[THE HAMPTON SINGER, By Dorothy Abbott, New York City]
THE HAMPTON SINGER
_By _DOROTHY ABBOTT, _New York City_
[THE ARCH OF JEWELS, NEW YORK CITY, By William A. Alcock, New York City]
THE ARCH OF JEWELS, NEW YORK CITY
_By _WILLIAM A. ALCOCK, _New York City_
[WILLOW VALLEY, By Charles K. Archer, Pittsburgh, Pa.]
WILLOW VALLEY
_By _CHARLES K. ARCHER, _Pittsburgh, Pa._
[PRAYERS OF BUDDHA, By F. Bauer, San Francisco, Cal.]
PRAYERS OF BUDDHA
_By _F. BAUER, _San Francisco, Cal._
[THE SWANS, By Jesse Tarbox Beals, New York City]
THE SWANS
_By _JESSE TARBOX BEALS, _New York City_
[ABOVE THE CLOUDS, By Clark Blickensderfer, Denver, Colo.]
ABOVE THE CLOUDS
_By _CLARK BLICKENSDERFER, _Denver, Colo._
[GRAMERCY PARK, By Mary F. Boyd, Chambersburg, Pa.]
GRAMERCY PARK
_By _MARY F. BOYD, _Chambersburg, Pa._
[HILL TOP—WINTER, By George Butler, Worcester, Mass.]
HILL TOP—WINTER
_By _GEORGE BUTLER, _Worcester, Mass._
[WEISSTHURM—ROTENBURG O. TAUBER, By A. D. Chaffee, New York City]
WEISSTHURM—ROTENBURG O. TAUBER
_By _A. D. CHAFFEE, _New York City_
[CABLES, By Arthur D. Chapman, West Hoboken, N.J.]
CABLES
_By _ARTHUR D. CHAPMAN, _West Hoboken, N.J._
[BOOKPLATE, By Alfred Cohn, Brooklyn, N.Y.]
BOOKPLATE
_By _ALFRED COHN, _Brooklyn, N.Y._
[THE BUGLE CALL, By Dwight A. Davis, Worcester, Mass.]
THE BUGLE CALL
_By _DWIGHT A. DAVIS, _Worcester, Mass._
[THE BRIDGE, By John Paul Edwards, Sacramento, California]
THE BRIDGE
_By _JOHN PAUL EDWARDS, _Sacramento, California_
[MY FATHER, By Vernon E. Duroe, Brooklyn, N.Y.]
MY FATHER
_By _VERNON E. DUROE, _Brooklyn, N.Y._
[MAIDS O’ THE MIST, By Mr. and Mrs. J. D. Drew, Montclair, N.J.]
MAIDS O’ THE MIST
_By _MR. AND MRS. J. D. DREW, _Montclair, N.J._
[AFTERNOON TEA, By Eleanor C. Erving, Albany, N.Y.]
AFTERNOON TEA
_By _ELEANOR C. ERVING, _Albany, N.Y._
[SUMMER PORTRAIT, By Laura Gilpin, Colorado Springs, Colo.]
SUMMER PORTRAIT
_By _LAURA GILPIN, _Colorado Springs, Colo._
[SUNLIGHT—TAOS, By Forman Hanna, Globe, Arizona]
SUNLIGHT—TAOS
_By _FORMAN HANNA, _Globe, Arizona_
[DICK’S STALL, By G. W. Harting, New York City]
DICK’S STALL
_By _G. W. HARTING, _New York City_
[BETH-EL, By Edward Heim, New York City]
BETH-EL
_By _EDWARD HEIM, _New York City_
[THE TOILERS, By Eugene P. Henry, Brooklyn, N.Y.]
THE TOILERS
_By _EUGENE P. HENRY, _Brooklyn, N.Y._
[ARCHES OF THE MUNICIPAL BUILDING, By Atoinette B. Hervey, New York City]
ARCHES OF THE MUNICIPAL BUILDING
_By _ATOINETTE B. HERVEY, _New York City_
[MORNING—PLYMOUTH, By Lillian M. Hobart, Northborough, Mass.]
MORNING—PLYMOUTH
_By _LILLIAN M. HOBART, _Northborough, Mass._
[LAST OF THE SQUARE RIGGERS, By G. Buell and Hebe Hollister, Corning,
N.Y.]
LAST OF THE SQUARE RIGGERS
_By _G. BUELL AND HEBE HOLLISTER, _Corning, N.Y._
[WAR VETERANS, By Millie Hoops, New York City]
WAR VETERANS
_By _MILLIE HOOPS, _New York City_
[STILL LIFE, By D. S. Horne, Princeton, N.J.]
STILL LIFE
_By _D. S. HORNE, _Princeton, N.J._
[THE SUNSHINE OF JOHNNIE’S SMILE, By Roberta Hostetler, Davenport, Iowa]
THE SUNSHINE OF JOHNNIE’S SMILE
_By _ROBERTA HOSTETLER, _Davenport, Iowa_
[SUN DRYING, By H. A. Hussey, Berkeley, Cal.]
SUN DRYING
_By _H. A. HUSSEY, _Berkeley, Cal._
[PORTRAIT, By Doris U. Jaeger, New York City]
PORTRAIT
_By _DORIS U. JAEGER, _New York City_
[THE PIPES OF PAN, By Myers R. Jones, Brooklyn, N.Y.>]
THE PIPES OF PAN
_By _MYERS R. JONES, _Brooklyn, N.Y._
[IN AN ITALIAN VILLAGE, By H. A. Latimer, Boston, Mass.]
IN AN ITALIAN VILLAGE
_By _H. A. LATIMER, _Boston, Mass._
[CROW’S NEST RESTAURANT, By Sophie L. Lauffer, Brooklyn, N.Y.]
CROW’S NEST RESTAURANT
_By _SOPHIE L. LAUFFER, _Brooklyn, N.Y._
[THE QUARRY, By GEORGE P. LESTER, Bloomfield, N. J.]
THE QUARRY
_By _GEORGE P. LESTER, _Bloomfield, N. J._
[DETAIL OF CALIFORNIA BUILDING, By Florence Burton Livingston, Mohegan
Lake, N.Y.]
DETAIL OF CALIFORNIA BUILDING
_By _FLORENCE BURTON LIVINGSTON, _Mohegan Lake, N.Y._
[SUNBEAMS, By Ben J. Lubschez, New York City]
SUNBEAMS
_By _BEN J. LUBSCHEZ, _New York City_
[ALONG THE CANAL, By William Elbert Macnaughton, Brooklyn, N.Y.]
ALONG THE CANAL
_By _WILLIAM ELBERT MACNAUGHTON, _Brooklyn, N.Y._
[SPRING, By Holmes I. Mettee, Arlington, Md.]
SPRING
_By _HOLMES I. METTEE, Arlington, Md.
[SYMPATHY, By Hervey W. Minns, Kenmore, Ohio]
SYMPATHY
_By _HERVEY W. MINNS, _Kenmore, Ohio_
[THE MEADOW, By Robert B. Montgomery, Brooklyn, N.Y.]
THE MEADOW
_By _ROBERT B. MONTGOMERY, _Brooklyn, N.Y._
[THE RAILWAY STATION, By Henry Hoyt Moore, Brooklyn, N.Y.]
THE RAILWAY STATION
_By _HENRY HOYT MOORE, _Brooklyn, N.Y._
[Cultivating, By L. Pokras, Brooklyn, N. Y.]
CULTIVATING
_By _L. POKRAS, _Brooklyn, N. Y._
[PORTRAIT—MISS F., By Arthur Racicot, Quantico, Va.]
PORTRAIT—MISS F.
_By _ARTHUR RACICOT, _Quantico, Va._
[TO THE UNKNOWN SHORE, By Lawrence C. Randall, Columbus, Ohio]
TO THE UNKNOWN SHORE
_By _LAWRENCE C. RANDALL, _Columbus, Ohio_
[THE EAST RIVER, By D. J. Ruzicka, New York City]
THE EAST RIVER
_By _D. J. RUZICKA, _New York City_
[CLOSING OF AN AUTUMN DAY, By J. G. Sarvent, Kansas City, Mo.]
CLOSING OF AN AUTUMN DAY
_By _J. G. SARVENT, _Kansas City, Mo._
[THE VANISHING ROAD, By Otto C. Shulte, San Francisco, Cal.]
THE VANISHING ROAD
_By _OTTO C. SHULTE, _San Francisco, Cal._
[THE HOUR OF TWILIGHT, By William Gordon Shields, New York City]
THE HOUR OF TWILIGHT
_By _WILLIAM GORDON SHIELDS, _New York City_
[A SONG, By Guy Spencer, New York City]
A SONG
_By _GUY SPENCER, _New York City_
[OPEN-AIR PULPIT, GRACE CHURCH, By Elizabeth G. Stoltz, Marion, Ohio]
OPEN-AIR PULPIT, GRACE CHURCH
_By _ELIZABETH G. STOLTZ, _Marion, Ohio_
[L’ENTRE’ACTE, By Mankichi Sugimoto, New York City]
L’ENTRE’ACTE
_By _MANKICHI SUGIMOTO, _New York City_
[FARMYARD, By George P. Swain, East Orange, N.J.]
FARMYARD
_By _GEORGE P. SWAIN, _East Orange, N.J._
[CARLOTTA, By Lacy Van Wagenen, Orange, N.J.]
CARLOTTA
_By _LACY VAN WAGENEN, _Orange, N.J._
[MRS. PICKFORD, By Mabel Watson, Pasadena, California]
MRS. PICKFORD
_By _MABEL WATSON, _Pasadena, California_
[THE LITTLE ART SHOP—WOODSTOCK, By Anthony J. Weis, New York City]
THE LITTLE ART SHOP—WOODSTOCK
_By _ANTHONY J. WEIS, _New York City_
[THE DANCE, By Delight Weston, Blue Hill, Maine]
THE DANCE
_By _DELIGHT WESTON, _Blue Hill, Maine_
[SISTERS, By Clarence H. White, New York City]
SISTERS
_By _CLARENCE H. WHITE, _New York City_
[SAND DUNE, By Mildred Ruth Wilson, Flushing, Long Island]
SAND DUNE
_By _MILDRED RUTH WILSON, _Flushing, Long Island_
_THE_ PICTORIAL PHOTOGRAPHERS _OF_ AMERICA
The objects of the Pictorial Photographers of America are to stimulate and
encourage those engaged and interested in the Art of Photography; to
enlist the aid of museums and public libraries in adding photographic
prints to their departments; to stimulate public taste through
exhibitions, lectures, and publications; to invite exhibits of foreign
work; and generally to promote education in this Art so as to raise the
standards of Photography in the United States of America.
Meetings of the Association are held in New York City on the first Monday
of each month. During the winter of 1919-1920 the following lecturers
addressed the Association at these meetings: Mr. Robert J. Cole, Art
Reviewer, New York Evening Sun, on “Man and the Camera;” Mr. H. J. Potter,
of the Eastman Kodak Company, on “Both Ways from F-8;” Mr. Albert Sterner,
on “Before the Click of the Shutter;” Mr. Pirie MacDonald and Mr. E. B.
Core, on “The Pictorial Side of Professional Photography;” and Mr. Walter
G. Wolfe, on “The Use of the Soft Focus Lens.” Mr. Allen Eaton, Field
Secretary of the American Federation of Arts; Mr. William M. Ivins,
Curator of Prints, Metropolitan Museum of Art; Dr. Frank Weitenkampf, of
the New York Public Library; Prof. Charles H. Farnsworth, of Columbia
University, and Walter L. Hervey, Ph.D., also made addresses.
Another feature of the meetings which added to their interest and
usefulness was a monthly print competition. Prints were submitted by
members from all parts of the United States, judged by a committee in
advance of the meeting, and a selection of ten prints presented to the
members for their consideration. From these they chose each month the two
best prints.
The Pictorial Photographers of America this year for the first time
arranged an exhibition of prints in Europe. Acting on the invitation of
the Copenhagen Photographic Amateur Club to cooperate in celebrating its
Twenty-fifth Anniversary, about 350 prints from leading pictorialists all
over this country were assembled and forwarded in July to Copenhagen.
At home, in cooperation with the American Federation of Arts, the
Pictorial Photographers of America exhibited at the following museums the
hundred prints which are reproduced in “Pictorial Photography in America
for 1920.” The John Herron Art Institute of Indianapolis, The Jackson Art
Association of Michigan, The Boston Society of Arts and Crafts, The
Mechanics Institute of Rochester, The Arnot Art Gallery of Elmira; and
during May, at the University of Virginia.
During the past season the Association has cooperated with other
organizations of a similar nature in planning for and establishing an Art
Center in New York City. The plans for this have been successfully worked
out, funds are already in hand for its accomplishment and buildings
purchased for occupancy. This will provide a home for our Association, a
splendid gallery for exhibitions, and thus make certain of immediate
accomplishment plans for our future which have seemed impracticable up to
the present time.
In publishing “Pictorial Photography in America for 1921” the Association
has invited the cooperation of pictorialists whether or not members of the
organization. We hope that it will interest in our work men and women,
whether photographers or not, who are interested in the development of the
Art of Photography. The Secretary will gladly give more detailed
information about the work of the Association and its plans for the coming
year to any who are interested.
JERRY D. DREW, _Secretary._
National Arts Club, 119 East 19th Street, New York City.
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