In the gloom of a huge crypt we see a prostrate crowd. Here and there

groups are formed round an elder reading the Scriptures. Jeremiah stands

apart, motionless and as if petrified.--It is on the night following the

fall of Jerusalem. Death and destruction are everywhere. The tombs have

been violated; the temple has been profaned; all the nobles have been

killed, save the king, who has been blinded. Jeremiah groans with horror

when he learns that his prophecies have been fulfilled. People draw away

from him, as from one accursed. In vain does he, with anguish, defend

himself from the charge of having wrought all the evil.

JEREMIAH. I did not will it! You have no right to accuse me. The word

came from my mouth as fire from flint. My word is not my will. Force is

greater than I. Above me stands He, He, the Terrible One, the Merciless!

I am no more than His instrument, His breath, the servant of His

malice.... Woe upon the hands of God! Whom He, the Terrible One seizes,

He will never loose.... Let Him set me free! No longer will I speak His

words, I will not, I will not....

Trumpets sound without, and the will of Nebuchadnezzar is declared. The

city is to disappear from the earth. The survivors may have one night to

bury the dead; then they will be carried into captivity. The people

lament, refusing to go. But a wounded man, who is in pain, wishes to

live, to live! A young woman echoes his words. She does not want to go

into the cold, to go to death. Bear anything, suffer anything; but

live!--Disputes occur among the crowd. Some say that it is impossible to

leave the land where God is. Others maintain that God will be with them

wherever they may go. Jeremiah cries despairingly.

JEREMIAH. He is nowhere! Neither in heaven nor in earth, nor in the

souls of men!

These sacrilegious words arouse horror. But Jeremiah continues.

JEREMIAH. Who has sinned against Him, if not Himself? He has broken His

covenant.... He denies Himself.

Jeremiah recalls all the sacrifices he has made for God. House, mother,

friends, he has abandoned all, lost all. He gave himself up wholly to

God, serving God because he hoped that God would avert the threatened

misfortune. He cursed in the hope that the curse would turn into a

blessing. He prophesied in the hope that he was lying, and that

Jerusalem would be saved. But his prophecies came true, and God was the

liar. He has faithfully served the Faithless One. He refuses to continue

this service. He cuts himself off from the God who hates, to join his

brothers who suffer. He speaks.

JEREMIAH. I hate Thee, God, and I love them only.

The crowd strikes him, wishing to close his mouth, believing him to be

dangerous. He throws himself on his knees, asking pardon for his pride

and for his imprecations; he desires to be nothing more than the

humblest servitor of his people. But all repulse him as a blasphemer.

At this moment there is a violent knocking at the door. Three envoys

from Nebuchadnezzar enter and prostrate themselves before Jeremiah.

Nebuchadnezzar, who admires him, wishes to make him chief of the magi.

Jeremiah refuses, in disdainful terms. Gradually growing warm as he

speaks, he prophecies the fall of Nebuchadnezzar. The great king's hour

is at hand, and with fierce joy the prophet heaps curses upon him.

JEREMIAH. The avenger has awakened; He is coming; He draws nigh;

terrible are the hands with which He smites.... We are His children, His

first-born. He has chastised us, but He will have pity on us. He has

thrown us down, but He will set us up again.

The Chaldean envoys flee, affrighted. The people surround Jeremiah and

acclaim him. They drink in his frenzied words. God is speaking through

his mouth. He unrolls before their eyes the vision of the New

Jerusalem, towards which the dispersed tribes will flock from all the

quarters of the earth. Peace shines on the city. The peace of the Lord,

the peace of Israel. With exclamations of delight, the people, already

looking forward to the days of the return, embrace the feet and knees of

Jeremiah. The prophet awakens from his trance. He no longer knows what

he has said. He is interpenetrated with the love of those around him; he

endeavours to restrain their enthusiasm, which is yet further inflamed

by a miracle of healing. The true miracle, says Jeremiah, is that he has

cursed God and that God has blessed him. God has torn out his hard

heart, and has replaced it with a compassionate heart, enabling him to

share all suffering and to understand its meaning. "I have been long in

finding it; I have been long in finding you, my brothers! No more

curses! Sad is our fate; but let us take hope, for life is wonderful,

the world is holy. I wish to embrace in my love those whom I have

attacked in my anger." He utters thanksgivings for death and for life.

Baruch begs him to carry the healing message to the people assembled in

the square. Jeremiah agrees to do so, saying: "I have been consoled by

God; now let me be the consoler." He wishes to build the undying

Jerusalem in the hearts of men.--The people follow him out, calling him

God's Master-Builder.

SCENE NINE

THE EVERLASTING ROAD.

The great square of Jerusalem, as in Scene Two, but after the

destruction. The half-light of a moon partially veiled by clouds. In the

obscurity there can be seen carts, mules, groups of those ready to

depart. Voices are heard of persons calling one another and checking

their numbers. The people are confused and leaderless. No one pays any

attention to the unfortunate Zedekiah, who has been blinded, and whom

all curse. Songs are heard, drawing nearer. The singers are in the

train of Jeremiah. The prophet speaks to the people, who are at first

incredulous and hostile. He consoles them, announcing their divine

mission. Their heritage is grief; they are the people of suffering

(Leidensvolk), but they are the people of God (Gottesvolk). Happy the

vanquished, happy those that have lost all, that they may find God!

Glory to the time of trial! From the people, now inspired with

enthusiasm, arise choral chants, celebrating the ordeals of ancient

days; celebrating Mizraim and Moses.... The choirs break up into groups

of voices, now solemn, now gay, now exultant. The whole epic of Israel

marches by in these songs, which Jeremiah directs as a skilful driver

manages a team. The people, gradually becoming enkindled, wish to

suffer, wish to set out for exile, and they call upon Jeremiah to lead

them forth. Jeremiah prostrates himself before the unhappy Zedekiah, who

has been thrust aside by the crowd. Zedekiah imagines that the prophet

is mocking him.

JEREMIAH. Thou hast become the king of sorrows, and never hast thou been

more regal.... Anointed by suffering, lead us forth! Thou, who now seest

God only, who no longer seest the world, guide thy people!

Turning to the people, Jeremiah shows to them the leader sent by God,

the "Crowned-by-Suffering" (Schmerzengekrönte). The people bow before

the stricken king.

Day dawns. A tucket sounds. Jeremiah, from the perron of the temple,

summons Israel to set out. Let the people fill their eyes with their

fatherland, for the last time! "Drink your fill of the walls, drink your

fill of the towers, drink your fill of Jerusalem!"--They prostrate

themselves, kissing the earth, and lifting a handful to take with them.

Addressing the "wandering people" (Wandervolk), Jeremiah tells them to

arise, to leave the dead who have found peace, to look not backward but

forward, to look out into the distance, to the highways of the world.

These highways are theirs. An impassioned dialogue ensues between the

prophet and his people.

THE PEOPLE. Shall we ever see Jerusalem again?

JEREMIAH. He who believes, looks always on Jerusalem.

THE PEOPLE. Who shall rebuild the city?

JEREMIAH. The ardour of desire, the night of prison, and the suffering

which brings counsel.

THE PEOPLE. Will it endure?

JEREMIAH. Yes. Stones fall, but that which the soul builds in suffering,

endureth for ever.

The trumpet sounds once more. The people are now eager to depart. The

huge procession ranges itself in silence. At the head is the king, borne

in a litter. The tribes follow, singing as they march, with the solemn

joy of sacrifice. There is neither haste nor lagging. An infinite on the

march. As they pass, the Chaldeans gaze at them with astonishment.

Strange folk, whom no one can understand, whether in their dejection or

their exultation!

CHORUS OF JEWS. We move among the nations, we move athwart the ages, by

the unending roads of suffering. For ever and for ever. Eternally we are

vanquished.... But cities fall, nations vanish, oppressors go down into

shame. We move onward, through the eternities, towards our country,

towards God.

THE CHALDEANS. Their God? Have we not conquered him?... Who can conquer

the invisible? Men we can slay, but the God who lives in them we cannot

slay. A nation can be controlled by force; its spirit, never.

For the third time the tucket sounds. The sun, breaking forth, shines on

the procession of God's people, beginning their march athwart the ages.

* * * * *

Thus does a great artist exemplify the supreme liberty of the spirit.

Others have made a frontal attack upon the follies and crimes of to-day.

At grips with the force which wounds them, their bitter words of revolt

bruise themselves against the obstacles they are endeavouring to break

down. Here, the soul which has won to peace, sees passing before it the

tragical flood of the present. Unperturbed, it torments itself no

longer, for its gaze takes in the whole course of the stream, absorbing

into itself the secular energies of that stream and the tranquil destiny

which leads the flow onward towards the infinite.

_November 20, 1917._

Written for the review "Coenobium," edited by Enrico Bignami, at

Lugano.

XX

A GREAT EUROPEAN: G. F. NICOLAI[48]

I

Art and science have bent the knee to war. Art has become war's

sycophant; science, war's hand-maiden. Few have had the strength or

inclination to resist. In art, rare works, sombre French works, have

blossomed on the blood-drenched soil. In science, the greatest product

during these three criminal years has been the one we owe to G. F.

Nicolai, a German whose spirit is free and whose thought has an enormous

range.

The book is, as it were, a symbol of that unconquerable Freedom whom all

the tyrannies of this age of force have vainly endeavoured to gag. It

was written behind prison walls, but these walls were not thick enough

to stifle the voice which judges the oppressors and will survive them.

Dr. Nicolai, professor of physiology at Berlin University and physician

to the imperial household, found himself, when the war broke out, in the

very focus of the madness which seized the flower of his nation. Not

merely did he refuse to share that madness. Yet more daring, he openly

resisted it. In reply to the manifesto of the 93 intellectuals,

published in the beginning of October, 1914, he wrote a

counter-manifesto, _An Appeal to Europeans_, which was endorsed by two

other distinguished professors at the university of Berlin, Albert

Einstein, the celebrated physicist, and Wilhelm Foerster, president of

the international bureau of weights and measures, the father of

Professor F. W. Foerster. This manifesto was not published, for Nicolai

was unable to collect a sufficient number of signatures. In the summer

term of 1915 he incorporated it in the opening of a series of lectures

he planned to deliver upon the war. Thus, for the fulfilment of what he

deemed his duty as an honest thinker, he deliberately risked his social

position, his academic career, his distinctions, his comfort, and his

friendships. He was arrested, and was interned in Graudenz fortress.

There, unaided, and almost without books, he penned his admirable

_Biology of War_, and managed to have the manuscript sent to

Switzerland, where the first German edition has just been published. The

circumstances in which the book was written have an atmosphere of

mystery and heroism recalling that of the days when the Holy Inquisition

was endeavouring to stifle the thought of Galileo. In the modern world,

the Inquisition of the United States of Europe and America is no less

crushing than was the Holy Inquisition of old. But Nicolai, firmer of

spirit than Galileo, has refused to recant. Last month (September,

1917), the journals of German Switzerland announced that he had been

once more brought to trial, and had been sentenced to five months'

imprisonment by the Danzig court-martial. Thus again does force manifest

its ludicrous weakness, for its unjust decrees merely help to raise a

statue to the man whom force would fain strike down.

* * * * *

The leading characteristic of book and writer is their universality. The

publisher, in a note prefixed to the first edition, tells us that

Nicolai "has a world-wide reputation as a physician, more especially in

the field of cardiac disease"; that "he is a thinker the universality of

whose culture seems almost fabulous in these days of specialisation,

for, while distinguished for his knowledge of neokantian philosophy, he

is equally at home in literature and in dealing with social problems";

that "he is an explorer who has wandered afoot in China, Malaysia, and

even the solitudes of Lapland." Nothing human is foreign to him. In his

book, the chapters on universal history, religious history, and

philosophical criticism, are closely linked with the chapters on

ethnology and biology. What a contrast between this encyclopædic

thought, with its reminiscences of our eighteenth century France, and

the German savant of caricature, specialist to absurdity--a type which

is often enough encountered in real life!

His vast learning is vivified by a captivating and brilliant

personality, overflowing with feeling and humour. He makes no attempt to

conceal himself behind the mask of a false objectivity. In the

Introduction he hastens to tear off this mask, with which the insincere

thought of our epoch is covered. He treats with contempt what he calls

"the eternal straining for all-round treatment

(Einerseits-Andererseits), the perpetual compromise which, under the

hypocritical pretext of "justice," weds incompatibles, the carp and the

hare, "war and humanity, beauty and fashion, internationalism and

nationalism." Method alone should be objective. The conclusions

inevitably retain a subjective element, and it is well that this should

be so. "As long as we refuse to renounce the right of individuality and

the right of striving towards goals of our own choosing, so long must we

judge human deeds from the outlook of our own individuality. War is one

of the deeds of man, and as such we have to pass judgment on it

categorically. Any compromise on this point would obscure the issues;

nay, it would be almost immoral.... War, like everything else, should

have light thrown upon it from every side before we pass judgment on it;

but only to persons of second-rate intelligence can it seem that we

should actually pass our judgment on war from all sides at once, or even

from two sides only."

Such is the objectivity which we have to expect from this book. Not the

soft, flabby, indifferent, contradictory objectivity of the scientific

dilettante, of the arch-eunuch: but a mettlesome objectivity which is

appropriate in this fighting age, the objectivity of one who honestly

attempts to see everything and to know everything; but who, having done

so, endeavours to organise his data in accordance with a hypothesis, an

intuition tinged with passion.

Such a system is worth precisely what the intuition is worth, precisely

what the man who has the intuition is worth. For, in a great thinker,

the hypothesis is the man. His hypothesis is the concentrated essence of

his energy, his observation, his thought, his imaginative powers, and

even of his passions. Nicolai's hypothesis is vigorous, and it takes

risks. The central idea of his book may be summed up as follows: "There

exists a genus humanum, and there is only one such genus. The human

race, humanity as a whole, is but a single organism, and has a common

consciousness."

Whoever speaks of a living organism, speaks of transformation and of

unceasing movement. This perpetuum mobile gives its peculiar colour to

Nicolai's reflections. In general, we who are advocates or opponents of

the war tend to pass judgment on it almost exclusively in abstracto. We

conceive it as static and absolute. It may almost be said that as soon

as a thinker concentrates upon a subject in order to study it, his first

step is to kill it. To a great biologist all is movement, and movement

is the material of his study. The social or moral question that concerns

us is not whether war is good or bad in the sphere of the eternal; but

whether war is good or bad for us in our own moment of time. Now, for

Nicolai, war is a stage in human evolution which man has long outgrown.

His book depicts for us this evolutionary flux of instincts and ideas,

an irresistible current in which there is never a backwash.

* * * * *

The work is divided into two main parts, of unequal length. The first,

occupying three-fourths of the book, is an attack upon the masters of

the hour, war, fatherland, and race; an attack upon the reigning

sophisms. It is entitled "The Evolution of War." The criticism of the

present, in part one, is followed, in part two, by constructive ideas

for the future. This second part is entitled "How War may be abolished."

It outlines the coming society; sketches its morality and its faith. So

abundant, in this book, are data and ideas, that selection is a

difficult matter. Apart from the extraordinary richness of its elements,

the work may be considered from two outlooks, specifically German, and

universally human, respectively. Straightforwardly, at the outset,

Nicolai tells his readers that although, in his opinion, all the nations

must share responsibility for the war, he proposes to concern himself

with the responsibility of Germany alone. He leaves it to the thinkers

of other lands, each in his own country, to settle their country's

accounts. "It is not my business," he says, "to know whether others have

sinned extra muros, but to prevent people from sinning intra muros." If

he chooses his instances from Germany above all, this is not because

instances are lacking elsewhere, but because he writes, above all, for

Germans. A large proportion of his historical and philosophical

criticism deals with Germany ancient and modern. The point is well

worthy of special analysis. No one, henceforward, will have any right to

speak of the German spirit, unless he has read the profound chapters in

which Nicolai, endeavouring to define national individuality, analyses

the characteristics of German Kultur, analyses its virtues and its

vices, its excessive faculty for adaptation, the struggle which the old

Teutonic idealism has waged in its conflict with militarism, and

elucidates the manner in which idealism was vanquished by militarism.

The unfortunate influence of Kant (for whom, none the less, Nicolai has

a great admiration) is stressed by him on account of the part it has

played in this crisis of a nation's soul. Or rather, we may say, Nicolai

stresses the influence of Kant's dualism of the reasons. This dualism of

the pure reason and the practical reason (which Kant, despite the best

efforts of his later years, was never able to associate in a

satisfactory manner) is a brilliant symbol of the contradictory dualism

to which modern Germany has accommodated herself all too easily. For

Germany, preserving full liberty in the world of thought, has trampled

under foot liberty in the world of action, or at least has surrendered

this liberty without ever a regret (Chapter Ten, passim).

These analyses of the German soul are of great interest to the

psychologist, the historian, and the statesmen. But, since I am

compelled to select, I shall choose for description those parts of the

book which are addressed to everyone, which touch us all, which are

truly universal. I shall speak of the general problem of war and peace

in human evolution. I shall have to resign myself to yet further

sacrifices. Ignoring the chapters which discuss this topic from a

historical and from a literary point of view,[49] I shall confine myself

to the biological studies, for it is in these that the author's

individuality finds its most original self-expression.

* * * * *

At grips with the hydra of war, Nicolai attacks the evil at the root. He

opens with a vigorous analysis of instinct in general, for he is careful

to avoid denying the innate character of war.

War, he says, is an instinct which springs from the deeps of mankind, an

instinct which influences even those who condemn it. It is an

intoxication which is carefully fostered in time of peace; when it

breaks forth, it takes possession of all alike. But because it is an

instinct, it does not follow that this instinct is sacred. Rousseau has

popularised the idea that instinct is always good and trustworthy.

Nothing of the kind. Instinct may be mistaken. When it is mistaken, the

race dies out, and we can therefore easily understand that, in races

which do not die out, instinct has a valid reason for existence.

Nevertheless, an animal endowed with sound instincts, may be deceived

by these instincts when it leaves its primitive environment. We see an

example of this in the moth which burns itself in the flame. The

instinct was sound in the days when the sun was the only luminary, but

no evolution has taken place to adapt this instinct to the existence of

lamps. We may admit that every instinct had its use at the time when it

first came into existence. This may be true of the fighting instinct,

but it does not follow that the combative instinct is useful to man

to-day. Instinct is extremely conservative, and survives the

circumstances that produced it. For instance, the wolf, wishing to cover

up its tracks, buries its excrement; the dog, a town dweller, stupidly

scrapes the pavement. In the latter case instinct has become senseless,

purposeless.

Man has retained many rudimentary and functionless instincts. He is able

to modify them, but in his case the task is peculiarly complex. Man is

distinguished from other animals by his incomparably greater power of

modifying the natural environment to suit his own purposes. But this

being so, man should transform his instincts to adapt them to the

changed circumstances. Now these instincts are tenacious, and the

struggle is hard. All the more, therefore, is it necessary. Whole

species of lower animals became extinct because they were unable to

modify their instincts as the environment changed. "Is man also to die

out from want of the will to change his instincts? He can change them,

or he could if he would. Man alone has the power of choice, and

consequently can err. But this curse of the liability to error is the

necessary consequence of freedom, and it gives birth to the blessed

power man possesses to learn and to transform himself." Yet man makes

very little use of this power. He is still encumbered with archaic

instincts. He accepts them complacently. He has an excessive esteem for

what is old precisely because he is swayed by hereditary instincts which

he has unconsciously come to revere.

In the kingdom of the one-eyed, we ought not to make the blind man king.

Because we all have combative instincts, it does not follow that we

should give these instincts free rein. To-day, when we are realising

the advantages of world-wide organisation, it is assuredly time that

such instincts should be put under restraint. Nicolai, seeing his

contemporaries giving themselves up to their enthusiasm for war, is

reminded of dogs which persist in scraping the pavement after relieving

nature.

The Forerunners · 第 9 / 15 段