And go downstairs he did, his heart working with a strange and

increasing perplexity. Yet, wherever he went, there came that poor

relation, the Head Porter, to face him. Always big, he now looked bigger

than ever. Sir Timothy Puffe felt somehow ridiculous in his presence.

The young fellow had character, pluck, some touch of intrinsic value.

For all his failure in life, the Eternities considered him _real_. He

towered rather dreadfully in his gold braid and smart uniform--towered

in his great height all about the hall, like some giant in his own

palace. The other’s head scarcely came up to his great black belt where

the keys swung and jangled.

The Baronet went upstairs again to his room, strangely disconcerted. The

first thing he did as he left the lift was to stumble over the step. The

liftman picked him up as though he were a boy. Down the passage, now

well lighted, he went quickly, his feet almost pattering, his tread

light, and--so oddly short. His importance had gone. A voice behind each

door he passed whispered to him through the narrow crack as it

cautiously opened, “Make an effort, make an effort! Be yourself, be

real, be alive before it’s too late!” But he saw no one, and the first

thing he did on entering his room was to hide the smaller mirror by

turning it against the wall, just as he had done to the pier-glass. He

was so painfully little and insignificant now. As the externals and the

possessions dropped away one by one in his thoughts, the revelation of

the tiny little centre of activity within was horrible. He puffed

himself out in thought as of old, but there was no response. It was

degrading.

The fact was--he began to understand it now--his mind had been pursuing

possible results of his loss of title and estates to their logical

conclusion. The idea in all its brutal nakedness, of course, hardly

reached him--namely, that, without possessions, he was practically--nil!

All he grasped was that he was--_less_. Still, the notion did prey upon

him atrociously. He followed the advice of the strange housemaid and

“made an effort,” but without marked success. So empty, indeed, was his

life that, once stripped of the possessions, he would stand there as

useless and insignificant as an ownerless street dog. And the thought

appalled him. He had not even enough real interest in others to hold him

upright, and certainly not enough sufficiency of self, good or evil, to

stand alone before any tribunal. The discovery shocked him

inexpressibly. But what distressed him still more was to find a fixed

mirror in his sitting-room that he could _not_ take down, for in its

depths he saw himself shrunken and dwindled to the proportions of a....

The knock at the door and the arrival of his dinner broke the appalling

train of thought, but rather than be seen in his present diminutive

appearance--later, of course, he would surely grow again--he ran into

the bedroom. And when he came out again after the waiter’s departure he

found that his dinner shared the same abominable change. The food upon

the dishes was reduced to the minutest proportions--the toast like

children’s, the soup an egg-cupful, the tenderloin a little slice the

size of a visiting-card, and the bird not much larger than a

blackbeetle. And yet more than he could eat; more than sufficient! He

sat in the big chair positively lost, his feet dangling. Then,

mortified, frightened, and angry beyond expression, he undressed and

concealed himself beneath the sheets and blankets of his bed.

“Of course I’m going mad--that’s what it all means,” he exclaimed. “I’m

no longer of any account in the world. I could never go into my Club,

for instance, _like this_!”--and he surveyed the small outline that made

a little lump beneath the surface of the bed-clothes--“or read the

lessons having to stand upon a chair to reach the lectern.” And tears of

bleeding vanity and futile wrath mingled upon his pillow.... The

humiliation was agonising.

In the middle of which the door opened and in came the hotel valet,

bearing before him upon a silver salver what at first appeared to be

small, striped sandwiches, darkish in hue, but upon closer inspection

were seen to be several wee suits of clothes, neatly pressed and folded

for wearing. Glancing round the room and perceiving no one, the man

proceeded to put them away in the chest of drawers, soliloquising from

time to time as he did so.

“So the old buffer did go out after all!” he reflected, as he smoothed

the tiny trousers in the drawer. “’E’s nothing but a gas-bag, anyway!

Close with the coin, too--always was that!” He whistled, spat in the

grate, hunted about for a cigarette, and again found relief in speech.

My little dawg’s worth two of ’im all the time, and lots to spare. Tim’s

_real_ ...!” And other things, too, he said in similar vein. He was

utterly oblivious of Sir Timothy’s presence--serenely unconscious that

the thin, fading line beneath the sheets _was_ the very individual he

was talking about. “Even hides his cigarettes, does he? He’s right,

though. Take away what he’s got and there wouldn’t be enough left over

to stand upright at a poultry show!” And he guffawed merrily to himself.

But what brought the final horror into that vanishing Personality on the

bed was the singular fact that the valet made no remark about the absurd

and horrible size of those tiny clothes. _This, then, was how

others--even a hotel valet--saw him!_

All night long, it seemed, he lay in atrocious pain, the darkness

mercifully hiding him, though never from himself, and only towards

daylight did he pass off into a condition of unconsciousness. He must

have slept very late indeed, too, for he woke to find sunlight in the

room, and the housemaid--that tall, dignified girl who had tried to be

kind--dusting and sweeping energetically. He screamed to her, but his

voice was too feeble to make itself heard above the sweeping. The

high-pitched squeak was scarcely audible even to himself. Presently she

approached the bed and flung the sheets back. “That’s funny,” she

observed, “could’ve sworn I saw something move!” She gave a hurried

look, then went on sweeping. But in the process she had tossed his

person, now no larger than a starved mouse, out on to the carpet. He

cried aloud in his anguish, but the squeak was too faint to be audible.

“Ugh!” exclaimed the girl, jumping to one side, “there’s that ’orrid

mouse again! Dead, too, I do declare!” And then, without being aware of

the fact, she swept him up with the dust and bits of paper into her pan.

Whereupon Sir Timothy awoke with a bad start, and perceived that his

train was running somewhat uneasily into King’s Cross, and that he had

slept nearly the whole way.

V

THE SECRET

I saw him walking down the floor of the A.B.C. shop where I was

lunching. He was gazing about for a vacant seat with that vague stare of

puzzled distress he always wore when engaged in practical affairs. Then

he saw me and nodded. I pointed to the seat opposite; he sat down. There

was a crumb in his brown beard, I noticed. There had been one a year

ago, when I saw him last.

“What a long time since we met,” I said, genuinely glad to see him. He

was a most lovable fellow, though his vagueness was often perplexing to

his friends.

“Yes--er--h’mmm--let me see----”

“Just about a year,” I said.

He looked at me with an expression as though he did not see me. He was

delving in his mind for dates and proofs. His fierce eyebrows looked

exactly as though they were false--stuck on with paste--and I imagined

how puzzled he would be if one of them suddenly dropped off into his

soup. The eyes beneath, however, were soft and beaming; the whole face

was tender, kind, gentle, and when he smiled he looked thirty instead of

fifty.

“A year, is it?” he remarked, and then turned from me to the girl who

was waiting to take his order. This ordering was a terrible affair. I

marvelled at the patience of that never-to-be-tipped waitress in the

dirty black dress. He looked with confusion from me to her, from her to

the complicated bill of fare, and from this last to me again.

“Oh, have a cup of coffee and a bit of that lunch-cake,” I said with

desperation. He stared at me for a second, one eyebrow moving, the other

still as the grave. I felt an irresistible desire to laugh.

“All right,” he murmured to the girl, “coffee and a bit of that

lunch-cake.” She went off wearily. “And a pat of butter,” he whispered

after her, but looking at the wrong waitress. “And a portion of that

strawberry jam,” he added, looking at another waitress.

Then he turned to talk with me.

“Oh no,” he said, looking over his shoulder at the crowd of girls by the

counter; “_not_ the jam. I forgot I’d ordered that lunch-cake.”

Again he switched round in his chair--he always perched on the edge like

a bird--and made a great show of plunging into a long-deferred chat with

me. I knew what would come. He was always writing books and sending

them out among publishers and forgetting where they were at the moment.

“And how are _you_?” he asked. I told him.

“Writing anything these days?” I ventured boldly.

The eyebrows danced. “Well, the fact is, I’ve only just finished a

book.”

“Sent it anywhere?”

“It’s gone off, yes. Let me see--it’s gone to--er----” The coffee and

lunch-cake arrived without the pat of butter, but with two lots of

strawberry jam. “I won’t have jam, thank you. And will you bring a pat

of butter?” he muttered to the girl. Then, turning to me again--“Oh, I

really forget for the moment. It’s a good story, I think.” His novels

were, as a fact, extraordinarily good, which was the strange part of it

all.

“It’s about a woman, you see, who----” He proceeded to tell me the story

in outline. Once he got beyond the confused openings of talk the man

became interesting, but it took so long, and was so difficult to follow,

that I remembered former experiences and cut him short with a lucky

inspiration.

“Don’t spoil it for me by telling it. I shan’t enjoy it when it comes

out.”

He laughed, and both eyebrows dropped and hid his eyes. He busied

himself with the cake and butter. A second crumb went to join the first.

I thought of balls in golf bunkers, and laughed outright. For a time

the conversation flagged. I became aware of a certain air of mystery

about him. He was full of something besides the novel--something he

wanted to talk about but had probably forgotten “for the moment.” I got

the impression he was casting about in the upper confusion of his mind

for the cue.

“You’re writing something else now?” I ventured.

The question hit the bull’s-eye. Both eyebrows shot up, as though they

would vanish next minute on wires and fly up into the wings. The cake in

his hand would follow; and last of all he himself would go. The

children’s pantomime came vividly before me. Surely he was a made-up

figure on his way to rehearsal.

“I am,” he said; “but it’s a _great_ secret. I’ve got a _magnificent_

idea!”

“I promise not to tell. I’m safe as the grave. Tell me.”

He fixed his kindly, beaming eyes on my face and smiled charmingly.

“It’s a play,” he murmured, and then paused for effect, hunting about on

his plate for cake, where cake there was none.

“Another piece of that lunch-cake, please,” he said in a sudden loud

voice, addressed to the waitresses at large. “It came to me the other

day in the London Library--er--very fine idea----”

“Something really original?”

“Well, I think so, perhaps.” The cake came with a clatter of plates, but

he pushed it aside as though he had forgotten about it, and leaned

forward across the table. “I’ll tell you. Of course you won’t say

anything. I don’t want the idea to get about. There’s money in a good

play--and people do steal so, don’t they?”

I made a gesture, as much as to say, “Do I look like a man who would

repeat?” and he plunged into it with enthusiasm.

Oh! The story of that play! And those dancing eyebrows! And the bits of

the plot he forgot and went back for! And the awful, wild confusion of

names and scenes and curtains! And the way his voice rose and fell like

a sound carried to and fro by a gusty wind! And the feeling that

something was coming which would make it all clear--but which never

came!

“The woman, you see,”--all his stories began that way,--“is one of those

modern women who ... and when she dies she tells on her death-bed how

she knew all the time that Anna----”

“That’s the heroine, I think?” I asked keenly, after ten minutes’

exposition, hoping to Heaven my guess was right.

“No, no, she’s the widow, don’t you remember, of the clergyman who went

over to the Church of Rome to avoid marrying her sister--in the first

act--or didn’t I mention that?”

“You mentioned it, I think, but the explanation----”

“Oh, well, you see, the Anglican clergyman--he’s Anglican in the first

act--always suspected that Miriam had not died by her own hand, but had

been poisoned. In fact, he finds the incriminating letter in the

gas-pipe, and recognises the handwriting----”

“Oh, _he_ finds the letter?”

“Rather. _He_ finds the letter, don’t you see? and compares it with the

others, and makes up his mind who wrote it, and goes straight to Colonel

Middleton with his discovery.”

“So Middleton, of course, refuses to believe----”

“Refuses to believe that the second wife--oh, I forgot to mention that

the clergyman had married again in his own Church; married a woman who

turns out to be Anna’s--no, I mean Miriam’s--half-sister, who had been

educated abroad in a convent,--refuses to believe, you see, that _his_

wife had anything to do with it. Then Middleton has a splendid scene. He

and the clergyman have the stage to themselves. Wyndham’s the man for

Middleton, of course. Well, he declares that he has the proof--proof

that must convince everybody, and just as he waves it in the air in

comes Miriam, who is walking in her sleep, from her sick-bed. They

listen. She is talking in her sleep. By Jove, man, don’t you see it? She

is talking about the crime! She practically confesses it before their

very eyes.”

“Splendid!”

“And she never wakes up--I mean, not in that scene. She goes back to bed

and has no idea next day what she has said and done.”

“And the clergyman’s honour is saved?” I hazarded, amazed at my

rashness.

“No. _Anna_ is saved. You see, I forgot to tell you that in the second

act Miriam’s brother, Sir John, had----”

The waitress brought the little paper checks.

“Let’s go outside and finish. It’s getting frightfully stuffy here,” I

suggested desperately, picking up the bills.

We walked out together, he still talking against time with the most

terrible confusion of names and acts and scenes imaginable. He bumped

into everybody who came in his way. His beard was full of crumbs. His

eyebrows danced with excitement--I knew then positively they were

false--and his voice ran up and down the scale like a buzz-saw at work

on a tough board.

“By Jove, old man, that _is_ a play!”

He turned to me with absolute happiness in his face.

“But for Heaven’s sake, don’t let out a word of it. I must have a

copyright performance first before it’s really safe.”

“Not a word, I promise.”

“It’s a dead secret--till I’ve finished it, I mean--then I’ll come and

tell you the _dénouement_. The last curtain is simply magnificent. You

see, Middleton never hears----”

“I won’t tell a living soul,” I cried, running to catch a bus. “It’s a

secret--yours and mine!”

And the omnibus carried me away Westwards.

Meanwhile the play remains to this day a “dead secret,” known only to

the man who thinks he told it, and to the other man who knows he heard

it told.

VI

THE LEASE

The other day I came across my vague friend again. Last time it was in

an A.B.C. shop; this time it was in a bus. We always meet in humble

places.

He was vaguer than ever, fuddled and distrait; but delightfully

engaging. He had evidently not yet lunched, for he wore no crumb; but I

had a shrewd suspicion that beneath his green Alpine hat there lurked a

straw or two in his untidy hair. It would hardly have surprised me to

see him turn with his childlike smile and say, “Would you mind _very

much_ taking them out for me? You know they _do_ tickle so!”--half

mumbled, half shouted.

Instead, he tried to shake hands, and his black eyebrows danced. He

looked as loosely put together as a careless parcel. I imagined large

bits of him tumbling out.

“You’re off somewhere or other, I suppose?” he said; and the question

was so characteristic it was impossible not to laugh.

I mentioned the City.

“I’m going that way too,” he said cheerfully. He had come to the

conclusion that he could not shake hands with safety; there were too

many odds and ends about him--gloves, newspapers, half-open umbrella,

parcels. Evidently he had left the house uncertain as to where he was

going, and had brought all these things in case, like the White Knight,

he might find a use for them on the way. His overcoat was wrongly

buttoned, too, so that on one side the collar reached almost to his ear.

From the pockets protruded large envelopes, white and blue. I marvelled

again how he ever concentrated his mind enough to write plays and

novels; for in both the action was quick and dramatic; the dialogue

crisp, forcible, often witty.

“Going to the City!” I exclaimed. “_You?_” Museums, libraries,

second-hand book-shops were his usual haunts--places where he could be

vague and absent-minded without danger to anyone. I felt genuinely

curious. “Copy of some kind? Local colour for something, eh?” I laughed,

hoping to draw him out.

A considerable pause followed, during which he rearranged several of his

parcels, and his eyebrows shot up and down like two black-beetles

dancing a hornpipe.

“I’m helping a chap with his lease,” he replied suddenly, in such a very

loud voice that everybody in the bus heard and became interested.

He had this way of alternately mumbling and talking very loud--absurdly

loud; picking out unimportant words with terrific emphasis. He also had

this way of helping others. Indeed, it was difficult to meet him without

suspecting an errand of kindness--rarely mentioned, however.

“Chap with his lease,” he repeated in a kind of roar, as though he

feared someone had not heard him--the driver, possibly!

We were in a white Putney bus, going East. The policeman just then held

it up at Wellington Street.

“It’s jolly stopping like this,” he cried; “one can chat a bit without

having to shout.”

My curiosity about the lease, or rather about his part in it, prevented

an immediate reply. How he could possibly help in such a complicated

matter puzzled me exceedingly.

“Horrible things, leases!” I said at length. “Confusing, I mean, with

their endless repetitions and absence of commas. Legal language seems so

needlessly----”

“Oh, but this one is right enough,” he interrupted. “You see, my pal

hasn’t signed it yet. He’s in rather a muddle about it, to tell the

truth, and I’m going to get it straightened out by my solicitor.”

The bus started on with a lurch, and he rolled against me.

“It’s a three-year lease,” he roared, “with an option to renew, you

know--oh no, I’m wrong there, by the bye,” and he tapped my knee and

dropped a glove, and, when it was picked up and handed to him, tried to

stuff it up his sleeve as though it was a handkerchief--“I’m wrong

there--that’s the house he’s in at present, and his wife wants to break

_that_ lease because she doesn’t like it, and they’ve got more children

than they expected (these words whispered), and there’s no bathroom, and

the kitchen stairs are absurdly narrow----”

“But the lease--you were just saying----?”

“Quite so; I was,” and both eyebrows dropped so that the eyes were

almost completely hidden, “but _that_ lease _is_ all right. It’s the

other one I was talking about just then----”

“The house he’s in now, you mean, or----?” My head already swam. The

attention of the people opposite had begun to wander.

My friend pulled himself together and clutched several parcels.

“No, no, no,” he explained, smiling gently; “he likes _this_ one. It’s

the other I meant--the one his wife doesn’t approve of--the one with the

narrow bathroom stairs and no kitchen--I mean the narrow kitchen stairs

and no bathroom. It has so few cupboards, too, and the nursery chimneys

smoke every time the wind’s in the east. (Poor man! How devotedly he

must have listened while it was being drummed into his good-natured

ears!) So you see, Henry, my pal, thought of giving it up when the lease

fell in and taking this other house--the one I was just talking

about--and putting in a bathroom at his own expense, provided the

landlord----”

A man opposite who had been listening intently got up to leave the bus

with such a disappointed look that my friend thought it was the

conductor asking for another fare, and fumbled for coppers. Seeing his

mistake in time, he drew out instead a large blue envelope. Two other

papers, feeling neglected, came out at the same time and dropped upon

the floor. My friend and a working-man beside him stooped to pick them

up and knocked their heads violently in the process.

“I _beg_ your pardon,” exclaimed the vague one, very loud, with a

tremendous emphasis on the “beg.”

“Oh, that’s all right, guv’nor,” said the working-man, handing over the

papers. “Might ’appen to anybody, that!”

“I beg your pardon?” repeated my friend, not hearing him quite.

“I said a thing like that might ’appen to anyone,” repeated the other,

louder.

He turned to me with his happy smile. “I suppose it might, yes,” he

said, very low. Then he opened the blue envelope and began to hunt.

“Oh no, that’s the wrong envelope. It’s the other,” he observed vaguely.

“What a bore, isn’t it? This is merely a copy of his letters

to--er--to----”

He looked distressingly about him through the windows, as though he

hoped to find his words in the shop-letterings or among the

advertisements.

“Where are we, I wonder? Oh yes; there’s St. Paul’s. Good!” His mind

returned to the subject in hand. Several people got out, and swept the

papers from his knee to the ground; and the next few minutes he spent

gathering them up, stooping, clutching his coat, stuffing envelopes into

his pockets, and exclaiming “I _beg_ your pardon!” to the various folk

he collided with in the process.

At last some sort of order was restored.

“----merely the letters,” he resumed where he had left off, and in a

voice that might suitably have addressed a public meeting, “the letters

to his tenant. There’s a tenant in the other house. I forgot to mention

_that_, I think----”

“I think you did. But, I say, look here, my dear chap,” I burst out, at

length, in sheer self-preservation, “why in the world don’t you let the

fellow manage his own leases? It’s giving you a dreadful lot of trouble.

It’s the most muddled-up thing I ever heard.”

“That’s because you’ve got no head for business,” he whispered sweetly.

“Besides, it’s really a pleasure to me to help him. That’s the best part

of life, after all--helping people who get into muddles.” He looked at

me with his kindly smile. Then he turned and smiled at everybody in the

bus--vaguely, happily, his black eyebrows very fierce. Several people, I

fancied, smiled back at him.

“Let’s see,” he said, after a pause; “where was I?”

“You were saying something about a lease,” I told him; “but, honestly,

old man, I’m afraid I haven’t quite followed it.”

“That’s my fault,” he said; “all my fault. I feel a bit stupid to-day.

I’ve got the ’flue, you know, and a touch of fever with it. But I

promised Henry I would see to it for him, because he’s awfully busy----”

“Is he really!” I wished I knew Henry. I felt a strong desire to say

something to him.

“----packing up for a trip to Mexico, you know, or something; so, of

course, he finds it difficult to--er--to----” He looked gently about

him. “Where the deuce am I?” he asked in a very loud voice indeed.

Several people, myself among them, mentioned the Mansion House.

“Dear me!” he exclaimed, gathering up parcels, envelopes, and various

loose parts of his body--his aching body, “I’m afraid--I must be getting

out. I’m in the wrong bus. I wanted Essex Street--up there by the Law

Courts, you know.”

Ten minute stories · 第 2 / 14 段