SOCIAL SCREAMING

Of all the contrivances for amusement in this agreeable world the

“Reception” is the most ingenious, and would probably most excite the

wonder of an angel sent down to inspect our social life. If he should

pause at the entrance of the house where one is in progress, he would be

puzzled. The noise that would greet his ears is different from the deep

continuous roar in the streets, it is unlike the hum of millions of

seventeen-year locusts, it wants the musical quality of the spring

conventions of the blackbirds in the chestnuts, and he could not compare

it to the vociferation in a lunatic asylum, for that is really subdued

and infrequent. He might be incapable of analyzing this, but when he

caught sight of the company he would be compelled to recognize it as the

noise of our highest civilization. It may not be perfect, for there are

limits to human powers of endurance, but it is the best we can do. It is

not a chance affair. Here are selected, picked out by special invitation,

the best that society can show, the most intelligent, the most

accomplished, the most beautiful, the best dressed persons in the

community--all receptions have this character. The angel would notice

this at once, and he would be astonished at the number of such persons,

for the rooms would be so crowded that he would see the hopelessness of

attempting to edge or wedge his way through the throng without tearing

off his wings. An angel, in short, would stand no chance in one of these

brilliant assemblies on account of his wings, and he probably could not

be heard, on account of the low, heavenly pitch of his voice. His

inference would be that these people had been selected to come together

by reason of their superior power of screaming. He would be wrong.

--They are selected on account of their intelligence, agreeableness, and

power of entertaining each other. They come together, not for exercise,

but pleasure, and the more they crowd and jam and struggle, and the

louder they scream, the greater the pleasure. It is a kind of contest,

full of good-humor and excitement. The one that has the shrillest voice

and can scream the loudest is most successful. It would seem at first

that they are under a singular hallucination, imagining that the more

noise there is in the room the better each one can be heard, and so each

one continues to raise his or her voice in order to drown the other

voices. The secret of the game is to pitch the voice one or two octaves

above the ordinary tone. Some throats cannot stand this strain long; they

become rasped and sore, and the voices break; but this adds to the

excitement and enjoyment of those who can scream with less inconvenience.

The angel would notice that if at any time silence was called, in order

that an announcement of music could be made, in the awful hush that

followed people spoke to each other in their natural voices, and

everybody could be heard without effort. But this was not the object of

the Reception, and in a moment more the screaming would begin again, the

voices growing higher and higher, until, if the roof were taken off, one

vast shriek would go up to heaven.

This is not only a fashion, it is an art. People have to train for it,

and as it is a unique amusement, it is worth some trouble to be able to

succeed in it. Men, by reason of their stolidity and deeper voices, can

never be proficients in it; and they do not have so much practice--unless

they are stock-brokers. Ladies keep themselves in training in their

ordinary calls. If three or four meet in a drawing-room they all begin to

scream, not that they may be heard--for the higher they go the less they

understand each other--but simply to acquire the art of screaming at

receptions. If half a dozen ladies meeting by chance in a parlor should

converse quietly in their sweet, ordinary home tones, it might be in a

certain sense agreeable, but it would not be fashionable, and it would

not strike the prevailing note of our civilization. If it were true that

a group of women all like to talk at the same time when they meet (which

is a slander invented by men, who may be just as loquacious, but not so

limber-tongued and quick-witted), and raise their voices to a shriek in

order to dominate each other, it could be demonstrated that they would be

more readily heard if they all spoke in low tones. But the object is not

conversation; it is the social exhilaration that comes from the wild

exercise of the voice in working off a nervous energy; it is so seldom

that in her own house a lady gets a chance to scream.

The dinner-party, where there are ten or twelve at table, is a favorite

chance for this exercise. At a recent dinner, where there were a dozen

uncommonly intelligent people, all capable of the most entertaining

conversation, by some chance, or owing to some nervous condition, they

all began to speak in a high voice as soon as they were seated, and the

effect was that of a dynamite explosion. It was a cheerful babel of

indistinguishable noise, so loud and shrill and continuous that it was

absolutely impossible for two people seated on the opposite sides of the

table, and both shouting at each other, to catch an intelligible

sentence. This made a lively dinner. Everybody was animated, and if there

was no conversation, even between persons seated side by side, there was

a glorious clatter and roar; and when it was over, everybody was hoarse

and exhausted, and conscious that he had done his best in a high social

function.

This topic is not the selection of the Drawer, the province of which is

to note, but not to criticise, the higher civilization. But the inquiry

has come from many cities, from many women, “Cannot something be done to

stop social screaming?” The question is referred to the scientific branch

of the Social Science Association. If it is a mere fashion, the

association can do nothing. But it might institute some practical

experiments. It might get together in a small room fifty people all let

loose in the ordinary screaming contest, measure the total volume of

noise and divide it by fifty, and ascertain how much throat power was

needed in one person to be audible to another three feet from the

latter's ear. This would sift out the persons fit for such a contest. The

investigator might then call a dead silence in the assembly, and request

each person to talk in a natural voice, then divide the total noise as

before, and see what chance of being heard an ordinary individual had in

it. If it turned out in these circumstances that every person present

could speak with ease and hear perfectly what was said, then the order

might be given for the talk to go on in that tone, and that every person

who raised the voice and began to scream should be gagged and removed to

another room. In this room could be collected all the screamers to enjoy

their own powers. The same experiment might be tried at a dinner-party,

namely, to ascertain if the total hum of low voices in the natural key

would not be less for the individual voice to overcome than the total

scream of all the voices raised to a shriek. If scientific research

demonstrated the feasibility of speaking in an ordinary voice at

receptions, dinner-parties, and in “calls,” then the Drawer is of opinion

that intelligible and enjoyable conversation would be possible on these

occasions, if it becomes fashionable not to scream.

The Complete Essays of Charles Dudley Warner · 第 17 / 122 题