SUZANNE'S BANKING ACCOUNT.

"These want paying," said Suzanne as she bounced into my nominally sacred

den at a strictly prohibited hour. Therewith she thrust a _dossier_ of

tradesmen's bills into my feebly-resisting hands, and bang went an idea I

had been tenderly nursing since breakfast.

"But I can't spend the rest of the morning writing cheques," I protested.

"I'm engaged just now on a most important article."

"With your eyes shut," commented Suzanne, stooping to a grossly unfair

insinuation. "I must tell Cook to make the breakfast coffee stronger in

future; then you might manage to--"

"Look here, Suzanne, you've been married to me long enough to know my

methods of work. I can't begin an article until I've got the whole thing

shaped in my mind, and to do that I must shut out everything else."

"Especially your wife, I suppose. Well, I won't stay. You've got all the

bills there; but don't start writing the cheques till you've got them well

shaped in your mind."

"But what on earth does all this mass of accounting literature represent?"

I asked.

"For the benefit of new readers a synopsis is attached," said Suzanne.

"They're mostly small items; for instance, Madame Pillby--she's the little

dressmaker round the corner, you know; though why an all-British spinster

should call herself 'Madame' I can't imagine--five-and-fourpence-ha'penny."

"Suzanne; I will _not_ write a cheque for five-and-fourpence-ha'penny! Are

they all like that?"

"The biggest is two guineas; that's what it cost to have my last dance-hat

altered to your specifications, because you said it tickled your nose.

There are seventeen of them in all--bills, not hats; total, twelve pounds

fifteen shillings and elevenpence three farthings, pa-pa."

"I'll tell you what I'm going to do," I said. "I'm going to advertise in

the Personal Columns of the papers that I will not be responsible for

payment of any debts incurred by my wife under the sum of one pound.

That'll stop this half-crown cheque nuisance. Why don't you go out and buy

yourself a packet of assorted postal-orders?"

"I did once; but I got in with a nice long list just before closing-time,

and there was very nearly a riot on both sides of the counter."

"Well, anyhow, this sort of thing has got to stop; I can't waste all the

morning settling your miserable little bills. What we'll do is this: you

shall have your own banking-account, and in future you can write your own

cheques--as long as the Bank will stick it."

"Oh, how perfectly splendid!" cried Suzanne. "I've always wanted to have a

cheque-book of my own, but Father thought it unsexing. Do let's go and take

out the licence at once."

The precious hour of fertilisation was already wasted, so there and then I

escorted Suzanne to the Bank. At my demand we were ushered into the

Manager's room, where we were received with a courtesy only too obviously

tempered by the suspicion that I had come to suggest an overdraft. On my

explaining our errand, however, the Manager's features relaxed their

tenseness, and as I wrote the cheque that brought Suzanne's account into a

sordid world he even attempted a vein of fatherly benediction.

"Now we shall require a specimen of the lady's signature," he said as he

produced an amazingly obese ledger and indicated where Suzanne was to sign

her name. "Remove the glove, please," he added hastily.

"Just like old times in the vestry," said Suzanne to me in a whisper. Then

she wrote her name--"Suzanne Désirée Beverley Trumpington-Jones"--all of

it. By the time she had finished she had trespassed into several columns

reserved for entirely different uses. The Manager surveyed the effect with

consternation.

"Rather a long name, isn't it?" he asked diffidently. "I was only wondering

if our cheque-forms would accommodate it all."

"Well, I'm not really responsible for it all," she replied. "The

Trumpington-Jones part is the more or less permanent result of a serious

accident when I was little more than a child. But I might shorten it a bit.

I sometimes answer to the name of Soozles, but I suppose that would only do

for really intimate cheques. How would 'S. Beverley T.-Jones' do? I

shouldn't like to lose the 'Beverley' as it's a kind of family heirloom,

and I always use it, even when I'm writing to the sweep."

I edged away to the window and left them to settle the signature question

among themselves.

"And what kind of cheques would you like--'Order' or 'Bearer'?" I next

heard the Manager asking.

"Show me some patterns, please," commanded Suzanne.

On the wall was a frame containing a number of different cheque varieties,

to which her attention was directed.

"Haven't you any other colours?" she asked. "I thought a black-and-yellow

cheque would be rather becoming; but don't bother about it if it's not in

stock."

She ended by taking one book of blue and one of purple cheques, and with

these and a paying-in-book (which she said would do so nicely for spills)

we at last departed. From behind the closed door of the private office I

distinctly heard a prolonged sigh of relief.

A few days later I came upon Suzanne sitting at her writing-table and

examining a cheque with a mystified air.

"Anything wrong?" I asked.

"I don't quite know," she replied. "I sent Angela this cheque the other day

to pay for my ticket for the Law-Courts' Revel, and she says the Bank

people have returned it to her. And it's marked 'R.D.' in red ink. Who is

'R.D.'?"

"He's the gentleman who censors cheques; and he has a way of disqualifying

them when there's not enough cash to pay them. Suzanne, what have you done

with all that money I paid into your account last Monday?"

"But I've only paid those footling little bills. There must be tons of

money left, unless the Bank's been speculating with it."

"Let me have a look at that cheque," I said.

She handed it to me and I examined it carefully.

"I see it's signed 'Thine, Suzanne.'"

"But that's how I always sign myself to Angela," she said; "and the Manager

distinctly told me to use my customary signature."

"Signature--not signatures," I explained gently. "They're rooted in

convention at the Bank and can't bear the least approach to variety. And

what's this scribbled on the back of it?"

"Oh, that's only a note I dashed off to Angela telling her what I was going

to wear. It seemed such a pity to waste a sheet of notepaper when there was

all that space to spare."

I gave her a quarter-of-an-hour's lesson in the art of drawing cheques.

Then I took up the paying-in book which was lying on the table. I knew it

ought to be in a virgin state as I had added nothing to the entrance money.

"And what might all these figures portend?" I asked.

"Those? Oh, that's baby's weight-chart. I'm always going to keep it there."

Well, well, if Suzanne looks after the weighing-in I can at least control

the paying-in. And I left it at that.

* * * * *

[Illustration: _Brown._ "WHAT DID THEY GIVE OLD SLOWCOMBE THE O.B.E. FOR?"

_Jones._ "THE 'OTHER BEGGARS' ENERGY,' I IMAGINE."]

* * * * *

[Illustration: _Fond Parent_ (_who has done pretty well in woollens_).

"WELL, SONNY, WE'VE DECIDED TO GIVE YOU THE BEST EDUCATION THAT MONEY CAN

BUY. AFTER ALL, YOU WON'T HAVE TO DO ANYTHING EXCEPT BE A GENTLEMAN."]

* * * * *

Punch, or the London Charivari, Volume 158, March 3rd, 1920 · 第 18 / 35 题