In France it was otherwise.
Any one who really wants to understand France must bear in mind that
French culture is the most homogeneous and uninterrupted culture the
world has known. It is true that waves of invasion, just guessed at on
the verge of the historic period, must have swept away the astounding
race who adorned the caves of central and south-western France with
drawings matching those of the Japanese in suppleness and audacity; for
after that far-off flowering time the prehistorian comes on a period of
retrogression when sculptor and draughtsman fumbled clumsily with their
implements. The golden age of prehistory was over. Waves of cold,
invasions of savage hordes, all the violent convulsions of a world in
the making, swept over the earliest France and almost swept her away:
almost, but not quite. Soon, Phoenicia and Greece were to reach her from
the south, soon after that Rome was to stamp her once for all with the
stamp of Roman citizenship; and in the intervals between these events
the old, almost vanished culture doubtless lingered in the caves and
river-beds, handed on something of its great tradition, kept alive, in
the hidden nooks which cold and savages spared, little hearths of
artistic vitality.
It would appear that all the while people went on obscurely modelling
clay, carving horn and scratching drawings on the walls of just such
river-cliff houses as the peasants of Burgundy live in to this day, thus
nursing the faint embers of tradition that were to leap into beauty at
the touch of Greece and Rome. And even if it seems fanciful to believe
that the actual descendants of the cave-painters survived there can be
little doubt that their art, or its memory, was transmitted. If even
this link with the past seems too slight to be worth counting, the
straight descent of French civilisation from the ancient Mediterranean
culture which penetrated her by the Rhone and Spain and the Alps would
explain the ripeness and the continuity of her social life. By her
geographic position she seemed destined to centralise and cherish the
scattered fires of these old societies.
What is true of plastic art must of course be true of the general
culture it implies. The people of France went on living in France,
surviving cataclysms, perpetuating traditions, handing down and down and
down certain ways of ploughing and sowing and vine-dressing and dyeing
and tanning and working and hoarding, in the same valleys and on the
same river-banks as their immemorially remote predecessors.
Could anything be in greater contrast to the sudden uprooting of our
American ancestors and their violent cutting off from all their past,
when they set out to create a new state in a new hemisphere, in a new
climate, and out of new materials?
How little the old peasant-tradition of rural England lingered among the
uprooted colonists, who had to change so abruptly all their
agricultural and domestic habits, is shown in the prompt disappearance
from our impoverished American vocabulary of nearly all the old English
words relating to fields and woods. What has become, in America, of the
copse, the spinney, the hedgerow, the dale, the vale, the weald? We have
reduced all timber to "woods," and, even that plural appearing
excessive, one hears Americans who ought to know better speak of "_a_
woods," as though the familiar word has lost part of its meaning to
them.
This instance from our own past--to which might be added so many more
illustrating the deplorable loss of shades of difference in our blunted
speech--will help to show the contrast between a race that has had a
long continuance and a race that has had a recent beginning.
The English and Dutch settlers of North America no doubt carried many
things with them, such vital but imponderable things as prejudices,
principles, laws and beliefs. But even these were strangely transformed
when at length the colonists emerged again from the backwoods and the
bloody Indian warfare. The stern experience of the pioneer, the
necessity of rapid adaptation and of constantly improvised expedients,
formed a far different preparation from that dogged resistance to
invasion, that clinging to the same valley and the same river-cliff,
that have made the French, literally as well as figuratively, the most
conservative of western races. They also had passionate convictions and
fierce wants, like other peoples trying to organise themselves; but the
idea of leaving France in order to safeguard their convictions and
satisfy their wants would never have occurred to the French Huguenots if
the religious wars of the sixteenth century and the Revocation of the
Edict of Nantes had not made France literally uninhabitable. The English
Puritans left England only to gain greater liberty for the independent
development of their peculiar political and religious ideas; they were
not driven out with fire and sword as the Huguenots were driven from
France.
Why, then, one wonders, did the French people cling to France with such
tenacity--since none are more passionate in their convictions and
prejudices where anything short of emigration is concerned? They clung
to France because they loved it, and for such sentimental fidelity some
old underlying economic reason usually exists. The map of France, and
the climate of France, show what the reason was. France, as her
historians have long delighted to point out, is a country singularly
privileged in her formation, and in the latitude she occupies. She is
magnificently fed with great rivers, which flow where it is useful for
commerce and agriculture that they should flow. The lines of her
mountain-ranges formed natural ramparts in the past, and in the south
and south-west, serve as great wind-screens and sun-reflectors, creating
almost tropic corners under a temperate latitude. Her indented coast
opens into many capacious and sheltered harbours, and the course of the
Gulf Stream bends in to soften the rainy climate of her great western
peninsula, making Brittany almost as warm as the sunnier south.
Above all, the rich soil of France, so precious for wheat and
corn-growing, is the best soil in the world for the vine; and a people
can possess few more civilising assets than the ability to produce good
wine at home. It is the best safeguard against alcoholism, the best
incentive to temperance in the manly and grown-up sense of the word,
which means voluntary sobriety and not legally enforced abstinence.
All these gifts France had and the French intelligently cherished.
Between the Swiss snows and the icy winter fogs of Germany on the one
side, and the mists and rain and perpetual dampness of England on the
other, her cool mild sky shot with veiled sunlight overhung a land of
temperate beauty and temperate wealth. Farther north, man might grow
austere or gross, farther south idle and improvident: France offered the
happy mean which the poets are forever celebrating, and the French were
early aware that the poets were right.