CHAPTER I

[Frontispiece: HE PASSED HIS FOREARM ACROSS THE GIPSY'S THROAT PAGE

21]

JACK CARSTAIRS

OF THE POWER HOUSE

A TALE OF SOME VERY YOUNG MEN

AND A VERY YOUNG INDUSTRY

BY

SYDNEY SANDYS

WITH FOUR ILLUSTRATIONS BY

STANLEY L. WOOD

SECOND EDITION

METHUEN & CO.

36 ESSEX STREET W.C.

LONDON

_Colonial Library_

_First Published ... October 14th, 1909_

_Second Edition ... November 1909_

DEDICATED

IN ALL DEFERENCE

TO

THE MEMORY OF THAT VERY GREAT ENGLISHMAN

GEORGE STEPHENSON

ENGINEER

INVENTOR OF THE FIRST LOCOMOTIVE, AND OF

THE TOOLS TO CONSTRUCT IT

FIGHTER OF MEN AND CIRCUMSTANCES

PIONEER OF THE RAILWAY

PREFACE

I have endeavoured to show you the engineer, in two phases, as I have

met him: it is for you, gentlemen with the votes, to decide which you

prefer; for you have to have one of them, and his numbers are

increasing at a high rate of acceleration.

JACK CARSTAIRS

OF THE POWER HOUSE

CHAPTER I

A young engineer stood at the gates of the electric power house yard

watching the sun set. It was the middle of June, in the north of

Scotland, where the summer days are very long and very beautiful.

The sun sank slowly behind a little wooded hill, throwing into strong

relief a clump of fir trees at the summit, and making lanes of golden

light along the sparkling rushing river where the silver salmon leapt

in sportive joy. As the last edge of the sun disappeared behind the

hill, a sudden hush seemed to descend on all the land. The power

house was about a mile from the little town that nestled at the foot

of the hills. It was a bare, brick building standing alone on the

river-bank in the middle of a large tract of waste moorland. Inside,

a stalwart, bearded highlander sat on a box eating his "piece," and

drinking tea from a can; he and the young engineer at the door were

the only occupants of the place. There was no machinery running, a

battery was doing the work, for the needs of this little town in

summer time were very small.

The young man at the door gazed around him enchanted with the beauty

of the evening; the sudden hush that fell on everything seemed to

strike him too. He felt subdued with a great awe, the great and

awful majesty of Nature seemed thrust upon him suddenly; only the

faint rustle of the long grass near the water served to make the

stillness more intense; some crisis in Nature seemed impending.

Suddenly a strange note struck his ear, and immediately afterwards

all the usual sounds of life started afresh; a robin and a thrush

commenced to sing simultaneously, several birds started chirping all

around, a salmon splashed heavily in the river, the distant moo of a

cow was borne in upon his ears, the Scotsman inside moved his box

with a harsh creak: all these things seemed to start off at once, as

though some tension were removed, some crisis past.

The engineer looked in the direction of the sound that had at first

broken the stillness and perceived a young girl, with a basket on her

arm, raking over the heaps of ashes outside the boiler-house in

search of stray bits of coal or coke.

He looked at her intently, with an unusual interest. There was a

gipsy camp not far off, and some members of the tribe were usually

hovering round the works for what they could pick up; as a rule they

were very young and very dirty. This girl seemed about seventeen,

and somewhat clean; every movement showed graceful, even lines. He

strolled towards her.

"Looking for coal?" he asked.

"Yes, sir," she answered.

She stood up and looked him in the eyes steadily.

He looked at her steadily too, and so they stood; brown eyes gazing

into grey. He wondered greatly at the singular clearness of hers,

big, and of a marvellous shade of dark brown, the white absolutely

clear; the colour like some beautifully tinted crystal. He noticed

eyes, and he gazed into hers for some time, dispassionately, as

something inanimate, noting their marvellous perfection.

He smiled with pleasure, and instantly noted a gleam of pleasure in

her eyes also. Then he shifted his gaze and took in a general

impression of the face. It was remarkably beautiful, every feature

was even and in perfect harmony. The eyebrows were delicately

pencilled lines of deepest black. The eyelashes unusually long, they

drooped downwards, and as he looked at her, the whole head took a

gentle bend downwards in natural and graceful modesty before the open

admiration in his eyes.

"You won't find much there. Come over here," he said. He led the

way to the coal heap. She followed in silence.

"Help yourself," he said grandly, with a wave of the arm, giving away

what didn't belong to him. As a general rule he was consistently

conscientious in these details, but under the influence of those eyes

he cast honesty to the four winds of heaven.

"Thank you, sir," she said, and stooped to fill her basket.

The graceful movements and even poise of her figure appealed to him

immensely. He was somewhat of an athlete, and he noted with pleasure

the firm fulness of the arms (which were bare to the elbow), and the

throat and neck (which were quite unprotected). Her jet black hair

hung down below her waist in heavy, wavy tresses. Her short black

skirt (faded to almost a light green) showed a neat ankle and fair

proportion of shapely leg. He stood back and watched her closely.

The skin, where it was visible about the face and throat, was rather

dark, probably dirty, he thought, yet it did not seem offensive,

though he was usually fastidious in such things. He took life very

seriously did this young man, very seriously indeed; he was bent on

making his fortune, his fortune and a name--nothing less. He was

nineteen; older than his years in many things, younger in a lot.

The gipsy girl stood up. "Thank you, sir," she said again, and moved

haltingly towards the gate, glancing up at him with her big brown

eyes and dropping them again as she caught his.

"Don't go!" he said, stepping forward. "Put that basket down and

come in and have a look at the engines. Have you ever seen a dynamo?

An electric machine, you know. Thing that makes the light for those

big lamps in the street."

"I've seen them at the shows."

"Shows?" he repeated, questioningly.

"Roundabouts," she explained.

"Oh!" he said. "That's nothing. Come in here!"

She put down the basket and followed him with a look of pleasure.

She glanced furtively at the roof as they passed through the doorway,

and stepped quickly close up to him, her eyes rolled widely round in

obvious apprehension. He looked at her with amusement.

She caught his eye and smiled too. "Lovely," she said, as she

glanced round the clean and well-kept little engine-room. "Lovely,"

she repeated, as her eyes were held by the bright lacquered copper

switches and instruments set on the enamelled slate switchboard.

"It's like a church."

He looked at her quickly. "Have you ever been to church?"

"I've been inside and I've looked in through the windows," she

answered.

"What do you do on Sundays?" he asked.

"Nothing."

"I work on Sundays, the same as any other day," he said.

"It's wicked to work on Sunday," she said.

"Or any other time," he added, smiling.

"Gipsies don't do much work," she admitted, smiling too.

"I think I'll turn gipsy."

"You'll go a long way before you see gipsies your colour," she said,

glancing at his fresh face and light brown hair.

He held out his hand suddenly. "Look here! Tell my fortune, will

you?"

She took him by the wrist and gazed at his palm earnestly for some

minutes seeming to feel his pulse all the while.

"Good," she said, "very good," and dropping his hand, moved to the

door.

He looked at her curiously, the fun had faded from her face, the

liquid eyes seemed heavily shaded with sorrow. He stepped after her.

"Do you people really believe what you say?" he asked.

"Yes. Good, very good--for you," she answered, and passed through

the door. With the sky overhead and the air of heaven on her face,

she altered at once. "Thank you, sir, for the coal." She smiled

brightly.

"Don't mention it," he said. "Come over again, will you? I want to

talk to you." He looked into her eyes and she flushed with pleasure

under the tan, or dirt, whichever it was.

He put his hand in his pocket and pulled out a cake of chocolate

(that was one of the things in which he was younger than his years).

"I say, do you eat chocolate?"

She took it shyly.

He watched her bite a piece off and noticed the even regularity of

her teeth, and the perfect shape of her mouth, though the lips were

somewhat full.

"When will you come again? To-morrow? Oh! I forgot! To-morrow I

shall be on all night. Will you come over early in the morning, or

any time between midnight and eight o'clock in the morning? I'll

bring you down some chocolate, if you like it."

"Thank you, sir."

"Will you come?"

"Yes," she answered, and her head took a gentle droop downwards, half

averted, the long lashes swept her cheek and a rich red flushed

beneath the russet brown of her skin.

He looked at her with pleasure, he felt his own colour rising a

little too. He experienced a strange thrill, he felt older somehow,

a sense of responsibility, of protection.

She turned and went away, glancing back over her shoulder as she went.

He went inside, and spoke to the Scotsman. "We'll put the engine on

now, Mac." He busied himself with the engine and the switchboard.

The girl was lost to sight and memory, but a sense, a something

remained.

Next day the young engineer went on duty at midnight; he passed the

gipsy camp on his way; four caravans stood silent and dark, and five

ragged tents showed faint and ghostly in the moonlight, a fire

smouldered in one corner. At the works he relieved another young man

like himself, and the bearded highlander. They put on their hats and

coats and bade him good-night, and he was left alone, all alone in

the dimly lighted engine room with nothing running, everything still,

except for the ghostly, uncanny rattle of the steam condensing in the

now idle steam pipes.

Going into the little room which served as office, mess room, and

test room combined, he took off his hat and coat and rolled back his

shirt sleeves. He was a well built young man, standing just on six

feet in his boots, with regular, handsome features and strong,

prominent chin and nose; the arms that he exposed to view were

substantial and very muscular, the hands were spread by the use of

hand tools, they were not pretty, but very strong and serviceable.

He walked briskly out and carefully looked all round--the plant, the

switchboard, the engines, the recording instrument, the battery and

boilers; he opened the furnace doors and gazed in at the fires to see

that they were properly "banked;" then he went round with a

scribbling block and took the meter readings, carefully entering them

in the log book; then he opened the door and stepped out into the

northern summer night.

He looked round on the fair prospect with extreme pleasure, the hills

all round with the mountains in the background, the irregular patches

of wood, the few straggling houses showing white and distinct in the

moonlight, the little town close by with its few twinkling lights;

all spoke to him of peace and pleasure yet strangely, too, of

ambition. He would own one of those houses on the hillside as a

summer resort. Time would tell, he had no doubt, he was quite

confident, he felt it in him. He worked while other fellows played.

Worked! Lord! Yes! he stoked boilers and drove engines, he cleaned

brass work and did navvies' work, all for ten shillings per week. He

smiled, the idea did not depress him in the least.

Suddenly the figure of a girl appeared round the corner of the

building. The gipsy girl, he knew her figure at once. He knew she

would come, but he had not expected her at this hour.

She advanced slowly, shyly; as she turned the corner she had been

active, full of life; she seemed to droop as she caught sight of him

standing alone in his shirt sleeves in the moonlight. She came close

up and stood before him.

"I've come," she said.

She raised her eyes and looked into his--they seemed all alight,

veritably to sparkle like gems.

He was rather taken aback, but did not show it; his features were

impassive, he also felt a tingling of the pulses, and his eyes showed

that as he looked into hers.

"Come inside," he said; he led the way, he wanted time to think.

"This way," he continued. She followed him, a pace to the rear.

He led the way into the little office and pulled out a chair. "Sit

down," he said.

She sat down, somewhat uncomfortably, somewhat nervously, as one who

was not used to it.

Going to his coat hanging on the wall he took a packet of chocolate

from it. She watched him with a sort of dog-like observance.

"Here you are," he said. He handed her the chocolate, drew another

chair out, and sat down facing her.

"What have you been doing all day?"

"Gathering sticks," she answered. He noticed that she did not speak

with her mouth full, it seemed a natural refinement, perhaps because

she observed him carefully finish munching a piece of chocolate

before he put the question to her--anyhow she did the same.

They sat and looked at each other in silence for some minutes. He

was observing her very closely; he noticed that her hands were clean,

comparatively; they were not large and very well shaped, it was

obvious that she did not do much work; everything about her denoted

natural grace and, it seemed to him, refinement; but ever and anon

her eyes rolled widely round, taking in everything; in this confined

atmosphere, sitting on this made-to-order chair, she was obviously

not at ease.

He drew his chair up closer to her and looked into her eyes. "You're

very beautiful. Are all gipsy girls beautiful?"

She flushed, gave her head a little toss, slightly imperious. "My

mother is the Queen of the gipsies."

"Then you are a princess. You look it. Tell me what you do all day."

"Nothing," she answered, simply.

"That's good," he laughed.

"What do you do?" she asked.

"Everything," he said, and laughed again.

"Where do you come from?"

"England, the south of England, Gloucestershire. Have you been

there?"

"Yes," she answered. "I've been through Gloucestershire and

Somersetshire and Devonshire and Warwickshire and Staffordshire.

I've been all round England and Scotland."

His eyes lighted up. "Have you been to Cheltenham?"

"Yes," she said, and told him about it and the country round; she

seemed to have observed everything. They talked of the counties and

the people, the fields and the woods, the birds and beasts, till she

stood up and pushed the chair back.

"I don't like this--let's go out and sit on the wall by the river."

So they went outside and sat on the little low wall with the smooth

cement top that marked the tunnel where the water pipes went into the

works.

They sat down side by side, eating chocolates and saying nothing,

looking at the east and watching the sky begin to lighten with the

first faint indication of dawn. All was hushed, and silent the river

at their feet swirled past in glassy, rapid smoothness, on the

opposite bank the sedges stirred and rustled stealthily, just moved

by the scarcely perceptible breeze.

They sat there for a long time, exchanging occasional remarks and

lapsing long between replies. The spirit of the night, the silent,

pensive night, seemed on the girl and he did not want to talk. The

cloak of peace was around her; she was at one with nature; she

laughed in the sunshine and wept in the rain. To the young engineer

the silence of the night had a very different message; this universal

peace and stillness spoke to him, somehow, of strife, vigorous

strife, of great difficulties attempted and overcome, of progress,

eternal progress; he made many resolves of what he would do, and the

more he had done, the more, he felt, he would be able to enjoy these

moments of rest and reflection. Some day he would marry, and this

was the sort of girl he would like, a refined and educated edition of

this; some one with a soul, a mind, and a body, not a mere

clothes-horse. Her remarks had shown a natural refinement, a depth

of feeling and thought that exactly suited his own, she appreciated

nature and that was the foundation of all things to him.

The dawn was rapidly brightening; on the opposite side of the river a

stoat poked an inquiring nose through the long grass at the top of

the bank. Silently the girl gripped his arm and pointed to it,

together they watched it come cautiously into full view sniffing the

air; very slowly, very cautiously, it made its way, its head

upraised, moving with a graceful swaying motion from side to side; it

was the caution of the pursuer and not of the pursued, there was no

terror in it. The young engineer watched it in fascination, then it

disappeared again in the grass.

"The stoat gets a better time than the rabbit," he propounded, after

a thoughtful pause.

"Rabbits!" she said, in disgust, "rabbits are good to eat, that's

all. Everything kills rabbits, they play and play and never

think--I've watched them for hours and hours."

He jumped up. "I must go and have a look round inside now." He

looked at her steadily with approval, and more; there was a light in

her eyes as she looked up at him too.

"Will you come over to-morrow night?" he asked. There was a touch of

suspense in his voice.

"Yes," she said.

"Good-bye then," he held out his hand.

She took it somewhat shyly.

He held her rather long, looking at her thoughtfully, he seemed in

doubt, then he slowly released her hand and turned away. "Good-bye

till to-morrow then," he said.

"Good-bye," she answered.

Next night he was outside before half-past twelve, waiting. He saw

her leave the camp and come towards him springing lightly from tuft

to tuft over the rough ground.

"Hullo!" she said, and looked up at him, her wondrous eyes beaming

pleasure.

"How are you?" he answered, gravely, shaking hands. The limitations

of the Englishman bound him fast. "Come inside," he continued.

She drew back with a little expression of repugnance. "I don't like

houses," she said.

"I've got some sweets in there. Come in and get them, and then we'll

go outside again."

She followed him meekly, and he took her into the little office and

tilted the contents of four different little bags on to a clean

newspaper.

"There you are!" he said.

"Oh!" she exclaimed, with childish glee.

He shovelled them into the bags again and handed them to her.

"There you are, those are for you; now we'll go outside."

"You take some too." She opened the bags and held them out to him.

"Thanks," he answered, gravely selecting two or three from each

packet.

They walked in silence to the door, then he paused under the lamp.

"Look here, you never told my fortune. Finish it, will you?"

She stopped and looked at the hand he held out under the light. "I

don't know very much yet. You're very strong."

"Fairly," he agreed, doubling up his biceps. "You said I had a good

fortune. How do you know that?"

"By the feel," she answered. She took him by the wrist again and

seemed lost in wonder. "Think of what you'd like," she said.

He shut his eyes and conjured up his favourite vision. A great

industrial centre; a huge machinery shop; teeming workmen, strong and

greasy; and himself in the centre, thinking, feeling, living for it

all.

"Oh!" she said.

He opened his eyes to find her gazing at him in open wonder and

astonishment.

"Have you ever had a wild rabbit in your hands and felt its heart

beat?"

"Can't say that I have."

"I have. And a weasel and a stoat with their heads tied. And cats

and dogs and birds and all sorts. You feel like a dog, a trained

fighting dog when he's going to fight--and win."

He smiled, somewhat indulgently. "Very probably," he said. "I'm a

bit of a sportsman, football, and that sort of thing, you know. I've

got a pistol in there; I put in time shooting rats along the river

bank when I'm by myself and not reading."

"Come on down by the river bank now and I'll show you some birds'

nests. I found them to-day."

"Wait till it gets lighter," he answered. "We'll climb up that hill

and watch the sun rise."

So they started off together across the intervening space of

moorland, the tall athletic young man and the slender graceful girl,

and the great silver moon looked down at it all with a parental

smile, as he has on countless such scenes since the birth of man.

"I'll race you," the engineer said.

"All right," she answered, and broke into a run, bounding lightly

over the rough ground like a young deer. But the trained athlete

kept pace with her easily, he did not pass her, but kept a pace

behind; she glanced back and sprinted faster; still he hung on her

rear till they were within a hundred yards of the hill.

"A final spurt," he said, and she bounded away again. He could have

passed her then, too, but he did not.

"I won," she said.

"Yes, you won," he agreed, looking at her with marked approval. Her

head was thrown back a little and her breast heaved steadily, taking

great deep long, breaths. She was slightly flushed and her eyes

sparkled brightly. They had run a quarter of a mile, and without a

pause they went straight up the hill taking it quickly and easily.

It took them a quarter of an hour to get to the top, up the zigzag,

stony pathway through the pine wood. She led the way and brought him

out to a little clearing at the head of a miniature precipice.

"There!" she said, and pointed up the valley of the river straight at

the lightening dawn.

"Grand!" he ejaculated, and they sat down side by side on the bed of

soft brown pine needles where the ground sloped gradually towards the

cliff. The deep gloom of the pine wood closed behind them like a

curtain; down below, at their feet, they could see the tops of the

trees in the gorge; out in front spread the beautiful valley with the

silent river threading its way down the heart of it.

They sat and gazed in silence, listening to the indistinct rustle of

nocturnal life in the wood behind them, and the air above: a rustle

of leaves, a faint crackle of twigs, a little scream, and some

woodland tragedy was past and gone, some tiny life was sped.

An owl hooted above them many times, long-drawn, awe-inspiring,

suited to the night.

"That's a brown owl," she said.

"How do you know it's not a barn owl?" he asked.

She looked at him in wonder. "Why! it's a different tune."

"Tune?" he repeated, in amusement. "I didn't know there was any

difference," he added, apologetically.

"Listen!" she commanded, holding his arm suddenly. There was a

flutter of wings in a tree not far away, a little agonized scream,

then all was silent. "That's a weasel, or a stoat got a bird," she

explained.

"Weasels don't climb trees," he said.

"Don't they?" she asked, in amused sarcasm.

"I didn't know," he admitted, meekly.

The dawn was brightening rapidly, lighting up all the valley, turning

the sombre river to a thread of silver, throwing out the white

farmhouses into strong relief, stirring birds and beasts to a new

life.

They stood up and gazed over it enchanted.

"Look at that man!" she said.

He followed the direction of her finger. "I can't see a man."

"There in the yard, carrying a pail."

"Good Lord! I can see a bit of a black dot, that is all."

She laughed with amusement. "A black dot," she repeated. "What's

the matter with your eyes?"

He looked into her marvellous orbs with wonder and admiration. "I'm

usually considered to have good eyes," he said, "but they're not in

it with yours. You must be related to the golden eagle."

"I've seen a golden eagle's nest, and killed one too."

He pulled out his watch. "By Jove! I must get back to the works,

somebody will be stealing the dynamos, or the coal," he added,

looking at her with a sudden smile.

She smiled too and they disappeared into the wood, down the stony

paths and across the bit of moorland. He stopped at the gate of the

works and held out his hand.

"Good-bye."

"Good-bye."

He held her hand, looking into her eyes. "You'll come again

to-morrow?"

"Yes," she answered, steadily looking at him with her wonderful eyes.

Still retaining his grip of her hand, he pulled her gently towards

him.

She came, somewhat reluctantly; the colour overspread her face.

There was doubt in her eyes. He passed his disengaged arm round her

neck and kissed her on her full red lips.

A wild wonder sprang to her eyes. "Gipsies don't kiss," she said, as

she gazed at him.

"Don't they?" he said, "then I'll do it again in case you forget,"

and he did, a long kiss. He looked at her in astonished admiration,

the deep colour that mantled on her cheek, and the vivid light in her

eyes made a picture the like of which he had never seen.

She turned away and bounded off across the moorland to her people's

camp. He watched her with bright eyes, she turned and waved a hand

to him then disappeared among the caravans. He went into the little

works very thoughtful for he knew that he was violently in love with

this beautiful girl--this child of nature, and he seemed up against a

blank wall.

He paced the little engine room slowly, chin on breast, gazing

unseeing at the tiles on the floor. "I'll tell her not to come

again," he said to himself. For he was a very conscientious and a

very ambitious young man.

That was decided. He threw back his shoulders and raised his head

with a feeling of relief. Going out into the boiler house, he opened

the furnace doors, and taking a fire rake in his hands, pushed back

the banked fires and spread them over the grates, he sprinkled a few

shovels full of coal over them, opened the dampers, blew down the

gauge glasses, and went into his little office again to read.

Mostly he read technical works, but the book he picked up now

contained the life story of George Stephenson. There was a full page

portrait in it too: this fascinated the young engineer--he gazed at

it long and earnestly. To him it seemed the face of the greatest of

all Englishmen, of all men; statesmen, soldiers, philosophers, none

of them had left such a monument behind them, none had done so much

for civilization as this great man whose features he gazed upon.

"And he was a fighter, too," he said to himself. "Beat the prize

fighter bully of his village, and without training. He must have

been always fit and lived very straight and clean." He put down the

book and went outside.

The sun was now bright and powerful, but still low down in the sky.

The young engineer gazed all around at the fairy scene, enchanted

with the beauty of the landscape; yet he carried in his mind's eye

still the frontispiece of the book, a strong, sturdy figure, and a

firm, composed, yet kindly face. The picture seemed to haunt him.

"The ideal engineer," he said to himself, "would never get angry,

only think, think, deeper and deeper. He would be absolutely firm,

but not a brute. The engineer must handle men as well as material,

and this north country collier did it!" He felt his biceps. "A

great engineer of to-day has laid it down that physical fitness is

the essential ground work of engineering success."

"Why not me too?" he asked himself.

Next night the gipsy girl appeared earlier than usual, he was not

outside, and she ventured timidly in, walking on tip-toe, her eyes

glancing quickly all round her. She advanced to the foot of the

switchboard steps and stayed there.

He saw her then and went down to speak to her. She held out her

hand. He took it gravely. She looked up at him underneath her long

lashes, then her eyes drooped, the colour mounted to her cheek, she

let her hand rest limply in his. He looked at her steadily for a

minute, holding her hand, then he drew her towards him and kissed her.

"You like kissing," he said. She looked up at him with all her soul

in her wonderful dark eyes.

"Yes--you," she said, simply.

"Go and sit down, I've got some work to do yet. My coat's hanging up

in the office there. There's some sweets in the pocket, take them

out."

She went like an obedient child.

In ten minutes' time he went to her. "We'll go up on the hill

again," he said, "and you shall tell me what all the sounds and

squeaks and all that we hear in the wood mean."

So they started off, and at the edge of the wood a dusky shape

scampered off from the grass and disappeared into the gloom.

"What's that?" he asked.

"Badger," she answered, promptly, in some surprise.

They commenced the ascent of the steep, stony path.

"Supposing I broke my leg, what would you do?" he asked.

"Carry you," she said.

"Think you could?"

She laughed, and going close up to him, put her arms round him and

lifted him easily.

"Well done," he said.

They went to the top and sat down again in the old place, the little

clearing, overlooking the valley. They sat for some time in silence.

"Who are you going to marry?" she asked.

He looked at her sharply. "Poor little devil," he thought, "is it

possible--" Then he looked into her eyes very steadily, rather

sadly. "I haven't any idea who I shall marry, yet," he said.

"Probably some girl that I shall meet at home, some girl who lives in

a house about the same size that my father lives in. A girl who

reads and writes, and perhaps plays the piano and sings, who can look

after a house and manage servants and see that everything is looked

after properly. That is," he added, thoughtfully, "if I can ever

make enough money to keep such a girl."

She was silent, and he thought perhaps he had been too brutal.

"I hope that she will be as beautiful and graceful as you, but one

can't have everything."

"What does your father do?" she asked, and her tone was one of

interested inquiry simply.

"He's a parson."

"Keeps a church?"

"Exactly, or the church keeps him."

"I can play the fiddle and concertina and sing," she said.

"Can you?" he asked, in surprise.

"Yes, father says I'm good."

"I've no doubt you are," he said, with some amusement. He wondered

what the gipsy standard of music was.

Suddenly he noticed her raise her head, listening intently, he

watched her with interest; the delicate nostrils quivered, she seemed

to be smelling something.

"There's someone in the wood," she said.

"All right. Let 'em stop there."

"Come into the dark," she whispered. She moved silently into the

shadow of the pine trees.

He was getting up to follow her when a rough looking man in a round

fur cap, a suit with big poacher pockets to the coat and gaiters

protecting his trousers, and carrying a big stick under his arm, came

out into the moonlight.

"So I've caught you, have I?"

"What do you mean?" The young engineer's tone was angry, imperious.

"You knows, you an' that girl. I seen her go away." Without more

ado, he rushed viciously at the engineer and lashed out a sweeping

blow with his bludgeon.

The young athlete sprang nimbly aside, and as the gipsy turned to

make a second onslaught, the girl came out of the darkness of the

wood behind and sprang on his back like a wild cat, pulling him over

backwards and wrenching the stick from his grasp. She threw it to

the engineer. "Take that," she said, "and watch him."

The gipsy, cursing and spitting like an angry cat, lashed out with

his feet and caught the girl in the ribs.

With a little sob, like a punctured balloon, she sank down, a

huddled, helpless heap. The gipsy lashed out again at her and then

scrambled to his feet.

The engineer stood over him. "You swine," he said, and he brought

the stick down over the man's shoulders for all he was worth. It was

ash and very stout; there was not much "give" in it. He gave a

coughing gasp, then closed with his assailant.

They wrestled fiercely. The gipsy was shorter and not so heavy, but

exceedingly strong; he strove to work the engineer backwards towards

the cliff, his hands sought his throat.

The girl sat up. "Mind the edge," she screamed. "Throw him over."

The engineer had dropped the stick, he passed his forearm across the

gipsy's throat and forced his head backwards so that to save his neck

or his back the man had to relax his grip. Instantly the engineer

dealt him a severe blow on the chin with his fist.

The gipsy staggered backwards.

The latent savagery of the chimpanzee and the fierce deep passion of

the sportsman who had been "fouled" were aroused side by side in the

breast of the young engineer. He sprang forward again and struck the

falling man another furious blow; he seemed to yield easily; it was

almost like striking the empty air. There was not that sense of

springy resistance which is the whole source of pleasure in a blow

well delivered and reaching well home.

With a sudden chilling of the blood he realized that the man was over

the edge, falling downwards on to the trees. He felt sick with

horror and tried to throw himself back, only to discover that the

impetus of his own forward progress was too much for him. He slowed

up and hung for (it seemed to him) many minutes just balanced, then

gradually tilted forwards towards the tops of the trees that showed

down below in the faint light of the rising dawn. He seemed to be

moving very slowly--slowly, forwards. He glanced out over the valley

below him and got a clear impression of the view; he saw an owl flit

past between himself and the tree tops; he heard it hoot, its long

drawn, melancholy hoot. Then he felt a sudden jerk behind, something

pulled him backwards, he felt his centre of gravity shift till his

legs had control of his body again. Then the blood rushed from his

heart with a mighty bound; he sank down on the soft bed of the

weather-browned pine needles.

"Good God!"

The girl leaned over him, her eyes alight. "I thought I was over

too," she said.

"I thought that brute had killed you," he said.

She stretched herself and suddenly relaxed with a little gasp. "I'm

all right. I've got a pain, that's all."

The horror of the whole situation was suddenly borne in upon him.

"Holy God!" he said. "That's man killed."

"I hope so," she said.

"Hush!" he said, "you mustn't say that. If he is, I'm a murderer."

"Then I hope he's not."

"Who is he?" he asked.

"My sweetheart--the man I'm going to marry--if he's alive," she

answered, simply.

"Oh! Great God in heaven!" he said, and he held out his hands to the

rising sun, gazing out on the smiling valley and beautiful hills in

the peaceful stillness of the early dawn.

Jack Carstairs of the power house · 第 1 / 20 章