DINNER-TABLE TALK

Many people suppose that it is the easiest thing in the world to dine if

you can get plenty to eat. This error is the foundation of much social

misery. The world that never dines, and fancies it has a grievance

justifying anarchy on that account, does not know how much misery it

escapes. A great deal has been written about the art of dining. From time

to time geniuses have appeared who knew how to compose a dinner; indeed,

the art of doing it can be learned, as well as the art of cooking and

serving it. It is often possible, also, under extraordinarily favorable

conditions, to select a company congenial and varied and harmonious

enough to dine together successfully. The tact for getting the right

people together is perhaps rarer than the art of composing the dinner.

But it exists. And an elegant table with a handsome and brilliant company

about it is a common conjunction in this country. Instructions are not

wanting as to the shape of the table and the size of the party; it is

universally admitted that the number must be small. The big

dinner-parties which are commonly made to pay off social debts are

generally of the sort that one would rather contribute to in money than

in personal attendance. When the dinner is treated as a means of

discharging obligations, it loses all character, and becomes one of the

social inflictions. While there is nothing in social intercourse so

agreeable and inspiring as a dinner of the right sort, society has

invented no infliction equal to a large dinner that does not “go,” as the

phrase is. Why it does not go when the viands are good and the company is

bright is one of the acknowledged mysteries.

There need be no mystery about it. The social instinct and the social

habit are wanting to a great many people of uncommon intelligence and

cultivation--that sort of flexibility or adaptability that makes

agreeable society. But this even does not account for the failure of so

many promising dinners. The secret of this failure always is that the

conversation is not general. The sole object of the dinner is talk--at

least in the United States, where “good eating” is pretty common, however

it may be in England, whence come rumors occasionally of accomplished men

who decline to be interrupted by the frivolity of talk upon the

appearance of favorite dishes. And private talk at a table is not the

sort that saves a dinner; however good it is, it always kills it. The

chance of arrangement is that the people who would like to talk together

are not neighbors; and if they are, they exhaust each other to weariness

in an hour, at least of topics which can be talked about with the risk of

being overheard. A duet to be agreeable must be to a certain extent

confidential, and the dinner-table duet admits of little except

generalities, and generalities between two have their limits of

entertainment. Then there is the awful possibility that the neighbors at

table may have nothing to say to each other; and in the best-selected

company one may sit beside a stupid man--that is, stupid for the purpose

of a 'tete-a-tete'. But this is not the worst of it. No one can talk well

without an audience; no one is stimulated to say bright things except by

the attention and questioning and interest of other minds. There is

little inspiration in side talk to one or two. Nobody ought to go to a

dinner who is not a good listener, and, if possible, an intelligent one.

To listen with a show of intelligence is a great accomplishment. It is

not absolutely essential that there should be a great talker or a number

of good talkers at a dinner if all are good listeners, and able to “chip

in” a little to the general talk that springs up. For the success of the

dinner does not necessarily depend upon the talk being brilliant, but it

does depend upon its being general, upon keeping the ball rolling round

the table; the old-fashioned game becomes flat when the balls all

disappear into private pockets. There are dinners where the object seems

to be to pocket all the balls as speedily as possible. We have learned

that that is not the best game; the best game is when you not only depend

on the carom, but in going to the cushion before you carom; that is to

say, including the whole table, and making things lively. The hostess

succeeds who is able to excite this general play of all the forces at the

table, even using the silent but not non-elastic material as cushions, if

one may continue the figure. Is not this, O brothers and sisters, an evil

under the sun, this dinner as it is apt to be conducted? Think of the

weary hours you have given to a rite that should be the highest social

pleasure! How often when a topic is started that promises well, and might

come to something in a general exchange of wit and fancy, and some one

begins to speak on it, and speak very well, too, have you not had a lady

at your side cut in and give you her views on it--views that might be

amusing if thrown out into the discussion, but which are simply

impertinent as an interruption! How often when you have tried to get a

“rise” out of somebody opposite have you not had your neighbor cut in

across you with some private depressing observation to your next

neighbor! Private talk at a dinner-table is like private chat at a parlor

musicale, only it is more fatal to the general enjoyment. There is a

notion that the art of conversation, the ability to talk well, has gone

out. That is a great mistake. Opportunity is all that is needed. There

must be the inspiration of the clash of minds and the encouragement of

good listening. In an evening round the fire, when couples begin, to

whisper or talk low to each other, it is time to put out the lights.

Inspiring interest is gone. The most brilliant talker in the world is

dumb. People whose idea of a dinner is private talk between

seat-neighbors should limit the company to two. They have no right to

spoil what can be the most agreeable social institution that civilization

has evolved.

The Complete Essays of Charles Dudley Warner · 第 29 / 122 题