JOHN M'DIARMID.

The son of the Rev. Hugh M'Diarmid, minister of the Gaelic church,

Glasgow, John M'Diarmid was born in 1790. He received in Edinburgh a

respectable elementary education; but, deprived of his father at an

early age, he was left unaided to push his fortune in life. For some

time he acted as clerk in connexion with a bleachfield at Roslin, and

subsequently held a situation in the Commercial Bank in Edinburgh. He

now attended some classes in the University, while his other spare time

was devoted to reading and composition. During two years he was employed

in the evenings as amanuensis to Professor Playfair. At one of the

College debating societies he improved himself as a public speaker, and

subsequently took an active part in the discussions of the "Forum." Fond

of verse-making, he composed some spirited lines on the battle of

Waterloo, when the first tidings of the victory inspired a thrilling

interest in the public mind; the consequence was, the immediate

establishment of his reputation. His services were sought by several of

the leading publishers, and the accomplished editor of the _Edinburgh

Review_ offered to receive contributions from his pen. In 1816 he

compiled some works for the bookselling firm of Oliver and Boyd, and

towards the end of the same year, in concert with his friends Charles

Maclaren and William Ritchie, originated the _Scotsman_ newspaper. In

January 1817, he accepted the editorship of the _Dumfries and Galloway

Courier_--a journal which, established in 1809 by Dr Duncan of Ruthwell,

chiefly with the view of advocating his scheme of savings' banks, had

hitherto been conducted by that ingenious and philanthropic individual.

As editor of a provincial newspaper, M'Diarmid was possessed of the

promptitude and business-habits which, in connexion with literary

ability, are essential for such an office. The _Dumfries Courier_, which

had formerly occupied a neutrality in politics, became, under his

management, a powerful organ of the liberal party. But the editor was

more than a politician; the columns of his journal were enriched with

illustrations of the natural history of the district, and sent forth

stirring appeals on subjects of social reformation and agricultural

improvement. Devoted to his duties as a journalist, he continued to

cherish his literary enthusiasm. In 1817 he published an edition of

Cowper, with an elegant memoir of the poet's life. "The Scrap-Book," a

work of selections and original contributions in prose and verse,

appeared in 1820, and was speedily followed by a second volume. In 1823

he composed a memoir of Goldsmith for an edition of the "Vicar of

Wakefield," which was published in Edinburgh. The _Dumfries Magazine_

was originated under his auspices in 1825, and during the three years of

its existence was adorned with contributions from his pen. In 1830 he

published "Sketches from Nature," a volume chiefly devoted to the

illustration of scenery and character in the districts of Dumfries and

Galloway. "The Picture of Dumfries," an illustrated work, appeared in

1832. A description of Moffat, and a life of Nicholson, the Galloway

poet, complete the catalogue of his publications. In 1820 he was offered

the editorship of the _Caledonian Mercury_, the first established of

the Scottish newspapers, but preferred to remain in Dumfries. He

ultimately became sole proprietor of the _Courier_, which, under his

superintendence, acquired a celebrity rarely attained by a provincial

newspaper. In 1847 he was entertained at a public dinner by his

fellow-townsmen. His death took place at Dumfries, on the 18th November

1852, in his sixty-third year.

A man of social and generous dispositions, M'Diarmid was esteemed among

a wide circle of friends; he was in habits of intimacy with Sir Walter

Scott, Jeffrey, Wilson, Lockhart, the Ettrick Shepherd, Dr Thomas

Gillespie, and many others of his distinguished contemporaries. To his

kindly patronage, many young men of genius were indebted for positions

of honour and emolument. An elegant prose-writer, his compositions in

verse are pervaded by a graceful smoothness and lively fancy.

The Modern Scottish Minstrel, Volume 3. The Songs of Scotland of the Past Half Century · 第 155 / 258 题