THE SPHINX APPLE

Twenty miles out from Paradise, and fifteen miles short of Sunrise

City, Bildad Rose, the stage-driver, stopped his team. A furious snow

had been falling all day. Eight inches it measured now, on a level.

The remainder of the road was not without peril in daylight, creeping

along the ribs of a bijou range of ragged mountains. Now, when both

snow and night masked its dangers, further travel was not to be

thought of, said Bildad Rose. So he pulled up his four stout horses,

and delivered to his five passengers oral deductions of his wisdom.

Judge Menefee, to whom men granted leadership and the initiatory as

upon a silver salver, sprang from the coach at once. Four of his

fellow-passengers followed, inspired by his example, ready to explore,

to objurgate, to resist, to submit, to proceed, according as their

prime factor might be inclined to sway them. The fifth passenger, a

young woman, remained in the coach.

Bildad had halted upon the shoulder of the first mountain spur. Two

rail-fences, ragged-black, hemmed the road. Fifty yards above the

upper fence, showing a dark blot in the white drifts, stood a small

house. Upon this house descended--or rather ascended--Judge Menefee

and his cohorts with boyish whoops born of the snow and stress. They

called; they pounded at window and door. At the inhospitable silence

they waxed restive; they assaulted and forced the pregnable barriers,

and invaded the premises.

The watchers from the coach heard stumblings and shoutings from the

interior of the ravaged house. Before long a light within flickered,

glowed, flamed high and bright and cheerful. Then came running back

through the driving flakes the exuberant explorers. More deeply

pitched than the clarion--even orchestral in volume--the voice of

Judge Menefee proclaimed the succour that lay in apposition with

their state of travail. The one room of the house was uninhabited, he

said, and bare of furniture; but it contained a great fireplace, and

they had discovered an ample store of chopped wood in a lean-to at

the rear. Housing and warmth against the shivering night were thus

assured. For the placation of Bildad Rose there was news of a stable,

not ruined beyond service, with hay in a loft, near the house.

"Gentlemen," cried Bildad Rose from his seat, swathed in coats and

robes, "tear me down two panels of that fence, so I can drive in. That

is old man Redruth's shanty. I thought we must be nigh it. They took

him to the foolish house in August."

Cheerfully the four passengers sprang at the snow-capped rails. The

exhorted team tugged the coach up the slant to the door of the edifice

from which a mid-summer madness had ravished its proprietor. The

driver and two of the passengers began to unhitch. Judge Menefee

opened the door of the coach, and removed his hat.

"I have to announce, Miss Garland," said he, "the enforced suspension

of our journey. The driver asserts that the risk in travelling the

mountain road by night is too great even to consider. It will be

necessary to remain in the shelter of this house until morning. I beg

that you will feel that there is nothing to fear beyond a temporary

inconvenience. I have personally inspected the house, and find that

there are means to provide against the rigour of the weather, at

least. You shall be made as comfortable as possible. Permit me to

assist you to alight."

To the Judge's side came the passenger whose pursuit in life was the

placing of the Little Goliath windmill. His name was Dunwoody; but

that matters not much. In travelling merely from Paradise to Sunrise

City one needs little or no name. Still, one who would seek to divide

honours with Judge Madison L. Menefee deserves a cognomenal peg upon

which Fame may hang a wreath. Thus spake, loudly and buoyantly, the

aërial miller:

"Guess you'll have to climb out of the ark, Mrs. McFarland. This

wigwam isn't exactly the Palmer House, but it turns snow, and they

won't search your grip for souvenir spoons when you leave. _We've_ got

a fire going; and _we'll_ fix you up with dry Tilbys and keep the mice

away, anyhow, all right, all right."

One of the two passengers who were struggling in a _mélée_ of horses,

harness, snow, and the sarcastic injunctions of Bildad Rose, called

loudly from the whirl of his volunteer duties: "Say! some of you

fellows get Miss Solomon into the house, will you? Whoa, there! you

confounded brute!"

Again must it be gently urged that in travelling from Paradise

to Sunrise City an accurate name is prodigality. When Judge

Menefee--sanctioned to the act by his grey hair and widespread

repute--had introduced himself to the lady passenger, she had, herself,

sweetly breathed a name, in response, that the hearing of the male

passengers had variously interpreted. In the not unjealous spirit of

rivalry that eventuated, each clung stubbornly to his own theory. For

the lady passenger to have reasseverated or corrected would have seemed

didactic if not unduly solicitous of a specific acquaintance. Therefore

the lady passenger permitted herself to be Garlanded and McFarlanded and

Solomoned with equal and discreet complacency. It is thirty-five miles

from Paradise to Sunrise City. _Compagnon de voyage_ is name enough, by

the gripsack of the Wandering Jew! for so brief a journey.

Soon the little party of wayfarers were happily seated in a cheerful

arc before the roaring fire. The robes, cushions, and removable

portions of the coach had been brought in and put to service. The

lady passenger chose a place near the hearth at one end of the arc.

There she graced almost a throne that her subjects had prepared. She

sat upon cushions and leaned against an empty box and barrel, robe

bespread, which formed a defence from the invading draughts. She

extended her feet, delectably shod, to the cordial heat. She ungloved

her hands, but retained about her neck her long fur boa. The unstable

flames half revealed, while the warding boa half submerged, her

face--a youthful face, altogether feminine, clearly moulded and calm

with beauty's unchallenged confidence. Chivalry and manhood were here

vying to please and comfort her. She seemed to accept their devoirs--not

piquantly, as one courted and attended; nor preeningly, as many of her

sex unworthily reap their honours; not yet stolidly, as the ox receives

his hay; but concordantly with nature's own plan--as the lily ingests

the drop of dew foreordained to its refreshment.

Outside the wind roared mightily, the fine snow whizzed through the

cracks, the cold besieged the backs of the immolated six; but the

elements did not lack a champion that night. Judge Menefee was

attorney for the storm. The weather was his client, and he strove by

special pleading to convince his companions in that frigid jury-box

that they sojourned in a bower of roses, beset only by benignant

zephyrs. He drew upon a fund of gaiety, wit, and anecdote,

sophistical, but crowned with success. His cheerfulness communicated

itself irresistibly. Each one hastened to contribute his own quota

toward the general optimism. Even the lady passenger was moved to

expression.

"I think it is quite charming," she said, in her slow, crystal tones.

At intervals some one of the passengers would rise and humorously

explore the room. There was little evidence to be collected of its

habitation by old man Redruth.

Bildad Rose was called upon vivaciously for the ex-hermit's history.

Now, since the stage-driver's horses were fairly comfortable and his

passengers appeared to be so, peace and comity returned to him.

"The old didapper," began Bildad, somewhat irreverently, "infested

this here house about twenty year. He never allowed nobody to come

nigh him. He'd duck his head inside and slam the door whenever a team

drove along. There was spinning-wheels up in his loft, all right. He

used to buy his groceries and tobacco at Sam Tilly's store, on the

Little Muddy. Last August he went up there dressed in a red bedquilt,

and told Sam he was King Solomon, and that the Queen of Sheba was

coming to visit him. He fetched along all the money he had--a little

bag full of silver--and dropped it in Sam's well. 'She won't come,'

says old man Redruth to Sam, 'if she knows I've got any money.'

"As soon as folks heard he had that sort of a theory about women and

money they knowed he was crazy; so they sent down and packed him to

the foolish asylum."

"Was there a romance in his life that drove him to a solitary

existence?" asked one of the passengers, a young man who had an

Agency.

"No," said Bildad, "not that I ever heard spoke of. Just ordinary

trouble. They say he had had unfortunateness in the way of love

derangements with a young lady when he was young; before he contracted

red bed-quilts and had his financial conclusions disqualified. I never

heard of no romance."

"Ah!" exclaimed Judge Menefee, impressively; "a case of unrequited

affection, no doubt."

"No, sir," returned Bildad, "not at all. She never married him.

Marmaduke Mulligan, down at Paradise, seen a man once that come from

old Redruth's town. He said Redruth was a fine young man, but when you

kicked him on the pocket all you could hear jingle was a cuff-fastener

and a bunch of keys. He was engaged to this young lady--Miss

Alice--something was her name; I've forgot. This man said she was the

kind of girl you like to have reach across you in a car to pay the fare.

Well, there come to the town a young chap all affluent and easy, and

fixed up with buggies and mining stock and leisure time. Although she

was a staked claim, Miss Alice and the new entry seemed to strike a

mutual kind of a clip. They had calls and coincidences of going to the

post office and such things as sometimes make a girl send back the

engagement ring and other presents--'a rift within the loot [86],' the

poetry man calls it.

[FOOTNOTE 86: rift . . . loot--Tennyson, _Idylls of the King:

Merlin and Vivien_:

"It is the little rift within the lute

That by and by will make the music mute,

And ever widening slowly silence all."]

"One day folks seen Redruth and Miss Alice standing talking at the

gate. Then he lifts his hat and walks away, and that was the last

anybody in that town seen of him, as far as this man knew."

"What about the young lady?" asked the young man who had an Agency.

"Never heard," answered Bildad. "Right there is where my lode of

information turns to an old spavined crowbait [87], and folds its

wings, for I've pumped it dry."

[FOOTNOTE 87: spavined crowbait--a lame, emaciated horse (from

spavin, an inflammation of the tarsal or ankle

joint of a horse, causing lameness, and an

appearance that causes carrion birds to think a

meal is in the offing)]

"A very sad--" began Judge Menefee, but his remark was curtailed by a

higher authority.

"What a charming story!" said the lady passenger, in flute-like tones.

A little silence followed, except for the wind and the crackling of

the fire.

The men were seated upon the floor, having slightly mitigated its

inhospitable surface with wraps and stray pieces of boards. The man

who was placing Little Goliath windmills arose and walked about to

ease his cramped muscles.

Suddenly a triumphant shout came from him. He hurried back from a

dusky corner of the room, bearing aloft something in his hand. It was

an apple--a large, red-mottled, firm pippin, pleasing to behold. In

a paper bag on a high shelf in that corner he had found it. It could

have been no relic of the lovewrecked Redruth, for its glorious

soundness repudiated the theory that it had lain on that musty shelf

since August. No doubt some recent bivouackers, lunching in the

deserted house, had left it there.

Dunwoody--again his exploits demand for him the honours of

nomenclature--flaunted his apple in the faces of his fellow-marooners.

"See what I found, Mrs. McFarland!" he cried, vaingloriously. He held

the apple high up in the light of the fire, where it glowed a still

richer red. The lady passenger smiled calmly--always calmly.

"What a charming apple!" she murmured, clearly.

For a brief space Judge Menefee felt crushed, humiliated, relegated.

Second place galled him. Why had this blatant, obtrusive, unpolished

man of windmills been selected by Fate instead of himself to discover

the sensational apple? He could have made of the act a scene, a

function, a setting for some impromptu, fanciful discourse or piece

of comedy--and have retained the role of cynosure. Actually, the lady

passenger was regarding this ridiculous Dunboddy or Woodbundy with

an admiring smile, as if the fellow had performed a feat! And the

windmill man swelled and gyrated like a sample of his own goods,

puffed up with the wind that ever blows from the chorus land toward

the domain of the star.

While the transported Dunwoody, with his Aladdin's apple, was

receiving the fickle attentions of all, the resourceful jurist formed

a plan to recover his own laurels.

With his courtliest smile upon his heavy but classic features, Judge

Menefee advanced, and took the apple, as if to examine it, from the

hand of Dunwoody. In his hand it became Exhibit A.

"A fine apple," he said, approvingly. "Really, my dear Mr. Dudwindy,

you have eclipsed all of us as a forager. But I have an idea. This

apple shall become an emblem, a token, a symbol, a prize bestowed by

the mind and heart of beauty upon the most deserving."

The audience, except one, applauded. "Good on the stump, ain't he?"

commented the passenger who was nobody in particular to the young man

who had an Agency.

The unresponsive one was the windmill man. He saw himself reduced to

the ranks. Never would the thought have occurred to him to declare his

apple an emblem. He had intended, after it had been divided and eaten,

to create diversion by sticking the seeds against his forehead and

naming them for young ladies of his acquaintance. One he was going to

name Mrs. McFarland. The seed that fell off first would be--but 'twas

too late now.

"The apple," continued Judge Menefee, charging his jury, "in modern

days occupies, though undeservedly, a lowly place in our esteem.

Indeed, it is so constantly associated with the culinary and the

commercial that it is hardly to be classed among the polite fruits.

But in ancient times this was not so. Biblical, historical, and

mythological lore abounds with evidences that the apple was the

aristocrat of fruits. We still say 'the apple of the eye' when we wish

to describe something superlatively precious. We find in Proverbs the

comparison to 'apples of silver [88].' No other product of tree or

vine has been so utilised in figurative speech. Who has not heard of

and longed for the 'apples of the Hesperides [89]'? I need not call

your attention to the most tremendous and significant instance of the

apple's ancient prestige when its consumption by our first parents

occasioned the fall of man from his state of goodness and perfection."

[FOOTNOTE 88: apples of silver--_Proverbs_ XXV: "A word fitly

spoken is like apples of gold in pictures of

silver."]

[FOOTNOTE 89: apples of the Hesperides--the eleventh labor of

Hercules was to retrieve the golden apples of Zeus,

which were guarded by a hundred-headed dragon and

by the Hesperides, daughters of Atlas]

"Apples like them," said the windmill man, lingering with the

objective article, "are worth $3.50 a barrel in the Chicago market."

"Now, what I have to propose," said Judge Menefee, conceding an

indulgent smile to his interrupter, "is this: We must remain here,

perforce, until morning. We have wood in plenty to keep us warm. Our

next need is to entertain ourselves as best we can, in order that the

time shall not pass too slowly. I propose that we place this apple in

the hands of Miss Garland. It is no longer a fruit, but, as I said,

a prize, in award, representing a great human idea. Miss Garland,

herself, shall cease to be an individual--but only temporarily, I am

happy to add"--(a low bow, full of the old-time grace). "She shall

represent her sex; she shall be the embodiment, the epitome of

womankind--the heart and brain, I may say, of God's masterpiece of

creation. In this guise she shall judge and decide the question which

follows:

"But a few minutes ago our friend, Mr. Rose, favoured us with an

entertaining but fragmentary sketch of the romance in the life of

the former possessor of this habitation. The few facts that we have

learned seem to me to open up a fascinating field for conjecture, for

the study of human hearts, for the exercise of the imagination--in

short, for story-telling. Let us make use of the opportunity. Let each

one of us relate his own version of the story of Redruth, the hermit,

and his lady-love, beginning where Mr. Rose's narrative ends--at

the parting of the lovers at the gate. This much should be assumed

and conceded--that the young lady was not necessarily to blame for

Redruth's becoming a crazed and world-hating hermit. When we have

done, Miss Garland shall render the JUDGEMENT OF WOMAN. As the Spirit

of her Sex she shall decide which version of the story best and most

truly depicts human and love interest, and most faithfully estimates

the character and acts of Redruth's betrothed according to the

feminine view. The apple shall be bestowed upon him who is awarded the

decision. If you are all agreed, we shall be pleased to hear the first

story from Mr. Dinwiddie."

The last sentence captured the windmill man. He was not one to linger

in the dumps.

"That's a first-rate scheme, Judge," he said, heartily. "Be a regular

short-story vaudeville, won't it? I used to be correspondent for a

paper in Springfield, and when there wasn't any news I faked it. Guess

I can do my turn all right."

"I think the idea is charming," said the lady passenger, brightly. "It

will be almost like a game."

Judge Menefee stepped forward and placed the apple in her hand

impressively.

"In olden days," he said, profoundly, "Paris awarded the golden apple

to the most beautiful."

"I was at the Exposition," remarked the windmill man, now cheerful

again, "but I never heard of it. And I was on the Midway, too, all the

time I wasn't at the machinery exhibit."

"But now," continued the Judge, "the fruit shall translate to us

the mystery and wisdom of the feminine heart. Take the apple, Miss

Garland. Hear our modest tales of romance, and then award the prize

as you may deem it just."

The lady passenger smiled sweetly. The apple lay in her lap beneath

her robes and wraps. She reclined against her protecting bulwark,

brightly and cosily at ease. But for the voices and the wind one might

have listened hopefully to hear her purr. Someone cast fresh logs upon

the fire. Judge Menefee nodded suavely. "Will you oblige us with the

initial story?" he asked.

The windmill man sat as sits a Turk, with his hat well back on his

head on account of the draughts.

"Well," he began, without any embarrassment, "this is about the way I

size up the difficulty: Of course Redruth was jostled a good deal by

this duck who had money to play ball with who tried to cut him out of

his girl. So he goes around, naturally, and asks her if the game is

still square. Well, nobody wants a guy cutting in with buggies and

gold bonds when he's got an option on a girl. Well, he goes around

to see her. Well, maybe he's hot, and talks like the proprietor, and

forgets that an engagement ain't always a lead-pipe cinch. Well, I

guess that makes Alice warm under the lace yoke. Well, she answers

back sharp. Well, he--"

"Say!" interrupted the passenger who was nobody in particular, "if you

could put up a windmill on every one of them 'wells' you're using,

you'd be able to retire from business, wouldn't you?"

The windmill man grinned good-naturedly.

"Oh, I ain't no _Guy de Mopassong_," he said, cheerfully. "I'm

giving it to you in straight American. Well, she says something like

this: 'Mr. Gold Bonds is only a friend,' says she; 'but he takes me

riding and buys me theatre tickets, and that's what you never do.

Ain't I to never have any pleasure in life while I can?' 'Pass this

chatfield-chatfield thing along,' says Redruth;--'hand out the mitt to

the Willie with creases in it or you don't put your slippers under my

wardrobe.'

"Now that kind of train orders don't go with a girl that's got any

spirit. I bet that girl loved her honey all the time. Maybe she only

wanted, as girls do, to work the good thing for a little fun and

caramels before she settled down to patch George's other pair, and be

a good wife. But he is glued to the high horse, and won't come down.

Well, she hands him back the ring, proper enough; and George goes away

and hits the booze. Yep. That's what done it. I bet that girl fired

the cornucopia with the fancy vest two days after her steady left.

George boards a freight and checks his bag of crackers for parts

unknown. He sticks to Old Booze for a number of years; and then the

aniline and aquafortis gets the decision. 'Me for the hermit's hut,'

says George, 'and the long whiskers, and the buried can of money that

isn't there.'

"But that Alice, in my mind, was on the level. She never married, but

took up typewriting as soon as the wrinkles began to show, and kept

a cat that came when you said 'weeny--weeny--weeny!' I got too much

faith in good women to believe they throw down the fellow they're

stuck on every time for the dough." The windmill man ceased.

"I think," said the lady passenger, slightly moving upon her lowly

throne, "that that is a char--"

"Oh, Miss Garland!" interposed Judge Menefee, with uplifted hand, "I

beg of you, no comments! It would not be fair to the other

contestants. Mr.--er--will you take the next turn?" The Judge

addressed the young man who had the Agency.

"My version of the romance," began the young man, diffidently clasping

his hands, "would be this: They did not quarrel when they parted.

Mr. Redruth bade her good-by and went out into the world to seek his

fortune. He knew his love would remain true to him. He scorned the

thought that his rival could make an impression upon a heart so fond

and faithful. I would say that Mr. Redruth went out to the Rocky

Mountains in Wyoming to seek for gold. One day a crew of pirates

landed and captured him while at work, and--"

"Hey! what's that?" sharply called the passenger who was nobody in

particular--"a crew of pirates landed in the Rocky Mountains! Will you

tell us how they sailed--"

"Landed from a train," said the narrator, quietly and not without some

readiness. "They kept him prisoner in a cave for months, and then they

took him hundreds of miles away to the forests of Alaska. There a

beautiful Indian girl fell in love with him, but he remained true to

Alice. After another year of wandering in the woods, he set out with

the diamonds--"

"What diamonds?" asked the unimportant passenger, almost with

acerbity.

"The ones the saddlemaker showed him in the Peruvian temple," said the

other, somewhat obscurely. "When he reached home, Alice's mother led

him, weeping, to a green mound under a willow tree. 'Her heart was

broken when you left,' said her mother. 'And what of my rival--of

Chester McIntosh?' asked Mr. Redruth, as he knelt sadly by Alice's

grave. 'When he found out,' she answered, 'that her heart was yours,

he pined away day by day until, at length, he started a furniture

store in Grand Rapids. We heard lately that he was bitten to death by

an infuriated moose near South Bend, Ind., where he had gone to try to

forget scenes of civilisation.' With which, Mr. Redruth forsook the

face of mankind and became a hermit, as we have seen.

"My story," concluded the young man with an Agency, "may lack the

literary quality; but what I wanted it to show is that the young lady

remained true. She cared nothing for wealth in comparison with true

affection. I admire and believe in the fair sex too much to think

otherwise."

The narrator ceased, with a sidelong glance at the corner where

reclined the lady passenger.

Bildad Rose was next invited by Judge Menefee to contribute his story

in the contest for the apple of judgment. The stage-driver's essay was

brief.

"I'm not one of them lobo wolves," he said, "who are always blaming on

women the calamities of life. My testimony in regards to the fiction

story you ask for, Judge, will be about as follows: What ailed Redruth

was pure laziness. If he had up and slugged this Percival De Lacey [90]

that tried to give him the outside of the road, and had kept Alice in

the grape-vine swing with the blind-bridle [91] on, all would have been

well. The woman you want is sure worth taking pains for.

[FOOTNOTE 90: Percival De Lacey--possibly derived from Maurice

De Bracy in Sir Walter Scott's _Ivanhoe_]

[FOOTNOTE 91: blind-bridle--a bridle with flap-like extensions

partly covering the horse's eyes to prevent him

from looking to the side or turning his head to

the side]

"'Send for me if you want me again,' says Redruth, and hoists

his Stetson, and walks off. He'd have called it pride, but the

nixycomlogical name for it is laziness. No woman don't like to run

after a man. 'Let him come back, hisself,' says the girl; and I'll be

bound she tells the boy with the pay ore to trot; and then spends her

time watching out the window for the man with the empty pocket-book

and the tickly moustache.

"I reckon Redruth waits about nine year expecting her to send him a

note by a nigger asking him to forgive her. But she don't. 'This game

won't work,' says Redruth; 'then so won't I.' And he goes in the

hermit business and raises whiskers. Yes; laziness and whiskers was

what done the trick. They travel together. You ever hear of a man with

long whiskers and hair striking a bonanza? No. Look at the Duke of

Marlborough and this Standard Oil snoozer. Have they got 'em?

"Now, this Alice didn't never marry, I'll bet a hoss. If Redruth had

married somebody else she might have done so, too. But he never turns

up. She has these here things they call fond memories, and maybe a

lock of hair and a corset steel that he broke, treasured up. Them

sort of articles is as good as a husband to some women. I'd say she

played out a lone hand. I don't blame no woman for old man Redruth's

abandonment of barber shops and clean shirts."

Next in order came the passenger who was nobody in particular.

Nameless to us, he travels the road from Paradise to Sunrise City.

But him you shall see, if the firelight be not too dim, as he responds

to the Judge's call.

A lean form, in rusty-brown clothing, sitting like a frog, his arms

wrapped about his legs, his chin resting upon his knees. Smooth,

oakum-coloured hair; long nose; mouth like a satyr's, with upturned,

tobacco-stained corners. An eye like a fish's; a red necktie with a

horseshoe pin. He began with a rasping chuckle that gradually formed

itself into words.

"Everybody wrong so far. What! a romance without any orange blossoms!

Ho, ho! My money on the lad with the butterfly tie and the certified

checks in his trouserings.

"Take 'em as they parted at the gate? All right. 'You never loved me,'

says Redruth, wildly, 'or you wouldn't speak to a man who can buy you

the ice-cream.' 'I hate him,' says she. 'I loathe his side-bar buggy;

I despise the elegant cream bonbons he sends me in gilt boxes covered

with real lace; I feel that I could stab him to the heart when he

presents me with a solid medallion locket with turquoises and pearls

running in a vine around the border. Away with him! 'Tis only you I

love.' 'Back to the cosy corner!' says Redruth. 'Was I bound and

lettered in East Aurora? Get platonic, if you please. No jack-pots for

mine. Go and hate your friend some more. For me the Nickerson girl on

Avenue B, and gum, and a trolley ride.'

"Around that night comes John W. Croesus. 'What! tears?' says he,

arranging his pearl pin. 'You have driven my lover away,' says little

Alice, sobbing: 'I hate the sight of you.' 'Marry me, then,' says John

W., lighting a Henry Clay. 'What!' she cries indignantly, 'marry you!

Never,' she says, 'until this blows over, and I can do some shopping,

and you see about the licence. There's a telephone next door if you

want to call up the county clerk.'"

The narrator paused to give vent to his cynical chuckle.

"Did they marry?" he continued. "Did the duck swallow the June-bug?

And then I take up the case of Old Boy Redruth. There's where you

are all wrong again, according to my theory. What turned him into a

hermit? One says laziness; one says remorse; one says booze. I say

women did it. How old is the old man now?" asked the speaker, turning

to Bildad Rose.

"I should say about sixty-five."

"All right. He conducted his hermit shop here for twenty years. Say

he was twenty-five when he took off his hat at the gate. That leaves

twenty years for him to account for, or else be docked. Where did he

spend that ten and two fives? I'll give you my idea. Up for bigamy.

Say there was the fat blonde in Saint Jo, and the panatela brunette at

Skillet Ridge, and the gold tooth down in the Kaw valley. Redruth gets

his cases mixed, and they send him up the road. He gets out after they

are through with him, and says: 'Any line for me except the crinoline.

The hermit trade is not overdone, and the stenographers never apply to

'em for work. The jolly hermit's life for me. No more long hairs in

the comb or dill pickles lying around in the cigar tray.' You tell me

they pinched old Redruth for the noodle villa just because he said he

was King Solomon? Figs! He _was_ Solomon. That's all of mine. I guess

it don't call for any apples. Enclosed find stamps. It don't sound

much like a prize winner."

Respecting the stricture laid by Judge Menefee against comments upon

the stories, all were silent when the passenger who was nobody in

particular had concluded. And then the ingenious originator of the

contest cleared his throat to begin the ultimate entry for the prize.

Though seated with small comfort upon the floor, you might search

in vain for any abatement of dignity in Judge Menefee. The now

diminishing firelight played softly upon his face, as clearly

chiselled as a Roman emperor's on some old coin, and upon the thick

waves of his honourable grey hair.

"A woman's heart!" he began, in even but thrilling tones--"who can

hope to fathom it? The ways and desires of men are various. I think

that the hearts of all women beat with the same rhythm, and to the

same old tune of love. Love, to a woman, means sacrifice. If she be

worthy of the name, no gold or rank will outweigh with her a genuine

devotion.

"Gentlemen of the--er--I should say, my friends, the case of Redruth

_versus_ love and affection has been called. Yet, who is on trial? Not

Redruth, for he has been punished. Not those immortal passions that

clothe our lives with the joy of the angels. Then who? Each man of

us here to-night stands at the bar to answer if chivalry or darkness

inhabits his bosom. To judge us sits womankind in the form of one of

its fairest flowers. In her hand she holds the prize, intrinsically

insignificant, but worthy of our noblest efforts to win as a guerdon

of approval from so worthy a representative of feminine judgment and

taste.

"In taking up the imaginary history of Redruth and the fair being

to whom he gave his heart, I must, in the beginning, raise my voice

against the unworthy insinuation that the selfishness or perfidy or

love of luxury of any woman drove him to renounce the world. I have

not found woman to be so unspiritual or venal. We must seek elsewhere,

among man's baser nature and lower motives for the cause.

"There was, in all probability, a lover's quarrel as they stood at

the gate on that memorable day. Tormented by jealousy, young Redruth

vanished from his native haunts. But had he just cause to do so? There

is no evidence for or against. But there is something higher than

evidence; there is the grand, eternal belief in woman's goodness, in

her steadfastness against temptation, in her loyalty even in the face

of proffered riches.

"I picture to myself the rash lover, wandering, self-tortured, about

the world. I picture his gradual descent, and, finally, his complete

despair when he realises that he has lost the most precious gift life

had to offer him. Then his withdrawal from the world of sorrow and the

subsequent derangement of his faculties becomes intelligible.

"But what do I see on the other hand? A lonely woman fading away as

the years roll by; still faithful, still waiting, still watching for a

form and listening for a step that will come no more. She is old now.

Her hair is white and smoothly banded. Each day she sits at the door

and gazes longingly down the dusty road. In spirit she is waiting

there at the gate, just as he left her--his forever, but not here

below. Yes; my belief in woman paints that picture in my mind. Parted

forever on earth, but waiting! She in anticipation of a meeting in

Elysium; he in the Slough of Despond."

"I thought he was in the bughouse," said the passenger who was nobody

in particular.

Judge Menefee stirred, a little impatiently. The men sat, drooping, in

grotesque attitudes. The wind had abated its violence; coming now in

fitful, virulent puffs. The fire had burned to a mass of red coals

which shed but a dim light within the room. The lady passenger in her

cosy nook looked to be but a formless dark bulk, crowned by a mass

of coiled, sleek hair and showing but a small space of snowy forehead

above her clinging boa.

Judge Menefee got stiffly to his feet.

"And now, Miss Garland," he announced, "we have concluded. It is for

you to award the prize to the one of us whose argument--especially,

I may say, in regard to his estimate of true womanhood--approaches

nearest to your own conception."

No answer came from the lady passenger. Judge Menefee bent over

solicitously. The passenger who was nobody in particular laughed low

and harshly. The lady was sleeping sweetly. The Judge essayed to take

her hand to awaken her. In doing so he touched a small, cold, round,

irregular something in her lap.

"She has eaten the apple," announced Judge Menefee, in awed tones, as

he held up the core for them to see.

Heart of the West [Annotated] · 第 26 / 40 题