CHAPTER VIII

'Come and see our mad potter before you go home, Miss Tweedie,' pleaded

George Keene, 'he really is one of the shows, isn't he, Fitzgerald?'

They had been doing the sights of Hodinuggur as an afternoon's

amusement; tennis in a riding-habit having no attractions for Rose.

Mrs. Boynton, however, on the plea of being a zenana lady, had elected

to remain on the roof, Colonel Tweedie keeping her company until the

time came for his return visit of state to the Diwan on his tower.

Lewis might have made the same choice had he been given it; but he was

not. So he had preferred loafing round the ruins to toiling after

problematical black buck with the sporting party, and made a pleasant

companion, as even Rose admitted; being ready with information on most

points, and between the references talking affably with Dan regarding

the respective merit of Schultze _versus_ brown powder; thus leaving

the younger couple to themselves. So his change of manner stood out

with unusual distinctness as Rose turned to him for consent to George

Keene's invitation.

'As you please, Miss Tweedie; we are your slaves. A mad potter sounds

cheerful; he is the man, I suppose, who made that jolly little pot

Keene sacrificed to my cousin's greed this morning. When you are as old

as I am, my dear fellow, you will really keep the pretty things out of

the sight of ladies. I always do, nowadays. There was a little woman at

Peshawur, I remember--she had blue eyes--who wheedled----'

'Mrs. Boynton was most welcome to the Ayodhya pot,' blurted out George

hastily.

'_Cela va sans dire!_ It is just because we love to give the pretty

things to the pretty creatures that it becomes unwise to let the pretty

creatures see the pretty things.'

'Then it is your fault, to begin with,' interrupted Rose hotly.

'Exactly so. I'm sure, Miss Tweedie, you have heard me say a dozen

times that we men are to blame for all the weaknesses of women. They

are simply the outcome of our likes and dislikes; and they will remain

so until there is a perpetual leap-year.'

'For heaven's sake, Keene,' said Dan, laughing, 'lead the way to the

potter's or there will be murder done on the King's Highway! Don't mind

him, Miss Rose! He "only says it to annoy because he knows it teases."

He doesn't really believe anything of the kind.'

Lewis, his eye-glass more aggressive than ever, murmured something

under his breath about the inevitable courses of nature, as Rose, with

her head held very high, followed George Keene into the potter's yard.

It was a scene strangely at variance with the party entering it.

Indeed, old Fuzl Elahi, who had never before set eyes on an

Englishwoman, would have started from his work had not George detained

him with reassuring words:

'He tells his yarns best when he is at the wheel,' he explained as he

dragged forward a low string stool for Rose. 'And I want you to hear an

awfully queer one called "The Wrestlers." You know enough of the

language to understand him at any rate.'

'Miss Tweedie is a better scholar than most of us,' remarked Lewis

Gordon curtly from the seat he had found beside Dan on a great log of

wood; one of those logs so often to be seen in such courtyards--relics,

perhaps, of some ineffectual intention of repair long since forgotten.

This one might, to all appearance, have fallen where it lay in those

bygone days of which the potter told tales, when the now treeless

desert had been a swampy jungle on the borders of an inland sea.

The afternoon sun, slanting over the grass palisades, played havoc with

the humanity it found gathered round the wheel by sending their shadows

distorted to long lengths across the yard, and tilting them at odd

angles against the irregular wall of the mud hut beyond. Altogether a

conglomerate pyramid of shadows, with the potter's high turban

dominating it as he sat silent, spinning his wheel. And as the clay

curved and hollowed beneath his moulding hand a puzzled look came to

the light eyes, which, usually so shifty, were now fixed with a sort of

fascination upon that strange figure in the riding-habit.

'It is not there,' he muttered uneasily, 'I cannot find a clew.'

George gave Rose the triumphant glance of a child displaying a

mechanical toy when it behaves as it ought to behave. The potter was

evidently in a mad mood, and might be trusted for a good performance.

'Now, Fuzl Elahi, we want "The Wrestlers," please. The Miss sahiba has

never heard it.'

'How could she?' broke in the old man sharply. 'She does not belong to

that old time. She is new. I cannot even tell the old tale if she sits

there in the listener's place. I shall forget, the old will be lost in

the new; as it is ever.'

'Change places with me, Miss Tweedie,' put in Lewis with a bored look.

'I am not regenerate out of the old Adam, am I, potter-ji?'

But as he rose the pliant hand went out in a gesture of denial. 'There

is room on the log for both, and crows roost with crows, pigeons with

pigeons. The big Huzoor can sit on the stool if he likes. I know him. I

have seen him many and many a time.'

'Only once, potter-ji,' protested Dan, as he and Rose changed places

and the wheel began to hum.

'The post is going from Logborough junction to St. Potter's burgh,'

murmured Lewis discontentedly. 'If we are going to play round games I

shall go home.'

'Do be quiet, Gordon!' put in George eagerly; 'he is just beginning,

and it really is worth hearing.

But Lewis was incorrigible. '_Proxime accessit_,' he went on, to Rose,

'what crime in your past incarnation is responsible for your being

bracketed with me in this?'

'Oh, do listen,' protested George again.

'Listen! Who could help listening to that infernal noise?--I beg your

pardon, Miss Tweedie, but it is infernal.'

It was startling, certainly. A shrill moan coming from the racing,

rocking, galloping wheel as the worker's body swayed to and fro like a

pendulum. It seemed to rouse a vague sense of unrest in the hearers, a

dim discomfort like the remembrance of past pain. Then suddenly the

story began in a high-pitched persistent voice, round which that

racing, galloping rush of the wheel seemed to circle, hurrying it,

pushing at it, every now and again sweeping it along recklessly.

'It was a woman seeking something,

_Over hill and dale, through night and day, she sought for

something_.

The wrestlers who own the world wrestled for her,

On the palm of her right hand wrestling for her,

"She is mine, she is mine," said one and the other,

_While over hill and dale, through night and day, she sought

for something_.

"O flies? you tickle the palm of my hand,

Be off and wrestle down in your world."

So they brought flowers and grass as a carpet,

Wrestling on as she sought for something--

_Over hill and dale, through night and day, seeking for

something_.

"Your carpet is hot, be off, you flies."

So they brought her trees and water for cooling,

Wrestling on as she sought for something--

_Over hill and dale, through night and day, seeking for

something_.

"The grass grows long with the water," she cried,

"Be off, O flies, and tickle your world."

So they brought her flocks to devour the grass,

Wrestling on as she sought for something--

_Over hill and dale, through day and night, seeking for

something_.

"They have trodden my palm as hard as a cake."

So they caught up a plough and ploughed her hand,

Wrestling on while she sought for something--

_Over hill and dale, through day and night, seeking for

something_.

"You have furrowed my palm; it tickles and smarts."

So they brought a weaver and wove her lint,

Wrestling on while she sought for something--

_Over hill and dale, through night and day, seeking for

something_.

"Foul play! Foul play! Look down and decide,"

"Not I, poor flies, I must search for something."

So they caught up a town to watch the game.

"He is right! He is wrong!" cried old and young.

"He is wrong! He is right!" And so war began.

While they wrestled away and she sought for something,

_Over hill and dale, through night and day, seeking for

something_.

"What a noise you make; I am tired of flies."

So she swept them into a melon rind.

"Be quiet, flies! lie still in the dark."

She clapped her palm to the hole in the rind.

"I'm tired of it all, I will go to sleep;

When morning comes I will seek for something--

_Over hill and dale, through night and day, I must seek for

something_".

She rested her head on her palm, and slept,

Down in the valley close to the river;

Slept to the tune of the buzzing flies,

Wrestling and fighting about fair play.

And while she slept the big Flood came,

And the melon pillow floated away.

And all within swarmed out to the sun--

Grass, and herds, and ploughs, and looms.

People fighting for none knows what.

"I have made a new world," she said, with a laugh.

"A brand-new world; and the flies have gone.

But the palm of my right hand tickles still,

May be it will cool when I find what I seek."

So she left her new world down by the river,

Left it alone and sought for something--

_Over hill and dale, through night and day, seeking for

something_.'

The galloping wheel, which had responded always to the mad hurry of the

recurring refrain, slackened slowly. Rose gave a sigh of relief, and

glanced at Lewis Gordon to see if he too had been oppressed by that

shrinking recognition of a stress, a strain, a desire, such as she had

never felt before; but he was leaning forward, his chin on his curved

hand, intent on listening, so she could not see his face.

'By the powers,' came Dan Fitzgerald's voice above the softening hum,

'the old chap has made an Ayodhya pot--the same shape, I mean.'

'He always does when he tells this story,' broke in George, quite

pleased with the success of his entertainment. 'I don't think he quite

knows why he does it, however. Sometimes he says the woman was looking

for one; sometimes that she always carries one in her left hand to

balance the world in her right. But he always takes the unbaked pot to

the ruins and buries it with two of those odd little ninepins, he calls

men and women, inside it. He is as mad as a hatter, you know.'

'Several hatters,' assented Gordon fervently, 'but it is an interesting

theory of creation.'

'Now don't,' protested Dan, sitting with his long legs crunched up on

the low stool close to the potter. 'It is too human for dissection

by the Folklore Society. But I'm surprised at one thing. The

wrestlers--they are persistent figures in Indian tales, Miss

Tweedie--are generally represented as giants. They are pigmies here.'

'The Huzoor is right and wrong,' replied the potter in answer to an

inquiry; 'the pailwans were neither pigmies nor giants. They were as

the Huzoor--two and a half haths round the chest--neither more nor

less.'

'That's a good shot,' remarked Dan in English, 'forty-five inches

according to my tailor. You have an accurate eye, potter-ji,' he added

in Hindustani, 'only half an inch out.'

'Not a hair's-breadth, Huzoor,' replied the old man mildly. 'The

measures of the pailwans is the measure of the Huzoor. I have it here;

my fathers used it, and I use it.'

He sought a moment in the little niche, hollowed, close to his right

hand, out of the hard soil forming the side of his sunken seat, and

drew from it a fine twisted cord of brown, red, and cream coloured

wool. It was divided into measures by small shells strung on the twist

and knotted into their places.

'Hullo!' cried Gordon eagerly, 'that must be hundreds of years old.

Those are sea-shells, and very rare. Simpson at the museum showed me

one in fossil the other day. I wonder how the dickens the old man got

hold of them?'

'Two and a half haths,' repeated Fuzl Elahi absently, 'the potter's

full measure for a man in the beginning and the end.' He leaned forward

rapidly as he spoke, passed the cord round Dan Fitzgerald's chest, and

drew the ends together. The curled spirals of the two shells lay half

an inch apart. 'So much for the garments,' he muttered. 'Yea! I knew

it. The measure of a true pailwan to a hair's breadth.

'And what am I, potter-ji?' asked George, laughing.

The puzzled look came back to the old man's face. 'The Huzoor may be a

pailwan too. Times have changed.'

'Rough on a fellow, rather!' exclaimed the boy, still laughing. 'Here,

Fitz! chuck me over the thing. Is that fair, Miss Tweedie?'

She laughed back into his bright face, as he pulled his hardest to make

the two second shells meet, then shook her head.

'Not on yourself, Mr. Keene. You are more of a hero than that, I should

say.'

The potter's eyes were on her, then back on George. 'Everything is

changed,' he muttered again, 'even the measure of the pots.'

'Then you measure them, do you?' asked Gordon, to whom George had

handed the cord, and who was now examining it minutely.

'Surely, Huzoor. The first one of each batch. Then the hand learns the

make.'

'Try what make you are, Gordon?' suggested Dan.

'Not I. Here, potter-ji, catch. Miss Tweedie and I, according to the

best authority, are abnormal; we are not ordinary pots, so I, for one,

decline to be measured by their standard. And now, if some of us are to

be in time for such trivialities as dinner, we ought to be going.'

The potter rose also and stepped out of his hole. Seen thus at full

length, he showed insignificant, his hairy, bandy, almost beast-like

legs, contrasting strangely with the mild high-featured face, with its

expression of puzzled anxiety, as he laid a deprecating hand on George

Keene's sleeve.

'Wants bucksheesh, I suppose,' murmured Lewis. 'I have some rupees

somewhere, if you want them, Keene.' But it was not money; it was only

leave to speak to the 'madr mihrban.'

'That's a nice name for you, Miss Rose,' said Dan softly--'Mother of

mercy--a name to be glad of.'

She blushed as she went forward a step, asking, 'What is it? what can I

do for you?'

He stooped to touch her feet with his supple hands ere replying.

'Huzoor! it is a little thing. Fuzl Elahi, potter of Hodinuggur, has a

daughter somewhere. Perhaps she has gone to the Huzoor's world; it is

new, I do not know it. If the "madr mihrban" were to see her, she might

tell her to come back--just once--only once. I would not keep her. But

now I have no answer when my father says: "Where is thy little

Azizan?"'

'Azizan!' echoed George quickly. But the old man seemed almost to have

forgotten his own request. He stood looking past the strangers, past

the village, past even the ruins, into the sunset sky.

'I will send her--if I see her,' said Rose gently, with tears in her

eyes; for George had told her the story of the lost daughter, and the

sudden, diffident appeal touched her. Yet the vast gulf between her and

the old man touched and oppressed her still more, as she left him

standing alone beside his wheel.

'Well!' said Lewis Gordon, when in silence they had reached the road

again. 'You may call that amusement, Keene, if you like; I don't. When

I get home, I shall have a sherry and bitters.'

'He _is_ rather a gruesome old chap,' admitted George cheerfully. 'I

felt a bit creepy myself the first time I heard that song--by the way,

Miss Tweedie, talking of creepiness, did I tell you about the Potter's

Thumb? I didn't! Oh,--that is really a grand tale.' He told it,

happily, as an excellent sequel to the show, while Dan, in one of his

best moods, piled on the imaginative agony about Hodinuggur generally,

until Lewis announced his intention of returning to the palace by the

longer way. He would be late, of course, but that was preferable to

having no appetite for dinner!

'By Jove! seven o'clock,' cried Dan, looking at his watch. 'And you and

I, George, have to get over to the bungalow. We must run for it.'

Rose watched them racing down the path, laughing and talking as they

ran, with a troubled look.

'Fine specimens, Miss Tweedie,' remarked Lewis after a pause. 'I don't

think you need fear their cracking in the fire.'

'I--I--' faltered Rose, taken aback by his comprehension.

'Am Scotch! That's sufficient excuse. I notice we seldom get rid of our

native superstition. Besides, it _was_ uncanny--the yard-measure and

the Potter's Thumb, and that horse-leech of a woman, who was never

satisfied. I felt it myself.'

She knew he was speaking down to her as a nervous woman; yet she did

not resent it, because it was a distinct relief not to be taken

seriously.

'I wish they had not been measured, for all that,' she persisted. 'You

will own it was odd, won't you?'

'Not so odd as Dan himself! He has been cracked ever since I knew him.

And Keene is one of the sterling sort, certain of success; besides, he

measured himself! Now, before you go upstairs to dress, if your Scotch

blood is still curdling, as mine is, have a half of sherry and bitters

with me. Crows roost with crows, you remember.'

His friendliness beguiled her into playfulness.

'Crows indeed! then I've a better opinion of you than you have of me. I

thought we were meant for the pigeons.'

'To bill and coo?'

If she could have boxed his ears, it would have relieved her feelings.

As it was, she raced upstairs, in a fury, without vouchsafing one word

of resentment, and paced up and down her tiny room with flaming cheeks.

Could a girl be expected, for ever and aye, to be on the outlook for

such openings? Of course Gwen Boynton would have laughed easily--would

not have minded, perhaps; but then Gwen was charming--everything

apparently that a woman ought to be!

Rose looked at herself in her dusty habit. She would have to go down to

dinner in it, and challenge comparisons with Gwen in her silks and

tinsel. Why should she? No one would care, no one would have a right to

care if she did stay in her room with a headache. The next instant she

was ashamed of the impulse. What did it matter?--they were welcome to

their opinion. As for her, she would adopt no feminine excuse; she

would leave those little devices to men's women. So she brushed her

habit, and went out, with a heightened colour, to join the others.

The Potter's Thumb · 第 8 / 28 章