CANTO III

THE FATE OF LINDA

One hot day, the youngest son of Kalev was sitting on the top

of a cliff watching the clouds and waves. Suddenly the sky

became overcast, and a terrific storm arose, which lashed the

breakers into foam. Äike,

[32] the Thunder-God, was driving his brazen-wheeled chariot

over the iron bridges of the sky, and as he thundered above,

the sparks flew from the wheels, and he hurled down flash after

flash of lightning from his strong right hand against a company

of wicked demons of the air, who plunged from the rocks into

the sea, dodged the thunderbolts among the waves,

[Pg 25]

and mocked and insulted the god. The hero was enraged at their

audacity, and plunging into the water, dragged them from their

hiding-places like crabs, and filled a whole sack with them.

He then swam to the shore, and cast them out on the rocks,

where the bolts of the angry god soon reduced them to a

disgusting mass that even the wolves would not touch.

Another day, the three sons of Kalev went hunting in the forest

with their three dogs.

[33] The dogs killed a bear among the bushes, an elk in the

open country, and a wild ox in the fir-wood. Next they

encountered a pack of wolves and another of foxes, numbering

five dozen of each, and killed them all. All this game the

youngest brother bound together and carried on his back; and on

the way home they found the rye-fields full of hares, of which

they likewise secured five dozen.

[34]

[Pg 26]

Meantime the Finnish sorcerer had been watching Kalev's house from his

boat, where he remained in hiding among the rocks a little way from the

shore, till he saw that the three young heroes had left the house and

wandered far into the forest, leaving their home unprotected. The

sorcerer then steered boldly to the shore, hid his boat, and made his

way by devious and unfrequented paths to the house of Kalev, where he

climbed over the low gate into the enclosure, and went to the door, but

he looked cautiously round when he reached the threshold. Linda was

just boiling soup over the fire when he rushed in, and, without saying

a word, seized her by the girdle and dragged her away to his boat. She

resisted him with tooth and nail, but he muttered spells which unnerved

her strength and overpowered her feeble efforts, and her prayers and

cries for help were unheard by men. But she cried to the gods for

protection, and the Thunder-God himself came to her aid.

Just as the sorcerer was about to push off from the shore,

Pikker darted a bolt from the clouds. His chariot thundered

over the iron bridges of the sky, scattering flames around it,

and the sorcerer was struck down senseless. Linda fled; but the

[Pg 27]

gods spared her further sorrow and outrage by transforming her

into a rock on Mount Iru.

It was a long time before the sorcerer woke from his swoon, when he sat

up, rubbing his eyes, and wondering what had become of his prey; but he

could discover no trace of her. The rock is now called "Iru's

Stepmother;" and old people relate that when it was once rolled down

into the valley, it was found next morning in its original place on the

mountain.

The sons of Kalev were now making the best of their way home, sometimes

along well-trodden paths or across the plains, sometimes wading through

deep sand or mossy bogs, and then through forests of pine, oak, birch,

and alder. The pine forest was called the King's Wood; the oak forest

was sacred to the God Taara; the forest where the slender birch-trees

grew was called the Maidens' Wood, and the alder-wood was sacred to

mourners, and was called the Wood of the Poor Orphans.

As they passed through the pine forest which was called the

King's Wood, the eldest brother sat down under a tree and began

to sing a song. He sang till the leaves on the trees shone

brighter than ever, and the needles on the fir-trees turned to

[Pg 28]

silken tassels, and the fir-cones gleamed purple in the

sunshine. Acorns sprouted on the oaks, tender catkins on the

birch-trees, and other trees were covered with sweet-scented

snow-white flowers, which shone in the sunshine and glimmered

in the moonlight, while the woods re-echoed with his singing,

and the tones were heard far over the heaths and meadows, and

the daughter of the king of Kungla wept tears of rapture.

[35]

The second brother sat down in the birch-wood under a weeping

birch-tree, and began to sing a song. As he sang, the buds

unfolded and the flowers bloomed, the golden ears of corn

swelled, and the apples reddened, the kernels formed in the

nuts, the cherries ripened, red berries grew on the hills and

blue berries in the marshes, while black berries grew at the

edges of the swamps, yellow ones on the mossy hillocks, and the

elder-trees were covered with rich purple grapes, while the

woods re-echoed with the song, and its notes spread far over

the heaths and meadows till the little water-nymphs shed tears

of rapture.

[Pg 29]

The third brother sat down under a magnificent oak in the sacred

oak-forest of Taara, and began to sing a song. As he sang, the wild

beasts of the neighbouring woods and heaths gathered round him, and the

cuckoos, doves, magpies, larks, nightingales, and swallows joined in

the concert. The swans, geese, and ducks swam towards the sound, the

waves of the sea beat on the rocks, and the crowns of the trees bowed

down. The green hills trembled, and the clouds parted to permit the sky

to listen to the singing, while the forest-king's daughter, the slender

wood-nymphs, and the yellow-haired water-nymphs wept tears of rapture

and glowed with longing for the handsome singer.

Evening now approached, and the heroes made the best of their way

homewards, the youngest, as before, loading himself with all the game.

They looked out anxiously for the smoke of their home and the glow of

the kitchen-fire, but they could discover nothing.

They quickened their pace as they crossed the deep sand of the

heath, but no smoke nor fire nor steam from the kettle could be

seen. They rushed into the house, but the fire was out and the

hearth was cold. Again and again they shouted to their

[Pg 30]

mother, but there was no answer save the echo. The evening

became darker and stiller, and the brothers went out to search

in different directions. The youngest went down to the beach,

where he found such traces of his mother's presence that he

concluded that she had been carried off by her disappointed

suitor, the Finnish sorcerer.

The eldest brother proposed that they should eat their supper

and go to sleep, hoping that a dream might show them where to

seek for their mother. The second assented, hoping that Ukko

would send them a vision; but the youngest was unwilling to put

off till to-morrow what might be done to-day, and finally

determined to repair to his father's grave.

[36]

From his grave there spoke the father—

"Who upon the sand is treading,

With his feet the grave disturbing?

In my eyes the sand is running,

On my eyelids grass is pressing."

The youth told his father who he was, and all his trouble, and

implored him to rise and help him. But his father answered that

he could not rise, for the rocks lay on his breast, lilies of

the

[Pg 31]

valley on his eyelids, harebells on his eyes, and red flowers

on his cheeks. But he prayed the wind to show his son the

right path, and a gentle zephyr to guide him on the way

pointed out by the stars of heaven. So the young hero returned

to the sea-shore and followed his mother's footprints till

they were lost in the sea. He gazed over the sea and shore,

but could detect no further traces of her, nor was any boat in

sight. There he sat till it grew quite dark, and the moon and

stars appeared in the sky; but winds and waves, sea and sky,

moon and stars, alike were silent, and brought him no tidings

of his mother.

[Pg 32]

The Hero of Esthonia and Other Studies in the Romantic Literature of That Country · 第 3 / 25 章