CHAPTER V.

Fair goes the dancing when the sitar's tuned;

Tune us the sitar neither low nor high,

And we will dance away the hearts of men.

The string o'erstretched breaks, and music flies;

The string o'erslack is dumb, and music dies;

Tune us the sitar neither low nor high.

_Nautch girls' song.--The Light of Asia._ ARNOLD.

Mr. Lindon did not remain long with his family on the trip which Mrs.

Lindon thought was only to last a month or two. On arriving in England,

he transacted his business in a short time, and then proposed a run on

the Continent. By degrees he took the family on to Rome, where they made

friends at the hotel and seemed contented to remain for a while. He then

pretended to have received a cablegram, and came home by the quickest

route, having got them fairly installed in a foreign country without

letting them suspect any coercion in the matter. Afterward he wrote to

say he wished Nina to see something of England and Scotland, and, the

proposal being agreeable to Mrs. Lindon, they accepted invitations from

people they had met to pay visits in different places, so that, together

with an art course in Paris and a musical course at Leipsic, they

wandered about until nearly two years had elapsed, when they suddenly

suspected that Mr. Lindon preferred that they should be away, upon which

they returned at once.

Whether Nina came back "in love" with Jack was a question as to which he

made many endeavors to satisfy himself. The ability to live up to the

verb "to love" in all its moods and tenses is so varied, and the outward

results of the inward grace are often so ephemeral that it would be

hazardous to say what particular person is sufficiently unselfish to

experience more than a gleam of a phase that calls for all the most

beautiful possibilities. It is not merely a jingle of words to say that

one who is not minded to be single should be single-minded.

Let us pass over the difficult point and take the young lady's statement

for what it was worth. She said, of herself, that she _was_ in love with

Jack. He had extracted this from her with much insistence, while she

aggravatingly asserted at the same time, that she only made the

admission "for a quiet life," leaving Jack far from any certainty of

possession that could lead to either indifference or comfort.

Two or three proposals of marriage which she had while away had

evidently not captured her, even if they had turned her head a little.

She had seen no person she liked better than Jack or else she would not,

perhaps, have come back in the way she did. The proposals, however, if

they ever had been made, served to turn Jack's daily existence into

alternations of hot and cold shower-baths. One day she would talk about

a Russian she had met in Paris. Then she solemnly gave the history of

her walks and talks with a naval officer in Rome, till Jack's brow was

damp with a cold exudation. But when it came to the delightful

appearance of Colonel Vere, and the devotion he showed when he took her

hand and asked her to share his estates, Jack said, with his teeth

clinched, that he had had enough of the whole business--and departed. He

then spent two days of very complete misery, barometer at 28 deg., until she

met him and laid her hand on his arm and said she was sorry; would he

stop being a cross boy? that she had only been teasing him, and all the

rest of it; while she looked out of her soft dark eyes in a way that

left no doubt in Jack's mind that he had behaved like a brute.

In this way the first week of her return had been consumed, and as yet

he had not felt that he could afford to divide her society with anybody.

What with the rich Russian, the naval officer, and Colonel Vere--what

with getting into agonies and getting out of them--it took him pretty

nearly all his time to try to straighten matters out. So Geoffrey's

introduction had not been mentioned further by him, except to Nina, who

was becoming curious to see Jack's particular friend and Admirable

Crichton. The opportunity for this meeting seemed about to offer itself

in the shape of an entertainment where all those who remained in Toronto

during the summer would collect--one of those warm gatherings where the

oft-tried case of _pleasure vs. perspiration_ results so frequently in

an undoubted verdict for the defendant.

The Dusenalls were among those wise enough to know that in summer they

could be cooler in Toronto, at their own residence, with every comfort

about them, than they could possibly be while stewing in an American

hotel or broiling on the sands of an American seaport. They objected to

spending large sums yearly in beautifying their grounds, merely to leave

the shady walks, cool arbors, and tinkling fountains for the enjoyment

of the gardeners' wives and children. In the thickness of their mansion

walls there was a power to resist the sun which no thin wooden hotel can

possess; therefore, in spite of a fashion which is somewhat dying out,

they remained in Toronto during the hot months, and amused themselves a

good deal on young Dusenall's yacht.

Their residence was well adapted for such a party as they were now

giving, and the guests were made to understand that in the afternoon

there would be a sort of garden-party, with lawn-tennis chiefly in view,

and at dark a substantial high tea--to wind up with dancing as long as

human nature could stand the strain; and if any had got too old or too

corpulent or too dignified to play tennis, they could hardly get too

much so to look on; or, if this lacked interest, they could walk about

the lawns and gardens and converse, or, if possible, make love; or

listen to a good military band while enjoying a harmless cigarette; and

if they liked none of these things they could never have been known by

the people of whom this account is given, and thus, perhaps, might as

well never have been born.

The men, of course, played in their flannels, which a few of them

afterward changed in Charley Dusenall's rooms when there was a

suspension of hostilities for toilets. Most of them went home to dinner

and appeared later on for the dancing. People came in afternoon-dress

and remained for tea and through the evening in that attire, or else

they dropped in at the usual time in evening-dress. It did not matter.

It was all a sort of "go-as-you-please." Some girls danced in their

light tennis dresses, and others had their maids come with ball dresses.

Of course the majority came late--especially the chaperons, the heavy

fathers, starchy bank-managers, and such learned counsel as scorned not

to view the giddy whirl nor to sample the cellars of the Dusenalls.

Mrs. Lindon arrived with her daughter late in the evening, when

everything was whirling. Jack had his name down for a couple of dances,

and a few more were bestowed upon eager aspirants, and then she had no

more to give away--so sorry!--card quite filled! She told dancing fibs

in a charming manner that seemed to take away half the pang of

disappointment. This was a field-day, and the discarded ones could

receive more notice on some other, smaller occasion.

To see Jack and Nina dancing together was to see two people completely

satisfied with themselves. As a dancer, Jack "fancied himself." He had

an eye for calculating distances and he had the courage of his opinions

when he proposed to dance through a small space. As for Nina, she was

the incarnation of a waltz. Her small feet seemed as quick as the pat of

a cat's paw. In watching her the idea of exertion never seemed to

present itself. There is a pleasure in the rhythmic pulsations of the

feet and in yielding to the sensuous strains of the music (which alone

seems to be the propelling power) that is more distinctly animal than a

good many of our other pleasures; and Nina was born to dance.

At the end of Jack's first dance with her, Geoffrey came idling through

the conservatory, and entered the ball-room close beside the place where

Mrs. Lindon was seated with several other mothers. As the last bars of

the waltz were expiring, Jack brought up at what he called "the

moorings" with all the easy swing and grace of a dancer who loves his

dance. The act of stopping seemed to divide the unity in trinity

existing between his partner, himself and the music, and it was

therefore to be regretted, and not to be done harshly, but lingeringly,

if it _must_ be done, while Nina, as he released her, came forward

toward her mother with her sleeveless arms still partly hanging in the

air, and with a pretty little trip and slide on the floor, as if she

could not get the "time" out of her feet. Her head was slightly thrown

back, the eyelids were drooped, and the lips were parted with a smile of

recognition for Mrs. Lindon, while her attitude showed the curves of her

small waist to advantage; so that the first glimpse of Nina that

Geoffrey received was not an unpleasant one. She seemed to be moving

naturally and carelessly. She was only endeavoring to make the other

mothers envious, when they compared her with their own daughters. Such

wiles were part of her nature. When feeling particularly vigorous,

almost every attitude of some people is a challenge--males with their

bravery, females with their graces--and, whatever changes the future may

develop in the predilections of woman, there may for a long time be some

left to acknowledge that for them a likable man is one who is able to

assert, in a refined way, sufficient primitive force to make submission

seem like conquest rather than choice.

Jack at once introduced Geoffrey--his face beaming while he did so. He

was so proud of Nina. He was so proud of Geoffrey. Nina was blushing at

having Hampstead witness her little by-play with her mother at the

conclusion of the dance--but not displeased withal. Jack thought he had

never seen her look so beautiful. And Geoffrey was such a strapper. Jack

surveyed them both with unbounded satisfaction. He slapped Hampstead on

the arm, and tightened the sleeve of his coat over his biceps, patting

the hard limb, and saying warmly: "Here's where the secret lies, Nina!

This is what takes the prizes."

"So you are Jonathan's David, are you?" said Nina, smiling, as they

talked together.

"Well, he patronizes me a good deal," said Geoffrey. "But don't you

think he looks as if he wished to find his next partner? Suppose we give

him a chance to do so; let us go off and discuss his moral character."

He went away with Nina on his arm, leaving Jack quite radiant to see

them both so friendly.

When they arrived in the long conservatory adjoining, Geoffrey held out

his hand for her card. He did not ask for it, except perhaps by a look.

Having possessed himself of it, he found five successive dances

vacant--evidently kept for some one, and he was bold enough suddenly to

conclude they had been kept for him. He looked at the card amused, and

as he scratched a long mark across all five, he drawled, "May I have the

pleasure of--some dances?" And then he mused aloud as he examined the

card, "Don't seem to be more than five. Humph! Too bad! But perhaps we

can manage a few more, Miss Lindon?"

Nina was accustomed to distribute her favors with a reluctant hand and

with a condescension peculiarly her own, and to hear suppliant voices

around her. She would be capricious, and loved her power. Even Jack did

not count upon continued sunshine, and took what he could get with some

thanksgivings. She was a presumptive heiress, and had not escaped the

inflation of the purse-proud. But, on the other hand, since her return

she had heard a good deal about the various perfections of his friend,

and how well he did everything; and from what her girl friends said, she

had gleaned that Geoffrey was more in demand than would be confessed. He

was not very desirable financially, perhaps, but hugely so because he

was sought after. This much would have been sufficient to have made her

amused rather than annoyed at his cool way of assuming that she would

devote herself to him for an unlimited time, but there was something

more about Geoffrey than mere fashion to account for his popularity, and

that was the peculiar influence of his presence upon those with whom he

conversed.

Thus Nina, if she came to the Dusenalls with the intention of having a

flirtation with Geoffrey, which the condition of her card and her

acquiescence to his demands confessed, had hit upon a person who was far

more than her match, for Hampstead's acquaintanceships were not much

governed by rule. As long as a girl diverted him and wished to amuse

herself he had no particular creed as to consequences, but merely made

it understood--verbally, at least--that there was nothing lasting about

the matter, and that it was merely for "the temporary mutual benefit and

improvement of both parties." This was a remnant of a code of

justification by which he endeavored to patch up his self-respect; but

nobody knew better than he that such phrases mean nothing to women who

are falling in love and intend to continue in love.

Underneath the careless tones with which he spoke to Nina there was an

earnestness and concentration that influenced her. As he gravely handed

back her card and caught and held her glance with an intensity in his

gray eyes and will-power in his face, she felt, for the first time with

any man, that she was not completely at her ease. When obeying the

warning impulses that formerly fulfilled the offices of thought women do

not often make a mistake. By these intuitions, sufficient at first for

self-protection, she knew there was willfulness and mastery in him, and

that if she would be true to Jack she should return to him. If change of

masters be hurtful to women, this was the time for her to remember about

the woman who hesitates. Geoffrey said, "Let us go in and have a dance,

Miss Lindon," and she rose with a nervous smile and glanced across to

the place where her mother was sitting. But Mrs. Lindon had never been a

tower of strength to her, or she might have gone to her. She had a

distinct feeling that this new acquaintance was more powerful in some

way than she had anticipated, and that everything was not all right with

Jack's interests, and she was at one of those moments when a woman's

ability to decide is so peculiarly the essence of her character,

circumstances, and teaching as fairly to indicate her general moral

level. Goethe tells us "to first understand"; but if we can not know the

extent of Geoffrey's influence, or how far her unknown French lineage

assisted temptation, we would better leave judgment alone. Geoffrey said

something in her ear about the music being delicious. She listened for a

moment and longed for a dance with him. Rubbish! only a dance, after

all! And the next moment she was circling through the ball-room with his

arm around her.

The band that played at the Dusenalls' was one that could be listened to

with pleasure. It was composed of bottle-nosed Germans who worked at

trades during the day and who played together generally for their own

amusement. In all they played they brought out the soul of the movement.

It was to one of the dreamiest of waltzes that Nina danced with

Geoffrey--one of those pieces where from softer cadences the air swells

into rapturous triumph, or sinks into despair, and wooes the dancer into

the most unintellectual and pleasant frame of mind--if the weather be

not too warm.

A cool night breeze was passing through the room, bringing with it the

fragrance of the dewey flowers outside, and carrying off the odor of

those nauseating tube-roses (which people _will_ wear), and replacing it

with a perfume more acceptable to gods and men--especially men.

If Jack "fancied himself" as a dancer, Geoffrey had a better right to do

so. His stature aided him also, and men with retreating chins were

rather inclined to give him the road. He had a set look about the lower

part of his face which in crowds was an advantage to him. It suggested

some _vis major_--perhaps a locomotive, which no one cares to encounter.

In two minutes after they had embarked on this hazardous voyage Nina had

but one idea, or rather she was conscious of a pervading sense of

pleasure, that ran away with her calmer self. No thought of anything

definite was with her, only a vague consciousness of turning and

floating, of being admired, of being impelled by music and by Geoffrey.

As the dance went on it seemed like some master power that led through

the mazes delightfully and resistlessly.

When the music ended, for they had never stopped, she sighed with

sorrow. It had been too short. She had yielded herself so completely to

its fascination that she seemed like one awakening from a dream. And

then her conscience smote her when she thought of Jack, and how in some

way she had enjoyed herself too much, and did not seem to be quite the

same girl that she had been half an hour before; but these thoughts left

her as they walked about and spoke a few words together. While circling

the long room she noticed Geoffrey bowing to a tall young lady whose

long white silk train swept behind her majestically. There was a respect

and gravity in his bow which Nina, with her quick observation, noticed.

"Who is that you are bowing to?" she asked.

"That is Miss Margaret Mackintosh."

"Oh, I think she is perfectly lovely," said Nina, as she looked back

admiringly.

"So do I," said Geoffrey.

Nina turned about now with curiosity, in order to meet her again. Miss

Mackintosh came down the room once more with a partner who was one of

the very young persons who now are the dancing men in Toronto--called

the "infants" by a lady (still unwon) who remembers when there were

marriageable men to be found dancing at parties. This detrimental with

Miss Mackintosh was having an enjoyable time of it. What with the beauty

of his partner, her stately figure, gracious manner, and the rapidity

with which she talked to him, the little man did not quite know where he

was, and he could do little else than turn occasionally and murmur

complete acquiescence in what she was saying, while he sometimes glanced

at her active face for a moment. In doing this, though, he would lose

the thread of her discourse, in consequence of his unfeigned admiration,

and, as he was straining every nerve to follow her quick ideas, this was

a risky thing to do. Once or twice, seeing him turn toward her so

attentively, she turned also and said, "Don't you think so?" and then

the little man would endeavor to mentally pull himself together, and

with some appearance of deep thought would again acquiesce with unction.

Certainly he thought he did think so--every time.

The close scrutiny of Hampstead and Nina did not seem to affect her as

she passed them with her face unlifted and earnest. She did not seem to

have any side eyes open to see who were regarding her. When the handsome

dress that had made such a cavern in her allowance money was trodden on,

she gathered it up with an active movement--not seeming to notice the

unpleasantness, nor for a moment abating the earnestness of her

conversation. Her idea seemed to be to prevent the dress from

interrupting her rather than to save it. One could see that, once on,

the dress was perhaps not thought of again, that it was not the main

part of her pleasure, but was lost in her endeavor to make herself

agreeable, and in this way to enjoy herself.

"I am sure she must have a very kind heart," said Nina, smiling.

"Why?" asked Geoffrey.

"Because she takes so much trouble over such a poor specimen of a man."

"Perhaps, as Douglas Jerrold said, she belongs to the Royal Humane

Society," added Geoffrey.

As Nina could not remember being acquainted with any Mr. Jerrold, the

remark lost some of its weight. The true inwardness of the old wit that

comes down to us in books is our knowledge of the reputation of the

joker.

"And does she dance well?" asked Nina.

"No," said Geoffrey, as he still looked after Miss Mackintosh with grave

and thoughtful eyes. "I don't think she has in her enough of what

Goethe calls the 'daemonic element' of our nature to dance well."

"Not very complimentary, to those who can dance well," said Nina, archly

pointing to herself.

Geoffrey shrugged his shoulders, as he looked at his partner. "Some

people prefer the daemonic element," said he. But he turned again from

the rose to the tall, white lily, who was once more approaching them,

with something of a melancholy idea in his mind that men like him ought

to confine themselves entirely to the rose, and not aspire above their

moral level. Margaret Mackintosh was the one person he revered. She was

the symbol to him of all that was good and pure. He had almost forgotten

what these words meant, but the presence of Margaret always

re-interpreted the lost language.

"And do you admire her very much?" Nina inquired.

"I admire her more than any person I ever saw."

Sooner or later, it would have gone hard with Geoffrey for making this

speech, if he had been any one else. But it occurred to Nina that he did

not care whether she took offense or not. He was leaning against the

wall, apparently oblivious, for the moment, to any of her ideas, charms,

or graces, but looking, withal, exceedingly handsome, and a thought came

to her which should not come to an engaged young lady. She made up her

mind that she would make him care for her a great deal and then would

snub him and marry Jack.

The music commenced again.

"Come now," said Nina, gayly, "and try a little more of the daemonic

element."

Geoffrey turned to her quickly, and his face flushed as, to quote

Shakespeare's sonnet, "his bad angel fired his good one out." He saw in

her face her intention to subjugate him, and knew that he had

accidentally paved the way for this new foolish notion of hers by his

candid admiration of Miss Mackintosh.

"Have you any of it to spare?" said he, as his arm encircled her for the

dance.

No verbal answer was given, but they floated away among the dancers.

Here she forgot her slight feelings of resentment and retained only the

desire to attract him, without further wish to punish him afterward. A

few turns around the room, and she was in as much of a whirl as she had

been before. They danced throughout the music--almost without ceasing;

and when it ended she unconsciously leaned, upon his arm, as they

strolled off together, almost as if she were tired. The thought of how

she was acting came to her, only it came now as an intruder. A usurper

reigned with sovereign sway, and Right was quickly ousted on his

approach. A little while ago, and the power to decide, for Jack or

against him, was more evenly balanced; but now, how different! She was

wandering on with no other impulse than the indefinite wish to please

Geoffrey. If she had been a man, sophisms and excuses might have

occurred to her. But it was not her habit to analyze self much, and even

sophisms require _some_ thought.

They passed through the conservatory and out to the broad walk of

pressed gravel, where several couples were promenading. Here they walked

up and down once or twice in the cool breeze that seemed delicious after

the invisible dust of the ball-room. Nina was saying nothing, but

leaning on his arm, and it seemed to her that his low, deep tones

vibrated through her--as a sympathetic note sometimes makes glass

ring--as if in echo.

Geoffrey was pondering where all the pride and self-assertion had gone

to in this girl who now seemed so trustful and docile. Even her answers

seemed mechanical and vague, as if she were in some way bewildered.

Jack, in the mean time, was elbowing his way through a crowd, trying to

get one of his partners something to eat. He was the only person likely

to notice her absence, and this he did not do, and, as Geoffrey was down

for five dances, he knew no others would be looking for her. So he

walked on past the end of the terrace, and, descending some steps,

proceeded farther till they came to more steps leading down into a path

dark with overhanging trees. Nina hesitated, and said she was always

afraid to go among dark trees, but Geoffrey said, "Oh, I'll take care of

you." Then she thought it was pleasant to have an athlete for a

protector, and she glanced at his strong face and frame with confidence.

She no longer went with him as she had danced, with her mind in a whirl,

but peacefully and calmly, with no other thought than to be with him. He

took her hand as they descended the stairs, and, though she shrank a

little from a proceeding new to her, it seemed natural enough, and gave

her a sense of protection in the dark paths. It did not occur to her

that she could have done without it. She did not notice their silence.

Geoffrey, too, thought it pleasant enough in the balmy air without

conversation. He was interested by her beauty and her sudden partiality

for him.

At length he stopped in one of the distant paths as they came to a seat

between the trunks of two large trees. Here they sat down at opposite

sides of the seat, and Geoffrey leaned back against the tree beside him.

The leaves on the overhanging boughs quivered in the light of the moon,

and the delicate perfume in the air spoke of flower-beds near by. He

thought it extremely pleasant here, and he laid his head back against

the tree beside him to listen to the tinkling of the fountain and to

enjoy the scent-laden night air. An idea was still with him that this

was the girl Jack was engaged to, and he thought it would be as well to

keep that idea before him. He said to himself that he liked Jack, and

thought he was very considerate, under the circumstances, for his friend

when he took out a little silver case and suggested that he would like a

cigarette.

Nina did not answer him. She was in some phase of thought in which

cigarettes had no place, and only looked toward him slowly, as if she

had merely heard the sound of his voice and not the words. He selected

from the case one of those innocuous tubes of rice-paper and

prairie-grass, and, as he did so, the absent look on her face seemed

peculiar. With a fuse in one hand and the cigarette in the other, he

paused before striking a light, and they looked at each other for a

moment as he thought of stories he had read of one person's influence

over another. Like many, he had a general curiosity about strange phases

of mankind, and it occurred to him that Nina would make an interesting

subject for experiment. Presently he said, in resonant tones, deep and

musical:

"Do you like to be here, Nina?"

She did not seem to notice that he called her by this familiar name, but

she stood up and remained silently gazing at the moon through a break in

the foliage. Her beauty was sublimated by the white light, and, as

Geoffrey took a step towards her, he forgot about his cigarette, and,

taking both her hands in his, he repeated his question two or three

times before she answered. Then she turned impetuously.

"Oh, why do you make me do everything that is wrong? I should not be

here. I should never have spoken to you. I was afraid of you from the

first moment I saw you."

Geoffrey led her by one hand back to the seat.

"Now answer me. Do you like to be here--with me, Nina?"

She looked at the moon and at the ground and all about, but remained

mute and apparently pondering.

He had forgotten Jack now as well as the cigarette, and was rapidly

losing the remembrance that this was to be merely a scientific

experiment.

"Your silence makes me all the more impatient. I will know now. Do you

like to be here, Nina?"

A new earnestness in his tone thrilled her and made her tremble. She

turned with a sudden impulse, as if something had made her reckless:

"You are forcing me to answer you," she said vehemently, as she looked

at him with a constrained, though affectionate expression in her eyes.

"But I will tell you if I die for it. Oh, I am so wicked to say so, but

I must. You make me. Oh, now let us go into the house."

Geoffrey's generous intention to act rightly by Jack departed from him,

and for a moment he drew her toward him, saying that she must not care

too much for being there, "because, you know," he said, "this is only a

little flirtation, and is quite too good to last."

She seemed not to be listening to him, but to be thinking; and after a

moment she said, in long drawn out, sorrowful accents:

"Oh--poor--Jack!"

Something in the slow, melancholy way she said this, and the thought of

the poor place that Jack certainly held at the present time in her

affections, struck Geoffrey as irresistibly amusing, and he laughed

aloud in an unsympathetic way, which presented him to her in a new

light, and she sprang from him at once. Her emotion turned to anger as

she thought that the laugh had been derisive, and her blood boiled to

think he could bring her here to laugh at her after he had succeeded in

winning her so completely.

"Come into the house at once," she cried. "I can't go in alone even if I

knew the way."

Geoffrey rose and begged her pardon, assuring her that nothing but the

peculiarity of her remark had caused his laugh.

"I will not stay here another instant. If you don't come at once I'll

find my way alone." And she stamped her foot upon the ground.

Hampstead did not like to be stamped at, and his face altered. As long

as she had been facile and pleasing, a sense of duty toward her and Jack

had made him considerate. It had seemed to him while sitting there that

this girl was his; and the sense of possession had made him kind, but

now that she seemed to vex him unnecessarily it appeared to him like a

denial of his influence. The idea of the experiment suddenly returned,

together with a sense of power and a desire to compel submission which

displaced his wish to be considerate. He sat down on the seat again

facing her and said:

"I want you to come here." He motioned to the seat beside him.

"I won't go near you. I hate you! I'll run in by myself."

"You can not run away--because I wish you to come here."

Hampstead said this in a measured way, and his brow seemed to knot into

cords as he concentrated his will-power. His face bore an unpleasant

expression. A quarter of a minute passed and she stood trembling and

fascinated; and before another half-minute had elapsed she came very

slowly forward, and approached him with the expression of her face

changed into one of enervation. Her eyes were dilated, and her hands

hung loosely at her sides. Hampstead saw, with some consternation, that

she had become like something else, that she looked very like a

mad-woman. A shock went through him as he looked at her--not knowing how

the matter might terminate. He saw that she was mesmerized--an automaton

moved by his will only. The combined flirtation and experiment had gone

further than he had intended, and the result was startling--especially

as the possibility that she might not recover flashed through his mind.

The power he had been wielding (which receives much cheap ridicule from

very learned men who would fain deny what they can not explain) suddenly

seemed to him to be a devilish one, and he felt that he had done

something wrong. He had not intended it. An idea had seized him, and he

was merely concentrating a power which he unconsciously used almost

every hour of his life. He considered what ought to be done to bring her

back to a normal state. Not knowing anything better to do, he walked her

about quickly, speaking to her, a little sharply, so as to rouse her.

Then, by telling her to wake up, and by asking her simple questions and

requiring an answer, he succeeded in bringing her back to something like

her usual condition. When she quite knew where she was, she thought she

must have fainted. All her anger was gone, and Geoffrey, to give the

devil his due, felt sorry for her. It had been an interesting

episode--something quite new to him in a scientific way--but uncanny.

She still looked to him as if for protection, and she would have wept

had he not warned her how she would appear in the ball-room. "Oh, Mr.

Hampstead, you have treated me cruelly," she said. Geoffrey felt that

this was true enough.

"It was all my own fault, though. I do not blame you. You have taught me

a great deal to-night. I seem to know, somehow, your best and your

worst, and what a man can be."

She leaned upon his arm, partly from weakness and partly because she

felt that, good or bad, he was master, and that she liked to lean upon

him. The movement touched Geoffrey with compassion. Having nothing to

offer in return, it distressed him to notice her affection, which he

knew would only bring her unhappiness. He tried, therefore, to say

something to remove the impressions that had come to her.

"You speak of good and bad in me," he said quickly. "Now I think you are

so much in my confidence that I can trust you in what I am going to say.

Don't believe that there is any good in me. I tell you the truth now

because I am sorry that we have been so foolish to-night. There is no

good in me. It is all--the other thing."

Nina shuddered--feeling as if he had spoken the truth but that it was

already too late for her to listen to it.

He took her back into the house, smiling and pleasant to those about

him, as if nothing had occurred, and left her with Mrs. Lindon.

But he did not go to find Margaret Mackintosh again. He went home

somewhat excited, and smoked four or five pipes of tobacco. At first he

was regretful, for he knew he had been doing harm. He said he was a

whimsical fool. But after a couple of "night-caps" he began to think how

picturesque she had looked in the moonlight, and he afterward dropped

off into as dreamless and undisturbed a sleep as the most virtuous may

enjoy.

Geoffrey Hampstead: A Novel · 第 5 / 29 章