“Your kinsman am I, of the German brotherhood,” answered Winfried, “and

from England, beyond the sea, have I come to bring you a greeting from

that land, and a message from the All-Father, whose servant I am.”

“Welcome, then,” said Hunrad, “welcome, kinsman, and be silent; for

what passes here is too high to wait, and must be done before the moon

crosses the middle heaven, unless, indeed, thou hast some sign or token

from the gods. Canst thou work miracles?”

The question came sharply, as if a sudden gleam of hope had flashed

through the tangle of the old priest’s mind. But Winfried’s voice sank

lower and a cloud of disappointment passed over his face as he replied:

“Nay, miracles have I never wrought, though I have heard of many; but

the All-Father has given no power to my hands save such as belongs to

common man.”

“Stand still, then, thou common man,” said Hunrad, scornfully, “and

behold what the gods have called us hither to do. This night is the

death-night of the sun-god, Baldur the Beautiful, beloved of gods

and men. This night is the hour of darkness and the power of winter,

of sacrifice and mighty fear. This night the great Thor, the god of

thunder and war, to whom this oak is sacred, is grieved for the death

of Baldur, and angry with this people because they have forsaken his

worship. Long is it since an offering has been laid upon his altar,

long since the roots of his holy tree have been fed with blood.

Therefore its leaves have withered before the time, and its boughs are

heavy with death. Therefore the Slavs and the Wends have beaten us in

battle. Therefore the harvests have failed, and the wolf-hordes have

ravaged the folds, and the strength has departed from the bow, and the

wood of the spear has broken, and the wild boar has slain the huntsman.

Therefore the plague has fallen on our dwellings, and the dead are more

than the living in all our villages. Answer me, ye people, are not

these things true?”

A hoarse sound of approval ran through the circle. A chant, in which

the voices of the men and women blended, like the shrill wind in the

pine-trees above the rumbling thunder of a waterfall, rose and fell in

rude cadences.

“O Thor, the Thunderer,

Mighty and merciless,

Spare us from smiting!

Heave not thy hammer,

Angry, against us;

Plague not thy people.

Take from our treasure

Richest of ransom.

Silver we send thee,

Jewels and javelins,

Goodliest garments,

All our possessions,

Priceless, we proffer.

Sheep will we slaughter,

Steeds will we sacrifice;

Bright blood shall bathe thee,

O tree of Thunder,

Life-floods shall lave thee,

Strong wood of wonder.

Mighty, have mercy,

Smite us no more,

Spare us and save us,

Spare us, Thor! Thor!”

With two great shouts the song ended, and a stillness followed so

intense that the crackling of the fire was heard distinctly. The old

priest stood silent for a moment. His shaggy brows swept down over his

eyes like ashes quenching flame. Then he lifted his face and spoke.

“None of these things will please the god. More costly is the offering

that shall cleanse your sin, more precious the crimson dew that shall

send new life into this holy tree of blood. Thor claims your dearest

and your noblest gift.”

Hunrad moved nearer to the handful of children who stood watching the

red mines in the fire and the swarms of spark-serpents darting upward.

They had heeded none of the priest’s words, and did not notice now that

he approached them, so eager were they to see which fiery snake would

go highest among the oak branches. Foremost among them, and most intent

on the pretty game, was a boy like a sunbeam, slender and quick, with

blithe brown eyes and laughing lips. The priest’s hand was laid upon

his shoulder. The boy turned and looked up in his face.

“Here,” said the old man, with his voice vibrating as when a thick rope

is strained by a ship swinging from her moorings, “here is the chosen

one, the eldest son of the Chief, the darling of the people. Hearken,

Bernhard, wilt thou go to Valhalla, where the heroes dwell with the

gods, to bear a message to Thor?”

The boy answered, swift and clear:

“Yes, priest, I will go if my father bids me. Is it far away? Shall I

run quickly? Must I take my bow and arrows for the wolves?”

The boy’s father, the Chieftain Gundhar, standing among his bearded

warriors, drew his breath deep, and leaned so heavily on the handle of

his spear that the wood cracked. And his wife, Irma, bending forward

from the ranks of women, pushed the golden hair from her forehead with

one hand. The other dragged at the silver chain about her neck until

the rough links pierced her flesh, and the red drops fell unheeded on

the snow of her breast.

A sigh passed through the crowd, like the murmur of the forest before

the storm breaks. Yet no one spoke save Hunrad:

“Yes, my Prince, both bow and spear shalt thou have, for the way is

long, and thou art a brave huntsman. But in darkness thou must journey

for a little space, and with eyes blindfolded. Fearest thou?”

“Naught fear I,” said the boy, “neither darkness, nor the great bear,

nor the were-wolf. For I am Gundhar’s son, and the defender of my folk.”

Then the priest led the child in his raiment of lamb’s-wool to a broad

stone in front of the fire. He gave him his little bow tipped with

silver, and his spear with shining head of steel. He bound the child’s

eyes with a white cloth, and bade him kneel beside the stone with his

face to the east. Unconsciously the wide arc of spectators drew inward

toward the centre, as the ends of the bow draw together when the cord

is stretched. Winfried moved noiselessly until he stood close behind

the priest.

The old man stooped to lift a black hammer of stone from the

ground,—the sacred hammer of the god Thor. Summoning all the strength

of his withered arms, he swung it high in the air. It poised for an

instant above the child’s fair head—then turned to fall.

One keen cry shrilled out from where the women stood: “Me! take me! not

Bernhard!”

The flight of the mother towards her child was swift as the falcon’s

swoop. But swifter still was the hand of the deliverer.

Winfried’s heavy staff thrust mightily against the hammer’s handle as

it fell. Sideways it glanced from the old man’s grasp, and the black

stone, striking on the altar’s edge, split in twain. A shout of awe and

joy rolled along the living circle. The branches of the oak shivered.

The flames leaped higher. As the shout died away the people saw the

lady Irma, with her arms clasped round her child, and above them, on

the altar-stone, Winfried, his face shining like the face of an angel.

IV

THE FELLING OF THE TREE

A swift mountain-flood rolling down its channel; a huge rock tumbling

from the hill-side and falling in mid-stream; the baffled waters broken

and confused, pausing in their flow, dash high against the rock,

foaming and murmuring, with divided impulse, uncertain whether to turn

to the right or the left.

Even so Winfried’s bold deed fell into the midst of the thoughts and

passions of the council. They were at a standstill. Anger and wonder,

reverence and joy and confusion surged through the crowd. They knew not

which way to move: to resent the intrusion of the stranger as an insult

to their gods, or to welcome him as the rescuer of their darling prince.

The old priest crouched by the altar, silent. Conflicting counsels

troubled the air. Let the sacrifice go forward; the gods must be

appeased. Nay, the boy must not die; bring the chieftain’s best horse

and slay it in his stead; it will be enough; the holy tree loves the

blood of horses. Not so, there is a better counsel yet; seize the

stranger whom the gods have led hither as a victim and make his life

pay the forfeit of his daring.

The withered leaves on the oak rustled and whispered overhead. The fire

flared and sank again. The angry voices clashed against each other and

fell like opposing waves. Then the chieftain Gundhar struck the earth

with his spear and gave his decision.

“All have spoken, but none are agreed. There is no voice of the

council. Keep silence now, and let the stranger speak. His words shall

give us judgment, whether he is to live or to die.”

Winfried lifted himself high upon the altar, drew a roll of parchment

from his bosom, and began to read.

“A letter from the great Bishop of Rome, who sits on a golden throne,

to the people of the forest, Hessians and Thuringians, Franks and

Saxons. _In nomine Domini, sanctae et individuae trinitatis, amen!_”

A murmur of awe ran through the crowd. “It is the sacred tongue of the

Romans: the tongue that is heard and understood by the wise men of

every land. There is magic in it. Listen!”

Winfried went on to read the letter, translating it into the speech of

the people.

“‘We have sent unto you our Brother Boniface, and appointed him your

bishop, that he may teach you the only true faith, and baptize you, and

lead you back from the ways of error to the path of salvation. Hearken

to him in all things like a father. Bow your hearts to his teaching.

He comes not for earthly gain, but for the gain of your souls. Depart

from evil works. Worship not the false gods, for they are devils. Offer

no more bloody sacrifices, nor eat the flesh of horses, but do as our

Brother Boniface commands you. Build a house for him that he may dwell

among you, and a church where you may offer your prayers to the only

living God, the Almighty King of Heaven.’”

It was a splendid message: proud, strong, peaceful, loving. The dignity

of the words imposed mightily upon the hearts of the people. They were

quieted, as men who have listened to a lofty strain of music.

“Tell us, then,” said Gundhar, “what is the word that thou bringest

to us from the Almighty. What is thy counsel for the tribes of the

woodland on this night of sacrifice?”

“This is the word, and this is the counsel,” answered Winfried. “Not a

drop of blood shall fall to-night, save that which pity has drawn from

the breast of your princess, in love for her child. Not a life shall

be blotted out in the darkness to-night; but the great shadow of the

tree which hides you from the light of heaven shall be swept away. For

this is the birth-night of the white Christ, son of the All-Father, and

Saviour of mankind. Fairer is He than Baldur the Beautiful, greater

than Odin the Wise, kinder than Freya the Good. Since He has come to

earth the bloody sacrifices must cease. The dark Thor, on whom you

vainly call, is dead. Deep in the shades of Niffelheim he is lost

forever. His power in the world is broken. Will you serve a helpless

god? See, my brothers, you call this tree his oak. Does he dwell here?

Does he protect it?”

A troubled voice of assent rose from the throng. The people stirred

uneasily. Women covered their eyes. Hunrad lifted his head and muttered

hoarsely, “Thor! take vengeance! Thor!”

Winfried beckoned to Gregor. “Bring the axes, thine and one for me.

Now, young woodsman, show thy craft! The king-tree of the forest must

fall, and swiftly, or all is lost!”

The two men took their places facing each other, one on each side of

the oak. Their cloaks were flung aside, their heads bare. Carefully

they felt the ground with their feet, seeking a firm grip of the earth.

Firmly they grasped the axe-helves and swung the shining blades.

“Tree-god!” cried Winfried, “art thou angry? Thus we smite thee!”

“Tree-god!” answered Gregor, “art thou mighty? Thus we fight thee!”

Clang! clang! the alternate strokes beat time upon the hard, ringing

wood. The axe-heads glittered in their rhythmic flight, like fierce

eagles circling about their quarry.

The broad flakes of wood flew from the deepening gashes in the sides

of the oak. The huge trunk quivered. There was a shuddering in the

branches. Then the great wonder of Winfried’s life came to pass.

Out of the stillness of the winter night, a mighty rushing noise

sounded overhead.

Was it the ancient gods on their white battle-steeds, with their black

hounds of wrath and their arrows of lightning, sweeping through the air

to destroy their foes?

A strong, whirling wind passed over the tree-tops. It gripped the oak

by its branches and tore it from its roots. Backward it fell, like a

ruined tower, groaning and crashing as it split asunder in four great

pieces.

Winfried let his axe drop, and bowed his head for a moment in the

presence of almighty power.

Then he turned to the people, “Here is the timber,” he cried, “already

felled and split for your new building. On this spot shall rise a

chapel to the true God and his servant St. Peter.”

“And here,” said he, as his eyes fell on a young fir-tree, standing

straight and green, with its top pointing towards the stars, amid the

divided ruins of the fallen oak, “here is the living tree, with no

stain of blood upon it, that shall be the sign of your new worship. See

how it points to the sky. Let us call it the tree of the Christ-child.

Take it up and carry it to the chieftain’s hall. You shall go no more

into the shadows of the forest to keep your feasts with secret rites of

shame. You shall keep them at home, with laughter and song and rites of

love. The thunder-oak has fallen, and I think the day is coming when

there shall not be a home in all Germany where the children are not

gathered around the green fir-tree to rejoice in the birth-night of

Christ.”

So they took the little fir from its place, and carried it in joyous

procession to the edge of the glade, and laid it on the sledge. The

horses tossed their heads and drew their load bravely, as if the new

burden had made it lighter.

When they came to the house of Gundhar, he bade them throw open the

doors of the hall and set the tree in the midst of it. They kindled

lights among the branches until it seemed to be tangled full of

fire-flies. The children encircled it, wondering, and the sweet odor of

the balsam filled the house.

Then Winfried stood beside the chair of Gundhar, on the daïs at the

end of the hall, and told the story of Bethlehem; of the babe in the

manger, of the shepherds on the hills, of the host of angels and their

midnight song. All the people listened, charmed into stillness.

But the boy Bernhard, on Irma’s knee, folded by her soft arm, grew

restless as the story lengthened, and began to prattle softly at his

mother’s ear.

“Mother,” whispered the child, “why did you cry out so loud, when the

priest was going to send me to Valhalla?”

“Oh, hush, my child,” answered the mother, and pressed him closer to

her side.

“Mother,” whispered the boy again, laying his finger on the stains upon

her breast, “see, your dress is red! What are these stains? Did some

one hurt you?”

The mother closed his mouth with a kiss. “Dear, be still, and listen!”

The boy obeyed. His eyes were heavy with sleep. But he heard the last

words of Winfried as he spoke of the angelic messengers, flying over

the hills of Judea and singing as they flew. The child wondered and

dreamed and listened. Suddenly his face grew bright. He put his lips

close to Irma’s cheek again.

“Oh, mother!” he whispered very low, “do not speak. Do you hear them?

Those angels have come back again. They are singing now behind the

tree.”

And some say that it was true; but others say that it was only Gregor

and his companions at the lower end of the hall, chanting their

Christmas hymn:

“‘All glory be to God on high,

And to the earth be peace!

Good-will, henceforth, from heaven to men

Begin, and never cease.’”

A FRENCH TAR-BABY

BY

JOEL CHANDLER HARRIS

The fable was one of the first tributaries to the stream of

story-telling. Primitive man with a kind of fine democracy claimed

kinship with the animals about him. So Hiawatha learned the language

and the secrets of birds and beasts,

“Talked with them whene’er he met them,

Called them Hiawatha’s Brothers.”

Out of this intimacy and understanding grew the fable, wherein animals

thought, acted, and talked in the terms of human life. This kind of

story is illustrated by the “Fables” of Æsop, the animal stories of

Ernest Thompson-Seton, the “Jungle Books” of Rudyard Kipling, and the

“Uncle Remus” stories of Joel Chandler Harris. The fable is a tale

rather than a true short-story.

A FRENCH TAR-BABY[4]

In the time when there were hobgoblins and fairies, Brother Goat and

Brother Rabbit lived in the same neighborhood, not far from each other.

Proud of his long beard and sharp horns, Brother Goat looked on Brother

Rabbit with disdain. He would hardly speak to Brother Rabbit when he

met him, and his greatest pleasure was to make his little neighbor the

victim of his tricks and practical jokes. For instance, he would say:

“Brother Rabbit, here is Mr. Fox,” and this would cause Brother Rabbit

to run away as hard as he could. Again he would say:

“Brother Rabbit, here is Mr. Wolf,” and poor Brother Rabbit would shake

and tremble with fear. Sometimes he would cry out:

“Brother Rabbit, here is Mr. Tiger,” and then Brother Rabbit would

shudder and think that his last hour had come.

Tired of this miserable existence, Brother Rabbit tried to think of

some means by which he could change his powerful and terrible neighbor

into a friend. After a time he thought he had discovered a way to make

Brother Goat his friend, and so he invited him to dinner.

Brother Goat was quick to accept the invitation. The dinner was a

fine affair, and there was an abundance of good eating. A great many

different dishes were served. Brother Goat licked his mouth and shook

his long beard with satisfaction. He had never before been present at

such a feast.

“Well, my friend,” exclaimed Brother Rabbit, when the dessert was

brought in, “how do you like your dinner?”

“I could certainly wish for nothing better,” replied Brother Goat,

rubbing the tips of his horns against the back of his chair; “but my

throat is very dry and a little water would hurt neither the dinner nor

me.”

“Gracious!” said Brother Rabbit, “I have neither wine-cellar nor water.

I am not in the habit of drinking while I am eating.”

“Neither have I any water, Brother Rabbit,” said Brother Goat. “But I

have an idea! If you will go with me over yonder by the big poplar, we

will dig a well.”

“No, Brother Goat,” said Brother Rabbit, who hoped to revenge

himself—“no, I do not care to dig a well. At daybreak I drink the dew

from the cups of the flowers, and in the heat of the day I milk the

cows and drink the cream.”

“Well and good,” said Brother Goat. “Alone I will dig the well, and

alone I will drink out of it.”

“Success to you, Brother Goat,” said Brother Rabbit.

“Thank you kindly, Brother Rabbit.”

Brother Goat then went to the foot of the big poplar and began to dig

his well. He dug with his forefeet and with his horns, and the well got

deeper and deeper. Soon the water began to bubble up and the well was

finished, and then Brother Goat made haste to quench his thirst. He was

in such a hurry that his beard got in the water, but he drank and drank

until he had his fill.

Brother Rabbit, who had followed him at a little distance, hid himself

behind a bush and laughed heartily. He said to himself: “What an

innocent creature you are!”

The next day, when Brother Goat, with his big beard and sharp horns,

returned to his well to get some water, he saw the tracks of Brother

Rabbit in the soft earth. This put him to thinking. He sat down, pulled

his beard, scratched his head, and tapped himself on the forehead.

“My friend,” he exclaimed after a while, “I will catch you yet.”

Then he ran and got his tools (for Brother Goat was something of a

carpenter in those days) and made a large doll out of laurel wood.

When the doll was finished, he spread tar on it here and there, on the

right and on the left, and up and down. He smeared it all over with the

sticky stuff, until it was as black as a Guinea negro.

This finished, Brother Goat waited quietly until evening. At sunset he

placed the tarred doll near the well, and ran and hid himself behind

the trees and bushes. The moon had just risen, and the heavens twinkled

with millions of little star-torches.

Brother Rabbit, who was waiting in his house, believed that the time

had come for him to get some water, so he took his bucket and went to

Brother Goat’s well. On the way he was very much afraid that something

would catch him. He trembled when the wind shook the leaves of the

trees. He would go a little distance and then stop and listen; he hid

here behind a stone, and there behind a tuft of grass.

At last he arrived at the well, and there he saw the little negro. He

stopped and looked at it with astonishment. Then he drew back a little

way, advanced again, drew back, advanced a little, and stopped once

more.

“What can that be?” he said to himself. He listened, with his long ears

pointed forward, but the trees could not talk, and the bushes were

dumb. He winked his eyes and lowered his head:

“Hey, friend! who are you?” he asked.

The tar-doll didn’t move. Brother Rabbit went up a little closer, and

asked again:

“Who are you?”

The tar-doll said nothing. Brother Rabbit breathed more at ease. Then

he went to the brink of the well, but when he looked in the water the

tar-doll seemed to look in too. He could see her reflection in the

water. This made Brother Rabbit so mad that he grew red in the face.

“See here!” he exclaimed, “if you look in this well I’ll give you a rap

on the nose!”

Brother Rabbit leaned over the brink of the well, and saw the tar-doll

smiling at him in the water. He raised his right hand and hit her—bam!

His hand stuck.

“What’s this?” exclaimed Brother Rabbit. “Turn me loose, imp of Satan!

If you do not, I will rap you on the eye with my other hand.”

Then he hit her—bim! The left hand stuck also. Then Brother Rabbit

raised his right foot, saying:

“Mark me well, little Congo! Do you see this foot? I will kick you in

the stomach if you do not turn me loose this instant.”

No sooner said than done. Brother Rabbit let fly his right foot—vip!

The foot stuck, and he raised the other.

“Do you see this foot?” he exclaimed. “If I hit you with it, you will

think a thunderbolt has struck you.”

Then he kicked her with the left foot, and it also stuck like the

other, and Brother Rabbit held fast his Guinea negro.

“Watch out, now!” he cried. “I’ve already butted a great many people

with my head. If I butt you in your ugly face I’ll knock it into a

jelly. Turn me loose! Oho! you don’t answer?” Bap!

“Guinea girl!” exclaimed Brother Rabbit, “are you dead? Gracious

goodness! how my head does stick!”

When the sun rose, Brother Goat went to his well to find out something

about Brother Rabbit. The result was beyond his expectations.

“Hey, little rogue, big rogue!” exclaimed Brother Goat. “Hey, Brother

Rabbit! what are you doing there? I thought you drank the dew from the

cups of the flowers, or milk from the cows. Aha, Brother Rabbit! I will

punish you for stealing my water.”

“I am your friend,” said Brother Rabbit; “don’t kill me.”

“Thief, thief!” cried Brother Goat, and then he ran quickly into the

woods, gathered up a pile of dry limbs, and made a great fire. He took

Brother Rabbit from the tar-doll, and prepared to burn him alive. As he

was passing a thicket of brambles with Brother Rabbit on his shoulders,

Brother Goat met his daughter Bélédie, who was walking about in the

fields.

“Where are you going, papa, muffled up with such a burden? Come and

eat the fresh grass with me, and throw wicked Brother Rabbit in the

brambles.”

Cunning Brother Rabbit raised his long ears and pretended to be very

much frightened.

“Oh, no, Brother Goat!” he cried. “Don’t throw me in the brambles. They

will tear my flesh, put out my eyes, and pierce my heart. Oh, I pray

you, rather throw me in the fire.”

“Aha, little rogue, big rogue! Aha, Brother Rabbit!” exclaimed Brother

Goat, exultingly, “you don’t like the brambles? Well, then, go and

laugh in them,” and he threw Brother Rabbit in without a feeling of

pity.

Brother Rabbit fell in the brambles, leaped to his feet, and began to

laugh.

“Ha-ha-ha! Brother Goat, what a simpleton you are!—ha-ha-ha! A better

bed I never had! In these brambles I was born!”

Brother Goat was in despair, but he could not help himself. Brother

Rabbit was safe.

A long beard is not always a sign of intelligence.

SONNY’S CHRISTENIN’

BY

RUTH MCENERY STUART

This is the story of character, in the form of dramatic monologue.

There is only one speaker, but we know by his words that another is

present and can infer his part in the conversation. This story has the

additional values of humor and local color.

SONNY’S CHRISTENIN’[5]

Short Stories for High Schools · 第 2 / 28 段