INSTANCES OF CORRESPONDENCE OF OUTER SENSE BEAUTY WITH ITS IDEA.

Thus a worthy man, perceiving in a youth the character of virtue, is

agreeably impressed, because he observes that the youth harmonizes

with the true type of virtue which he bears within himself. Thus also

the beauty of color, though simple in form, reduces under its sway

that obscurity of matter, by the presence of the light, which is

something incorporeal, a reason, and a form. Likewise, fire surpasses

all other bodies in beauty, because it stands to all other elements

in the relation of a form; it occupies the highest regions;[29] it is

the subtlest of bodies because it most approaches the incorporeal

beings; without permitting itself to be penetrated by other bodies, it

penetrates them all; without itself cooling, it communicates to them

its heat; by its own essence it possesses color, and communicates it

to others; it shines and coruscates, because it is a form. The body

in which it does not dominate, shows but a discolored hue, and ceases

being beautiful, merely because it does not participate in the whole

form of color. Once more, thus do the hidden harmonies of sound produce

audible harmonies, and also yield to the soul the idea of beauty,

though showing it in another order of things. Audible harmonies can be

expressed in numbers; not indeed in any kind of numbers, but only in

such as can serve to produce form, and to make it dominate.

Plotinos: Complete Works, v. 1 In Chronological Order, Grouped in Four Periods · 第 128 / 467 题