Among Jeanette's varied and numerous retinue was one young man whom

Sylvia found less easy than the others to place. This was an artist,

Charlton Haynes by name, a newcomer in the city who had been for some

time engaged in "doing" Jeanette's portrait. Wherever Jeanette was, the

young portrait painter appeared to be also by some magic process. The

two had little to say to each other in public but Sylvia had noticed

more than once how the painter's rather gloomy face lit up when Jeanette

approached, giving an effect much like a sudden sunshine after a passing

cloud. More than once, too, Sylvia had seen a flash of some quick,

wordless communication pass between them. They spent long hours

together mornings in the great ball-room where he worked in the north

light. When Sylvia was with them, as she sometimes was, the artist was

rather silent and absorbed in his work and Sylvia thought if he were

always so quiet he must be rather dull company.

One morning she suffered an abrupt enlightenment as to the relations

between her hostess and the artist. Jeanette had been detained and had

asked Sylvia to go to the ballroom and explain to Mr. Haynes that she

would be with him as soon as possible. As Sylvia opened the door he had

turned with outstretched arms and an impulsive "Sweetheart, you are

dreadfully late." And then his hands had fallen and a shamed, hang-dog,

caught-in-the-act expression banished the eager look of expectant joy on

his face as he met Sylvia's eyes and saw her quick flush.

He shrugged and tried to make the best of the situation by a hasty "Beg

pardon, Miss Sylvia. I didn't see it was you."

"So I judged," said Sylvia and delivered her message gravely and

departed. She wondered if this was what Jack had guessed and if that

was why he had wanted her to go to Jeanette. Had he thought she could

save her? Poor Jeanette! Could any one save her but herself?

Two hours later Jeanette came to Sylvia, writing letters in her own room

at the little teakwood desk.

"Sylvia."

"Yes?" Sylvia had turned, wondering what Jeanette would say, wondering

almost more what she herself was going to say.

"Charlton says he gave himself away awhile ago, did he?"

"Rather."

"I'm sorry. I didn't mean you to know for fear it might bother you.

Otherwise, of course, I don't mind your knowing. We have been in love

for some time. There doesn't seem to be anything to do about it at

present."

Jeanette's tone was impersonal. She might as easily have been

discussing the relation between the moon and the tides as the relation

between herself and Charlton Haynes. The facts existed. That was all

apparently. At least all Jeanette cared to admit.

"Couldn't he go away?" asked Sylvia, equally matter of fact.

"He could, but it would make talk if he went before the portrait was

done. Besides, I don't want him to go. He offered to. It is I who am

keeping him. I hope you are not too much shocked, Sylvia."

"I'm not shocked at all, but I am sorry. Does Jack know?"

"Jack!" For the first time, Jeanette showed a quaver of emotion in her

voice. "Jack! Good gracious, no! Why should he? I wouldn't have Jack

know for anything. What made you ask that?"

"Jack tried to warn me something about you before I came. He seemed to

think you needed me."

And suddenly Jeanette's calm broke. She flung herself face down among

the silken cushions of the couch. Sylvia came and knelt beside her

putting both arms around her. In a moment Jeanette sat up, flushed but

tearless. Sylvia slipped back upon the floor, her hands clasped around

her knees, her eyes pitiful.

"I do need you. I need somebody. Sylvia, listen to me. It is a

dreadful thing for a girl to marry if she isn't in love. Fate is sure

to strike back at her sooner or later. That is what happened to me. I

married Francis because I thought he could give me the things I

wanted--the things I thought I wanted. And he has, but it isn't what I

really wanted at all. I am just beginning to understand what I do

want--what life might mean, if one deserved to have it mean anything. I

hate this house and the servants and the hideous kind of existence we

live--the kind I elected to live. It wasn't Francis' choice. It was

mine. But I hate it all now. I'd like to leave it this minute. But I

can't. I'm bound, hand and foot, by conventions and fears and

selfishness. I couldn't live now without luxury, I've had it so long.

I couldn't stand poverty or shame or sacrifice or honesty of any kind.

I'm a sham. I love Charlton. But I shan't try to get a divorce and I

shan't run off with him because I'm not big enough. I'm just big enough

to squirm and suffer and hate myself for being such a pitiful little

coward. I'm not even big enough to send him away. I'm not worth his

wrecking his life and ideals for, but I don't tell him that. I tell him

I love him and that is enough to keep him here like a lap dog. Pah! He

isn't very big either or he would make me go with him or leave me

outright."

"But, Jeanette, it is all such a tangle. If you really care, why don't

you go to Francis and tell him the truth? Surely nothing can be so bad

as going on like this."

"You don't know what you are talking about, Sylvia. I'd die before I

would go to Francis and I'd die if he found out, but I'm going on

risking everything until something happens. I don't know what."

And in the face of such reasoning or non-reasoning, Sylvia had no answer

to make. She was beginning to hate the city heartily. It seemed to be

weaving nothing but misery for everybody. Was there any happiness in

it? Surely she herself had found none. She desired more than anything

else in the world to run away from it all, to get back to Felicia and,

yes, to Jack. They two seemed the only refuge in a heaving sea of

trouble.

*CHAPTER XVI*

*AS MIGHT HAVE BEEN EXPECTED*

It seemed as if Sylvia's cup of disenchantment were destined to brim

over before the city was done with her. She tried to view Jeanette's

affair with the portrait painter with an open mind and tolerant

attitude. She saw that there was no real evil in it as yet--probably

never would be for Jeanette was likely to "play safe" having much at

stake. But somehow it all disheartened the younger girl. She thought

she could have forgiven both the transgressors more easily if they had

dared a little more, or cared a little more for each other and less for

themselves. If they had eloped she would have been shocked and troubled

but she would have understood their conduct. It was the amazing bad

taste and effrontery of carrying on so half-hearted a liaison in Francis

Latham's own house and under his very eyes which was to Sylvia the least

excusable phase of the matter. Deceit of any sort was obnoxious to her

straightforward soul. She herself could never have kept on living a

daily lie such as Jeanette was living. Something would have snapped.

And somehow Sylvia found herself seeing things all around her blacker,

no doubt, than they were, because of her too much recently acquired

knowledge, and often she remembered the explorer's terse verdict that

these people were "punk." It was all very disillusioning and made one

sick at heart.

But Sylvia had other cause to feel that happiness was eluding her these

days in early January. The wound to her pride that Phil Lorrimer had

dealt, though seared over, was by no means healed. She tried to be

perfectly fair and sane, to admit that if Jeanette's supposition were

correct, Barb would doubtless make Phil a better wife than she herself

would have done, to acknowledge that it was entirely natural and

appropriate that Phil and Barb should have learned to care for each

other during the intimate months past when she herself had deliberately

neglected Phil. Even so, Phil need not have looked at her as he had

that night on Jeanette's doorstep. He needn't have let her all but

propose to him. That was the deepest rankling thorn of all. She had

almost offered herself to him on Jeanette's threshold. If he had really

cared as his eyes had said wouldn't he have understood what she was

trying to tell him that the money was nothing at all, that it didn't

matter in the least, that there was, indeed, nothing to be afraid of, as

she had twice taken the pains to reassure him?

If he had really cared would he not have found means to see her during

her weeks with Jeanette in spite of her mantle of invisibility? It was

all too evident that he didn't care, that it was Barb who could give him

what he wanted, or rather let him give everything as his pride demanded.

Sylvia knew perfectly well that she had wanted Phil Lorrimer to ask her

to marry him, knew too, that she had meant to say yes if he did ask her,

but she also knew that though her pride was offended, her heart was far

from being broken. Indeed, love in its entirety, in its heights and

depths, its glory and its mortal agony, its madness and its abiding joy,

she had scarcely as yet conceived.

She was still questing experience, tasting life, and even the bitter

flavor of this last new-gained knowledge was interesting because

bitterness was new to Sylvia Arden. Youth drinks its gall and wormwood

with almost as supreme satisfaction as it does its nectar and ambrosia.

Not that Sylvia understood all this or consciously analyzed her mental

processes. She did nothing of the sort. She only knew she had been

hurt, and found it a rather fascinating game to hide the hurt from

herself and the rest of the world.

Perhaps her zest for the hiding game made her play a little more

recklessly with the men who dogged her footsteps than was entirely wise

or kind. Certainly it made her eyes a little starrier, her cheeks a

little deeper carmine, her laugh a little more tantalizing. Men saw and

smiled and said the little Maryland "Deb" was a queen, a beauty, and a

wit as well as an heiress, an unbelievably lucky combination.

"Knows how to hold her own too," they agreed. "She'll lead you on to the

limit and then when you think you have her--she isn't there. Got the

elusive game to perfection, wherever she learned it."

But the last night of her stay in the city Sylvia came near playing her

game an inch too far. There had been a theater party and supper

afterward at the Astor and when at last they started for home she

chanced to get separated from Jeanette who, supposing her guest was with

her husband, had gone on in another car.

"Why!" exclaimed Sylvia, from the curbing. "I do believe they have all

deserted me. There goes Jeanette, and Francis went with the Homers."

"Well, here am I!" challenged Porter Robinson, at her elbow. Porter

Robinson was the most daring and insistent of all the swarmers about the

most popular new rose. "Whither thou goest I will go! Here, Cabby,"

and his uplifted finger summoned a taxicab in which he and Sylvia were

in a moment ensconced.

It was a wonderful night. Brilliant stars studded the heavens and the

trees in the park were laden with a fleecy burden of new-fallen snow.

The little girl still in Sylvia who loved snow storms and had too little

of them in Maryland cried out in ecstasy at the sight.

"Oh-h! Couldn't we drive in there a little and see it? It's so lovely

after the lights and the crowd--like a different world!"

Naturally Porter Robinson had no objections to driving at midnight in a

closed cab through the park with the prettiest, liveliest, most piquant

girl he had met in many a season.

But a half hour later Sylvia flashed into the library at the Lathams

with wrath and shame in her heart and ran square into Jack standing with

his back to the fireplace.

"Ugh! I hate men," she greeted him stormily.

"You do! What's up? Where is Jeanette? You look like a Valkyr or an

avenging fury."

"I don't know where Jeanette is. Porter Robinson brought me home."

"Oh," comprehended Jack. "So that is the rumpus. Didn't Porter behave

like a perfect gentleman?"

"He did not." Sylvia threw off her cloak with a wrathful gesture,

leaving her slim, rounded young loveliness, clad in the white tulle and

gold "dream," suddenly revealed to Jack's eyes. "He tried to kiss me,

if you must know."

"And what did you expect at this time of night when you had shed your

lawful chaperones?" inquired Jack blandly. "Especially after you had

been flirting like the mischief with him all the evening!"

Sylvia slipped into a chair and stared up at Jack. "How did you know?"

she asked with astonished meekness.

Jack laughed.

"Didn't. I just guessed. So you did flirt with him like the mischief?"

"I--shouldn't wonder," admitted Sylvia with a grimace. "He's a beast,

but then maybe I was a little to blame. I suppose I shouldn't have

asked him to take me riding in the park at this time of night."

"Possibly not," agreed Jack.

"You wouldn't have taken advantage of a situation like that, Jack. You

know you wouldn't."

"H-m-m?" interrogated Jack dubiously. "That so? If you looked one half

as pretty in the cab as you do this minute, I'm morally or immorally

certain I should not only have tried to kiss you but have succeeded."

"Jack!"

"Like this!" And suddenly, to Sylvia's utter surprise, he had stooped

and kissed her full on one crimson, excited cheek. "Game's up,

sweetheart. My turn. You've had your fling, and I guess from all

Jeanette writes it has been a pretty lively one. Honest Injun, Sylvia,

aren't you sick of it all, ready to try it out on a different line with

me? No, don't speak just yet. I'm not quite through. I promised I

would get busy and show you I could hold down a man's job if necessary.

Well, I've done it. I'm not boasting, but you can ask Dad if I haven't

made good and kept my promise to the letter. That is all on that

subject. Secondly, I don't pretend to be a saint, but thanks to you and

the Christmas Family setting me straight some years ago I'm a fairly

decent specimen as men go. I believe I'd show up moderately well by

comparison with the Porter Robinsons and the rest. That is all of that.

Thirdly, I love you. There isn't any other girl, never has been, and,

so far as I can see, never will be. Now--did you mind very much having

me kiss you?"

Sylvia's eyes were demurely downcast, her cheeks flushed, but a quiver

of a smile appeared around the corners of her mouth.

"Not much. I rather think I--I liked it--a little," she admitted.

That was enough for Jack, and five minutes later when Jeanette came in

she found him on the arm of Sylvia's chair, her tulle and gold rather

crushed and mussed but with her eyes looking very starry.

He sprang up with alacrity as his sister entered and went to give her a

brotherly kiss.

"'Lo, Jeannie. Sylvia and I have just got engaged. Hope you don't

mind?"

Jeanette shot a straight, questioning, dubious look at Sylvia then

remarked she was delighted, of course, and if they would excuse her she

would go to bed as she was very tired. Sylvia had vaguely realized at

the moment that Jeanette was white, but it was not until the next day

that she understood. Charlton Haynes had left suddenly for California on

the midnight train and he and Jeanette had apparently parted for all

time. Of what lay behind Sylvia could not even surmise and Jeanette

kept her own counsel. At any rate, Sylvia was able to perceive that

under the circumstances the other woman had little enthusiasm left over

for the love affairs of even her sole and beloved brother.

And that next afternoon Sylvia and Jack went South together, and the

Minotaur did not get Sylvia after all. But whether she had not stepped

blithely into a deeper labyrinth than the one she had evaded was another

question.

*CHAPTER XVII*

*BARB DIAGNOSES*

The evening that culminated in Sylvia's engagement to Jack, Phil had

spent with Barbara. Barb had discovered that it was neither impossible

nor very difficult to slip back into the beaten way of friendship with

the young doctor, especially as he himself had never left that safe and

sane path and had no faintest conception of the mad little, sad little

detour the girl had accomplished beneath his very eyes. Barb was a very

wise and brave little lady and having realized that she had been

reaching for the moon withdrew her hand and made the most she could out

of every day sunbeams. Phil never guessed that his occasional visits to

Miss Murray's apartment were rather bittersweet occasions to Barb, nor

did he notice that she was quieter, graver, not quite so responsive as

he had hitherto found her. As a matter of fact, Phil wasn't seeing much

of anything these days except his own stolidly endured misery. It had

been bad enough to know Sylvia was in Greendale where he couldn't see

her at all, but to know she was within easy reach and yet farther from

him to all intents and purposes than if an ocean or a desert separated

them was incomparably worse.

He hated Jeanette Latham's kind of life, hated to have Sylvia's fresh

radiance tarnished by its contact, hated to think of her, night after

night, in the society, even in the arms of the Porter Robinsons of

Jeanette's circle, jealous of it all because it kept Sylvia from him,

hurt that she would give up none of her gayeties for his sake, blindly

conscious that he had offended her, though only half guessing how and to

what extent.

One night he had been at the opera, way up in the upper tiers, as was

his custom, and between the acts he had wandered about in the galleries

and seen Sylvia in a box below, surrounded by a swarm of devoted male

attendants, and he had watched her with mingled gloom and avidity. She

was so lovely in her chiffons and furs and her exquisite youthfulness

and grace, her face uplifted, her hair shining in the light like

burnished copper, her lips parted with laughter. She seemed so

eminently a part of the picture to fit into the brilliant scene as a

diamond sparkles appropriately in its hoop of gold that Phil's heart

sank heavier than ever. Well, it only proved he had been right. What

had he to offer Sylvia in exchange for all this? She belonged to it and

it to her, as a bird belongs to the air.

Perhaps it was the intensity of his gaze that had made Sylvia look up.

At any rate she raised her eyes and met his, staring hungrily down at

her. The exciting, haunting music of Tristan and Isolde had stirred

strange deeps in Sylvia, begotten an elan of flesh and soul which flared

like a pure flame in her eyes at the moment. The man at her side,

Porter Robinson, as it happened, saw the look and followed her gaze with

curiosity to see what had lit the flame. But in all that sea of faces he

had no means of distinguishing the one which stood out for the girl as

if it had been the one face in the world. In a second she had turned

away and lowered her eyes.

"What was it?" asked her companion. "Did you see a vision?"

"Maybe," said Sylvia. "Hush! The music is beginning."

All the rest of the evening she half hoped Phil would seek her out in

the box but he had not come. And the next night had been the one when

she had discovered Porter Robinson was a beast and an hour later had

found herself rather unexpectedly engaged to Jack Amidon.

As for Phil, his will tugged at its moorings that night. He, too, had

been moved by the music, and even more by the challenge of Sylvia's

eyes. He had telephoned her the next day to try to make an engagement

with her for the evening but Sylvia was submerged with engagements, had

a tea, a dinner, a theater party, and so forth, already on hand, and her

voice over the telephone was as cool and remote as a mountain stream.

She even forgot to tell him she was leaving the city the next day.

Sylvia's pride in its way matched Phil's own.

And so instead of spending the evening with Sylvia, Phil had dropped in

to see Barbara, which is where this chapter really began.

He was certainly anything but good company that night. He sat somberly

looking into the fire, answering Barb's casual chatter with brief

absent-minded monosyllables. Barb, watching out of the corner of her

eye, and with the sure intuition that love teaches, guessed the source

of his gloom. She forgot all about her own hurt in sorrow for his and

longed with all the mother in her to comfort him. Suddenly the silence

which had fallen became intolerable, the weight of the unspoken thing

too heavy to be endured another minute. So out of a clear sky Barb

dropped a bomb.

"Phil, why don't you ask Sylvia to marry you?"

Phil jumped and stared and frowned.

"Reason's sufficiently obvious I should say. The gown and the furs and

the pearls she had on last night probably cost more than my year's

income."

"What of it? Gowns and furs and pearls aren't important. There are

things that Sylvia cares much more about."

"What?"

"You," was on the tip of Barb's tongue, but she did not say it. After

all, that was for Sylvia to say. She had no means of knowing how Sylvia

felt except that vivid memory of the way the other girl's eyes had

looked that night on Lover's Leap.

"Happiness, for one thing," she substituted. "Phil Lorrimer, don't you

know Sylvia Arden well enough to know the things that money buys are not

the real things--the things she cares for. She is willing to play with

them while she is waiting. Who wouldn't? I would myself, if I had the

chance. But Sylvia never mixes things up. She knows what counts and

what doesn't count as well as anybody I know. If you think her having

money and your not having it makes the slightest difference to her,

you're even stupider than I gave you credit for." Barb had warmed to

her subject and did not care if the lash of her tongue did sting a

little. She rather thought Phil Lorrimer needed a sting or two. She

had forgotten for the moment she had ever been in love with this young

man herself. She remembered only she was a woman speaking for her sex

in plain round terms.

"You mean Sylvia wants me to ask her to marry her?"

Barb made an impatient gesture.

"I don't know anything about that. That is between you two. What I do

know, and what I am trying to tell you, is that the modern woman

despises a man just as much for not wanting to ask her to marry him

because she has money as she does for wanting to ask her to marry him

because she has it. That kind of idea is ancient and exploded and

idiotic and disgusting."

Phil threw out his hand in half humorous, half serious protest.

"My word! What an avalanche! So you think it is thoroughly

contemptible in me to care whether the woman I marry has a million

dollars or not when I haven't a red cent?"

"I do," asserted Barb stoutly. "The money isn't any of your affair, any

more than the kind of knife you use on the operating table is hers, or

the color of your hair or eyes, for that matter. It just hasn't

anything to do with it."

"What is my affair? What is the male end of the bargain, according to

the latest approved feministic standards?"

"It's the male end of the bargain, if you choose to put it that way, to

give a woman love and respect and comradeship, a clean, strong, healthy

body and mind and soul, to be the kind of man she would like the father

of her children to be. I believe that is about all. Read Beatrice

Forbes-Robinson Hale's chapter on the 'New Man' and you'll understand

why Sylvia's money has nothing to do with the case and why your pride is

stupid and conceited and old-fashioned, a relic of the time when man

expected to be the sole provider and expected his wife to be the chief

parasite of the family, when he gloried in his high and mighty

superiority and expected her to be meekly grateful and appreciative of

said superiority. Now, do you understand?"

"A little," said Phil Lorrimer slowly. "Thank you, Barb. Maybe I have

been an idiot, as you say. It takes you to clear away the rubbish in a

fellow's mind. Jack tried to tell me the same thing and, well, I guess

Sylvia tried, too, only she didn't put it as violently visibly as you

have, and I threw the words back in her face like the donkey I am.

Barb, do you believe there is any chance she'll forgive me?" he begged

anxiously.

"I don't know how much she has to forgive," retorted Barb shortly. "But

you had better be about it before her forgiveness is all she has left to

give. You can't expect a girl like Sylvia to sit down and wait for a

man to get his eyes open like a Maltese kitten. I suppose you know Jack

is hot on the trail, and no doubt there are plenty of others here in New

York."

"Lord! Don't I know it?" Phil got to his feet. "You needn't rub it in,

Barb. I'm scared enough on that score already and jealous as the old

one. I'd have liked to drop asphyxiating gas on the moon-faced calf I

saw with her last night at the opera, looking as if he owned her. Gee!

I've got to get out and let the air circulate through my brains a

little. I feel as if I had a hot box up there." He gave his tawny head

a thump. "Honest, Barb, I'm much obliged to you for your efficiently

brutal treatment. You are some doctor, all right."

And in his genuine gratitude Phil started to seize both Barb's small

hands in his, but she backed away, fearful perhaps lest he see more than

she wanted, now that his eyes were unsealed in other respects. In a

moment he was gone and Barb walked deliberately over to the mirror and

surveyed her flushed face and big, excited eyes.

"They say a critic is a man who can't write. I begin to think a

reformer--at least, a woman reformer--is a woman who can't have what she

wants. Maybe I can get the sacred fire after all. Wonder if Aunt Jo got

it--my way."

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