VII

Mary ordered coffee in the hall, because something of her delight in the

gay restaurant had been crushed out by Vanno's snub. She was no longer

at peace under his eyes, and wished to avoid meeting them again, so it

was pleasanter to go away. But even in the hall she could not forget

him, as she had forgotten him after Marseilles. When he too came out

from the restaurant, not long after, she saw him, though he was at a

distance, saw him without even turning her eyes; and she thought how

tall he was, and how much a man, although slender to the point of

leanness. He sat on a sofa in the hall, and ordered coffee. Mary knew,

though she did not look at him again, and interested herself instead in

other people.

All those who came from dinner, except the Prince, drank their coffee

and went out. Some went by the front door, taking the direction of the

Casino. Others disappeared into an unknown part of the hotel; and so

many chose this way, that Mary inquired of a passing waiter where they

were all going. "To the Casino, Mademoiselle, by the underground

passage, to avoid the night air," the servant answered.

To the Casino. Everybody was going to the Casino. It was time that Mary

should go to the Casino, too. She had brought down her new white cloak

with the swansdown collar, and asked a liveried man to put it aside for

her while she dined. Now she claimed it again, and having no fear of the

"night air," walked out into the azure flood which had overflowed the

fantastic fairyland like deep, blue water. The gardens lay drowned in

this translucent, magic sea, and the coolness of the sunset hour had

been mysteriously followed by a balmy warmth, like the temperature of a

summer night in England.

There were as many people in the _Place_ as there had been in the

afternoon, and all those who were not sitting on garden seats looking at

the Casino were walking toward the Casino, or just coming out of the

Casino. The eyes of the big, horned animal were blazing with light, and

glared in the blue dusk with the hard, bright stare of the gold eyes in

a peacock's tail. Windows of the Riviera Palace on the hill above were

like orange-coloured lanterns hung against an indigo curtain; and in the

_Place_ itself bunches of vivid yellow lights, in globes like

illuminated fruit set on tall lamp posts, lit the foreground of the

strange picture with unnatural brilliance. Grass and trees were a vivid,

arsenical green, almost vicious yet beautiful, and the flowers gleamed

like resting butterflies. The summer warmth of the air had a curiously

tonic and exciting quality. It seemed to have gathered into its breath

the sea's salt, the luscious sweetness of heavy white datura bells

dangling among dark leaves in the gardens, an aromatic tang of pepper

trees and eucalyptus, and a vague, haunting perfume of women's hair and

laces. These mingling odours, suggested to the senses rather than

apprehended by them, mounted to Mary's brain, and set her heartstrings

quivering with unknown emotions sweet as pleasure and keen as pain.

As she went slowly down the hotel steps to walk across the _Place_ her

eyes held a new expression. When she had first told herself that she

could not stay at the convent, they had asked, looking toward the world,

"What is life?" Now they said, "I have begun to live, and I will go on,

on, no matter where, because I must know what life means."

Her cheeks were burning still from the first champagne she had ever

tasted, and the sweet air cooled them pleasantly. Seeing a number of

people on benches opposite the Casino, she decided to sit down for a few

minutes before going in. None of these benches was empty, but one was

unoccupied save for a young man and a girl, who sat at one end. Mary

rather timidly took the other corner, but the couple, after giving her a

long stare, returned to their conversation as if she were no more than a

shadow.

"This is the last, last straw!" the man grumbled, in English. "I thought

there was one missing."

"They never forget to add it to the rest," said the girl.

"Not they," he echoed. "And I wasn't doing so badly at one time. I've a

mind to apply for the _viatique_."

"I shouldn't have the courage."

"Oh, I should. I'd like to get something out of them. I hate the

Riviera, anyhow. There's too much scenery all over the place. No rest

for the eye."

"But supposing you change your mind, and want come back and try your

luck? You couldn't, if you'd taken the _viatique_."

"Yes I could--when I'd paid it back. It's supposed to be a loan, you

know, which you have to repay before you're allowed to play again."

"Oh, I didn't know!"

A group of young men walked past, laughing. "Never saw such a run of

luck," said one. "Seventeen on red and I was on it from the first.

Glorious place, Monte! Let's drink its health!"

They turned, stared with interest at Mary, and passed on, lowering their

voices. She caught the words "something new," but there was no sense in

them for her ears. She saw the Dauntreys hurrying to the Casino, with

Mrs. Collis and her daughter, and Dodo Wardropp. Two men were with them,

both young, and one rather distinguished looking. All were too deeply

absorbed in themselves and each other to notice her. The ladies were

charmingly dressed, and so were most of the women who passed, all going

quickly like the figures of a cinematograph; but some were of the

strangest possible types. Mary said to herself that they must be

infinitely more interesting in their own secret selves than lookers on

could ever know. The hidden realities in all these passionately

egotistic selves came to her as she sat watching, in attractive or

repellent flashes of light. Then she lost the secret again, and they

became mere puppets in a moving show. The only real thing was the

Casino, and she began to study the large bright face of it.

Although Mary had never travelled till now, she knew something of

architecture from beautiful pictures of ancient Greece and Rome, and

Egypt, and of the world's noblest cathedrals, which decorated the

schoolroom walls at St. Ursula's-of-the-Lake. This building, it seemed

to her, was of no recognized type of architecture. It was neither

classic nor Gothic: not Renaissance, Egyptian, nor Moorish. It gave the

impression of being a mere fantastic creation of a gay and irresponsible

brain. If a confectioner accustomed to work in coloured sugars were to

dream of a superlative masterpiece, his exalted fancy might take some

such shape as this.

The irregular, cream-coloured façade was broken up into many separate

parts by pillars and frenzied ornaments of plaster, and there had been

addition after addition, stretching away long and low to the left. A row

of large windows, discreetly veiled so that no shadows could be cast

from within, glowed with warm yellow light. Their refusal to betray any

hint of what passed on the other side suggested a hidden crowd busy

with some exciting, secret pleasure. Along the cornice of the newer

portions at the left of the original Casino were perched bronze youths

with golden wings, their hands holding aloft bunches of golden flowers.

Two towers meretriciously mosaiced with coloured tiles balanced the

centre of the higher and middle building, and a portico of iron and

glass, ornate yet banal as the architecture of a railway station,

protected the carpeted steps and the three large doors which were

grouped closely together, doors through which people constantly passed

in and out like bees at the entrance to a hive. In the pensive sweetness

of the semi-tropical night, this fantastic erection in plaster and

gilding and coloured ornaments seemed an outrage, a taunt, a purposeful

affront; and yet--the very violence of the contrast, its outrageousness,

gave it a kind of obsessing charm.

Unseen from where Mary sat, the Mediterranean sighed upon its ancient

rocks. A faint breath of the mysteriously perfumed air stirred the

exotic palms over her head and made their fronds rub against each other

gratingly, as if some secret signal were being carried on from one to

another. Turning to right, to left, or to look behind her, dimly seen

mountains soared toward a sky that deepened from asphodel to the dark

indigo of a star-powdered zenith. Eastward in the distance ran a linked

chain of lights along the high road that led to Italy; and a bright

cluster like a knot of fireflies, pulsing on the breast of a mountain,

marked the old hill-village of Roquebrune. Kindly enveloping nature was

so sane and wholesome in her vast wisdom and stillness that the

sugar-cake Casino and all its attendant artificialities struck into the

brooding peace a shrill note of challenging incongruity. The little

sparkling patch of light and colour that was Monte Carlo proclaimed that

it was there for some extraordinary and powerful purpose, that its

bizarre beauty was dedicated to exceptional uses; and it occurred to

Mary that the temple of Chance must after all diverge from every rule of

architecture in order to stamp its meaning on the mind. The feverish

decorations began to express to her the fever of gambling, and even to

create a desire for it. She felt this longing grow more insistent, like

strains of exciting music that swelled louder and louder; and suddenly

in the midst she seemed to hear Peter's voice saying, "What if it should

be true, the thing your father was afraid of?"

What if it were true? How could she tell? In his last terrible letter he

had reminded her that she had wild blood in her veins, and told her to

"be careful."

She had thought when hearing Peter's descriptions of the Riviera that

the gambling part of life there would interest her least of all, but

already she was under the spell of the Casino. It drew her toward it, as

if Fate sat hiding behind the veiled bright windows, just as Monte Carlo

had called irresistibly, forcing her to get out of the train when she

had meant to go on. She began to doubt her own nature, her own courage

and strength of will. She thought of what was passing on the other side

of the cream-white walls as if it were a battle into which she was

compelled to plunge, and she imagined that thus a young soldier might

feel in a first engagement--tremulous, and almost sick with anxiety

which was not quite fear.

Her heart beating fast, she jumped up, and crossing the road resolutely

mounted the steps which were guarded by tall, fine men in blue livery.

Inside the doors which she had watched so long she found herself

entering an outer lobby. Beyond was another, also kept by liveried men.

A room led off this, and Mary could see people leaving their wraps with

attendants who stood behind counters. She parted with her cloak, and was

given a metal disc bearing a number. Near by, a French couple, who

looked like bride and groom, were examining their discs, and telling

each other that it would be tempting Providence not to stake money on

such numbers as _onze_ and _dix-sept_. At this, Mary glanced again at

her bit of metal. Its number was 124. She remembered hearing from Peter

that in the game of roulette it was a favourite "tip" to bet on the

number representing your age. Peter spurned the idea as silly and

childish; but Mary thought it might do to begin with, as she knew

nothing better. Her age being twenty-four, she decided to adopt the

French bride's suggestion, and bet on the last two numbers cut into her

cloak-ticket.

Beyond the second lobby, she passed into a vast pillared hall, where

men and women, not all in evening dress, were strolling up and down,

smoking and chatting, or sitting on leather-covered benches, to stare

aimlessly at the promenaders, as if they were tired, or waiting for

something to happen.

This hall puzzled Mary, for she had imagined that beyond the two lobbies

she would pass directly into the gambling-rooms. Here were no tables

such as Peter had described; and the fact that she must go still farther

seemed to increase the mystery or secrecy of the place. Mary hesitated,

not knowing which way to turn, for there were several doors under the

high galleries that ran the whole length of the hall. This must be the

atrium, where, Peter had said, the "guests of Hercules" were accustomed

to make rendezvous. It was cool and classic, a hall for reflection

rather than excitement, as if it were intended for those who wished to

plan a new way of playing, or to rest in, between games.

Suddenly a man in livery with a peaked cap threw open a door at the back

and past the middle of the hall. From it instantly began to pour a

stream of people in evening dress, and as they separated themselves from

the tide, they divided into knots of twos and fours.

"Perhaps they gamble in groups, or batches," Mary thought, and her heart

sank lest she, being alone, might not be allowed to play. She could not

recall anything said by Peter about this; but she went timidly to the

door, and asked the man in livery if this were the way "into the

Casino."

"It is the way into the theatre," he informed her. "The first act of the

opera is just over. Mademoiselle is a stranger then? Those people will

go to the roulette and trente et quarante rooms to amuse themselves for

half an hour till the beginning of the next act."

"It is the roulette I want, not the opera," Mary heard herself say, as

if some one else were speaking.

"Ah, Mademoiselle has her ticket of admission?"

She showed him her _vestiaire_ ticket, and the servant of the Casino was

too polite to smile, as he explained that something else was necessary

before she would be allowed to enter the gambling-rooms. He pointed

toward three swing-doors at the far end of the hall, to the left.

Through two of these, people were going into a room beyond. Through the

middle one they were coming out into the atrium; and as the big doors

swung rapidly back and forth there were glimpses on the other side of a

vast space full of rich yellow light.

"Those messieurs stationed there would stop Mademoiselle, seeing she was

a stranger, and demand her ticket. It is better that she return to the

bureau, a room opposite the _vestiaire_ where she has left her cloak."

This was an anticlimax, after summoning courage for the plunge into

battle; but Mary returned whence she had come, to take her place behind

others who waited for tickets of admission. She listened intently to

what passed, so that she might know what to do; but it was disconcerting

when her turn came, to be asked for a visiting-card. The lately

emancipated Sister Rose possessed no such thing, and expected to be sent

away defeated. Yet a path out of the difficulty was quickly found by the

alert, frock-coated, black-necktied official behind the long desk. This

charming young woman, beautifully and expensively dressed, was not one

who deserved to be discouraged from entering the Casino. All she need do

was to give her full name and nationality, also her place of residence.

Gladly she obeyed; and holding in her hand a _carte du jour_ on which

she had written her own name, at last she had the right of entrance.

There was still one more mistake to make, however, and she promptly made

it, attempting to pass through the right-hand swing-door. But no! It was

for season-ticket holders. She must go to the left. The middle door was

for those coming out. A fat man, hurrying brusquely in before her, let

the swing-door slam in her face. "Le joueur n'a ni politesse, ni sexe,"

was a proverb of the "Rooms" which Mary Grant had never heard, but would

come to understand.

She was on the threshold of an enormous room, magnificently

proportioned, hung with lustrous chandeliers, and divided by an archway

into two sections. The farther part was much larger than that which she

had entered, and more sumptuous in decoration; but the whole was flooded

with a peculiar radiance which turned everything to gold. It was far

mellower than the light of the atrium, or the splendid rooms of the

hotel. It had actual colour like honey, or the pinky-golden skin of

apricots. It was bright, yet the impression it made on the mind was of

softness rather than brilliance; and the shining atmosphere of the room,

instead of being clear, seemed charged with infinitesimal particles of

floating gold, like motes in rays of sunshine. The tables, under darkly

shaded, low-hanging lamps, gave the effect of sending a yellow smoke,

like incense, up to the height of the great dazzling chandeliers. It was

almost as if the hands of players in fingering gold pieces day after

day, year after year for generations, had rubbed off minute flakes which

hung like a golden haze in the air.

It appeared to Mary's eyes, taking in the whole and not dwelling upon

details, that everything in the farther part of the vast domed room was

of gold: different shades of gold; dark, old gold, the richer for being

tarnished: bright, glittering, guinea gold: greenish gold, and gold of

copper red.

No other colour could have been as appropriate here.

The air was not offensively dead, but it was langorously asleep. Many

different perfumes haunted and weighed it down; but there was some

underlying, distinctive odour which excited the nerves mysteriously, and

sent the blood racing through the veins.

"It is the smell of money," Mary said to herself.

Just inside the entrance doors, on either side, was a large table round

which people sat or stood. Those standing behind the chairs of the

seated ones were at least two rows deep, crowded tightly together.

Beyond were many other tables, thronged even more densely; and ringed

thus with closely packed figures, they were like islands on a shining

golden sea, an archipelago of little islands, all of exactly the same

size, and placed at equal distances.

Mary, hardly knowing what to expect from Peter's rather vague and

disjointed descriptions, had dimly fancied clamour and confusion

bursting upon eyes and ears on the instant of entering the

gambling-rooms. But the silence of the place was as haunting and

mystery-suggesting as the indefinable odour, and more thrilling to the

imagination than the loudest noise.

She who had been Sister Rose was horrified to find herself thinking of a

cathedral lighted for a midnight mass. Almost, she expected organ music

to peal out.

Slowly she moved down the room, past the first tables, and, as she

walked, the muffled, characteristic sounds she began to hear seemed but

to punctuate and emphasize the silence, like echoes in a cave: a faint

rattle of rakes, like the rustle of leaves, and a delicate chink-chink

of gold, like the chirping of young birds just awakened by dawn.

A voice at each table as she drew near or passed made some announcement.

She caught the words distinctly yet not loudly pronounced: "Faites vos

jeux, messieurs.... Rien n'va plus. Onze, noir, impair et manque."

"_Onze_" was one of the numbers the French couple had decided to play.

Mary wondered if it had come at their bidding, and she wished intensely

to see what was going on at the tables inside those close circles of

women's hats and men's shoulders. But to see, meant to push. She was not

bold enough to do that, and kept moving on observantly, hoping always to

discover some island less populous than others.

Now she began to pick individuals out of the crowd. The number of types

seemed countless. It was as if each country on earth had been called

upon to contribute as many as it could spare of unusual and striking,

even astonishing, specimens of humanity, on purpose to provide eccentric

or ornamental features of this strange, world's variety show.

There were some lovely, and a few singularly beautiful, women from

northern and southern lands. Peter had said that one could "tell

Americans by their chins," which were firmer and more expressive of

energy than other chins, and Englishwomen by their straight noses, which

looked as if they had been handed down as precious heirlooms from

aristocratic ancestresses. The mellow light gilded many such chins and

such noses, and shone into soft dark eyes such as only the Latin races

have. Mary fancied she could tell French from Italian women, Spanish

from Austrian, Hungarian from Russian or German types. Almost invariably

the pretty women and the good-looking men were well dressed. Only the

plain and ugly ones seemed not to care for appearances. But there were

more plain people than handsome ones; and dowdy forms strove jealously

to hide the charming figures, as dark clouds swallow up shining stars.

All faces, however, no matter how beautiful or how repulsive, how old or

how young, had a strange family likeness in their expression, it seemed

to Mary; a tense eagerness, such as before her novitiate she had seen on

the faces of Lady MacMillan's guests sometimes when they had settled

down seriously to play bridge.

She had expected to see unhappy and wildly excited faces, because, Peter

said, people often lost or won fortunes in these rooms in a single

night; but no one in this moving crowd looked either very miserable or

very radiant. They did not even appear to be greatly excited, yet most

of them seemed absorbed, as if they listened for a sound which would

mean something of vital importance; or else they had an air of fearing

that they had missed the all-essential signal which might never come

again.

It was not the "high season" yet, Mary's waiter at the Paris had said,

and the "_vrai monde_" would not come in its greatest rush until after

Christmas and the New Year; yet the Casino was filled with a throng of

persons many of whom looked immensely rich and important, and none of

whom, at worst, was shabby. Even those who were dowdy appeared

well-to-do. Mary saw that it was not necessary to gamble in groups. Men

and even women, all alone, pushed their way through the thick wall of

hats and shoulders round the table, sometimes being lost altogether, or

sometimes emerging again in three or four minutes to scurry across the

shining expanse of floor to another table. By and by, when she began to

feel calmer, Mary ventured near a table in the middle of the room,

within full sight of doors which led to other rooms: a long vista

straight ahead, where all the decorations seemed new and fresh, and a

light white as silver streamed from hanging lamps like diamond pendants

and necklaces for giantesses or goddesses of fortune. So different was

the colour of this light from that of the first great _salle_, that a

silver wall seemed built against a wall of gold.

Standing outside the circle at the table, new sounds in the silence

struck Mary's ear, not emphasizing the heavy silence, as did the

delicate chinking of coins and the announcements of roulette numbers,

but jarring and ruffling its smooth surface: little sudden rustlings and

squabblings, disputes between players in French or German, sharp and

mean, yet insignificant as the quarrelling of a nestful of birds in the

ample peace of a spreading beech tree.

Now and then there seemed a chance that Mary might find a place in the

back row at a table, but some one else, also watching, invariably darted

in ahead of her. Each time the hope came, her heart gave a bound, and

the blood sang in her ears. She was astonished at her excitement, which

seemed exaggerated beyond reason, and ridiculous, yet she could not

conquer it; and the trembling that ran through her body made her knees

feel very weak, after she had stood for perhaps half an hour. Looking

round, she noticed that there were a good many brown leather-covered

seats along the mirrored and gilded walls. Most of these were fully

occupied by resting men and women, some very old and tired looking,

others eagerly counting money, or jotting down notes in little books or

on cards. As she looked, an extraordinary woman much bejewelled, with a

face a century old under bright red hair, and a hat for a lovely young

girl, jumped abruptly up from the seat nearest Mary, and almost ran to

one of the tables, where she flung herself into the crowd, like a diver

into a wave. Her place on the bench was left empty, and Mary took it, to

follow the example of others and count her money while resting.

Sitting down, she had on one side a young and pretty woman in a charming

dress and hat, more suitable for a past June than a present December,

even a Riviera December. Her face, too, which she turned with a gaze of

interest on Mary and her costume, was slightly, pathetically faded, like

the petals of a white rose gathered while in bud and pressed between the

pages of a book. She was like a charming wax doll which had lost its

colour by being placed too near a warm fire.

On the other side was a very old man, gray as a ghost, who showed no

sign of knowing that he had a new neighbour. Everything about him was

gray: his thin, concave face, his expressionless eyes, his sparse hair

and straggling moustache, his clothes, and his hands, knotted on the

back like the roots of trees. His grayness and the bleak remoteness of

his air made him seem unreal as a spirit come back to haunt the scene of

long-ago triumphs or defeats. Mary could almost have persuaded herself

that he did not exist, and that the pale form and glassy eyes were

visible to her alone.

She took her purse from a bag of gold and silver beads she had bought in

the Galerie Charles Trois, and counted her money. She had a little more

than five hundred francs, and wondered what could be done with that sum

at roulette. Even the sound of tinkling gold and silver did not attract

the dead gray eyes to Mary; but perhaps it broke some dreary dream, for

the old man got up stiffly as if in protest, and walked away with the

gait of an automaton.

"Heaven be praised!" murmured in French the weary white rose on Mary's

other side; "he brings bad luck. But perhaps he will take it away with

him."

Mary realized that her neighbour was speaking to her, and turned with a

smile of encouragement, thankful to find some one who looked kind, and

would perhaps tell her things.

The pretty woman went on, without waiting to be answered: "He is like a

galvanized corpse; and indeed, he may be one, for he ought to have died

long ago. Have you ever heard his story?"

"No," Mary said. "I have only just come here."

"For the first time?" The other's face brightened oddly.

"Yes, it is my first time."

"And you are alone?"

"Quite alone."

"Poor little one! But that will not be for long."

"I don't know yet how long I shall stay."

"Oh! I did not mean quite that. But let it pass. Shall I tell you the

story of the old man? It will interest you, if you don't know Monte

Carlo. Nothing is too strange to happen here. It is only ordinary things

which never happen in this place, Mademoiselle."

"I have a friend who said something like that. Please tell me the

story."

"I'll make it short, because you will wish to play, is it not? And if

you like, I will teach you the game. That old ghost is an Englishman.

Some day he will come into money and a title. Meanwhile he is supported

by the Casino. Always, morning, noon and night, year in and year out, he

is in these rooms; but he is not allowed to play. If he put one

five-franc piece on the tables, biff! would go his pension. Twenty-five

years it is since he came, they say. I have been here myself but three,

and it is a lifetime! It spoils one for other things, somehow. He lost

everything at the tables one night, all those years ago; so he crept

down to a lonely place on the shore, and cutting his throat, at the same

instant threw himself into the sea. But he could not die. The salt

water brought him to life. He was found and nursed by a fisherman. When

the Casino people heard what had happened they had pity for the

unfortunate one. They are not without hearts, these messieurs! Ever

since they have supported him. When he comes into his fortune, perhaps

he will pay them--who knows? But in any case, he will disappear and be

no more seen. We think he is a spy."

"A spy?" Mary repeated. "What would a spy do here?"

"My poor amateur! There are many. For one thing, they watch for thieves:

people who claim the money of others as their own, at the tables. That

is quite a way of living. Sometimes it goes very well. But it is a

little dangerous. Do you want to play, Mademoiselle? You are sure to

have luck on your first night. Even I used to have luck at first."

"Have you none now?" Mary asked, pityingly.

"Oh, I have no longer even the money to try my luck--to see whether it

has come back. Yet once I won twenty thousand francs, all from one louis

at trente et quarante, and at one séance. That was a night! a memory to

live on. And at present it is well I have it to live on, as there is

nothing else."

"Oh, how sad, how sad!" exclaimed Mary. "If only you would let me help

you a little--in some way."

"You are very good, but of course I could not accept charity," said the

pale rose, looking down at her faded lace and muslin finery. "Still, if

I bring you luck at the game, and you win, I shall feel I have earned

something, is it not?"

"Yes, indeed," Mary assured her, delighted with the simple solution.

"But it seems impossible to get near a table."

"It is not impossible," said the other, a gleam bright as the flash of a

needle darting from her jade gray eyes. "Many of those people are only

watching. They must give way to serious players. You will see! Shall it

be trente et quarante or roulette? Roulette, you can tell by the name,

is played with a wheel. Trente et quarante with cards--and for that you

must go to another room, for all is roulette here. In the card game a

louis is the smallest stake. At roulette it is five francs."

"I have only five hundred francs," Mary announced.

"Then I advise roulette. Besides, it is more amusing. Never can one tire

of seeing the wheel go round, and wondering where the dear little white

ball will come to rest."

"Yes, I feel I shall like roulette better," Mary decided.

"That is right. You have temperament, Mademoiselle. Already you listen

to your feelings. I too, have a strong feeling. It is, that we shall be

friends. My name is Madame d'Ambre--Madeleine d'Ambre. And yours?"

"Mary Grant."

"Madame or Mademoiselle?"

"Mademoiselle, of course." Mary blushed.

It seemed almost shocking that any one could even fancy she might be

married, she who was just out of the cloister, almost a nun.

"Ah, here one is so often Madame while still quite young. Now, let us

follow that tall, _chic_ Monsieur who has but one eye and one ear. If we

can play what he plays, we are sure to win. Often, when near him, I have

prayed that even one five-franc piece might come my way, for since he

lost an eye and an ear he never loses money. It was different when he

was here a few years ago, before he went out to the east, where he had

his mysterious bereavement, no one knows quite what, but it is said that

he loved an eastern girl, and was smuggled into a harem. In old days he

did nothing but lose, lose."

Mary glanced at the person indicated--a tall man in evening dress, whose

features would have been agreeable if it had not been for a black patch

over one eye and, on the same side of the head, a black pad over the

ear, fastened on by a thin elastic cord. Then she glanced away again,

feeling faintly sick. "No, I can't follow him," she said. "Not to win a

thousand pounds."

The lady with the pretty name smiled her sad, tired little smile. "You

must not turn pale for so small a thing," she laughed. "There are a

hundred people in these rooms to-night far stranger than he. I could

tell you things! But see, three Germans are going from the table in

front of us. When three Germans move, they leave much room. Keep close

to me; that is all you need do."

Mary obeyed in silence. She was grateful to her guide, yet somehow she

was unable to like her as well as at first. Fragile as Madame d'Ambre

appeared, she must have had a metallic strength of will, if not of

muscle, for quietly yet relentlessly she insinuated herself in front of

other people grouped round the table. Mary would have retreated,

abashed, if she had not feared to hurt her new friend's feelings; but

rather than be ungracious, she clung, soon finding herself wedged behind

a chair and in front of two German ladies.

The guests of Hercules · 第 9 / 47 题