CHAPTER XXII.

THE DRAMATIC SOCIETY.

"Let us form a dramatic society," said Nat to his companions, one day.

"Perhaps we can put an extra touch on 'Henry the Eighth' or 'The

Merchant of Venice.'"

"I should laugh," answered Charlie, "to see us undertaking the drama. I

guess it would be straining at a _gnat_ (Nat) and swallowing a camel,"

attempting to perpetrate a pun, over which he, at whose expense it was

said, laughed as heartily as any of them.

"Let Charlie laugh as much as he pleases," said Marcus, "I think we

could do well in such an enterprise. We might not eclipse Booth, but we

could get along without a bar and some other things as bad."

"You will find," continued Charlie, "that a play of Shakspeare will not

go off very well without scenery."

"Of course it would not," replied Nat. "But we must have scenery of some

kind."

"Where will you get it?"

"Make it," quickly responded Nat. "It will be an easy matter to paint

such representations as will answer our purpose."

"So you will turn actor and artist all at once," said Charlie. "What

will you try to do next, Nat?"

"As to that," answered Nat, "I will let you know when I have done this.

'One thing at a time,' was Dr. Franklin's rule. But say, now, will you

all enlist for a dramatic society?"

Frank and Marcus replied promptly in the affirmative, and Charlie

brought up the rear, by saying,

"Well, I suppose I must be on the popular side, and go with the

majority--yea."

Here was one of the fruits of going to the theatre. What had been

witnessed there created the desire to undertake the same, although Nat's

object was to improve himself in rhetorical exercises. But the

enterprise grew out of his visits to the theatre, and was well suited to

excite critical remarks. It is probable that most actors and actresses

are made so by first witnessing theatrical performances. We are

acquainted with a person, whose nephew is an actor, with no purer

character than actors usually possess. He was a lover of books in his

youth; and his desire to become an actor was begotten in the theatre.

He was so delighted with what he saw on the stage, that he finally

resolved to make stage-playing his profession; and he now belongs to

that unhonored fraternity. It is not strange that some people were

surprised that Nat should originate such a society.

"What shall we play?" inquired Frank, on the evening the dramatic

society was organized.

"'Macbeth,'" replied Nat, who had witnessed this at the theatre. "It may

be more difficult than some others, but it is one of the best plays."

"_You_ must get up the scenery," said Frank.

"With the assistance of the rest of you," replied Nat. "It will be no

great affair to paint what we want for this play."

"How long will it take?" inquired Marcus.

"We can do it in two evenings," answered Nat. "We ought not to be longer

than that, if we intend to commit the play so as to act it next week."

"No one but members of the society will be admitted, I suppose," said

Charlie, "until we have thoroughly practised the play."

"No; we must speak it over and over, so that it will be perfectly

familiar, before we attempt it before visitors."

On that evening the society was organized by the choice of officers and

the adoption of a constitution and by-laws. Nat had the chief agency in

preparing the constitution and by-laws, as he did in the debating

society, and he found that a knowledge of grammar was indeed a decided

assistance. He was often reminded of the remarks of his teacher, when he

(Nat) was opposed to studying the science.

[Illustration]

It was decided to act "Macbeth," and the parts were assigned, and the

time of the first meeting appointed. Many of the young people joined the

society, and were much interested in its object. Such an organization

was suited to awaken more enthusiasm among the young, than a debating

society.

It was a pleasant evening on which the play was to be performed for the

first time, and every member of the society was there, curious to behold

the result. It went off with considerable eclat, although there were

some blunders and mistakes, as might have been expected. Even Charlie,

who was incredulous about their success, confessed that it passed off

very well. The scenery, which had been prepared by the boys, under Nat's

direction, was quite decent, and it showed that Nat's early practice of

drawing was very useful to him now. It would not bear very close

inspection, it is true; but a short distance off, and by lamp-light, it

looked very well.

Thus evening after evening they met, with closed doors, to practise the

piece. At length, concluding that they could entertain an audience,

they decided upon a public performance. The plan was adopted with much

spirit, and all were resolved to do their best.

The entertainment was given at the appointed time, and a good audience

assembled. Each one performed his part well, but Nat, as usual, was

thought to excel.

"I had no idea the boys would do so well," said Mr. Graves. "I am

surprised that Nat should perform so handsomely; he would make a

complete actor with practice."

"Marcus did very well indeed," replied the gentleman to whom he

addressed the remark; "in fact, all of them exceeded my expectations.

But Nat plays as if he were perfectly at home."

"I don't know about the influence of such things," added Mr. Graves. "I

have my fears that such a society will foster a love for theatrical

exhibitions of a far more exceptionable character."

"I feel exactly so, too. I think it may lead some of the young people

here to attend the theatre, when otherwise they would not. There is no

doubt that Nat originated this society in consequence of attending the

theatre himself. If nothing worse than such an exhibition as we have had

to-night would grow out of it, it would be well enough. I would say amen

to it. But I fear that it will lead to something else."

"There is the danger," replied Mr. G. "Young people are easily led

astray by such appeals to their senses, and the more easily because they

do not see any evil in them. It is just as it is with using intoxicating

drinks. A young man sees no wrong in sipping a little wine at a party;

but that first wine-glass may create an appetite that will make him a

drunkard. So the sight of such a theatrical performance as this may lead

some of the boys to want to witness a play on a grander scale at the

theatre."

The exhibition of the Dramatic Society occasioned many remarks like the

above in the village. Some people had expressed their opinions

unfavorably before the exhibition, but this settled the matter in their

view. The very skill which the boys displayed in the performance served

to awaken still greater fears; for the greater the witchery of the play,

the more danger to the young.

"Thar," said old Mrs. Lane, who entertained us on a former occasion, "I

knowd that it would turn out so. It is jist what I telled ye, when I

heard Nat went to Boston nights arter great speakers. You'll have to

b'lieve me byme bye whether or no."

"Ah!" said the lady addressed, "it would all have been well enough if

Nat had confined his attention to that. Perhaps it will be well enough

now, though I fear that theatrical performances will have a bad

influence."

"Pesky bad," replied the old lady. "When boys are runnin arter such

things allers, there is no tellin whar they'll stop. And thar's the

danger of too much edication. If Nat had stuck to his bobbin, and never

knowd any thing else, I guess it would turn out better for him in the

eend. I don't b'lieve in so many new-fangled notions as they have in

these ere times."

"I have no fears for Nat," responded the lady; "for I think he

participates in these things for self-improvement; but others may do it

for the sake of the amusement. I am afraid that others may imbibe a

taste for the drama, and become theatre-goers in consequence."

"You seem to think that Nat can't be spiled; but I take it that his good

motives can't make the theatre good. It is a corruptious place, anyhow,

and if it don't spile him, it won't be because it ain't bad enough."

"Time will show us the result," continued the lady. "But they say Nat

exhibited marked talents for the drama at the exhibition. Several

persons have told me that they were surprised at his ability, but I am

not; for he always excels in whatever he undertakes. He enters into

every thing with all his heart, and does it with all his might."

"Lor, yes, we all know that," replied Mrs. Lane; "and so I reckon that

if the theatre should spile him, he would be wicked with all his might.

He'd make a rale prodergal son, only more so."

On the point of Nat's excellence in performing the drama, the following

conversation took place after this public entertainment.

"You ought to be an actor," said Charlie to him. "You are exactly cut

out for it, and every one who heard you the other night would tell you

so."

"So far as that is concerned," answered Nat, "the profession of an actor

is the last one I should choose."

"Why?" inquired Charlie. "I thought you was in love with the business."

"By no means. I have told you over and over my object in going to the

theatre, and in forming the Dramatic Society, but you always appear to

doubt me. I would not be an actor even if I could be as famous as

Booth."

"You would not? and yet many seem to think you have a taste in that

direction, and _I_ have thought so too. But tell me why not."

"Because I have little respect for the business as a profession. It

affords a brief pleasure to an audience for a short time, and that is

all it amounts to. I think it is a good discipline for us in the

Dramatic Society, and I know that I learned some valuable lessons at the

theatre, and I am still of the opinion that a theatre might be so

conducted as to prove a source of innocent amusement, and not a curse."

"You couldn't make many of the people in this community believe that,"

said Charlie. "They think it is a gone case with you since you have

favored theatricals."

"I know that," replied Nat, "and they would not believe me if I should

tell them what I have you, so that I see no way to convince them but to

wait, and time will do it. I would carry bobbin all my life before I

would be an actor."

"Well, what would you be, Nat, if you could have your own way?" inquired

Charlie.

"I would be an orator and statesman like Edward Everett," quickly

answered Nat. "I always had great respect for such men. It is easy to

respect them; but no man can cherish high respect for an actor."

Here the conversation was interrupted.

The Bobbin Boy; or, How Nat Got His learning · 第 22 / 30 章