POLEMIC AGAINST SYMMETRY, THE STOIC DEFINITION OF BEAUTY.

(The Stoics), like almost everybody, insist that visual beauty consists

in the proportion of the parts relatively to each other and to the

whole, joined to the grace of colors. If then, as in this case,

the beauty of bodies in general consists in the symmetry and just

proportion of their parts, beauty could not consist of anything simple,

and necessarily could not appear in anything but what was compound.

Only the totality will be beautiful; the parts by themselves will

possess no beauty; they will be beautiful only by their relation with

the totality. Nevertheless, if the totality is beautiful, it would seem

also necessary that the parts be beautiful; for indeed beauty could

never result from the assemblage of ugly things. Beauty must therefore

be spread among all the parts. According to the same doctrine, the

colors which, like sunlight, are beautiful, are beautiful but simple,

and those whose beauty is not derived from proportion, will also be

excluded from the domain of beauty. According to this hypothesis, how

will gold be beautiful? The brilliant lightning in the night, even

the stars, would not be beautiful to contemplate. In the sphere of

sounds, also, it would be necessary to insist that what is simple

possesses no beauty. Still, in a beautiful harmony, every sound, even

when isolated, is beautiful. While preserving the same proportions, the

same countenance seems at one time beautiful, and at another ugly.

Evidently, there is but one conclusion: namely, that proportion is

not beauty itself, but that it derives its beauty from some superior

principle. (This will appear more clearly from further examples). Let

us examine occupations and utterances. If also their beauty depended on

proportion, what would be the function of proportion when considering

occupations, laws, studies and sciences? Relations of proportion could

not obtain in scientific speculations; no, nor even in the mutual

agreement of these speculations. On the other hand, even bad things may

show a certain mutual agreement and harmony; as, for instance, were we

to assert that wisdom is softening of the brain, and that justice is a

generous folly. Here we have two revoltingly absurd statements, which

agree perfectly, and harmonize mutually. Further, every virtue is a

soul-beauty far truer than any that we have till now examined; yet it

could not admit of proportion, as it involves neither size nor number.

Again, granting that the soul is divided into several faculties, who

will undertake to decide which combination of these faculties, or of

the speculations to which the soul devotes itself, will produce beauty?

Moreover (if beauty is but proportion), what beauty could be predicated

of pure intelligence?

Plotinos: Complete Works, v. 1 In Chronological Order, Grouped in Four Periods · 第 124 / 467 题