Chapter III

At the _Load of Mischief_

By next morning Bredon’s spirits had risen. He had received by the

early post a confidential letter from the company describing Mr.

Mottram’s curious offer, and suggesting (naturally) that the state of

his health made suicide a plausible conjecture. The morning was fine,

the car running well, the road they had selected in admirable

condition. It was still before tea time when they turned off from its

excellent surface onto indifferent by-roads, through which they had to

thread their way with difficulty. The signposts, as is the wont of

English signposts, now blazoned “Chilthorpe,” “Chilthorpe,”

“Chilthorpe,” as if it were the lodestone of the neighbourhood, now

passed it over in severe silence, preferring to call attention to the

fact that you were within five furlongs of Little Stubley. They had

fallen, besides, upon hill country, with unexpected turns and

precipitous gradients; they followed with enforced windings the bleak

valley of the Busk, which swirled beneath them over smooth boulders

between desolate banks. It was just after they had refused the fifth

invitation to Little Stubley that the County Council’s arrangements

played them false; there was a clear issue between two rival roads,

with no trace of a signpost to direct their preference. It was here

that they saw, and hailed, an old gentleman who was making casts into

a promising pool about twenty yards away.

“Chilthorpe?” said the old gentleman. “All the world seems to be

coming to Chilthorpe. The County Council does not appear to have

allowed for the possibility of its becoming such a centre of fashion.

If you are fond of scenery, you should take the road to the left; it

goes over the hill. If you like your tea weak, you had better take the

valley road to the right. Five o’clock is tea time at the _Load of

Mischief_, and there is no second brew.”

Something in the old gentleman’s tone seemed to invite confidences.

“Thank you very much,” said Bredon. “I suppose the _Load of Mischief_

is the only inn that one can stop at?”

“There was never much to be said for the _Swan_. But to-day the _Load

of Mischief_ has added to its attractions; it is not everywhere you

can sleep with the corpse of a suicide in the next room. And the

police are in the house, to satisfy the most morbid imagination.”

“The police? When did they come?”

“About luncheon time. They are understood to have a clue. I am only

afraid, myself, that they will want to drag the river. The police

always drag the river if they can think of nothing else to do.”

“You’re staying at the inn, I gather?”

“I am the surviving guest. When you have tasted the coffee in the

morning you will understand the temptation to suicide; but so far I

have resisted it. You are not relatives, I hope, of the deceased?”

“No; I’m from the Indescribable. We insured him, you know.”

“It must be a privilege to die under such auspices. But I am afraid I

have gone beyond my book: when I say poor Mottram committed suicide I

am giving you theory not fact.”

“The police theory?”

“Hardly. I left before they arrived. It is the landlady’s theory, and

when you know her better you will know that it is as well not to

disagree with her; it provokes discussion.”

“I am afraid she must be very much worried by all this.”

“She is in the seventh heaven of lamentation. You could knock her

down, she tells me, with a feather. She insists that her custom is

ruined for ever; actually, you are the second party to stay at the inn

as the result of this affair, and the jug and bottle business at

mid-day was something incredible. The Band of Hope was there _en

masse_, swilling beer in the hope of picking up some gossip.”

“The other party, were they relations?”

“Oh no, it’s a policeman; a real policeman from London. The secretary,

I suppose, must have lost his head, and insisted on making a _cause

célèbre_ of the thing. I forgot him, by the way, a little chap called

Brinkman; he’s at the _Load_ too. A thousand pardons, but I see a fish

rising. It is so rare an event here that I must go and attend to it.”

And, nodding pleasantly, the old gentleman made his way to the bank

again.

Chilthorpe is a long, straggling village with the business part (such

as it is) at the lower end. The church is here, and the _Load of

Mischief_, and a few shops; here, too, the Busk flows under a wide

stone bridge—a performance which at most times of the day attracts a

fair crowd of local spectators. The houses are of grey stone, the

roofs of blue slate. The rest of the village climbs up along the

valley all in one street; the houses stand perched on the edge of a

steep slope, too steep almost for the cultivation of gardens, though a

few currant and gooseberry bushes retain a precarious foothold. The

view has its charms; when mists hang over it in autumn, or when the

smoke of the chimneys lingers idly on a still summer evening, it has a

mysterious and strangely un-English aspect.

The hostess, presumably to be identified with “J. Davis, licensed to

sell wines, spirits and tobacco,” met them on the threshold, voluble

and apparently discouraging. Her idea seemed to be that she could not

have any more guests coming and committing suicide in her house.

Bredon, afraid that his patience or his gravity would break down, put

Angela in charge of the conversation, and so delicate was her tact, so

well-placed her sympathy, that within ten minutes their arrival was

being hailed as a godsend, and Mrs. Davis, ordering the barmaid to

bring tea as soon as it could be procured, ushered them into a private

room, assuring them of accommodation upstairs when she could put

things to rights. It had been one thing after another, she complained,

all day, she didn’t really hardly know which way to turn, and her

house always a respectable one. There was not much custom, it seemed,

at Chilthorpe, lying so far away from the main road and that—you would

have supposed that in a R.A.C. Listed Hotel suicides were a matter of

daily occurrence, and the management knew how to deal with them.

Whereas Mrs. Davis hadn’t anybody but the girl and the Boots, and him

only with one arm. And those boys coming and looking in through the

front window; “disgraceful,” she called it; and what were the police

for if they couldn’t put a stop to it? And the reporters—six of them

she’d turned away that very day—coming and prying into what didn’t

concern them. They didn’t get a word out of her, that was one thing.

Though, mark you, if Mrs. Davis didn’t know poor Mr. Mottram, who did?

Coming there regular year after year for the fishing, poor gentleman;

such a quiet gentleman too, and never any goings-on. And how was she

to know what would come of it? It wasn’t that the gas leaked; time and

again she’d had those pipes seen to, and no complaints made. If there

had have been anything wrong, Mr. Pulteney, he’d have let her hear

about it, he was one for having everything just as he liked, and no

mistake. . . . Yes, that would be him, he was a great one for the

fishing. Such a queer gentleman too, and always taking you up short.

Why, yesterday morning, when she went to tell him about what had

happened in the night he was as cool as anything; all he said was, “In

that case, Mrs. Davis, I will fish the Long Pool this morning,” like

that he said. Whereas Mr. Brinkman, that was the secretary, he was in

a great taking about it, didn’t hardly know what he said or did, Mr.

Brinkman didn’t. And to think of all the gas that was wasted; on all

night it was, and who was to pay for it was more than she knew.

Summing up, Mrs. Davis was understood to observe that it was a world

for sorrow, and man was cut down like a flower, as the sparks fly

upward. However, there was them above as knew, and what would be would

be.

Of all this diatribe Bredon was a somewhat languid auditor. He

recognized the type too well to suppose that any end was to be gained

by cross-examination. Angela cooed and sighed, and dabbed her eyes now

and again at appropriate moments, and in so doing won golden opinions

from the tyrannous conversationalist. It was a strong contrast when

the maid came in with the tea things; she plumped them down in

silence, tossing her head defiantly, as who should imply that somebody

had recently found fault with her behind the scenes, but she was not

going to take any notice of it. She was a strapping girl, of

undeniable good looks, spoilt (improved, the Latins would have said)

by a slight cast in one eye. In the absence of any very formidable

competition it was easy to imagine her the belle of the village. So

resolute did her taciturnity appear that even Angela, who could draw

confidences from a stone, instinctively decided that it would be best

to question her later on. Instead, she whiled away the interminable

interval which separates the arrival of the milk jug from that of the

teapot by idly turning over the leaves of the old-fashioned visitors’

book. The Misses Harrison, it appeared, had received “every attention”

from their kind and considerate hostess. The Pullford Cycling Club had

met for its annual outing, and the members pronounced themselves “full

to bursting, and coming back next year.” An obviously newly married

couple had found the neighbourhood “very quiet”; a subsequent

annotator had added the words “I don’t think!!!” with the three marks

of exclamation. The Wotherspoon family, a large one, testified to

having had a “rattling good time” at this old-world hostelry. The

Reverend Arthur and Mrs. Stump would carry away “many pleasant

memories” of Chilthorpe and its neighbourhood.

Miles was wandering aimlessly about the room inspecting those art

treasures which stamp, invariably and unmistakably, the best room of a

small country inn. There was the piano, badly out of tune, with a

promiscuous heap of dissenting hymn-books and forgotten dance tunes

reposing on it. There were the two pictures which represent a lovers’

quarrel and a lovers’ reconciliation, the hero and heroine being

portrayed in riding costume. There was a small bookshelf, full of

Sunday-school prizes, interspersed with one or two advanced novels in

cheap editions, clearly left behind by earlier visitors. There was a

picture of Bournemouth in a frame of repulsive shells. There was a

photograph of some local squire or other on horseback. There were

several portraits which were intended to perpetuate the memory of the

late Mr. Davis, a man of full bodily habit, whose clothes, especially

his collar, seemed too tight for him. There were a couple of young

gentlemen in khaki on the mantelpiece; there was a sailor, probably

the one who had collected the strange assortment of picture post-cards

in the album under the occasional table; there were three wedding

groups, all apparently in the family—in a few words, a detective

interested in such problems might have read there, a picture, the

incredibly long and complicated annals of the poor.

To Bredon it was all a matter of intense irritation. When he visited

the scene of some crime or some problem, he was fond of poking his way

round the furniture, trying to pick up hints from the books and the

knickknacks about the character of the people he was dealing with. At

least, he would say, if you cannot pick up evidence about them you can

always catch something of their atmosphere. Mottram had hardly played

the game when he died in a country inn where he had not been able to

impress his surroundings with any touch of his own quality; this inn

parlour was like any other inn parlour, and the dead body upstairs

would be a problem in isolation, torn away as it was from its proper

context. The bedroom doubtless would have a text over the

washing-stand, a large wardrobe stuffed with family clothes and

mothballs, a cheap print of the “Soul’s Awakening”; it would just be

an inn bedroom, there would be no Mottram about it.

“I say,” Angela interrupted suddenly, “Mottram seems to have visited

this place pretty regularly, and always for the fishing season. There

are some fine specimens of his signature; the last only written two

days ago.”

“Eh? What’s that?” said Bredon. “Written his signature in already, had

he? Any date to it?”

“Yes, here it is, ‘J. W. Mottram, June 13th to’—and then a blank. He

didn’t know quite how long he would be staying, I suppose.”

“Let’s see. . . . Look here, that’s all wrong, you know. This isn’t a

hotel register; it’s just a visitors’ book. And people who write in a

visitors’ book don’t write till the day they leave.”

“Necessarily?”

“Invariably. Look here: look at Arthur Stump. You can see from his

style and his handwriting what a meticulous fellow he is. Well, he

came here on May twenty-first, and stayed till May twenty-six. The

Wilkinsons came here a day later, on the twenty-second, and left on

the twenty-fourth. But the Wilkinson entry comes first, and that’s

because they left first, don’t you see? And here is Violet Harris

doing the same; she puts her name before the Sandeman party. Look at

Mottram’s entry last year. He didn’t leave a blank then, and fill in

his date of departure afterward; you can always tell when a thing is

filled in afterward because the spacing is never quite exact. No;

Mottram did something quite foreign to his habit when he wrote June

thirteenth to blank, and quite foreign to the habits of every one I

know.”

“You get these little ideas sometimes. No; you can’t have tea till you

come and sit at the table. I don’t want you sloshing it about all over

the place. Now, what can have been the idea of writing that entry?

Nobody wanted proof that he’d been there. Could it be a forgery, done

from last year’s entry? That would mean that it isn’t Mottram upstairs

at all, really.”

“We shall know that soon enough. . . . No; there’s only one idea that

seems to me to make sense. He came to this place knowing that he was

never going to leave it alive. And consequently he wanted to put an

entry in the book which would make it look as if he had been paying

just an ordinary visit, and was expecting to leave it alive. People

will never see that they’re overreaching themselves when they do that

kind of thing. It’s absurd to go on such slight indications, but so

far as I can see the presumption is this: Mottram meant to commit

suicide, and meant to make it look as if he hadn’t.”

“The date’s all right, I suppose?”

“Bound to be. No sense in falsifying it when it could always be

verified from the bill. Landladies have a habit of knowing what night

guests arrived.”

“Let’s see, then. He arrived on the thirteenth; and he was found dead

in the morning, that’s yesterday morning, Tuesday. The thirteenth was

Monday—he’d only been here one night.”

“Well, we’ll hope we can find all that part out from the secretary. I

don’t much want another hour of Mrs. Davis. Meanwhile, let’s see if

you can knock any more out of that teapot; I’m as thirsty as a fish.”

The three taps · 第 3 / 25 章