CHAPTER XXXI.

"THE MAN I LOVE."

Recovering her consciousness, Beatrix perceived that she was alone.

Yet, dimmed though her senses were by the swoon in which she had lain,

she was able to observe that some change had taken place in the

corridor since she fell prostrate. Sebastian Ritherdon's body was gone

now, but the little lamp which he had carried lay close to the spot

where she had seen him fall, while near to it, and standing on the

floor, was a candlestick. Within it was a candle, which showed to her

startled eyes something which almost caused her to faint again;

something that formed a small pool upon the shiny, polished floor. And

then as she saw the hateful thing, the recollection of all that had

happened returned to her, as well as the recollection of other things.

"He was going to the end of the passage," she said to herself as,

rising, she drew her skirts closely about her so that they should not

come into contact with that shining, hideous pool at her feet;

"therefore, Julian must be there. Oh, to reach him, to help him to

escape from this horrid, awful house!" Whereon, snatching up the

candlestick from the floor, she proceeded swiftly to the end of the

corridor; while, seeing that, far down it, there was one door open,

she naturally directed her footsteps to that.

Then, as she held the light above her head, she saw that on a bed

there lay a man asleep, or in a swoon--or dead! A man whose eyes were

closed and whose face was deadly white, yet who was beyond doubt

Julian Ritherdon.

"Oh, Julian!" she gasped, yet with sufficient restraint upon herself

to prevent her voice from awaking him. "Oh, Julian! To find you at

last, but to find you thus," and she took a step forward toward where

the bed was, meaning to gaze down upon him and to discover if he was

in truth alive or not.

Yet she was constrained to stop and was stayed in her first attempt to

cross the room, by the noise of swift footsteps behind her and by the

entrance of Zara, whose wild beauty appeared now to have assumed an

almost demoniacal expression.

For the girl's eyes gleamed as the eyes of those in a raging fever

gleam; her features were working terribly, and her whole frame seemed

shaken with emotion.

"It is done!" she cried exultingly--there being a tone of almost

maniacal derision in her voice. "It is done. In two hours he will be

dead. And I have kept my word to you. You loved him, and you desired

to see him. Well, you have seen him! Did you take," she almost

screamed in her frenzy, "a long, last farewell? I hope so, since you

will never take another," and in her fury of despair she thrust her

face forward and almost into the other's.

But, now, hers was not the only wild excitement in the room. For

Beatrix, recognising to what an extreme the girl's jealousy had

wrought her, and what terrible deed she had been guilty of, herself

gave a slight scream as she heard the other's words, and then cried:

"Madwoman! Fool! You are deceived. You have deceived yourself. I never

loved him. Nor thought of him. This man lying here, this man whom he

would have murdered, is the one I love with all my heart; this is the

man I came to save."

Then as she spoke, Julian--who was now either awake or had emerged

from the torpor in which he had been lying--cried from out of the

darkness: "Beatrix, Beatrix, oh, my darling!" Whereon she, forgetting

that in her excitement she had proclaimed her love, forgetting all

else but that her lover was safe, rushed toward where he lay, uttering

words of thankfulness and delight at his safety. Yet, when a moment

later they looked toward the place where Zara had been, they saw that

she was gone. For, slight as was the glimmer from the candle, it

served to show that she was no longer there; that in none of the deep

shadows of the room was she lurking anywhere.

She had, indeed, rushed from the room on hearing Beatrix's avowal, a

prey to fresh excitement now, and to fresh horrors.

"I have slain him in my folly," she muttered wildly to herself. "I

have slain him. And--and, at last, I might have won him. God help me!"

Then she directed her footsteps toward where she knew Madame Carmaux

was, toward where her ears told her that, below the balcony on which

the woman stood, they were making preparations to break into the

house. Already, she could hear the hammering and beating on the great

door from without; and, so hearing, thought they must be using some

tree or sapling wherewith to break it in. She recognised, too, the

Commandant's voice, as he gave orders to one of his men to blow the

lock off with his carbine.

But without pause, without stopping for one instant, she rushed into

the room and out upon the balcony where, seizing Madame Carmaux by the

arm, she cried:

"Let them come in. It matters not. Sebastian is dead, or will be dead

ere long. I deemed him false to me, as in truth he was. I have sent

him to his doom. The Indians have taken him away to drown him,

thinking he is that other."

Then from a second woman in that house there arose that night a

piercing heartbroken cry, the cry of a woman who has heard the most

awful news that could come to her, a cry followed by the words--as,

throwing her hands up above her head, she sank slowly down on to the

floor of the veranda--

"You have slain him--you have sent him to his doom? Oh, Sebastian! Oh,

my son!"

"Yes, your son," said Zara. "Your son."

"It is impossible," they both heard a voice say behind them, the voice

of Julian, as now he entered the room with Beatrix. "You are mistaken.

Madame Carmaux never had a son, but instead a daughter."

"No," said still another voice, and now it was Mr. Spranger who spoke,

all the party from outside having entered the house at last. "No. She

never had a daughter, though it suited her purpose well enough to

pretend that such was the case, and that that daughter was dead; the

birth of her son being thus disguised."

"You hear this," the man in command of the police said, addressing the

crouching woman. "Is it true?"

But Madame Carmaux, giving him but one glance from her upturned eyes,

uttered no word.

"I have a warrant for your arrest and for this man called Sebastian

Ritherdon," the sergeant said. "If he is not dead we shall have him."

"Then I pray God he is dead," Madame Carmaux cried, "for if you arrest

him you will arrest an innocent man."

In answer to which the sergeant merely shrugged his shoulders, while

addressing one of his force he bade him keep close to her.

"Was he in truth her son?" Julian asked, turning to where a moment

before Zara had been standing. But once more, as so often she had done

in the course of this narrative, the girl had vanished. Vanished, that

is, so far as Julian and one or two others observed now, yet being

seen by some of those who were standing near the door to creep out

hurriedly and then to rush madly down the corridor.

"No," said Madame Carmaux, glaring at him with a glance which, had she

had the power, would have slain him where he stood. "Though I often

called him so. It is a lie."

"Is it?" said Julian quietly. "It would hardly seem so. Here is a

paper which was written in England ere I set out for Honduras by the

man whom I thought to be my father, and in which he tells in writing

the whole story he told me by word of mouth. I looked for that paper

after his death--and--I have found it here--in the pocket of

Sebastian's jacket."

Such was indeed the case. When Zara had run into the room where Julian

was, and had possessed herself of his jacket with the naval buttons on

it--she meaning by its use to more thoroughly deceive the Indians who

were to take Sebastian away in his stead--she had left behind her the

other jacket which the latter had carried over his arm. And that, in

the obscurity of a room lit only by the one candle, Julian should have

hastily donned another jacket so like his own, and which he found in

the place where he had lain for three nights, was not a surprising

thing. But he recognised the exchange directly when, happening to put

his hand into the pocket, he discovered the very missing papers which

Mr. Ritherdon said he was going to leave behind for Julian's guidance,

but which he must undoubtedly have forwarded to his brother, as an

explanation--an account--of his sin against him in years gone by.

"Whoever's son he was," said Mr. Spranger, "he was undoubtedly not the

son of Charles Ritherdon and his wife, Isobel Leigh. There can be no

possibility of that. Who, therefore, can he have been--he who was so

like you?" while, even as he gazed into Julian's eyes, there was still

upon his face the look of incredulity which had always appeared there

whenever he discussed the latter's claim to be the heir of Desolada.

"If she," said Beatrix now, with a glance toward where Madame Carmaux

sat, rigid as a statue and almost as lifeless, except for her

sparkling, glaring eyes--"if she never had a daughter, but did have a

son, why may he not be that son? Some imposture may have been

practised upon Mr. Ritherdon."

"It is impossible," her father said. "He knew his own child was

lost--his brother's narrative tells that; she could not have palmed

off on him another child--her own child--in the place of his."

"There is the likeness between us," whispered Julian in Mr. Spranger's

ear. "How can that be accounted for? Can it be--is it possible--that

in truth two children were born to him at the same time?"

"No," said Mr. Spranger. "No. If such had been the case, your uncle,

the man you were brought up to believe in for years as your father,

must have known of it."

"Then," said Julian, "the mystery is as much unsolved as ever, and is

likely to remain so. She," directing his own glance to Madame Carmaux,

"will never tell--and--well. Heaven help him! Sebastian is probably

dead by now."

"In which case," said the other, always eminently practical, "you are

the owner of Desolada all the same. If Sebastian was the rightful

heir, and he is dead, you, as Mr. Ritherdon's nephew, come next."

"Nevertheless," replied Julian, "I am not his nephew. I am his son. I

feel it; am sure of it."

But, even as he spoke, he noticed--had noticed indeed, already--that

there was some stir in the direction where Madame Carmaux was. He had

seen that, as he uttered the words "Heaven help him! Sebastian is

probably dead by now," she had sprung to her feet, while uttering a

piteous cry as she did so, and had stood scowling at Julian as though

it was he who had sent the other to his doom. Then, too, he had seen

that, in spite of the sergeant of police and one or two of his men

having endeavoured to prevent her, she had brushed them on one side

and was crossing the room to where he, with Mr. Spranger and Beatrix,

stood. A moment later, she was before them; facing them.

"You have said," she exclaimed, "that he is probably dead by now," and

they saw that her face was white and drawn; that it was, indeed,

ghastly. "But," she continued, "if he is not dead--if yet he should be

saved, if the scheme of that devil incarnate, Zara, should have

failed--will you--will you hold him harmless--if--if--I tell all? Will

you hold _him_ harmless! For myself I care not, you may do with me

what you will."

"Yes," said Julian. "Yes--if you will----"

"No," said the sergeant of police. "That is impossible. You cannot

give such a promise. He has to answer to the law."

"What!" cried Madame Carmaux, turning on the man, her eyes

flashing--"what if I prove him innocent of everything--of everything

attempted against this one here," and she indicated Julian.

"Do that," said the sergeant, "and he may escape."

"Come, then," she said, addressing Mr. Spranger and Julian; "but not

you, you bloodhound," turning on the man. "Not you! Come, I will tell

you everything. I will save him."

While, making her way through the others as though she still ruled

supreme in the house, and followed by the two men, she led the way to

a small parlour situated upon the same floor they were on.

A Bitter Heritage: A Modern Story of Love and Adventure · 第 31 / 34 章