I
The petulant whining of the jackals prevented Renfrew from sleeping. At
first he lay still on his camp bed, staring at the orifice of the bell
tent, which was only partially covered by the canvas flap let down by
Mohammed, after he had bidden his master good-night. Behind the tent the
fettered mules stamped on the rough, dry ground, and now and then the
heavy rustling of a wild boar could be heard, as it shuffled through the
scrub towards the water that lay in the hollow beyond the camp. The
wayward songs of the Moorish attendants had died into silence. They
slept, huddled together and shrouded in their djelabes. But their
wailing rapture of those old triumphant days when on the heights above
Granada, beneath the eternal snows, their brethren walked as conquerors,
had been succeeded by the cries of the uneasy beasts that throng the
mountains between Tangier and Tetuan. And Renfrew said to himself that
the jackals kept him from sleeping. He lay still and wondered if Claire
were awake in her tent close by. If so, if her dark eyes were unclouded,
what journeys must her imagination be making! She was so sensitive to
sound of any kind. A cry moved her sometimes with a swift violence that
alarmed those around her. The message of a note of music shut one door
on her soul, opened another, and let her in to strange regions in which
she chose to be lonely.
How amazing it was to think that Claire, with all her serpentine beauty,
all her celebrity, all the legends that clung to her fame, all the wild
caprices of which two worlds had talked for years,--that Claire was
hidden away three feet off, beneath the canvas shield that looked like a
moderate-sized mushroom from the Kasbar on the hill. How amazing to
think she was no longer Claire Duvigne, but Claire Renfrew. Her cheated
audiences sighed in London in which a week ago she was acting. And while
they sighed, she slept in this wild valley of Morocco, or lay awake and
heard the jackals whining among the dwarf palms. And she was his. She
belonged to him. He had the right to hold her--this thin, pale wonder of
night and of fame--in his arms, and to kiss the lips from which came at
will the coo of a dove or the snarl of a tigress. Although Renfrew could
not sleep, he fell into a dream. Indeed, ever since he had married
Claire, a week ago, his life had been a dream. When the goddess suddenly
bends down to the worshipper, and says: "Don't pray to me any more--sit
on my throne by my side!"--the worshipper exchanges one form of devotion
for another, so deep and so different that for a while his ordinary
faculties seem frozen, his life goes in shadowy places. Renfrew was not
a man of deep imagination, but he had enough of the dangerous and dear
quality to make him full of interest in Claire's bonfires of the mind.
He sunned himself in the sparks which flew from her, even as the
phlegmatic man in the pit bathes in the fury of some queen of the stage.
He adored partly because he scarcely understood.
And then, at this moment, he was in the throes of a most unexpected
honeymoon. Claire, after refusing to have anything to do with him for
two years or more, had suddenly married him in such a hurry that, though
London gasped, Renfrew gasped still more. She had sent for him one
night, from her dressing-room, between the third act and the fourth of
an angry drama of passion. He came in and found her sitting in an
arm-chair by a table, on which lay a note containing his last proposal,
and a dagger with which she was about to commit a stage murder that had
carried her glory to the four quarters of the universe. Her face was
covered with powder, and in her long white dress she looked like a
phantom. As she spoke to him, she ran her thin fingers mechanically up
and down the blade of the dagger. When Renfrew was in the room, and the
door shut, she looked up at him and said:--
"Desmond, I'm going to frighten you more than I shall frighten the
audience out there."
And she pointed towards the hidden stage.
"How?" he said, looking at her hand and at the dagger.
"I'm going to marry you."
Renfrew turned paler than she was.
"Ah!" she cried. "You go white?"
"No, no," he murmured. "But--but I can't believe it."
"I will marry you when you like, to-morrow, whenever you can get a
licence."
"Oh, Claire!"
Suddenly she got up.
"Take me away from here," she said. "From this heat and noise. Take me
to some place where it is wild and desolate. I want to be in starlight,
with people who know nothing of me, and my trumpery talent. O God,
Desmond, you don't know how a woman can get to hate being famous! I
should like to act to-night to a circle of savages who had never heard
of me and of my glory."
"Curtain's up!" sang a shrill voice outside.
Claire picked up the dagger.
"Well?" she said. "Shall it be--?"
"Ah, yes--yes!" Renfrew answered in a choked voice.
She smiled and glided out, like a white snake, he thought.
And now--yes, those were really jackals whining, and Claire slept,
surrounded by a circle of Moors under the stars of Morocco.
Renfrew trembled at the astounding surprises of life. Now the devil of
the night--thought--had filled his veins with fever. He got up softly,
drew on his clothes, unfastened the canvas flap, and emerged, like a
shadow, from the mouth of the tent. The night was dewy and cool. All the
heaven was full of eyes. The line of tethered mules looked like a black
hedge in whose shelter the group of tents was pitched. A low fire, held
in a cup of earth, was dying down in the distance, and as Renfrew came
out a lanky dog slunk off among the bushes that clothed the low hills on
every side.
Renfrew stood quite still. He was bare-headed, and the breeze caught at
his thick brown hair, and seemed to tug it like a rough child at play
with a kindly elder. His eyes were turned towards the tiny peaked tent
which shrouded Claire. A small moon half way up the sky sent out a beam
which faintly illuminated this home of a wanderer, and Renfrew thought
the beam was like a silver finger pointing at this wonderful creature
whom glory had so long attended. Such beings must walk in light. Nature
herself protests against their endeavours to shroud themselves even for
a moment in darkness. He drew close to the tent, and listened for
Claire's low breathing. But he could not hear it. Perhaps she was awake
then.
"Claire!" he called, in a low voice.
There was no answer. Renfrew hesitated and glanced round the little
camp. It was just then that he noticed the absence of two figures which
had been standing like statues near his tent when he went to bed. These
were soldiers sent from the nearest village to guard the camp from
marauders during the night. Clad in earth-coloured rags, shrouded in
loose robes that looked like musty dressing-gowns, with fez on head, and
musket in hand, they had seemed devoutly intent on doing their duty
then. But now--where were they? Renfrew strolled among the tents,
expecting to find them squatting near the fire smoking cigarettes, or
playing some Spanish game of cards. But they had vanished. He returned,
and posted himself again by the door of Claire's rude bed-room, saying
to himself that he would be her guard. Those Moorish vagabonds had
deserted her. They cared nothing for the safety of this jewel, whom the
whole civilised world cherished. But in his heart glowed a passion of
protection for her. And then he gazed again at the impenetrable canvas
wall that divided him from her. Only two hours ago he had held her in
his arms and kissed her lips, yet already he felt as if a river of years
flowed between them. He began to torture himself deliberately, as lovers
will, by the imagination of non-existent evils. Suppose Claire
possessed the power of a fairy, and could evaporate at will into the
spaces of the air, leaving no trace behind. She might then have
departed, have faded into the scented silence and darkness of this land
so strange and desolate. Renfrew supposed the departure an actual fact.
What a loneliness would fill his night then; if that little tent stood
empty, if that slim sleeper were removed from the camp round which the
jackals sat on their tiny haunches, whining like peevish spirits. He
trembled beneath the weight of this absurd supposition, revelling in the
intolerable with the folly of worship. Gradually he forced himself on
step by step along the fanciful path till he had assured his imagination
that Claire was really gone, and that he was just such a travelling
Englishman as may come alone across the Straits, take out a camp, and
spend his days in stalking wild boar, or shooting duck, his nights in
the heavy slumber of complete weariness. And, at length, having gained a
ghastly summit of imaginative despair, he suddenly stretched forth his
hand, unhooked the canvas that shrouded Claire's tent door, and peeped
cautiously in, courting the delicious revulsion of feeling which he
would secure when he saw her half defined form in the shadow of the
leaning roof that hid her from the stars.
He bent forward with greedy anxiety. But the pale and tragic face he
looked for, did not greet his eyes. The tent was empty.
Renfrew stood for a moment holding back the canvas flap with one hand.
This denial calmly offered to his expectation bewildered him. He was
confused, and for a moment scarcely thought at all. Then his mind broke
away with the violence of a dog unleashed, and ran a wild course of
surmises. He thought first of rousing the camp and organising an
immediate search. Then he remembered the absence of the two soldiers who
ought to be guarding the tents and the mules. Claire gone, those
soldiers absent! He linked the two facts together, and turned white and
sick. But he did not rouse the camp. Indeed, he thanked God that all the
men were sleeping. He sprang softly back from the tent, turned on his
heel, and stole out of the camp so silently that he scarcely seemed a
living thing. The ground towards the water was boggy and spongy, and the
scent of the thickly growing myrtles was heavy in the air. Renfrew
brushed through them swiftly. He heard the harsh snuffling of a boar,
and the tread of its feet in the mud at the water-side. And these sounds
filled the night with a sense of unknown dangers. Darkness, a wild
country, wild men, wild beasts, and his beautiful Claire out somewhere
alone, near him, perhaps, yet hidden behind the impenetrable veil of
darkness. He saw her fainting, struggling, crying out for him. He saw
her silent and dead, and frenzy seized him. She was not here by the
water. And with a gesture of despair he turned back. Low and rounded
hills faced him on all sides, covered with a dense undergrowth of palms
and close-growing shrubs that looked almost like black velvet in the
night. On one, the highest, was perched the native village from which
the soldiers had come. Dogs were barking in it incessantly. It seemed to
Renfrew that Claire might have been conveyed there by these ruffians;
and he began hastily to ascend in the direction of the dogs' acute
voices. He stumbled among the palms at first; but, mounting higher, he
came into the eye of the moon, and was swallowed up in a shrouded silver
radiance. The camp faded away below him, and he felt the breeze with
greater force. Yet its breath was warm. Could Claire feel it? Did she
see the moon? Now the dogs were evidently close by. The village must be
behind that big clump of trees. Renfrew sprang upward, passed through
them, suddenly drew a great breath and stood still.
Beyond the trees there was a small clearing that almost corresponded to
our English notion of a village green. On the near side of it was the
clump of trees in whose shadow Renfrew now stood. On the far side of it
was the Moorish village, a minute collection of low huts like hovels,
featureless and filthy. The moon streamed over the clearing and lit up
faintly a cluster of seated figures that formed a good-sized circle. The
figures looked broad and almost shapeless, for they were all smothered
in long, voluminous robes, and over all the heads great hoods were drawn
which hid the faces of the wearers. They were absolutely motionless, and
differed little from the more distant clumps of dwarf palms that grew
everywhere among the huts. Only they possessed the curiously sullen
aspect of things alive but entirely motionless. It was not this living
Stonehenge of Morocco, however, which caused Renfrew to catch his breath
and rooted him in the shadow. In the centre of the circle, lit up by the
moon, there stood something that might have been a phantom, it was so
thin, so tall, so white-faced, so strange in its movements. It was a
woman, and long black hair flowed down to its waist,--night standing
back from that moon, vague and spectral, the face. In this human night
and moon, great sombre eyes gleamed with a sort of fatigued beauty. This
spectre stretched out its long arms in weird gesticulations and
sometimes swayed its body as if it moved to music. And from its lips
came a soft and liquid stream of golden words that mingled with the acid
barking of the dogs, some of which crept furtively about on the
outskirts of the serene hooded circle of the listeners. This murmuring
spectre was Claire. She was girt about with silently staring Moors. And
she was in the act of delivering one of her most famous recitations,
which she had last given at a monster morning performance before
Royalties in London, on a sultry day of the season. As this fact broke
upon Renfrew's mind, he seemed for a moment to be back in the hot
dressing-room in which Claire had said: "I will marry you." He seemed to
hear her passionate exclamation: "I should like to act to-night to a
circle of savages!" The hill men of this part of Morocco may not be
savages, but they are fierce and wild and ruthless. And now they hung
upon the lips that had spoken to London, Paris, Vienna, New York--but
never before to such an audience as this. The recitation was a
description of the performance of a snake-charmer, his harangue to his
reptiles and to the crowd watching him, and his departure into the
solitude of the great desert, there to obtain, in communion with its
spirit, the power to work greater miracles, and to charm not alone the
serpents that dwell among the rocks and in the forests, but also men,
women, little children,--the power to thrust a human world into a kennel
of plaited straw, to take it out in sections at pleasure, and to make it
dance, pose, and posture, like a viper tamed into a species of
ballet-dancer. In this recitation the peculiar and almost serpentine
fascination of Claire had full liberty. She represented the
snake-charmer as a being who through long and intimate association with
snakes had become like them, lithe, fantastic, and unexpected, soft and
deadly, by turns sleepy and violent, a coil of glistening velvet and a
length of cast-iron, tipped with a poisoned fang and the music of a
hiss. His fanaticism, his greed for money, the passionate prayer to Sidi
Mahomet that flowed from his lips while his terrible eyes searched an
imaginary crowd in search of the richest man or the most excited woman
in it, his bursts of dancing humour, his deadly stillness, his playful
familiarity with his dangerous captives, his mesmeric anger when they
were sullen and recalcitrant, his relapse into the savage churchwarden
with the collecting box when his "show" was at an end,--every side,
every subtlety of such a creature Claire could give with the certainty
of genius. As you watched her, you beheld the snakes, you beheld their
master. Even at the end you almost saw the vast and trackless desert
open its haggard arms to receive its child, who passed from the crowd to
the silence in which alone he could learn to fascinate the crowd. At the
great morning performance in London, a prince who knew the East had said
to Claire, "Miss Duvigne, you must have lived with snake-charmers. You
must have studied them for months."
"I never saw one in my life," she answered truthfully.
And now she gave her performance to those who, in the dingy market
squares of their white-walled cities, had seen the snakes dance and had
heard the prayer to Sidi Mahomet. And they squatted in the moonbeams,
immobile as goblins carved in dusky oak. Yet they inspired Claire. From
his hiding place Renfrew could note this. She had let her genius loose
upon them, as she had let her cloud of hair loose upon her shoulders.
The frosty touch of smart conventionality bewilders and half paralyses
the utterly unconventional. Often Renfrew had heard Claire curse the
smiling and self-contented Londoners who thronged the stalls of her
theatre. She felt, with the swiftness of genius, the retarding hand they
laid upon her winged talents. She had no inclination to curse these
hooded figures gathered round her in the night, staring upon her with
the fixed concentration of children who behold, rather than hear, a
fairy tale, they paid her the fine compliment of an undivided attention.
It was a curious scene and one that stirred in Renfrew a deep
excitement. He watched it with a double sense, of living keenly and of
dreaming deeply. Claire gave to him the first sense, the moon and the
motionless Moors the second. But presently one of the hooded statues
stirred and swayed, and there mingled with the voice of Claire a twisted
melody, so thin and wandering that it was like a thread binding a bundle
of gold. It pierced the night, and enclosed the words of the reciter,
one sound prisoned by another lighter and less than itself. The dogs had
ceased to bark now, and only the voice that told of the snake-charmer's
journey into the desert, and this whispering Moorish tune, plucked by
dark fingers from the strings of a rough lute, moved in the night, till
Claire ceased. The lute continued for a few bars, like the symphony that
closes a song, and then it too ceased abruptly on a note that brought no
feeling of finale to modern ears. For an instant Claire stood motionless
in the centre of the human circle. Then her arms fell to her sides. She
moved swiftly towards the trees in whose shadow Renfrew was watching.
The Moors made a gap, and as she passed out all the shapeless figures
were suddenly elongated and crowded together upon her footsteps. As
Claire came into the blackness of the trees, Renfrew stretched out his
hand and clasped her arm. She stopped with no tremor, and faced him.
"Claire!"
"What, it is you, Desmond! I thought you were asleep."
"When you were awake? You have given me a fright. I came to your tent; I
found it empty. The soldiers were gone."
"They were guarding me up the hill. I could not sleep. I wandered out.
How hot your hand is!"
Renfrew released her. All the Moors had gathered round them like
enormous shadows.
"My audience has come to the stage door!" Claire said.
Her eyes were gleaming with excitement.
"They are a beautiful audience," she added; "and the orchestra, the
soft music--that was better than London fiddles."
"Come back to the camp, Claire."
"Very well."
He drew her arm through his, and led her out into the moonlight and down
the hill. Two shadows detached themselves from the silent assembly and
followed them, barefooted, over the dewy grass. They were the soldiers.
Claire looked back and saw them.
"I shall give those men a handful of pesetas, to-morrow," she said.
They reached the camp and sat down on two folding chairs in the shadow
of Claire's tent. The soldiers stood near, gazing intently at them.
Claire sat in a curved attitude. She had drawn a dark veil over her
hair, and her enormous and tragic eyes were turned sombrely on Renfrew.
She looked fatigued, as she often did after acting a long and passionate
part. To Renfrew she seemed more wonderful than ever. He could scarcely
believe that he was her husband.
"You have had your circle of savages," he said.
"Yes."
"And you liked them?"
"Do you think they liked me? I wonder if there was a snake-charmer among
them. When I came to Sidi Mahomet I thought perhaps they would kill me.
That thought made me pray better than I can in London."
"You could charm snakes more certainly than any Arab," Renfrew said.
"I daresay. Perhaps I shall try at Tetuan. Good-night, Desmond."
She vanished into the tent. It seemed that she evaporated as Sarah
Bernhardt evaporates in the fourth act of "La Tosca."