WILSON’S PREHISTORIC MAN.[1]

The title of ‘Prehistoric Man’ in Mr Wilson’s book applies not only to

those races who lived and expired before any history whatever was

written, but to all races, even those who are contemporary with us, who

are incapable of delivering a history of themselves to other nations or

their own posterity. They are rather the _un_-historic, the speechless

people—speechless so far as their posterity is concerned, on whom his

inquiries are directed. In fact, that portion of the development of

mankind which pertains to savage life, or to the very earliest stages of

civilisation, is the subject of Mr Wilson’s book. The subject is far

from being new, but far from being exhausted; and our author’s

archæological knowledge has enabled him to invest it with a novel

interest. His position is somewhat singular in its advantages. A

European archæologist and antiquarian, he finds himself in that new

world where forms of human life are still lingering akin to those which

he has been hitherto studying by the light only of such remains as have

been preserved for ages buried in the earth. His _stone_, his _bronze_,

his _iron_ periods are all found living about him. The flint weapon dug

up in London or Glasgow from the lowest strata of human remains, has, in

this new world, hardly fallen from the hand of the native. The men of

the _stone period_ are still alive, though half a century more may see

them either absorbed in the more civilised races, or altogether

extinguished.

This combination of the knowledge of the antiquarian with the

observations of the traveller has a singular charm for us: but there is

another combination which is still more attractive; it is where the

philosophical historian, familiar with the myths of antiquity, traces in

the living barbarians around him the same play of fancy, or the same

curious development of thought, that he has been accustomed to study in

the obscure records of a dead language. Mr Wilson is an historian as

well as an archæologist, and is in both capacities an enlightened

student of such _living antiquity_ as may still exist in that continent,

where the earliest and the latest forms of civilisation were destined to

meet and to recognise each other.

Our author might, we think, have put his materials together in a more

compact form, and arranged them more carefully. The headings of the

several chapters lead us to expect a more definite arrangement than we

find in the book itself: and this must be partly our excuse if our own

observations should seem to be of a miscellaneous character. It must be

confessed, also, that there is sometimes a want of precision and

accuracy of language on just those occasions where precision is most

needed, and that this is not compensated by a rather too lavish display

of a florid species of eloquence, better fitted for the lecture-room

than the written composition. It is good of its kind, but there is too

much of it. We presume that a large portion of the book was written

originally for the lecture-room. But notwithstanding these minor

defects, we confidently recommend these volumes as replete with

information on a variety of interesting topics, and suggestive of many

trains of reflection. They will assuredly repay an attentive perusal.

Mr Wilson commences with a glance at that problem of the “antiquity of

man” which Sir Charles Lyell has still more lately and more fully

treated. Perhaps, if he had written after the publication of Sir Charles

Lyell’s work, he would have expressed himself with more distinctness on

the subject; yet he seems substantially to have arrived at whatever safe

conclusions the evidence hitherto collected enables us to rest in. He

has said all that can really be said at present on the matter. He

observes that “the closing epoch of geology must be turned to for the

initial chapters of archæology and ethnology.” It is plain that man

could not make his appearance upon the earth till the earth was fitted

for his habitation; and it is a reasonable conjecture that it would not

long be so prepared for him before, in some part of the world, he made

his appearance. Mr Wilson is not disposed to be incredulous as “to the

traces of fossil human bones mingling with those of the extinct mammals

of the drift;” but we gather from his work that he would be slow to rest

his belief on the great antiquity of man solely on the discovery of such

flint implements as have been dug out of the valley of the Somme and

elsewhere. We think that, notwithstanding the confidence of certain

_experts_ who have pronounced that these flints have received their form

from the hand of man, there is a well-founded suspicion that, after all,

they may have been broken into their present shape by natural or

physical forces. They are not ground to a point, it must be remembered,

nor sharpened to an edge, only chipped into a wedge-like form. When we

read of great numbers of these flints being discovered in a certain

spot, and that a _selection_ is made of such as seem to have been

chipped by the hand of man, _and that this selection is a matter of

acknowledged difficulty_, we may be excused for suspending our judgment

as to the fact whether any one of them was ever the tool or implement of

a human being. We may be excused if, in the present state of the

evidence, we require that this testimony of the flints be _confirmed_ by

other testimony,—by the presence of human bones, or of indisputable

works of human art in the same post-pliocene formation.[2] We do not

presumptuously reject their evidence altogether; we do not take it upon

ourselves to say that not one of the stones collected from the valley of

the Somme has been fashioned by man; we have little trust in our own

judgment upon such a matter; but it is not evidence which can _stand

alone_. This Sir Charles Lyell admits himself, though in some passages

of his work he seems to forget his own admission. But such antiquity as

we can assign to man on other evidence—by the discovery in certain

positions of human remains or indisputable relics of human art—is very

great, and sufficient for all the purposes of the ethnologist. The

elaborate, and, to the geologist, highly interesting work of Sir Charles

Lyell demands a separate and careful examination; we here merely content

ourselves with remarking that the _very_ great antiquity of man—that

which would compel us to believe that he existed for some almost

immeasurable period in the condition of the savage—rests hitherto on

unsatisfactory grounds.

The ethnologist who believes, as Mr Wilson does, in the unity of the

human race, requires a long period of time for the development of those

varieties which had become permanent prior to the epoch of the building

of the Egyptian Pyramids. Mr Wilson takes what he requires, but does

not, as matters stand at present, contest for more. To those who, on the

grounds of the sacred text, would dispute his right to even this modest

inroad upon the illimitable Past, he answers,—that the chronology

popularly supposed to be that of the Bible is in fact the chronology

only of certain learned interpreters, and that there is nothing in the

sacred text to exclude the supposition that a much longer interval may

have passed than is generally supposed between the creation of Adam and,

let us say, the appearance of Abraham. Interpreting the Noachian Deluge

as partial—as not, in the literal sense of the term, universal—he finds

scope enough within the limits of the sacred text for that slow and

gradual development of civilised man which his archæology has taught him

to believe in. Nor does he find any difficulty whatever in reconciling

this slow progress from the savage to the civilised man with what is

recorded of the creation of Adam, or the attributes of our first

parents. Their superior excellence, he considers, consisted in their

perfect morality, in the predominance of the benevolent affections, and

in that reason which is one with self-knowledge: it could not have

consisted, he argues, in knowledge of the arts and sciences; certainly

not in the knowledge of arts quite needless in the warmth, abundance,

and security of the garden of Paradise. When, therefore, their

descendants, deprived of this high moral excellence, found themselves

scattered abroad upon the earth, what could they, in fact, have become

but ignorant savages? They would have to evolve from their own natural

sagacity those arts of life which their new relation to the external

world rendered necessary. They would have to commence that long and

toilsome ascent to civilisation which the speculative historian has so

often attempted to describe.

We feel persuaded that our author would be unwilling that, in any notice

of his work, these explanations should be omitted, and therefore it is

that we give them here so prominent a place. For ourselves, so confident

are we that scientific truth and religious truth will be found in the

end to be inextricably combined, and to be reciprocally sustaining each

other, that we are not very solicitous to patch up hasty and perhaps

needless reconciliations. At present we have to settle our science; when

this is done, it will be time to ask ourselves _what_ it is that needs

reconcilement.

Although the archæologist can point with triumph to the evidence of

successive tombs, or cromlechs, as proving the sequence of his three

ages of stone and bronze and iron, he can nowhere carry us back _to the

first stone period_, and from this to the first development of the

_bronze_ and the _iron_. He can show us that on a certain spot—say the

soil on which London stands—there have been generations of men

distinguished by the kind of tools they had framed for themselves. But

it is the history of men _on that spot_ which his materials enable him

to write; they do not enable him to write the history of _the progress

of man_ from his earliest condition of existence. For the first men who

lived on the banks of the Thames had come, we presume, from other

countries; they had had a history, and were the products of some kind of

human society before they settled there; and the generations that

followed might have received their arts, as in one case we know they

did, from foreign nations. It is, after all, therefore, from _a priori_

speculation—from what we infer must have been the course of things—that

we describe mankind as proceeding from the rudest modes of existence to

the more civilised. The testimony which the archæologist appeals to

confirms these speculations; it can do no more. It never brings us to

the real history of human art. We have still to guess how men lived at

first, whether on the fruits of the earth or by the chase; we have still

to guess how men discovered the use of fire, how they elaborated mere

vocal signs into a grammatical language; we have still to conjecture

when or where the first canoe or the first house was built. We make this

remark not to detract from the labours of the archæologist, but simply

to put the subject on its right basis. We have nowhere that kind of

evidence which takes us back to the first developments of the human

intellect; the nature of these must still be matter of inference. We

still argue, to a great extent, in a purely speculative manner; we

conclude that a progress like that which history and historical

monuments enable us to trace, was the kind of progress which the first

families of the earth passed through; but we know nothing historically

of that early progress.

In the old European or Asiatic continent we had been accustomed to

regard the earliest generations of mankind as entirely lost in the mists

of antiquity; but, till lately, we looked on the continent of America as

being, in respect of its population, far more recent, and as affording a

more simple subject for ethnological speculation. The civilisation of

Mexico and Peru, destroyed by the Spaniards, was traced to Egypt, or to

some other portion of the Old World. The vagrant tribes of savages that

lived upon the chase were the still more degenerate children of Europe.

But this new continent is now found to have been the habitation of man

at so remote a period, that the civilisations of Mexico and Peru,

however they originated (and they were probably native), must rank

amongst its modern events. Ruins of more ancient cities are found buried

in its forest, and monuments of some forgotten worship are traced upon

the banks of its rivers. The remains of man himself—parts of the human

skeleton—have been found in positions which suggest an antiquity far

beyond that of the cities of the Nile or the Euphrates. Some of these

cases are well known, and well known on account of the disputes and

discussions they have given occasion to; others, from which

(geologically speaking) only a modest antiquity has been inferred, seem

to our author to be worthy of credit. He says:—

“In the post-pliocene formations of South Carolina, exposed along the

bed of the Ashley River, remains of the megatherium, megalodon, and

other gigantic extinct mammals, occur, not only associated with

existing species peculiar to the American continent, but also

apparently with others hitherto believed to have been domesticated and

introduced for the first time by modern European colonists. But, still

more interesting for our present purpose, as possibly indicating the

contemporaneous existence of some of those strange extinct mammals

with man, are notices of the remains of human art in the same

formation. Professor Holmes, in exhibiting a collection of fossils

from the post-pliocene of South Carolina before the Academy of Natural

Science at Philadelphia, remarked:—‘Dr Klipstein, who resides near

Charleston, in digging a ditch for the purpose of reclaiming a large

swamp, discovered and sent to me the tooth of a mastodon, with the

request that I should go down and visit the place, as there were

indications of the bones and teeth of the animal still remaining in

the sands which underlie the peat-bed. Accordingly, with a small party

of gentlemen, we visited the doctor, and succeeded not only in

obtaining several other teeth and bones of this animal, but nearly one

entire tusk; and immediately alongside of the tusk discovered the

fragment of pottery which I hold in my hand, and which is similar to

that manufactured at the present time by the American Indians.’

“It would not be wise,” continues Mr Wilson, “to found hasty theories

on such strange juxtaposition of relics, possibly of very widely

separated periods. The Ashley River has channeled for itself a course

through the eocene and post-pliocene formations of South Carolina, and

where these are exposed on its shores the fossils are washed from

their beds, and become mingled with the remains of recent indigenous

and domestic animals, and objects of human art. But the discovery of

Dr Klipstein was made in excavating an undisturbed, and, geologically

speaking, a comparatively recent formation.”

After alluding to the magnificent skeleton of the _Mastodon Ohioticus_

which is now in the British Museum, and in companionship with which an

Indian flint arrow-head was found, he adds:—

“Another remarkable account, preserved in the ‘American Journal of

Science,’ describes the bones of a mastodon, with considerable

portions of the skin, found in Missouri, associated with stone

spear-heads, axes, and knives, under circumstances which suggest the

idea that it had been entangled in a bog, and there stoned to death,

and partially consumed by fire. Such contiguity of the works of man

with those extinct diluvial giants warns us at least to be upon our

guard against any supercilious rejection of indications of man’s

ancient presence in the New World as well as the Old. If the evidence

is inconsequential or untruthful, future discoveries will not fail to

bring it to nought; if, on the contrary, it involves glimpses of an

unseen truth, no organised scepticism will prevent the ultimate

disclosure of its amplest revelations.”

Had man, during the whole of this early prehistoric epoch, whatever its

duration may have been, lived like the savage, in what we call the

_stone period_? Or had the use of metals and other arts been discovered

and lost again—lost, perhaps, because human societies had not attained

that coherence and stability necessary to the preservation of the arts?

However this may be, it cannot be doubted that the use of the metal tool

forms an important era in the progress of civilisation. And Mr Wilson

mentions a fact which enables us to understand very readily the

transition from the use of stone to the use of metal. Copper is still

found in the New World, and probably was at first found in the Old

World, in a pure state—in _nuggets_, as an Australian gold-digger would

call them—and these could at once be beaten into the shape of an axe by

stone hammers without the application of fire. The fragment of copper

was to the Indian a new kind of stone, which had the fortunate property

of malleability.

“In the veins of the copper region of Lake Superior, the native metal

occurs in enormous masses weighing hundreds of tons; and many loose

blocks of considerable size have been found on the lake shore, or

lying detached on the surface, besides smaller pieces exposed on and

mingled with the superficial soil in sufficient quantities to supply

all the wants of the nomade hunter. This, accordingly, he wrought into

chisels and axes, armlets and personal ornaments of various kinds,

without the use of the crucible and any knowledge of metallurgic arts;

and, indeed, without recognising any precise distinction between the

copper which he mechanically separated from the mass, and the

unmalleable stone or flint out of which he had been accustomed to

fashion his spear and arrow heads.”

Whilst applauding the metal tool, copper or iron, and acknowledging what

we owe to it, let us not pass over the _stone_—that handful of rock or

flint by the aid of which the metal, in the first instance, was wrought

and fashioned—without its meed of gratitude. It seems a slight

unnoticeable fact that there should be these manageable fragments of

hard substance ready to the hand of man; that the whole earth was not

divided between the bed of rock and the bed of sand or clay; that there

should have been there mere stones (mere litter, you would say), of

which the floor of the earth had better have been swept clean. Yet those

nodules of flint formed slowly in the chalk—yet those rolled stones upon

the deserted beach, that the sea has fashioned for the human palm, and

left high and dry upon the land—seem to have entered as much into the

_preparation_ for man as the _fauna_ or the _flora_ amongst which he was

to live.

Who first applied fire to the metal, and thus made it plastic as the

clay and sharper than the stone? who first discovered fire itself? No

one knows; nor is the question worth asking. But there is one thing well

worth noticing: it is the answer given to the question, and that in the

rudest of times and amongst many various nations. Some god bestowed it.

This tendency to look for a supernatural giver is very soon and very

widely developed. And what is more, the idea of a giver has called forth

amongst rude selfish people struggling for existence, the desire to

manifest their gratitude by some act of worship which should also be

some act of self-denial. On a certain day of the year all lights shall

be extinguished, and one man amongst them (endowed for the very purpose

with imaginary sanctity) shall rekindle the flame, thus acknowledging by

this symbol its reception from the divine Giver. The ancient Peruvians

drew their fire on this solemn occasion at once from the sun; they

collected its rays into a focus by a concave mirror of polished metal,

and thus ignited some dried cotton, or bark, or fungus. Nothing could be

more expressive and appropriate than such a symbolic act. It is a pity

that the historian has to record that other symbolic acts (if such they

are to be considered) were of a cruel and hideous description. The

savage is not accustomed only to _thank_ God; he has, he thinks, to

propitiate His favour; and as he has nothing to _give_, he _destroys_ in

honour of the universal Bestower. The worship of the American Indian is

tainted more than any other we read of with the rite of human sacrifice.

Various methods for obtaining fire have been invented, but the earliest

seems to have been by the friction of two dry pieces of wood. It was a

progressive step, we presume, when the bark of a certain tree or a dried

fungus was used for tinder. However produced, it was to the savage, in

the first instance, itself a tool, the immediate instrument he employed

to cut down the tree which would have resisted a long while his flint

hatchet. We thought that all known people had made discovery of fire and

converted it to their own purposes; but the inhabitants of the Ladrones,

when discovered by the Spaniards, are said to have shrunk from fire as

from a thing they simply feared: “they called it a devil, a god that bit

fiercely when it was touched, and lived on wood, which they saw it

devour.”

Mr Wilson entitles the chapter which treats on this subject ‘The

Promethean Instinct: Fire.’ The next chapter is headed ‘The Maritime

Instinct: the Canoe.’ Then we have ‘The Technological Instinct,’ and so

on. Why this ostentatious use of the term Instinct? Did men hunt after

fire even before they had seen it, as an animal might be supposed to

hunt after food even before it had eaten? Do men build canoes as birds

their nests or beavers their dams? What is the leading idea of Mr Wilson

when he thus liberally applies to us the term Instinct? We have desires

and we have intelligence suggesting means to an end. Is it the desire

that is instinctive, or the apprehension of the means whereby the desire

can be gratified? Men have a desire to pass from one side of the river

to the other; perhaps the animal they were in chase of has swam the

stream; they have observed that wood will float, that a large piece of

wood will float with a man on it; they procure such piece of wood, and

paddle themselves across. The knowledge which the man displays in all

this follows from his previous perceptions. Perception, memory,

judgment, are all exercised in a quite normal manner, and the desire to

float across the stream has arisen from the peculiar circumstances in

which the man was placed. What element of mystery is there in this

transaction which calls for the name of Instinct? For the word Instinct

is applied to certain actions of animals because the ordinary laws of

psychology are, or seem, inadequate to explain them—because a certain

mystery hangs over the event which we mark by the name Instinct. When we

see animals acting, without the teaching of experience, in the same sort

of way in which we act after that teaching of experience, we, perplexed

to explain this anomaly, pronounce the action instinctive. The bee and

the bird build in this inexplicable manner. Probably a more minute

investigation may enable us to resolve whatever we call Instinct into

some delicacy of the senses, or some rapidity of the judgment, peculiar

to the animal. Meanwhile the term is serviceable as marking a class of

unexplained phenomena. But how is it applicable to man in his capacity

of boat-builder? The sort of canoe he will build, the materials he will

use, the tools he will work with, are all determined for him by existing

circumstances, and the actual amount of his knowledge. Or is it the

vague desire to put to sea, prompting some manner of boat-building, that

Mr Wilson calls our “maritime instinct?” Are we driven to sea like ducks

to a pond? The peasantry of an inland country are not conscious of any

such instinct, and would be very unfortunate if they possessed it.

We have no wish to expel the terms instinct and instinctive from our

popular diction, even when applied to human actions. There are cases

when men act with a suddenness and decision which remind us of the

animal in his promptest moods, and we naturally apply to these the term

instinctive; and sometimes we apply the term to a tendency or desire

which we cannot at the time trace to our senses, or to the usual

operations of the mind. But when an author formally—in the very titles

of his chapters—supplies us with “Promethean and maritime instincts,” we

may be excused if we ask for some precise definition of the term.

“_Speech_ is one of the instincts of man, but it is by the voluntary

exercise of his intellectual faculties, as we conceive, that he is

enabled to develop it into _language_.” This sounds oracular, but, like

most oracles, it is very obscure. What does Mr Wilson mean by speech as

contrasted with language? Is speech the mere giving of names to things,

and language the formation of a grammar? But grammar is only a naming of

a more complex kind, a naming of things and events in their more

complicated relations. And what speech was ever formed that had not some

grammar, that was not also a language? If by speech, in contrast to

language, is meant the mere utterance of articulate sounds which have no

meaning attached to them, then what proof have we that men ever passed

through a stage of unmeaning gibberish? or could anything so purposeless

be dignified with the name of an instinct? The _desire_ to speak, or to

communicate our thoughts or our wants, is sometimes spoken of as an

instinct. But the need man has of co-operation, and the ability he has

to co-operate, and those general sympathies and affections which render

him a social being, are sufficient to explain this desire. Such a desire

may be contemplated as existing apart and prior to the possession of

language, but there can be no reason for applying the term instinct to

it, unless we apply that term to all our desires. So strong and

inevitable is this desire to express our thoughts, that we have not the

least doubt that, if the human larynx had not been fitted for speech,

man would have invented a language of signs. His hands and feet would

have talked, if his tongue and palate did not. His larynx being mute and

all other faculties remaining the same, he would have talked with his

fingers and written as the Chinese write, whose characters are signs for

things, not for words.

The maritime or boat-building instinct has, at all events, been very

much under the control of circumstances. Sometimes the tree was felled

and hollowed, sometimes the bark was stretched over wicker-work, or

skins of beasts were employed, or planks were made into a raft. The

Egyptian bound some of his water-jugs together and made a raft of them.

Some tribes have limited themselves to the paddle or the oar; some have

spread the sail, and spread it very boldly. The Malay hoists his large

sail over a couple of planks of wood sewed together with bark, and

balances this fragile craft by means of two long spars fastened athwart

and projecting to windward. In such a vessel as this he will scud

fearlessly through tempestuous seas from one island to another. We may

boast, and very justly, of our steam-engines, our electric telegraphs,

and of other triumphant employments of the powers of nature; but even to

this day there is not a more pleasing or thrilling spectacle, or a more

glorious instance of the powers of nature turned to the service of man,

than when some solitary boatman sits, at the helm with sail outspread,

borne by the wind along the surface of the sea. The water floats him,

the wind speeds him; he is for the moment master of the two great

elements. Verily the savage has his joy, his hour of pride and

exultation.

It is curious that the natives of North America limited themselves to

the oar or the paddle. The Peruvians appear to have been the only people

of this continent who, at the time of its discovery by Columbus,

employed the sail. This is a striking instance of the very general fact,

almost amounting to a law, that when a people have attained to a certain

proficiency in the arts, sufficient to render life tolerable, there

ensues a long pause in the career of progress. It requires the stimulus

of an urgent want to set at work the inventive faculties of the savage;

and when his invention has secured to him an agreeable existence, or

what he considers such, there intervenes the force of habit and the

attachment to familiar customs. Fortunately the differences of climate,

or other external circumstances, require or suggest different

inventions, even in this early stage of society, and thus one barbarian

may be able to teach another. A people who had brought the canoe

propelled by oars to perfection, would probably rest contented with it;

they could not have invented the sail themselves; they might receive it

from another people with whom it had been, from the commencement, their

favourite mode of traversing the sea. Our “technological instincts,” as

Mr Wilson calls them, go to sleep in the savage when he is no longer

pinched by hunger or cold, or other pressing inconvenience. They awake

again in the civilised man, with whom invention itself has become an

agreeable effort or an intellectual triumph. Some sort of culinary

vessels are wanted, and if these have been once shaped out of clay, the

same kind of pottery will content a people for ages. If nature has

thrown them the calabash, a ready-made vessel, their _instinct of

pottery_ will not be developed at all; they will content themselves with

the calabash.

Mr Wilson brings together in a very pictorial manner the two extremes of

this human art of boat-building:—

“On the banks of the Scottish Clyde the modern voyager from the New

World looks with peculiar interest on the growing fabrics of those

huge steamers, with ribs of steel, and planks, not of oak, but of

iron, which have made the ocean, that proved so impassable a barrier

to the men of the fifteenth century, the easy highway of commerce and

pleasure to us. The roar of the iron forge, the clang of the

forehammer, the intermittent glare of the furnaces, and all the novel

appliances of iron shipbuilding, tell of the modern era of steam; but

meanwhile, underneath these very shipbuilders’ yards, lie the

memorials of ancient Clyde fleets, in which we are borne back up the

stream of human industry far into prehistoric times. The earliest

recorded discovery of a Clyde canoe took place in 1780, at a depth of

twenty-five feet below the surface, on a site known by the apt

designation of St Enoch’s Croft. This primitive canoe, hewn out of a

single oak, rested in a horizontal position on its keel; and within

it, near the prow, there lay a curiously suggestive memorial of the

mechanical arts of the remote era to which the ancient ship of the

Clyde must be assigned. This was a beautifully finished stone axe or

celt, doubtless one of the simple implements of the allophylian

Caledonian to whom the canoe belonged, if not, indeed, the tool with

which it had been fashioned into shape.”

From the hollowed trunk of a tree, hewn with a stone axe by this

“allophylian,” as Mr Wilson delights in calling him, to the iron

steam-vessel that would have carried him and all his tribe across the

Atlantic, the advance is great indeed. And a very curious sentiment must

arise in the man who has seen this canoe dug up from under the busy

streets of Glasgow, and then afterwards in another continent, on some

lake or river not yet quite appropriated by the white man, has watched

some prowling Indian paddling about in a canoe not much unlike it. The

past and the present seem to live together before him: it is not the

ends of the earth only that are brought together for him; he appears to

embrace the first and the last of the generations of mankind.

We turn from the rude arts of men to their still ruder thinking—to

customs springing from some sentiment or some strange imagination. Of

these the most universal and the most significant are customs connected

with the burial of the dead. To the habit of interring with the dead man

the implements he most valued in life—his tools or weapons—we owe the

little knowledge we possess of our very primitive ancestors. It is

generally said that these articles were buried with the man, that he

might have them ready for use in another world; and, no doubt, some

vague idea of this kind has extensively prevailed: but if we may

speculate on a subject so obscure as the imaginations of the savage, we

should say that this idea grew out of the custom of burying with the

dead man his own previous possessions, and that the custom itself at

first originated in simple regret and respect for the dead. We cannot

have any strong sentiment without feeling the desire in some way to

manifest it. The dead man was loudly lamented—wept and wailed over—and

the mourners often cut and wounded themselves as an exhibition of their

grief. Well, at such a moment, instead of appropriating to themselves

the possessions of the deceased, the survivors threw them into the grave

with him. They were still in a manner his property. It would manifest a

disrespect to the dead if at once, as soon as the hand of his chief was

cold, another man had seized upon his spear and carried it to his own

hut. Thus this one passionate desire to manifest grief and respect to a

late friend or chief would sufficiently account for the act of interring

with the body the instruments or weapons he had been in the habit of

using. The custom once adopted, superstition would step in and enforce

it, and the imagination would invest it with a new significance. Some

poet of the land would first suggest that, if the dead man rose from his

tomb, he would find himself equipped for the chase or for war. Sometimes

the buried arms, vessels, or other implements, were broken before they

were deposited in the grave, which does not seem to accord with the idea

that they were laid there for any future use. It looks like the

interpretation of a subsequent generation when it is said that the

savage expected the broken tool or perforated vessel, like the decayed

human body, to be restored again and made fit for his use. Here is an

Indian, a Chinook, buried in his canoe. Within the canoe a broken sword

is deposited. Am I to gather that the Chinook expected a maritime life

hereafter, and even to revive floating upon the waters? Does not the

whole act seem, at least in its initiation, to be symbolical? All was at

an end. The man would float no more—would fight no more. The canoe was

buried, the sword was broken.

But whether we are right or not in our supposition as to the origin of

this idea—namely, that the articles buried in the tomb with the deceased

would be useful to him in an after life—it is plain that such an idea

has been entertained, and certainly all our learned writers upon these

ancient customs of burial attribute this motive to our imaginative

forefathers. When, in the old pagan burrows of the wold of Yorkshire or

elsewhere, some British or Saxon charioteer has been exhumed, with the

iron wheel-tires and bronzed horse-furniture (the wreck of the decayed

war-chariot), and the skeletons of the horses, eloquent antiquarians

have not failed to say (as Mr Wilson does) that the dead chief was

buried thus “that he might enter the Valhalla of his gods, proudly borne

in the chariot in which he had been wont to charge amid the ranks of his

foes.” We presume they find themselves justified in this interpretation.

Here, again, we find that the new continent sets almost before the eyes

of our traveller scenes similar to those which, as a European

archæologist, he had been laboriously endeavouring to reconstruct in

some remote antiquity.

“Upwards of forty years since, Black Bird, a famous chief of the

Omahaws, visited the city of Washington, and on his return was seized

with smallpox, of which he died on the way. When the chief found

himself dying, he called his warriors around him, and, like Jacob of

old, gave commands concerning his burial, which were as literally

fulfilled. The dead warrior was dressed in his most sumptuous robes,

fully equipped with his scalps and war-eagle’s plumes, and borne about

sixty miles below the Omahaw village to a lofty bluff on the Missouri,

which towers far above all the neighbouring heights, and commands a

magnificent extent of landscape. To the summit of this bluff a

beautiful white steed, the favourite war-horse of Black Bird, was led;

and there, in presence of the whole nation, the dead chief was placed

with great ceremony on its back, looking towards the river, where, as

he had said, he could see the canoes of the white men as they

traversed the broad waters of the Missouri. His bow was placed in his

hand, his shield and quiver, with his pipe and medicine-bag, hung by

his side. His store of pemmican and his well-filled tobacco-pouch were

supplied, to sustain him on the long journey to the hunting-grounds of

the great Manitou, where the spirits of his fathers awaited his

coming. The medicine-men of the tribe performed their most mystic

charms to secure a happy passage to the land of the great departed;

and all else being completed, each warrior of the chiefs own band

covered the palm of his right hand with vermilion, and stamped its

impress on the white sides of the devoted war-steed. This done, the

Indians gathered turfs and soil, and placed them around the feet and

the legs of the horse. Gradually the pile arose under the combined

labour of many willing hands, _until the living steed and its dead

rider were buried together under the memorial mound_; and high over

the crest of the lofty tumulus which covered the warrior’s eagle

plumes a cedar post was reared, to mark more clearly to the voyagers

on the Missouri the last resting-place of Black Bird, the great chief

of the Omahaws.”

But there is one passage in Mr Wilson’s book which, we think, to the

student of the ancient myth or religious legend must be replete with

interest. It occurs in the chapter which treats on the use of tobacco

and that custom of smoking which we have imported from the savage, much

to the delectation, no doubt, of those who inhale the fumes of what they

are pleased to call the fragrant weed, and much, assuredly, to the

disgust and suffering of those who are involved, most unwillingly, in

the smoke which others are _ex_haling around them. Never were two

parties more sharply divided than the smokers and the non-smokers. The

first will doubtless agree with the Indian in the belief that tobacco

was of divine origin. Did not two hunters of the Susquehannas share

their venison with a lovely squaw who mysteriously appeared before them

in the forest? and did they not, “on returning to the scene of their

feast thirteen moons after, find the tobacco-plant growing where she had

sat?” and do not Indians tell us that the Great Spirit freely indulges

in the intoxicating fumes which they themselves love so well? The

non-smokers hold a different faith. They see no celestial gift in this

black, fuliginous amusement; and if they do not ascribe to it a devilish

origin, they assert that it is enjoyed with a devilish indifference to

those to whom their beloved smoke is but stench and sickness. Into this

custom of tobacco-smoking Mr Wilson enters at large, and bestows much

learning on the inquiry; but it is especially to the institution of the

pipe of peace amongst the Indians that we would now direct the attention

of the reader.

We have, as Mr Wilson tells the story, the complete _dissection_ of a

myth; we see how a legend arises, or may arise, partly from the most

trivial causes, and partly from generous impulses and high imaginations.

Between the Minnesota and the Missouri rivers there stands a bold

perpendicular cliff, “beautifully marked with distinct horizontal layers

of light grey and rose or _flesh-coloured_ quartz.” Near this a famous

red pipe-stone is procured; a material, we presume, better fitted than

any other for making pipes. Traces of both ancient and modern excavation

prove that it has been the resort, during many generations, of Indian

tribes, seeking this famous red pipe-stone. A spot to which independent

tribes came for this purpose, and for this only, became neutral ground;

became a spot on which they might meet in peace—perhaps to discuss their

points of difference. But in process of time it became a sacred spot,

and the peace between hostile tribes was preserved by a religious

sanction. There are marks on the rock resembling the track of a large

bird. These were converted into the footsteps of the Great Spirit. The

Great Spirit, therefore, at one time descended upon the rock and

taught—what else could he be supposed to teach?—the sacred neutrality of

the spot, and the privilege and duty of all tribes to renew their pipes

there, and especially the calumet, or pipe of peace. The last version of

the tradition runs thus:—

“Many ages,” say the Sioux, “after the red men were made, when all the

different tribes were at war, the Great Spirit called them all

together at the Red Rocks. He stood on the top of the rocks, and the

red nations were assembled in infinite numbers in the plain below. He

took out of the rock a piece of the red stone, and made a large pipe.

He smoked it over them all; told them that it was part of their flesh;

that though they were at war they must meet at this place as friends;

that it belonged to them all; that they must make their calumets from

it, and smoke them to him whenever they wished to appease him or get

his goodwill. The smoke from his big pipe rolled over them all, and he

disappeared in the cloud.”

The Sioux, notwithstanding this good teaching of the very tradition

which they still repeat to the stranger, have, by the right of the

strongest, taken possession of the sacred neutral ground; and they, and

all other tribes of the red race, are either being absorbed into the

white population or exterminated by it. The development of the myth and

the people of the myth has been therefrom alike arrested. But how

clearly we see its growth and formation! To what a mystical faith that

flesh-coloured quartz was conducting! And what mingling of the divine

and human would have been suggested by the act recorded of the Great

Spirit! If these Indian tribes had finally coalesced in one nation, the

myth would have been exalted, and the Great Spirit would have taught

them an eternal bond of peace and brotherhood. If civilisation and

culture had still further advanced, this peace and brotherhood would

have embraced all mankind, and assumed the form of the highest moral

teaching.

A considerable portion of Mr Wilson’s book is occupied with those

ancient remains, whether in the valley of the Mississippi or in the

forests of Central America, which speak of a civilisation, or at least

of nations and of cities that had existed and left their ruins behind

them, anterior to what we call the discovery of the New World. The

subject is highly interesting, and it loses none of its interest in the

hands of our author. He speaks very decidedly on the great antiquity of

the mounds and the earthworks of the valley of the Mississippi; less

decidedly on the antiquity of the monumental pillars and other

architectural remains which were first brought to the knowledge of the

English public through the travels of Mr Stephens in Central America.

The work of Mr Squiers still contains, we believe, the fullest account

we possess of those vast circular mounds, and other extraordinary

earthworks, discovered within the territory of the United States. Both

these writers, Mr Stephens and Mr Squiers, produced at the time of the

publication of their several works a very vivid impression on the

reading public of England. Both of them broke ground into quite new

fields of inquiry, but both of them left the mind rather excited than

informed. This was to be expected when the subject was of so novel and

surprising a character. Mr Squiers saw evidences of serpent-worship and

of other religious rites which his study of the antiquities of the Old

World had made familiar to his imagination, in the circular mounds which

he traced in the open field: and Mr Stephens, as he broke his way

through the forests, saw the ruins of another Egypt stand before him.

That no tradition should exist amongst the present race of Indians with

respect to these primitive “mound-builders,” is not surprising; nor

would this alone indicate any very great antiquity. Mr Wilson thinks the

state in which the skeletons were found within the tumuli—crumbling to

dust on being touched—is sufficient proof of their great age. One must

know all the circumstances of the burial, all the influences to which

the skeleton has been exposed, before any safe conclusion can be drawn

from this fact. But, leaving undetermined the antiquity of these

remains, we think it plain that the first discoverers of them, whether

of the mounds or of the ruined cities, have, with the natural enthusiasm

pertaining to all discoverers, exaggerated the evidence they display of

civilisation, or progress in the arts. After all, the soundest opinion

seems to be that the “mound-builders” and the builders of the deserted

cities were but the intellectual progenitors of those half-civilised

Mexicans and Peruvians whom the Spaniards encountered and destroyed. It

is not likely that any higher or equal state of civilisation had been

attained and lost before the arrival of the Spaniards.

The quite circular form of an extensive mound or earthwork is thought to

imply a knowledge of geometry or trigonometry, because a modern surveyor

would proceed in a certain scientific manner to lay out such a circle.

But the slow process of measuring a number of radii from a given centre,

and connecting their terminal points, would probably have sufficed for

all that these early geometers executed. Or they might have drawn a

smaller circle, in the first instance, by a movable radius, and then

traced a larger and a larger one outside of this, till they had obtained

one of the requisite magnitude. Time and labour will accomplish much,

and with very little help from art or science. But where imagination

seems to play the subtlest tricks with our antiquarians is in their

appreciation of the beautiful in such relics of the fine arts as are

discovered in these mounds and cities. We have prints given us here of

carved pipes found in the tombs, which we are told are very beautiful.

To our eye they do not look beautiful at all, and very little in advance

of other prints which represent pipes carved by the present race of Red

Indians. But it is when the antiquarian critic finds himself amongst the

remains of the rude sculptures of Central America that he shows himself

most under the influence of this _glamour_. If we had not the pictures

or engravings by which to check the text, we should think that Thebes

and Memphis had been long ago outrivalled on the other side of the

Atlantic.

Our readers, we are sure, have not forgotten Mr Stephens’s book of

travels; they will remember how he entered with his guide into what

seemed an untrodden forest at Copan, apparently undisturbed from its

very creation; and how, as he made his way with his axe through the

brushwood, he found himself face to face with an upright column of stone

elaborately carved. In the centre of this a human face of gigantic

proportions stared out upon him. Some of these monuments had been

overpowered by the vigorous growth of the surrounding trees, and

displaced from their upright position by huge branches that half

encircled them; others lay upon the ground, as if bound down by the

vines and other great creepers of the American forest. Nothing disturbed

the solitude of the scene except a grimacing procession of monkeys, who

from the branches of the trees were looking alternately at the

traveller, and at the mysterious objects which had attracted the

traveller’s attention. As he proceeded he came upon a truncated pyramid,

with a flight of steps leading to a broad surface, on which evidently

some other structure had been raised; and then again he entered a square

enclosure with steps, which might have been intended for seats, running

up on all sides, reminding him of a Roman amphitheatre. No books had

told him of the existence even of this ruined city. Who had built it,

who had lived in it, no one could say. The people of the country could

only answer him with their “_Quien sabe?_” who knows?—an answer always

sufficient for themselves. There was not even a tradition, not even a

palpable lie, to be heard. Men were as silent about these cities as the

forest itself.

What wonder that the enthusiasm of the traveller should be excited, and

that he should see more than the eye—as a simple optical

instrument—disclosed to him? Assuredly his enthusiasm as to the beauty

of the sculpture is not supported by the drawings he has given us. He

commends to us these drawings of the artist as being, “next to the

stones themselves,” the most perfect materials on which to form our

judgment. And of one thing we may be certain, that a modern artist,

trained to the correct representation of the human figure, would err, if

he erred at all, by _improving the drawing_ in these grotesque

sculptures. It would require a distinct effort in the modern artist to

depart from the true outline and proportions of the human form; and

whenever his attention relaxed, he would infallibly become more correct

than his original. Well, we see in the delineation here given us a mere

pillar, in the centre of which is carved a human face, and lower down

two fat arms, which the imagination is to connect with the unmeaning

face above them; and we are told in the text “that the character of this

image is grand, and it would be difficult to exceed the richness of the

ornament.” We turn the page and see another gigantic head, with huge

saucer eyes, such as a child would draw, and we are told that “the style

is good,” and that “the great expansion of the eyes seems intended to

inspire awe.” So are the masks sold in our toy-shops to mischief-loving

boys. But very silly savages must those have been in whom such absurd

figures could have inspired awe. Mr Stephens is constantly being

“arrested by the beauty of the sculpture.” The bas-reliefs at Palenque

are indeed superior to anything he met with at Copan, and some drawings

from these exhibit an unexpected grace, and an outline _perhaps_

unconsciously improved by the hand of the artist. But here also we are

startled at the discrepancy between the description of the enraptured

traveller and the representation in the engravings. We have, in one of

them, a figure sitting cross-legged upon a narrow bench; his legs are

tucked up under him painfully tight, and his balance must be preserved

with great difficulty; his large nose is in manifest danger of breaking

itself upon the floor. We are told that this figure sits “on a couch,

ornamented with two leopards’ heads,” and that “the _attitude is easy_,

and the expression calm and benevolent.” The first discoverer must

evidently have looked with something of a lover’s eye.

The learned antiquarian has been nowhere more exposed to delusion than

in this New World. Mr Wilson gives us an amusing account of the

inscription on the Dighton Rock, which has received so many various

interpretations. It stands in New England; and at a time when it was a

favourite speculation of its theologians, that the Phœnicians had been

the earliest colonists of America, and that the accursed race of Canaan

had been banished there, this inscription was decided to be Punic. Dr

Stiles, President of Yale College, when preaching in 1783 before the

Governor and State of Connecticut, appealed to the Dighton Rock, graven,

as he believed, in the old Punic or Phœnician character and language, in

proof that the Indians were of the cursed seed of Canaan, and were to be

displaced and rooted out by the European descendants of Japhet! “The

Phœnicians,” says Dr Stiles, “charged the Dighton and other rocks in

Narraganset Bay with Punic inscriptions remaining to this day, which

last I myself have repeatedly seen and taken off at large, as did

Professor Sewell. He has lately transmitted a copy of this inscription

to M. Gebelin of the Parisian Academy of Sciences, who, comparing them

with the Punic palæography, judges them to be Punic, and has interpreted

them as denoting that the ancient Carthaginians once visited these

distant regions.”

Various copies, all professing to be most carefully executed, of this

inscription, were sent to antiquarian societies, to museums, to

colleges, as well in Europe as in America. A learned Colonel Vallency,

of the London Antiquarian Society, undertook to prove that the

inscription was neither Phœnician nor Punic, but Siberian. Then it

became the fashion to look upon the Danes and the Northmen as the first

discoverers of America, or its first colonists, and the _Punic_ was

changed into a _Runic_ inscription. The names of Thorfinn and other

Norse heroes were plainly read in this wild scrawl upon the Dighton

Rock. Learned Danes themselves found no difficulty in deciphering the

name at least of the chief hero who conducted the expedition of which

this is a memorial, though they confess that the names of his associates

are not quite so legible.

“Surely no inscription,” continues Mr Wilson, “ancient or modern, not

even the Behistun cuneatics or the trilingual Rosetta Stone, ever

received more faithful study. But the most curious matter relating to

this written rock is, that after being thus put to the question by

learned inquisitors for a hundred and fifty years, it did at length

yield a most surprising response. Mr Schoolcraft tested the origin and

significance of the Dighton Rock inscription, by submitting a copy of

it to Chingwauk, an intelligent Indian chief, familiar with the native

system of picture-writing. The result was an interpretation of the

whole as the record of an Indian triumph over some rival native tribe,

and the conviction on Mr Schoolcraft’s part that the graven rock is

simply an example of Indian rock-writing, attributable to the

Wabenakies of New England.... And such is the conviction reluctantly

formed in the mind of the most enthusiastic believer in the discovery

and colonisation of New England by the Northmen.”

We are in danger of losing our way entirely amongst the multitude of

interesting subjects which Mr Wilson’s two thick volumes present to

us—and present, it must be confessed, in a somewhat confused array. A

rather pleasant effect is produced by the bringing together the

knowledge of the European archæologist with the observations of the

modern traveller; but this leads to a discursive style. In spite of the

distinct titles of the several chapters, we never know precisely what we

are discussing, and where to look for anything a second time which we

may remember to have read. We are now engaged with the wild Indians, and

are reminded of such human curiosities as the “Flatheads,” who glory in

producing a deformed skull by a distressing pressure on the infant’s

head, of which process we have a gilded picture strangely ornamenting

our learned volumes. These Flatheads are plainly uninjured in their

intellects by this distortion of the skull; so as there is room left for

the development of the cerebrum, all seems right; and even when nature

keeps the formation of the skull in her own hands, we apprehend this is

all that is wanted. These Flatheads contrive to make slaves of the

neighbouring round-headed Indians,—who, by the way, are not permitted to

flatten the heads of _their_ children, this being jealously guarded as a

sign of freedom and aristocratic privileges. They are said to look with

contempt on the whites, as bearing in the shape of their heads the

hereditary mark of slaves. After contemplating for a time these

unprogressive natives, some railroad car comes whizzing past, or the

posts of the electric telegraph remind the author of the go-ahead

American who is gradually appropriating all the soil to himself. We have

a highly characteristic trait mentioned of the new race. Not only does

he cut down forests and break up the prairie, but he trades in

_water-lots_—in land still covered with water; appropriates and sells

half the soil of a lake which has yet to be reduced to the economical

proportion he intends to allow it.

The two races cannot plainly long reside on the same continent; but Mr

Wilson brings before us a fact which will probably be new to most

English readers. It is almost as much an absorption into the white race

as a process of extinction that is now going on amongst the Red Indians.

Wherever the whites, whether they are French, or English, or Scotch,

have been long settled in the neighbourhood of Indian tribes, there has

grown up a mixed race or half-breed. This half-breed, in some instances,

remains in the settlement of the whites, but in others it still follows

the mode of life of its Indian parent, and a race grows up that is

neither European nor Indian. Whole tribes seem now to be constituted of

this half-breed, and they are distinguished for their power of endurance

and their greater faculty for social organisation. But in proportion as

they approximate to the European, the less likelihood is there that they

will long remain distinct and separated from the European by their mode

of life.

“The idea,” says Mr Wilson, “of the absorption of the Indian into the

Anglo-American race will not, I am aware, meet with a ready

acceptance, even from those who dwell where its traces are most

perceptible; but fully to appreciate its extent, we must endeavour to

follow down the course of events by which the continent has been

transferred to the descendants of its European colonists. At every

fresh stage of colonisation or pioneering into the wild west, the work

has necessarily been accomplished by the hardy youths, or the hunters

and trappers of the clearing. Rarely indeed did they carry with them

their wives or daughters; but where they found a home amongst

savage-haunted wilds, they took to themselves wives of the daughters

of the soil. To this mingling of blood, even in its least favourable

aspects, the prejudices of the Indian presented little obstacle.

Henry, in his narrative of travel among the Cristineaux, says, ‘One of

the chiefs assured me that the children borne by their women to

Europeans were bolder warriors and better hunters than themselves.’

The fact is unquestionable that all along the widening outskirts of

the newer clearings, and wherever an outlying trading or hunting post

is established, we find a fringe of half-breed population, marking the

transitional border-land which is passing away from its aboriginal

claimants.... At all the white settlements near those of the Indians

the evidence of admixture is abundant, from the pure half-breed to the

slightly-marked remoter descendant of Indian maternity, discoverable

only by the straight black hair, and a singular watery glaze in the

eye, not unlike that of the English gypsy. There they are to be seen,

not only as fishers, trappers, and lumberers, but engaged on equal

terms with the whites in the trade and business of the place. In this

condition the population of all the frontier settlements exists; if,

as new settlers come in, the mixed element disappears, it does so

purely by absorption.

“Nor are such traces confined to the frontier settlements. I have

recognised the semi-Indian features in the gay assemblies at a

Canadian Governor-General’s receptions, in the halls of the

Legislature, among the undergraduates of Canadian universities, and

mingling in the selectest social circles. And this is what has been

going on in every new American settlement for upwards of three

centuries, under every diversity of circumstance.”

This is a far more agreeable idea than that the Indians are being

everywhere _starved_ out of existence by the encroachments of the

European. But that portion of the mixed offspring which adhered to the

Indian tribe, and became Indian in its habits, affords a still more

interesting subject of speculation. On the Red River there is a

settlement of half-breeds, numbering about six thousand. A marked

difference, we are told, “is observable, according to their white

paternity. The French half-breeds are more lively and frank in their

bearing, but also less prone to settle down to drudgery of farming, or

other routine duties of civilised life, than those chiefly of Scottish

descent.” If in both cases the half-breed has been entirely educated by

its Indian parent, this would be a good instance of the influence of

_race_ as separable from the influence of education. These half-breeds

are generally superior in physical as well as mental qualities, and have

greater powers of endurance than any of the native tribes exhibit. Mr

Wilson assures us “that the last traces of the Red blood will disappear,

not by the extinction of the Indian tribes, but by the absorption of the

half-breed minority into the new generations of the predominant race.”

Of the warlike tribes of native Indians some have been induced to settle

down as agriculturists. Some are Roman Catholics, some Protestants. But

we believe it may be stated that all signal amendments or progressive

changes have been accompanied by a mixture of European blood. To this

very day the full-blooded Indian despises the civilisation of the white

man, or at least thinks it something that may be good for the white man,

but by no means good for him. The fierce tribes that constituted the

famous confederacy of the Iroquois, and who have settled in Canada, have

been all more or less tamed, but they have all lost the purity of their

race; and when we hear of the hunter of the prairies taking upon himself

the mode of life of European colonists, we may be sure that this change

has been facilitated by an intermixture of the two races. Some of these

tribes have forgotten their own language, and speak only a French

_patois_.

We do not imply by this observation that the native Indian would have

been incapable of advancing by a slow and natural progression of their

own on the road of civilisation: on the contrary, we believe that the

civilisation of the Aztecs and the Peruvians may be seen in its earliest

stage amongst the Iroquois. But when the European encounters the savage,

there is a gap between them which the latter cannot suddenly traverse.

The intermediate steps are not presented to him. The time is not given

him by which slow-changing habits can be formed and transmitted. He is

required to proceed at a faster pace than his savage nature can

accomplish. Now, as every generation that has advanced upon its

predecessors, transmits, together with its knowledge, some increasing

aptitude for the acquisition of such knowledge, there is no difficulty

in believing that the savage would be expedited in his career of

civilisation as well by an intermixture of race as by a participation of

knowledge.

The whole chapter of Mr Wilson on the Red Race is well worthy of

perusal. The reader will find in it many interesting details, which, of

course, our space will not permit us to allude to. We shall conclude our

notice by some reference to a topic especially interesting when we speak

of the progress of civilisation—namely, the mode of transmitting ideas,

the art of writing, or letters. Our author, according to his favourite

phraseology, entitles his chapter on this subject ‘The Intellectual

Instinct: Letters.’

The origin of language may be open to discussion. Its gradual growth

from the wants, the social passions, the organisation, the mimetic and

reasoning powers of man, may to many persons seem an unsatisfactory

account. But no one disputes that _writing_ is an invention of man. Even

if the steps of this invention had not been traced, we should have been

unable to frame any other hypothesis with regard to an art possessed by

one people and not possessed by another. We may define writing to be the

transmission of ideas by visible and permanent signs, instead of by

momentary sounds and gestures. The art of writing, it must be

remembered, is not complete till the characters upon the paper, or the

parchment, or the plaster of the wall, or the graven rock, _interpret

themselves_ to one who knows the conventional value of the several

signs. So long as any picture-writing or symbolic figures act merely as

aids to the memory, in retaining a history of events which is, in fact,

transmitted by oral tradition, writing is not yet invented. The picture,

however faithful, gives its meaning only to those who know many other

facts which are not in the picture itself. When a system of signs has

been invented, _by which alone_ the ideas of one person, or one

generation, can be communicated to another person or another generation,

then the art has been attained, whether those signs are hieroglyphics or

alphabetical, whether they are signs of things or signs of words.

This is necessary to be borne in mind, because there is a certain use of

pictorial and symbolic signs which is in danger of being confounded with

the perfect hieroglyph; and we are inclined to think this confusion has

been made with regard to some of the sculptured remains discovered in

Central America. We doubt if these “hieroglyphics,” which scholars are

invited to study and to interpret, are hieroglyphics as the word is

understood by the Egyptologist. Granting that they always have a

meaning, and are not introduced, in some cases, as mere ornaments (just

as we introduce the heads of stags or the figures of little children on

any vase we desire to ornament), still it may be a meaning of that kind

which could be only intelligible to one who from other sources knew the

history or the fable it was intended to bring to remembrance. A

representation of this kind, half pictorial and half symbolic, would

help to keep alive the memory of an event; but, the memory of it once

extinct, it could not revive the knowledge of the event to us. We should

waste our ingenuity in vain attempts to _read_ what was not, in fact,

any kind of _writing_.

The Peruvians had manifestly not advanced beyond a system of mnemonics,

a kind of _memoria technica_. With certain knots in strings of different

colours they had associated certain ideas. A Peruvian woman could show

you a bundle of knotted strings and tell you her whole life “was there.”

To her it was, but to no one else. If all the Peruvians agreed to

associate the history of Peru with other bundles of knotted cords, their

_quipus_ would still be only an aid to memory; the history itself must

be conveyed from one mind to another by oral communication. Some of the

North American Indians had their _wampum_, their many-coloured belt,

into which _they talked their treaty_, or any other matter it was

desirable to remember. The Mexicans had mingled symbols with their

picture-writing, but they had not wrought the hieroglyphic into a

system, by means of which alone ideas could be conveyed from one

generation to another. With them it could not be said that the art of

writing was known. But antiquarians have formed, it seems, a different

opinion of the mixture of symbol and picture discovered in the ruins of

Copan and Palenque; and, partly on this ground, they arrived at the

conclusion that these cities were built and inhabited by a people in

advance of the Mexicans or Aztecs discovered by the Spaniards. Mr Wilson

says very distinctly of those mysterious sculptures: “They are no rude

abbreviations, like the symbols either of Indian or Aztec

picture-writing; but rather suggest the idea of a matured system of

ideography in its last transitional stage, before becoming a

word-alphabet like that of the Chinese at the present day.”

We should be open to the charge of great presumption, if, with nothing

before us but a few engravings by which to guide our judgment, we

ventured to offer an opinion opposed to that of Mr Wilson, or of others

who have made the subject one of especial study. But opposite to the

very page (p. 140, vol. ii.) from which we take this last sentence we

have quoted, Mr Wilson gives us an engraving of what are denominated

“hieroglyphics.” It appears to us as if the pillar here represented had

been divided into compartments, and each compartment had been filled by

the artist with some appropriate subject, generally some human figure

whose action and attitude are unintelligible to us; but the whole

conveys the idea, not of a series of hieroglyphics, but of individual

representations, each of which has its own independent meaning. Other

engravings, indeed, approximate more nearly to the hieroglyphic; the

arbitrary sign is more conspicuous, and there is a more frequent

repetition of the same subject; but when we consider the poverty of

invention that even in later times afflicts the arts, and the tendency

to repeat and to copy which is very noticeable in rude times, we are not

surprised that the same subject is often found on the same monument, or

that it has spread from Copan to Palenque. There is nothing in the

engravings before us, or in the account given of them, which proves that

a really hieroglyphic system had been invented; and we cannot but

suspect that those who undertake the task of deciphering them will

inevitably fail, not because the key cannot be found, but because no key

ever existed.

Suppose a monument erected or a medal struck in honour of one of our own

excellent missionaries; suppose it represented the missionary-standing

with one foot on a broken image, or idol, and that by his side knelt

some half-naked savage with a cross in his hands—this mixture of picture

and of symbol would tell its tale very intelligibly to us, for we have

heard before of the labours of the missionary. But suppose this and

other pictures of the same kind were handed down to a remote posterity,

who had no information except what the pictures themselves conveyed by

which to understand them, what hopeless perplexities would they for ever

remain! And the use of the repeated symbol might lead to the persuasion

that they were composed on some hieroglyphic system. We might imagine

learned men toiling for ever over such representation, and never coming

to any satisfactory result.

What different impressions the same pictorial representation may convey

to two different persons, we have many an amusing instance of in the

history of our Egyptian discoveries, or efforts at discovery. We borrow

an example from the pages before us. On the wall of the temple at Philæ,

at the first cataract of the Nile, a figure is seen seated at work on

what seems a potter’s wheel, and there is a group of hieroglyphics over

its head. One learned translator reads and explains thus:—“Kaum the

Creator, on his wheel, moulds the divine members of Osiris (the type of

man) in the shining house of life, or the solar disk.” Another learned

man, Mr Birch of the British Museum, soars, if possible, still higher

for a meaning:—“Phtah Totonem, the father of beginnings, is setting in

motion the egg of the sun and moon, director of the gods of the upper

world.” Mr Wilson, we presume, in accordance with a still later

interpretation, calls this figure simply the “ram-headed god Kneph,”

without explaining what he is doing with his wheel. If the picture and

the hieroglyphic together lead to such various results, we may easily

conceive what wild work would be made by an attempt to interpret a

pictorial representation alone.

We hesitate to assign to the inscriptions discovered in these ruined

cities the true character of hieroglyphics; that is, of a system of

symbols by means of which, independently of oral tradition, the ideas of

one generation could be conveyed to another. But our readers would

probably prefer to have Mr Wilson’s matured judgment to our own

conjectures. He says:—

“On the sculptured tablets of Copan, Quirigua, and Palenque, as well

as on the colossal statues at Copan and other ancient sites in Central

America, groups of hieroglyphic devices occur arranged in

perpendicular or horizontal rows, as regularly as the letters of any

ancient or modern inscription. The analogies to Egyptian hieroglyphics

are great, for all the figures embody, more or less clearly defined,

representations of objects in nature or art. But the differences are

no less essential, and leave no room to doubt that in these columns of

sculptured symbols we witness the highest development to which

picture-writing attained, in the progress of that indigenous American

civilisation so singularly illustrative of the intellectual unity

which binds together the divers races of man. A portion of the

hieroglyphic inscription which accompanies the remarkable Palenque

sculpture of a figure offering what has been assumed to represent an

infant before a cross, will best suffice to illustrate the

characteristics of this form of writing.”

What is the antiquity of these ruined cities? The first tendency was to

carry them back into some very remote period, far beyond the memory or

knowledge of the Mexicans and Peruvians. This was the first impression

of Mr Stephens; afterwards he was disposed to bring them nearer the

epoch of the Spanish conquest. He had lent a credulous ear to the story

of some good _padre_, who had assured him that a native Indian city,

greater than Copan could have ever been, still existed in a flourishing

and populous condition, in some district untrodden by the European

traveller. And this faith, that a Copan still existed, naturally induced

him to believe that the ruined Copan, not belonging to an extinct

civilisation, might not be so old as he first presumed it to be. He

seems to have thought it possible that some of these cities might have

been inhabited at the time of the Spanish conquest, and that others at

that period were already a heap of ruins. War appears to have been

incessant amongst almost all the tribes of the native Americans. On this

account it appears to us very probable that many cities may have been

built and destroyed, and a partial civilisation won and lost in them,

prior to the epoch of the Spanish conquest. Such _oscillations_, very

likely, occurred in the progress of American civilisation. And in some

of these oscillatory movements a nearer approach might have been made to

the art of writing than in that one phase of this civilisation in which

the European discovered and destroyed it for ever. But our impression

is, that, viewing the history of this continent as a whole, there has

been a slow irregular progress, which had reached its highest point in

the epoch of Montezuma and the Incas of Peru.

The earliest stages of human progress are very slow, and much

interrupted by wars of conquest and extermination. We find no

difficulty, therefore, in assigning a great antiquity to some of these

ruined cities, and a still greater antiquity to the curious mounds and

earthworks in the valley of the Mississippi, without necessarily

inferring that these are the remains of any civilisation superior to

what history has made known to us. And before these mounds were

constructed, there might have passed a long epoch in which man wandered

wild by the rivers and in the forests of this continent. This

last-mentioned epoch of mere savage existence, some of our speculative

philosophers would extend to an enormous duration. We are not disposed,

by any evidence yet submitted to us, to expand this period to what we

must not call a _disproportionate_ length, because we have not the whole

life of the human race before us; but which, arguing on those

progressive tendencies which, notwithstanding the impediments and checks

they receive, constitute the main characteristic of the species, seems

an _improbable_ length. Let the geologist, however, to whom this part of

the problem must be handed over, pursue his researches, and we need not

say we shall be happy to receive whatever knowledge of the now forgotten

past he can bring to light.

CAXTONIANA:

A SERIES OF ESSAYS ON LIFE, LITERATURE, AND MANNERS.

By the Author of ‘The Caxton Family.’

Blackwood's Edinburgh magazine, Vol. 93, No. 571, May, 1863 · 第 7 / 43 题