated one by one the

various opportunities he had let pass of decamping enriched beyond any

one warrior's dreams of wealth; to which proposition he further pointed

out as a corollary that he had in reality departed with but his own

weapons and the clothes on his back. This made an impression. Having

thus established his disinterestedness as regards his services to the

tribe, he went on further to show that these argued, furthermore, an

intense personal interest in its welfare. He loved his people. He

challenged them to cite one of his deeds which would bear the contrary

construction.

And then, with a boldness that almost amounted to genius, he drew

before them vividly that night on the battlefield when he had so long

contemplated the fallen white chief, and he detailed to them the

reasons he had then for believing the Indians' warlike power was from

that moment doomed to wane.

"I saw these things," he said, "as one to whom Gitche Manitou had

spoken, and I knew they were true. But my brothers were victorious;

they saw the blue coats scattered as the dust is scattered by the wind.

My words would have been as the water that slips away or the cloud that

vanishes in the heavens. If I had told my brothers these things, they

would not have believed. You, Spotted Dog; you, Firebrand; even you,

Lone Wolf, would not have believed. Look well within your hearts and

acknowledge that I speak words of truth. Then you would have cast me

out as one with forked tongue."

Such being the case, Lafond argued that, inasmuch as he could do

nothing for his people by sharing their disgrace, he had left them.

"But only for a season," he explained. "You are warriors: I am a man

of craft. When your bows are broken and your arrows lost, then must I

take my weapons and strive as I can. I went forth to fight for my

brothers. Behold me; I have fought and I have won. I am rich. My

brothers are to share my riches. Now I can return to the lodges of my

brothers as one coming from a far war trail, bringing the ponies and

scalps of the enemies my hand has struck."

Then suddenly the speaker took up the question of the crime itself. He

dilated on it with horror. He acknowledged no excuse for it. But, he

asked them, why should he have committed it? He showed them that he

could have had no motive for such a wanton insult. And, most ingenious

of all, he pointed out that if, as Lone Wolf had supposed, the tribe's

misfortunes had arisen because of Gitche Manitou's wrath over this

terrible crime, then that wrath and those misfortunes would indubitably

have been visited on him, the accused, with the rest; for he was a

member of the tribe, and according to the accusation the guiltiest of

them all. Such was not the case. On the contrary he had prospered.

In conclusion he believed he could direct suspicion to the right

channel. From his wonderful past knowledge of inter-tribal and

individual jealousies, he rapidly constructed a plausible theory.

His defence, as he could observe, made a profound impression. The

savages sat silent and thoughtful while the minutes slipped by, and the

wavering light from the central fire alternately illuminated and threw

into shadow the strong bronze of their faces. The argument was

sophistical enough, but for two reasons it carried conviction. In the

first place, the half-breed was pleading for his very life; in the

second place, he was in reality absolutely innocent as to the main

facts. Therefore he had faith and earnestness--two great qualities.

His only misfortune was, that the exigencies of the situation demanded

that in the web of truth one falsehood should be woven.

Beyond the circle of light the dim forms of the women and children

showed faintly against the dimmer background of the sea-like prairie.

They had followed with great attention the deliberations before them,

but in silence and with decorum, as is proper in such cases. Now

suddenly one of them slipped forward through the circle before her

companions or the warriors between whom she passed could detain her.

Before the fire she turned and faced Lone Wolf. It was the old hag who

had first recognized Lafond.

The warriors looked on her in cold surprise. Such a thing as a woman

intruding on a council was unheard of, unthinkable, punishable by

almost any penalty.

"My daughter has been deceived," said Lone Wolf gravely. "This is not

a gathering of the women. She must go."

She did not seem to hear him, but broke out panting as soon as she

could get her breath.

"My brothers listen to forked words!" she cried, "and the spirit of

lies has blinded them, so that they cannot see the truth. They are

deceived by much lying because it is mingled with the truth, like

tobacco and willow bark. He says he has been on the long war trail and

now returns to his brothers with the ponies of his enemies. The trail

has indeed been long, for it is many moons since he took the ponies.

How long has he been rich?" she cried. "Many moons! Are the trails

closed that he could not find his brothers before, while they were

starving? Does he find them now because he calls to them from afar on

the war trail? It is lies!

"And my brothers forget," she went on contemptuously, "the Yellow Hair

of the Hills and the little child. What was it this one demanded of my

brothers? To defile Pah-sap-pa by the slaying of his enemies. It was

for that he made us rich, for that he used his craft to bring us power.

It was _his_ power. And when he, led my brothers up into Pah-sap-pa,

the voice of Gitche Manitou spoke to them and they went away leaving

this one's enemies unharmed, and so he was angry with my brothers and

swore to do them an injury. So he killed Buffalo Voice and defiled the

totem in order that Gitche Manitou might turn his hand against us! He

speaks forked words. Why has he not brought his gifts long before, if

what I say is not true? There has been need."

She turned as suddenly as she had come and left the circle, again empty

except for the leaping fire. In her spoke the spirit of

relentlessness, a deserted woman. She touched with unerring instinct

on the one weak spot in Lafond's defence, and thereby discredited the

rest. Her reminder of the soreness of their need, when this renegade

brother had held out no hand to help them, hardened their hearts and

brushed from their minds like cobwebs the structure of confidence which

Lafond had so laboriously spun. Without one dissenting voice they

condemned him to death. Then the sitting arose.

The hags of the camp advanced and stripped the half-breed naked, in

spite of his frantic struggles. They were as strong as men, and they

were glad he struggled because that indicated cowardice. Lafond was

badly unnerved; his blood was partly Latin and his consciousness of

innocence was keen. When he went into a thing with his eyes open, he

was ready to take all the consequences with stoicism, should luck turn

against him; but a feeling of guiltlessness was unusual enough to

render him desperate when unjustly condemned. So he made a pitiful

spectacle of himself.

The old hags jeered him. They told him he had a chicken's heart, and

promised themselves the pleasure of tasting it after it was torn from

his living body. They spat in his face and pinched his arms to see him

wince. When he was stripped quite naked, they staked him out to picket

pins with rawhide bands, one to each of his four limbs.

While this was going on, the warriors, having thrown aside their

blankets, appeared in the full lithe glory of their naked bodies. To

the accompaniment of a strange minor chant, they circled slowly around

the fire and their victim, hopping rhythmically first on one foot then

on the other, stepping high, stooping low. As they passed the

prostrate man, they struck their knives deep into the ground near his

head, for the purpose of seeing him shrink. After a little, they

became sufficiently excited, and so the tortures began.

Toward morning the squaws wrapped in a blanket the mutilated burnt

carcass, and laid it on a litter which had been preparing while the

torture was in progress. The litter was raised in the air to the

height of ten feet, bound securely to upright poles.

Man-who-speaks-Medicine had been a member of the tribe. Whatever his

sins, he must have a tribal burial.

Then in the grayness of the dawn the little cavalcade filed away, like

muffled phantoms, toward the east. In the sky the last stars were

flickering out. On the hill top the last embers of the fire died. A

bird high in the heavens piped up clearly for a moment, and was still.

The breeze of morning rippled over the faintly distinguished, grasses,

and stirred the drying leaves of the litter that stood like a scaffold

against the sombre shadows of the Hills.

THE END.

STORIES OF RARE CHARM BY

GENE STRATTON-PORTER

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MICHAEL O'HALLORAN. Illustrated by Frances Rogers.

Michael is a quick-witted little Irish newsboy, living in Northern

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LADDIE. Illustrated by Herman Pfeifer.

This is a bright, cheery tale with the scenes laid in Indiana. The

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THE HARVESTER. Illustrated by W. L. Jacobs.

"The Harvester," is a man of the woods and fields, and if the book had

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A GIRL OF THE LIMBERLOST. Illustrated.

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AT THE FOOT OF THE RAINBOW. Illustrations in colors.

The scene of this charming love story is laid in Central Indiana. The

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The novel is brimful of the most beautiful word painting of nature, and

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THE SONG OF THE CARDINAL. Profusely illustrated.

A love ideal of the Cardinal bird and his mate, told with delicacy and

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KATHLEEN NORRIS' STORIES

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MOTHER. Illustrated by F. C. Yohn.

This book has a fairy-story touch, counterbalanced by the sturdy

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SATURDAY'S CHILD.

Frontispiece by F. Graham Cootes.

Out on the Pacific coast a normal girl, obscure and lovely, makes a

quest for happiness. She passes through three stages--poverty, wealth

and service--and works out a creditable salvation.

THE RICH MRS. BURGOYNE.

Illustrated by Lucius H. Hitchcock.

The story of a sensible woman who keeps within her means, refuses to be

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interests, and has her own romance.

THE STORY OF JULIA PAGE.

Frontispiece by Allan Gilbert.

How Julia Page, reared in rather unpromising surroundings, lifted

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THE HEART OF RACHAEL.

Frontispiece by Charles E. Chambers.

Rachael is called upon to solve many problems, and in working out

these, there is shown the beauty and strength of soul of one of

fiction's most appealing characters.

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THE NOVELS OF

STEWARD EDWARD WHITE

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THE BLAZED TRAIL. Illustrated by Thomas Fogarty.

A wholesome story with gleams of humor, telling of a young man who

blazed his way to fortune through the heart of the Michigan pines.

THE CALL OF THE NORTH. Ills. with Scenes from the Play.

The story centers about a Hudson Bay trading post, known as "The

Conjuror's House" (the original title of the book.)

THE RIVERMAN. Ills. by N. C. Wyeth and C. F. Underwood.

The story of a man's fight against a river and of a struggle between

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RULES OF THE GAME. Illustrated by Lejaren A. Killer.

The romance of the son of "The Riverman." The young college hero goes

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romance of his life.

GOLD. Illustrated by Thomas Fogarty.

The gold fever of '49 is pictured with vividness. A part of the story

is laid in Panama, the route taken by the gold-seekers.

THE FOREST. Illustrated by Thomas Fogarty.

The book tells of the canoe trip of the author and his companion into

the great woods. Much information about camping and outdoor life. A

splendid treatise on woodcraft.

THE MOUNTAINS. Illustrated by Fernand Lungren.

An account of the adventures of a five months' camping trip in the

Sierras of California. The author has followed a true sequence of

events.

THE CABIN. Illustrated with photographs by the author.

A chronicle of the building of a cabin home in a forest-girdled meadow

of the Sierras Full of nature and woodcraft, and the shrewd philosophy

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THE GRAY DAWN. Illustrated by Thomas Fogarty.

This book tells of the period shortly after the first mad rush for gold

in California. A young lawyer and his wife, initiated into the gay

life of San Francisco, find their ways parted through his downward

course, but succeeding events bring the "gray dawn of better things"

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The Westerners · 第 21 / 21 段