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Prominent among numbers for the year 1914 are _Des Imagistes_, an
anthology of the Imagists' movement in England, including
_Pound_, _Hueffer_, _Aldington_, _Flint_ _and others_; essays by
ELLEN KEY; a play by FRANK WEDEKIND; collects and prose pieces by
HORACE TRAUBEL; and THE DOINA, translations by MAURICE AISEN of
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"The Imagists are keenly sensitive to the more picturesque
aspects of Nature."--The Literary Digest.
"... contains an infinite amount of pure beauty."--The Outlook
(London).
"These young experimentalists are widening the liberties of
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"It sticks out of the crowd like a tall marble monument."--The
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Mariana
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THE EGOIST
AN INDIVIDUALIST REVIEW
Editor: Harriet Shaw Weaver
Assistant Editor: Richard Aldington
Contributing Editor: Dora Marsden, B. A.
THE EGOIST is written solely for intelligent people.
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Although THE EGOIST is intended for the intelligent it is read by
most of the well-known people in London. It succeeds however in
scaring unintelligence to a becoming humility.
Its articles on political philosophy are a special feature.
THE EGOIST is also, in some sort, the organ of the Imagistes. The
poetry published every fortnight in its columns is obviously the
only interesting poetical matter now being written in English.
The Imagistes are nothing if not self-appreciative. But then
their critical tact is exquisite.
Let no one suppose that EGOIST writers have truck with the divers
unseemly poetical journals of their unhappy country.
Among the contributors to THE EGOIST are: Dora Marsden, Remy de
Gourmont, (translated by C. Sartoris and Richard Aldington), Ford
Madox Hueffer, Ezra Pound, F. S. Flint, Richard Aldington, Allen
Upward, James Joyce, Wyndham Lewis, Frances Gregg, John Cournos,
William Carlos Williams, "H. D." Skipwith Cannell, Reginald
Wright Kauffman, Muriel Ciolkowska, Huntly Carter.
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Transcriber's Notes
Advertisements were collected at the end of the text.
The table of contents on the title page was adjusted in order to reflect
correctly the headings in this issue of THE LITTLE REVIEW.
The article "The Viennese Dramatists"--in the print interrupted on page
35--was continued on page 55. The continued text on page 55, starting
with "... namely, that the ordinary is really ...", was therefore moved
directly after page 35.
The original spelling was mostly preserved. A few obvious typographical
errors were silently corrected. All other changes are shown here
(before/after):
[p. 26]:
... land in distant oceans, that he may make amends to the
children for there ...
... land in distant oceans, that he may make amends to the
children for their ...
[p. 26]:
... marvels to have torn themselves lose from it. "No more
Sehnsucht ...
... marvels to have torn themselves loose from it. "No more
Sehnsucht ...
[p. 52]:
... fadded flowers touched with sulphur and pressed between the
leaves of a ...
... faded flowers touched with sulphur and pressed between the
leaves of a ...