My soul sings with these, with these has communion,

They lift me in thought to realms pure and bright;

They speak of a Nature with which to have union

Dispels all my sorrows and gives me delight.

Every sigh of the breeze, every note of wild bird,

Every plant that springs up from earth's fertile sod,

Are sermons of eloquence when rightly heard,

That soothe me and bring me nearer to God.

NATURE'S CHILD.

I would rather dwell with Nature

And be her favored child,

To love plant, tree, and creature

That live in forest wild;

And feel the satisfaction

That I can understand

The beauty and attraction

Of motives, noble, grand,

That fashioned for man's pleasure

This brilliant world of ours,

Than possess the jeweled treasure

Of all earth's kingly powers.

LAKE GEORGE, N. Y.

Beautiful, beautiful Horicon!

Over thy waters so blue,

Sunshine and shadow in silence flit on,

Painting fresh scenes on the ecstatic view.

Blue are the skies that kiss the green tops

Of sentinel mountains grand,

Pure are the waters descending in drops,

Or rushing in torrents from mountain to strand.

Like emerald crowns thy islands rise,

And mirrored back are doubly seen

Gray rocks of the mountains, the cloud-flecked skies,

Gorgeous adornments, and fringes of green.

Silent and wild are the fairy shores

Save song of the warbling bird,

Or the glen wherein the cataract roars,

Or the pine tree's branch by strong breezes stirred.

When sunset purples the dark ravine

And throws crimson on thy breast,

Soft-tinged are the hues that e'er lie between

Thy shores and the peaks that rise in the west.

I see in my fancy days long past,

I hear the brave soldier's song,

The bugle that summoned hosts at its blast,

Whose notes died in echoes the green shores along.

I see in the past ten-thousand oars,

And a thousand boats so grand,

As they leave the marge of thy southern shores

To meet the French foes of Montcalm's command.

I see Abercrombie grandly brave

With his fifteen thousand men,

Glide swiftly, silently over the wave

To contest from which many came not again.

Beautiful, beautiful Horicon!

How changed is the scene to-day,

The pageant of war and carnage is gone

Thy waters now bear the light-hearted and gay.

* * * * *

Who loves devoutly Nature wild,

And sees in her a Master's hand,

Will seldom be a wayward child

Though foul temptations round him stand.

Magnetic forces draw him back

From following low and slavish ways,

His soul revolts at the attack

That foe of Nature--Vice, displays.

THE THRUSH.

When on mountain road I travel,

Stained with dust and dirt and gravel,

In cool shade I sit me down;

Oft I see among the bushes

Feathered friends--shy brown thrushes,

Sweetest singers of renown.

Smooth his coat though brown and dusty,

His mellow voice is ever trusty

And clear and soft and sweet;

On the tree-top oft he's singing,

In the woods his voice is ringing

While hills his notes repeat.

I have heard him in the morning

When the sun was just adorning

Tops of tallest forest trees,

Pour his soul of song so tender,

That to God he seemed to render

Thanksgiving harmonies.

Every feather he did quiver,

As his song he would deliver

In bursts so wild and grand,

That creation's face would gladden

As the air with music laden

Seemed fraught with choral band.

Some notes that swelled his speckled breast

Were like soft zephyrs from the west

That fall on June-blown flowers;

So full, so sweet, they lull the soul,

And like a spirit voice control

My reveries for hours.

Soulful song, enwrapped in feather,

Harbinger of pleasant weather,

Sing softly unto me.

Your tuneful notes at morn and even

Are antepasts of joys in heaven

That bring felicity.

Attune your joyous song for me,

And lift my soul that it may see

The world in beauty bright;

Sing on, sing on, until the wood

Shall laugh aloud in merry mood,

And sadness take her flight!

Sweet warbling bird in brown attire,

Your notes of praise do me inspire

With love for Nature wild;

Your songs of joy so sweetly sung,

By heart and throat divinely strung,

Proclaim you Nature's child.

ROBIN REDBREAST.

Low and soft and plaintive,

Now distant and now near,

Is the voice of Robin Redbreast,

That in the tree I hear.

Sometimes 'tis but a murmur,

So gentle and so sweet,

It sounds like a dying zephyr

That echo doth repeat.

And then in bursts of music

That make the forests ring,

Comes the swelling, happy ditty

His birdship loves to sing.

And the voice is so enchanting,

So perfect and so clear,

All earth stands still to listen,

And the clouds bend low to hear.

Again he tunes his liquid note

To winds in tree-tops sighing,

Or to the sound of waters

That o'er the rocks are playing.

The sprightly, sweet ventriloquist

Deceives you as to distance,

You sometimes think him far away

Beyond alarm's resistance,

And then again, you think him near

The place you are abiding;

He's in the same place all the time,

In covert he is hiding,

And telling you in measured notes

His mate is yonder nesting,

While in the shade of leafy tree

Near by in song he's resting.

Had I so sweet a voice as his

I'd carol all day long,

Charm with my presence all mankind,

And cheer them with my song.

The woods and fields should echo far

My choicest minstrelsy,

While earth and sky would both unite

To join the revelry.

THE FARMER.

Of war and love some poets sing,

And some of fame and glory,

But few there are a tribute bring

To him whose only story

Is written on the sterile soil

With hand of honest labor,

Whose plow and hoe bespeak a toil

More grand than gory sabre.

My muse will sing of such as these,

And claim a wreath of laurel,

To crown each sturdy Hercules

Whose only wish to quarrel,

Is with the forest and the field

To make them rich and fairer,

To make old mother earth to yield

Her fruits and flowers e'en rarer.

Let merchants in the busy marts

Think farmers are mere cattle,

But they who know the farmers' hearts

And of his earnest battle

With thorns and thistles scattered wide,

Like earth's destructive Neros,

Well know they are our country's pride--

Our Nation's greatest heroes.

The lily-fingered, pale-faced men

Who live by "A Profession,"

Need not despise the farmer, when

He makes some slight digression

Upon what they call etiquette;

For in his heart he's civil;

Though rough his hand, his brow asweat,

His heart is free from evil.

He toils from early morn till night,

Yet he is "Independent;"

For Nature's God defends the right,

And holds a crown resplendent

To place upon His honored child

Whose life is heavy laden,

But keeps a spirit undefiled

To enter into Eden.

* * * * *

Though brown and dusty be his garb

From wrestling with the soil,

The farmer is God's nobleman,

Made so, by honest toil.

THE OLD FARM.

The dear old farm has a sacred charm

That extends to farthest bound,

Every rock and tree is dear to me,

And hallowed seems the ground.

Its beautiful stream whose waters gleam

As they dance on to the sea,

Sings sweeter song, as it moves along,

Than other waters to me.

No leaves are so green, as those that screen

The revered old farm-house doors,

From the burning sun of torrid June

When his fiercest rays he pours.

Each grove and field doth a mem'ry yield

Of dear childhood's blissful hours,

And in accents clear, voices I hear

That have now augmented powers.

My father's care and my mother's prayer

Are now ended here on earth,

But as time rolls on, since they have gone,

I shall understand their worth.

There's a sacred charm in the dear old farm,

For loved ones have trod its soil,

And much I now see, appears to me

As fruit of their faithful toil.

MAPLE AT MY FATHER'S DOOR.

On velvet green of grassy floor,

'Neath maple at my father's door

My couch at eve has been;

There gazing on the tranquil sky,

With all its astral brilliancy,

My spirit sang within.

Then far away beyond the blue,

On Fancy's wings my vision flew

And scanned the realms of space;

Then like a dove far from her nest,

Returned to find a perfect rest

Within its dwelling place.

OCEANUS' MIRROR, TRINITY LAKE, N. Y.

[See Note on "Fidelity."]

I've been charmed by many a picture,

That has brought its master renown;

I have looked on beautiful valleys

From the mountain's lofty crown;

I have gazed on the sky at evening,

When the heavens were all aglow,

But they fail to charm me so fully

As this scene in the waters below.

Fair Trinity lay in her beauty,

Not a ripple was on her breast,

Her borders of hemlocks and mosses

With beautiful flowers were dressed;

Clear as the air on her bosom

Were her waters so pure and deep,

They seemed like the magical mirror

That Flora and Nereus keep.

Where the rocks and trees bend over

The marge of her western shore,

The boat glided slowly onward

Without the aid of the oar;

When glancing the eye at the shadows

Reflected from shore near at hand,

There appeared a bright panorama,

Most charming--exquisitely grand.

Down, down, far down in the waters,

And touching the brink of the lake,

Was a picture no master painter

With pencil or brush could make;

Gray rocks, green trees, and bright flowers,

Inverted and magnified, too,

Seemed perfect in all but proportion

And their upturned chimerical view.

It seemed like a fairy enchantment

Inviting to feasts down below,

Where grottoes and caverns of beauty

Illumine the flowers that grow

To charm the nymphs of the water,

And beguile all the sylvan elves

To the table of old Oceanus,

Where guests ever help themselves.

Some spirit seemed calling me sweetly,

Inviting me then to partake

Of the fanciful pleasures reflected

Far down in the clear, placid lake.

O, beautiful scene of reflection!

So perfect, so grand, and so pure,

In my mind that mirror enchantment

To the end of my days must endure.

MORNING FLOWERS.

The flowers all wash their faces fair

With the dews of the smiling morn,

Then turn to greet the god of the air

As his light in the east is born.

They call th' breeze from th' slumb'ring west

And a censer place in his hand,

Then mingle perfumes, choicest, best,

To waft o'er the festive land.

The flower of th' heart may lave in deeds

That refresh the worthy poor,

And th' soul's perfume is that which feeds

The hungry, weak, and sore.

* * * * *

That spring unfolds to pleasure's eye;

There's wisdom in the falling drop

That had its birth in yonder sky.

The breeze that fans the fevered brow,

Or gives new vigor to frail man,

Is but the breath of the Divine

Sent to fulfill benignant plan.

ARTIST NATURE.

When Aurora springs from her couch of clouds

And opens the gate of a perfect day,

And her brother Sol in his daily rounds

Advances his steeds toward Polaris' ray,

Then the vernal bloom and the warbling bird

That follow his track as he speeds along,

Send their fragrance pure on the morning air,

And fill leafy groves with ecstatic song.

Oceanus lends invisible bowls,

Well filled with vapors that rise from his breast,

Eurus is summoned to waft them afar

And scatter abroad in the distant west,

Where Sol with his brush and an artist's touch,

Paints on the sky all the glories of heaven,

In colors more bright and blendings more true,

Than ever on canvas by mortal was given.

One sunset scene in Hesperian sky,

When the courts of heaven are all ablaze

With the glorious tints and pageantry

That to mortal mind so clearly portrays

The mighty power of omnipotent hand,

And the tender touch of a boundless love,

Is an omen true--infallible proof

Of a Deity who presides above.

MISCELLANEOUS POEMS.

MUSIC.

When musical chords are tensioned

To sentiments they should express,

And touched by a master artist

Whose deft hand gives the proper stress,

The effect is so ecstatic

When vibrations fall on the ear,

The soul stands in silent rapture,

And our being expands to hear.

At skillful touch of the master

A creation of joy is given,

That lends to the spirit pinions

To waft it away toward heaven,

While it sings to the same measure

And becomes a part of the song,

Enraptured by the magic power

Which carries it gently along.

O the magic power of tension

When a master hand has control!

It wins the heart's approbation

And augments the receptive soul;

'Tis a rapture born in heaven

To entrance our expectant ears,

'Tis angelic diapason

Such as harmonized once the spheres.

We each have an organ, tensioned

With a thousand strings and their keys,

All made by a Master builder

Who permits us ourselves to please;

Its wonderful combinations

Far surpass all the works of art,

'Tis the master-piece of creation--

The versatile, strange, human heart.

We have sole choice of the music

That shall sound on the tensioned strings;

We may choose if sad or joyous

Shall be the final note it sings;

Though fate may fling fiercest chaos,

Its Maker reserved to us powers

That we need not ever surrender,

For the strength to possess is ours.

Let my tongue sing songs of rapture

And my heart-strings sweetly respond,

Till the notes shall pass earth's border

And reach the bright portals beyond;

And when in the great hereafter

The tension shall be much increased,

My joys will be there augmented

To know that earth's songs have not ceased.

* * * * *

I often long for some quiet nook

Away from the noise and strife

Which come from the steady daily round

That absorbs my busy life;

Away in some shadowy forest

Whose silence is supreme,

Save the song of feathered minstrel

And the murmur of a stream;

Far away among the dark shadows

That form Fauna's trysting-bowers,--

But the time of this total seclusion

Should ne'er exceed six hours.

REST.

When wearisome task is finished

And flesh with fatigue is oppressed,

When muscles are tired and languid

And sinews are sorely distressed,

No balm can renew their vigor

Like that boon from heaven called rest.

We know not its composition,

Nor can we expound all its laws,

We grant the effect is pleasant

Tho' we cannot explain the cause;

We therefore accept the blessing

And bid curiosity pause.

Foremost in its rank of agents

Is a heavenly maid called Sleep,

Who stands in unbroken silence,

And ever her watch will keep

O'er mortals whose labors and trials

Seem heavy, oppressive, and deep.

Sometimes when sorrows are deepest

This maiden refuses relief;

She's no balm for the broken-hearted,

No cure for a head bowed with grief,

No soothing touch for the anguish

That robs like a heartless thief.

She flies from deep woe and sorrow

And recedes from the blinding tear;

Yet hastes to fatigue and trials

And offers to them smiles of cheer

Such as turn to joy and gladness,

Murky doubt and foreboding fear.

When death shall release the spirit

From its prison-house of vile clay,

It will speed to an elysian

Of a cloudless, unending day,

Where with others of its kindred,

It will find a rest for aye.

* * * * *

Well filled with murky ink,

When in my solitary den

I sit for hours to think,

And trace my thoughts in liquid flow

Upon some virgin page,

That in the future it may show

What thoughts my mind engage.

SUCCESS.

Success knows no diminution,

For failure hovers so near,

That with trace of slight dilution,

Success must cease to appear.

We look in vain for a substitute

To take the place of success;

A proxy saps its vital cords,

It dies of paralysis.

Nothing can take the place of success,

Its measure must be complete,

If slightest imperfection is found

It suffers a deadly defeat.

The marge that divides sturdy success

From failure grim and gaunt,

Is invisible space, but separates

Abundance from woe and want.

Like pack of wolves on army's trail,

Fell failure lives on distress,

Devouring with greed th' foul refuse

That falls from th' hands of success.

Success and failure closely abide--

Success has a palace fine,

While failure dwells in a dreary hut,

Like a herding place for swine.

Success may not always achieve

The object it has in view,

But lives while its motives and acts

Are earnest, noble, and true.

True failure can only be found

In a being devoid of heart,

Whose efforts and deeds are all dead,

Or act but a sluggard's part.

Success has a heart that can sing,

A hand and a spirit to try,

A word that is fraught with good cheer,

A soul that illumines the eye.

Failure is cheerless, sullen, and glum,

His hand hanging idly by,

His voice is an echo of woe,

His face distorted, awry.

FRAGMENTS.

This world was made of fragments

Each separate from the other,

Yet in such close relation

As to indicate a brother.

Each atom of the universe

Has in itself attraction,

That finds response so much allied

To voluntary action,

That one might quickly recognize

A power, supreme, benign,

That emanates from master hand

With forces so divine,

That every touch which nature gives

To matter or to mind,

Must indicate creative power

Superior to mankind.

What scientist can ever tell

The mainspring of all action,

If all his reasons fail so prove

Molecular attraction?

It has its source from out the space,

Beyond the astral heaven;

It had a purpose to perform,

Or it had not been given.

We may not know its secret laws

Or understand its source,

But faith has taught us to be wise

And recognize its force.

Of all the teeming millions now

Upon this mundane sphere,

Not one can give a reason

For his living presence here.

'Tis strange, and yet we know 'tis true,

We constantly are dying,

All things are old, nothing is new,

And life with death is vying.

We know not when this all will cease,

We cannot understand

Why matter never may increase,

Or seas become dry land.

Enough we know to serve the end

For which we were designed,

God never yet was known to send

The blind to lead the blind.

If we but act an honest part,

And use the powers given,

When from this earth we shall depart,

We may be wise in heaven.

A BEACON LIGHT.

Adown the vistas of the past

I cast my memory's eye,

And see bright scenes receding fast,--

Some hopes in ruins lie;

Yet still there shines a beacon light

Whose ray on me descends,

And shows in its effulgency

A circle of true friends.

The magic charm this circle yields

Is richer far to me,

Than cattle in a thousand fields

Or gems from the deep sea;

It whispers softly in my ears

And cheers me on my way,

Gives faith for doubt and murky fears,

And comfort for dismay.

MEMORY.

Earthly scenes are worth preserving,

Bitter though they sometimes be;

Who would wish to sink in Lethe

All the fruits of Memory?

None could dare offend his Maker

By a wish so rash and vain;

For by this kind boon from Heaven

Life is all lived o'er again.

In the silent hour of twilight,

Thoughts of by-gone days will come,

Stealing o'er our better feelings,

Bringing back our early home;

All the soothing words of friendship

Spoken by a tongue now still,

Touch the fountains near our heart-strings,

And our eyes with moisture fill.

Tender, oh, how sweetly tender,

Are the musings of an hour,

When the mellowing scenes around us

Give to Memory magic power;

Thought recalls those scenes long parted,

Life epitomized appears,

Moments then reflect a lifetime

Reaching back through many years.

Oh, how blessed are those moments!

Present scenes can never fire

Such a rapture in our bosom

As fond Memory can inspire;

Naught on earth can e'er be spoken

To attract the living ear,

Like the words of the departed

Uttered when among us here.

Time and Death have made them sacred,

Memory calls them oft to mind,

And her choicest, dearest treasures,

She for them has oft entwined;

This is but a simple homage,

Richly paying him who kneels;

He who's prompted by such feelings,

For his fellow being feels.

Dark must be that soul enshrouded,

Which Oblivion would prefer

To the soothing power of Memory

And the influence shed by her:

Life itself is not worth having

If deprived of such a bliss,

Earth has not another treasure

That we may compare with this.

DISCONTENT.

Let quiet people talk of peace--

Contentment of the mind,

But he who lives at perfect ease

Can never bless mankind.

If each no higher end should seek

Than that which now he fills,

But be content, subdued, and meek,

'Twould bring a thousand ills.

Advancement then would have an end.

Progression then would cease,

Invention have no earnest friend,

And science no increase.

But Discontent, though called a fiend,

Is progress in disguise,

'Tis _this_ by which our end's attained,

'Tis _this_ by which we rise.

The pupil may surpass the sage

If such his aim shall be,

May fathom truths for many an age

Were wrapped mystery.

The genius may invent some plan

To ease the laborer's toil,

Or add facility for man

To cultivate the soil.

Contentment never did aspire

To elevate mankind,

It never raised the standard higher

Of science or of mind.

'Tis Discontent that gains the prize

In every useful art;

Although it brings us tearful eyes

And restlessness of heart;

But then it has a sweet reward--

Progression is the fruit,

But some this sweetness have abhorred

For others have the boot.

For he who blesses most mankind,

Himself is seldom blessed,

And he whose deeds should be enshrined

Will seldom be caressed.

Yet, let our banner ne'er be furled,

Our lives in quiet spent;

For 'tis a truth that all the world

Still thrives on Discontent.

OUR POLITICS.

"The purification of politics is an iridescent dream."

U. S. Senator, John J. Ingalls, Kansas.

"Purification of politics

Is an iridescent dream,"

Is the Ingalls way of saying that

Corruption's power's supreme.

Have the people lost their honesty,

Has the Nation sunk so low,

That partisan strife can blind our eyes

Till we know not friend from foe?

If such be true, this fair land of ours

Must fail to mature the Hope

That blossomed fair on Liberty's tree,

But in impotence must grope.

Beautiful land! God's own favored land!

Thy sons must united be,

Statesmen should now hold the public helm,

Throw factions into the sea,

Teach politicians with all their schemes,

The people yet are supreme;

That Augean stables--politics--

May be cleansed by ballot's streams.

SUNSET.

Softly the tints of expiring day

Tinge th' vaults of Hesperian heaven,

Leaving a trace of the sun's mellow ray

To escort the shadows of even.

All of the gates of Phoebus are drawn,

Yet his splendor has left to sight

A trail of enchantment to linger till dawn,

To charm the still hours of the night.

Scenes of such cloud-land often reveal

A grandeur that augments the soul;

Heaven has no beauties it seeks to conceal,

No secrets inscribed on its scroll.

Through the earth for an age we may roam,

And through space our vision may fly,

Yet no pleasure is like that at home

When we gaze on a God-painted sky.

When we think of the forces displayed

To prepare for a cloud-scene at even,

Of the elements deftly arrayed

That a gorgeous effect may be given,

Of the mists and the winds and the light,

Of the blendings that art cannot teach,

Of the mysteries hidden from sight

That our knowledge would gladly reach,

Of the order, the purpose, design,

In the pictures that hang in the sky,

We know that the hand is divine

That arranged all their brilliancy,

Then our faith lifts the curtain that hides

The Spirit that ordered the plan,

And assures us He ever abides

To encourage and elevate man.

At sunset my spirit shall sing

Of the beauties the elements yield,

Let my heart then its off'ring bring

To the Artist of sky and of field.

When my soul from its dwelling of clay,

Shall escape to that unknown sphere,

May it be at the close of the day,

When the glories of sunset appear.

Soothingly, sweetly comes unto me

The thought that my soul may rest,

In a land whose glory shall be

Like cloud-scenes that glow in the west.

SELFISHNESS.

Who lives for self alone should be

Placed in some lonely, hollow tree,

And left to toad and bat and owl--

To creatures man considers foul--

Where he shall be perpetual prey

For frightful ogres night and day.

A narrow soul that lives for self,

Should stand on some old musty shelf,

Where spiders, rats, and vermin throng,

And listen only to the song

Of filing saw and creaky mill,

And owlet's hoot and whip-poor-will.

Who lives for self is not afraid

Of meanest thing God ever made,

For he himself is that same thing;

Though peasant, plebian, or king,

He thwarts the purpose of God's plan,

He lacks the impulse of a man.

No soul enwrapped within itself,

Or dwarfed by pride, or love of pelf,

Can serve its Maker or mankind

As nobly as was erst designed

By the Great Architect above,

Whose being is Unselfish Love.

RETROSPECTION.

I sit when the shadows are stealing

The light of departing day,

And think of the scenes and pleasures

I enjoyed in my childhood's play.

I can picture them all so plainly,

They seemed not a day gone by,

I recall the fields and garden,

The lake and the clear blue sky.

I can see the bright water flowing

At the foot of the sloping hill,

The dam that impeded its progress,

The toy-wheel of water-mill.

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