The Cisco Kid had killed six men in more or less fair scrimmages, had
murdered twice as many (mostly Mexicans), and had winged a larger
number whom he modestly forbore to count. Therefore a woman loved him.
The Kid was twenty-five, looked twenty; and a careful insurance
company would have estimated the probable time of his demise at,
say, twenty-six. His habitat was anywhere between the Frio and
the Rio Grande. He killed for the love of it--because he was
quick-tempered--to avoid arrest--for his own amusement--any reason that
came to his mind would suffice. He had escaped capture because he could
shoot five-sixths of a second sooner than any sheriff or ranger in the
service, and because he rode a speckled roan horse that knew every
cow-path in the mesquite and pear thickets from San Antonio to
Matamoras.
Tonia Perez, the girl who loved the Cisco Kid, was half Carmen, half
Madonna, and the rest--oh, yes, a woman who is half Carmen and half
Madonna can always be something more--the rest, let us say, was
humming-bird. She lived in a grass-roofed _jacal_ near a little
Mexican settlement at the Lone Wolf Crossing of the Frio [65]. With
her lived a father or grandfather, a lineal Aztec, somewhat less
than a thousand years old, who herded a hundred goats and lived in a
continuous drunken dream from drinking _mescal_ [66]. Back of the
_jacal_ a tremendous forest of bristling pear, twenty feet high at its
worst, crowded almost to its door. It was along the bewildering maze of
this spinous thicket that the speckled roan would bring the Kid to see
his girl. And once, clinging like a lizard to the ridge-pole, high up
under the peaked grass roof, he had heard Tonia, with her Madonna face
and Carmen beauty and humming-bird soul, parley with the sheriff's
posse, denying knowledge of her man in her soft _mélange_ of Spanish
and English.
[FOOTNOTE 65: This annotator can find no record of a Lone Wolf
Crossing on the Frio, but there are clues that O.
Henry had an actual place in mind for the setting
of this story. We are told four paragraphs below
that this point on the Frio is about 20 miles
from the Nueces River. Later we are told that the
Arroyo Hondo is near the Lone Wolf Crossing. Hondo
Creek enters the Frio in Frio County 5 miles from
Pearsall (about 75 miles southwest of San Antonio).
At that location the Frio and the Nueces are about
20 miles apart.]
[FOOTNOTE 66: mescal--a drug-containing liquor made by distilling
fermented agave cactus]
One day the adjutant-general of the State, who is, _ex offico_,
commander of the ranger forces, wrote some sarcastic lines to Captain
Duval of Company X, stationed at Laredo, relative to the serene and
undisturbed existence led by murderers and desperadoes in the said
captain's territory.
The captain turned the colour of brick dust under his tan, and
forwarded the letter, after adding a few comments, per ranger Private
Bill Adamson, to ranger Lieutenant Sandridge, camped at a water hole
on the Nueces with a squad of five men in preservation of law and
order.
Lieutenant Sandridge turned a beautiful _couleur de rose_ through his
ordinary strawberry complexion, tucked the letter in his hip pocket,
and chewed off the ends of his gamboge moustache.
The next morning he saddled his horse and rode alone to the Mexican
settlement at the Lone Wolf Crossing of the Frio, twenty miles away.
Six feet two, blond as a Viking, quiet as a deacon, dangerous as a
machine gun, Sandridge moved among the _Jacales_, patiently seeking
news of the Cisco Kid.
Far more than the law, the Mexicans dreaded the cold and certain
vengeance of the lone rider that the ranger sought. It had been one of
the Kid's pastimes to shoot Mexicans "to see them kick": if he
demanded from them moribund Terpsichorean feats, simply that he might
be entertained, what terrible and extreme penalties would be certain
to follow should they anger him! One and all they lounged with
upturned palms and shrugging shoulders, filling the air with "_quien
sabes_" [67] and denials of the Kid's acquaintance.
[FOOTNOTE 67: quien sabe--(Spanish) who knows?]
But there was a man named Fink who kept a store at the Crossing--a man
of many nationalities, tongues, interests, and ways of thinking.
"No use to ask them Mexicans," he said to Sandridge. "They're afraid
to tell. This _hombre_ they call the Kid--Goodall is his name, ain't
it?--he's been in my store once or twice. I have an idea you might run
across him at--but I guess I don't keer to say, myself. I'm two
seconds later in pulling a gun than I used to be, and the difference
is worth thinking about. But this Kid's got a half-Mexican girl at the
Crossing that he comes to see. She lives in that _jacal_ a hundred
yards down the arroyo at the edge of the pear. Maybe she--no, I don't
suppose she would, but that _jacal_ would be a good place to watch,
anyway."
Sandridge rode down to the _jacal_ of Perez. The sun was low,
and the broad shade of the great pear thicket already covered the
grass-thatched hut. The goats were enclosed for the night in a brush
corral near by. A few kids walked the top of it, nibbling the chaparral
leaves. The old Mexican lay upon a blanket on the grass, already in a
stupor from his mescal, and dreaming, perhaps, of the nights when he and
Pizarro touched glasses to their New World fortunes--so old his wrinkled
face seemed to proclaim him to be. And in the door of the _jacal_ stood
Tonia. And Lieutenant Sandridge sat in his saddle staring at her like a
gannet [68] agape at a sailorman.
[FOOTNOTE 68: gannet--a large sea bird]
The Cisco Kid was a vain person, as all eminent and successful
assassins are, and his bosom would have been ruffled had he known that
at a simple exchange of glances two persons, in whose minds he had
been looming large, suddenly abandoned (at least for the time) all
thought of him.
Never before had Tonia seen such a man as this. He seemed to be made
of sunshine and blood-red tissue and clear weather. He seemed to
illuminate the shadow of the pear when he smiled, as though the sun
were rising again. The men she had known had been small and dark. Even
the Kid, in spite of his achievements, was a stripling no larger than
herself, with black, straight hair and a cold, marble face that
chilled the noonday.
As for Tonia, though she sends description to the poorhouse, let her
make a millionaire of your fancy. Her blue-black hair, smoothly
divided in the middle and bound close to her head, and her large eyes
full of the Latin melancholy, gave her the Madonna touch. Her motions
and air spoke of the concealed fire and the desire to charm that she
had inherited from the _gitanas_ [69] of the Basque province. As for
the humming-bird part of her, that dwelt in her heart; you could not
perceive it unless her bright red skirt and dark blue blouse gave you
a symbolic hint of the vagarious bird.
[FOOTNOTE 69: gitanas--(Spanish) gypsies]
The newly lighted sun-god asked for a drink of water. Tonia brought it
from the red jar hanging under the brush shelter. Sandridge considered
it necessary to dismount so as to lessen the trouble of her
ministrations.
I play no spy; nor do I assume to master the thoughts of any human
heart; but I assert, by the chronicler's right, that before a quarter
of an hour had sped, Sandridge was teaching her how to plaint a
six-strand rawhide stake-rope [70], and Tonia had explained to him
that were it not for her little English book that the peripatetic
_padre_ had given her and the little crippled _chivo_ [71], that she
fed from a bottle, she would be very, very lonely indeed.
[FOOTNOTE 70: plait . . . stake-rope--O. Henry probably learned
this skill or at least saw it practiced during the
two years he spent on South Texas ranches.]
[FOOTNOTE 71: chivo--(Spanish) goat]
Which leads to a suspicion that the Kid's fences needed repairing, and
that the adjutant-general's sarcasm had fallen upon unproductive soil.
In his camp by the water hole Lieutenant Sandridge announced and
reiterated his intention of either causing the Cisco Kid to nibble the
black loam of the Frio country prairies or of haling him before a
judge and jury. That sounded business-like. Twice a week he rode over
to the Lone Wolf Crossing of the Frio, and directed Tonia's slim,
slightly lemon-tinted fingers among the intricacies of the slowly
growing lariata. A six-strand plait is hard to learn and easy to
teach.
The ranger knew that he might find the Kid there at any visit. He kept
his armament ready, and had a frequent eye for the pear thicket at the
rear of the _jacal_. Thus he might bring down the kite and the
humming-bird with one stone.
While the sunny-haired ornithologist was pursuing his studies the
Cisco Kid was also attending to his professional duties. He moodily
shot up a saloon in a small cow village on Quintana Creek [72], killed
the town marshal (plugging him neatly in the centre of his tin badge),
and then rode away, morose and unsatisfied. No true artist is uplifted
by shooting an aged man carrying an old-style .38 bulldog.
[FOOTNOTE 72: Quintana Creek is a tributary of the Nueces River
in LaSalle County, where O. Henry spent two years
on ranches.]
On his way the Kid suddenly experienced the yearning that all men feel
when wrong-doing loses its keen edge of delight. He yearned for the
woman he loved to reassure him that she was his in spite of it. He
wanted her to call his bloodthirstiness bravery and his cruelty
devotion. He wanted Tonia to bring him water from the red jar under
the brush shelter, and tell him how the _chivo_ was thriving on the
bottle.
The Kid turned the speckled roan's head up the ten-mile pear flat that
stretches along the Arroyo Hondo until it ends at the Lone Wolf
Crossing of the Frio. The roan whickered; for he had a sense of
locality and direction equal to that of a belt-line street-car horse;
and he knew he would soon be nibbling the rich mesquite grass at the
end of a forty-foot stake-rope while Ulysses rested his head in
Circe's straw-roofed hut.
More weird and lonesome than the journey of an Amazonian explorer is
the ride of one through a Texas pear flat. With dismal monotony and
startling variety the uncanny and multiform shapes of the cacti lift
their twisted trunks, and fat, bristly hands to encumber the way. The
demon plant, appearing to live without soil or rain, seems to taunt
the parched traveller with its lush grey greenness. It warps itself a
thousand times about what look to be open and inviting paths, only to
lure the rider into blind and impassable spine-defended "bottoms of
the bag," leaving him to retreat, if he can, with the points of the
compass whirling in his head.
To be lost in the pear is to die almost the death of the thief on the
cross, pierced by nails and with grotesque shapes of all the fiends
hovering about.
But it was not so with the Kid and his mount. Winding, twisting,
circling, tracing the most fantastic and bewildering trail ever picked
out, the good roan lessened the distance to the Lone Wolf Crossing
with every coil and turn that he made.
While they fared the Kid sang. He knew but one tune and sang it, as he
knew but one code and lived it, and but one girl and loved her. He was
a single-minded man of conventional ideas. He had a voice like a
coyote with bronchitis, but whenever he chose to sing his song he sang
it. It was a conventional song of the camps and trail, running at its
beginning as near as may be to these words:
Don't you monkey with my Lulu girl
Or I'll tell you what I'll do--
and so on. The roan was inured to it, and did not mind.
But even the poorest singer will, after a certain time, gain his own
consent to refrain from contributing to the world's noises. So the
Kid, by the time he was within a mile or two of Tonia's _jacal_, had
reluctantly allowed his song to die away--not because his vocal
performance had become less charming to his own ears, but because his
laryngeal muscles were aweary.
As though he were in a circus ring the speckled roan wheeled and
danced through the labyrinth of pear until at length his rider knew by
certain landmarks that the Lone Wolf Crossing was close at hand. Then,
where the pear was thinner, he caught sight of the grass roof of the
_jacal_ and the hackberry tree on the edge of the arroyo. A few yards
farther the Kid stopped the roan and gazed intently through the
prickly openings. Then he dismounted, dropped the roan's reins, and
proceeded on foot, stooping and silent, like an Indian. The roan,
knowing his part, stood still, making no sound.
The Kid crept noiselessly to the very edge of the pear thicket and
reconnoitred between the leaves of a clump of cactus.
Ten yards from his hiding-place, in the shade of the _jacal_, sat his
Tonia calmly plaiting a rawhide lariat. So far she might surely escape
condemnation; women have been known, from time to time, to engage in
more mischievous occupations. But if all must be told, there is to be
added that her head reposed against the broad and comfortable chest
of a tall red-and-yellow man, and that his arm was about her, guiding
her nimble fingers that required so many lessons at the intricate
six-strand plait.
Sandridge glanced quickly at the dark mass of pear when he heard
a slight squeaking sound that was not altogether unfamiliar. A
gun-scabbard will make that sound when one grasps the handle of a
six-shooter suddenly. But the sound was not repeated; and Tonia's
fingers needed close attention.
And then, in the shadow of death, they began to talk of their love;
and in the still July afternoon every word they uttered reached the
ears of the Kid.
"Remember, then," said Tonia, "you must not come again until I send
for you. Soon he will be here. A _vaquero_ at the _tienda_ [73] said
to-day he saw him on the Guadalupe three days ago. When he is that near
he always comes. If he comes and finds you here he will kill you. So,
for my sake, you must come no more until I send you the word."
[FOOTNOTE 73: tienda--(Spanish) store]
"All right," said the stranger. "And then what?"
"And then," said the girl, "you must bring your men here and kill him.
If not, he will kill you."
"He ain't a man to surrender, that's sure," said Sandridge. "It's kill
or be killed for the officer that goes up against Mr. Cisco Kid."
"He must die," said the girl. "Otherwise there will not be any peace
in the world for thee and me. He has killed many. Let him so die.
Bring your men, and give him no chance to escape."
"You used to think right much of him," said Sandridge.
Tonia dropped the lariat, twisted herself around, and curved a
lemon-tinted arm over the ranger's shoulder.
"But then," she murmured in liquid Spanish, "I had not beheld thee,
thou great, red mountain of a man! And thou art kind and good, as well
as strong. Could one choose him, knowing thee? Let him die; for then I
will not be filled with fear by day and night lest he hurt thee or
me."
"How can I know when he comes?" asked Sandridge.
"When he comes," said Tonia, "he remains two days, sometimes three.
Gregorio, the small son of old Luisa, the _lavendera_ [74], has a
swift pony. I will write a letter to thee and send it by him, saying
how it will be best to come upon him. By Gregorio will the letter come.
And bring many men with thee, and have much care, oh, dear red one,
for the rattlesnake is not quicker to strike than is '_El Chivato_,'
[75] as they call him, to send a ball from his _pistola_."
[FOOTNOTE 74: lavendera--(Spanish) laundress, washerwoman]
[FOOTNOTE 75: El Chivato--(Spanish) literally translated as The
Sneak or The Informer but more likely meaning The
Villain or The Evil One. This was one of the
nicknames of Billy the Kid.]
"The Kid's handy with his gun, sure enough," admitted Sandridge, "but
when I come for him I shall come alone. I'll get him by myself or not
at all. The Cap wrote one or two things to me that make me want to do
the trick without any help. You let me know when Mr. Kid arrives, and
I'll do the rest."
"I will send you the message by the boy Gregorio," said the girl. "I
knew you were braver than that small slayer of men who never smiles.
How could I ever have thought I cared for him?"
It was time for the ranger to ride back to his camp on the water hole.
Before he mounted his horse he raised the slight form of Tonia with
one arm high from the earth for a parting salute. The drowsy stillness
of the torpid summer air still lay thick upon the dreaming afternoon.
The smoke from the fire in the _jacal_, where the _frijoles_ [76]
blubbered in the iron pot, rose straight as a plumb-line above the
clay-daubed chimney. No sound or movement disturbed the serenity of
the dense pear thicket ten yards away.
[FOOTNOTE 76: frijoles--(Spanish) beans, usually cooked a long
time until very soft, with various seasonings
added]
When the form of Sandridge had disappeared, loping his big dun down
the steep banks of the Frio crossing, the Kid crept back to his own
horse, mounted him, and rode back along the tortuous trail he had
come.
But not far. He stopped and waited in the silent depths of the pear
until half an hour had passed. And then Tonia heard the high, untrue
notes of his unmusical singing coming nearer and nearer; and she ran
to the edge of the pear to meet him.
The Kid seldom smiled; but he smiled and waved his hat when he saw
her. He dismounted, and his girl sprang into his arms. The Kid looked
at her fondly. His thick, black hair clung to his head like a wrinkled
mat. The meeting brought a slight ripple of some undercurrent of
feeling to his smooth, dark face that was usually as motionless as a
clay mask.
"How's my girl?" he asked, holding her close.
"Sick of waiting so long for you, dear one," she answered. "My eyes
are dim with always gazing into that devil's pincushion through which
you come. And I can see into it such a little way, too. But you are
here, beloved one, and I will not scold. _Que mal muchacho_ [77]! not
to come to see your _alma_ [78] more often. Go in and rest, and let me
water your horse and stake him with the long rope. There is cool water
in the jar for you."
[FOOTNOTE 77: Que mal muchacho!--(Spanish) What a bad boy!]
[FOOTNOTE 78: alma--(Spanish) soul, spirit; in this sense a
"soul-mate"]
The Kid kissed her affectionately.
"Not if the court knows itself do I let a lady stake my horse for me,"
said he. "But if you'll run in, _chica_ [79], and throw a pot of coffee
together while I attend to the _caballo_ [80], I'll be a good deal
obliged."
[FOOTNOTE 79: chica--(Spanish) girl, little one]
[FOOTNOTE 80: caballo--(Spanish) horse]
Besides his marksmanship the Kid had another attribute for which he
admired himself greatly. He was _muy caballero_ [81], as the Mexicans
express it, where the ladies were concerned. For them he had always
gentle words and consideration. He could not have spoken a harsh word
to a woman. He might ruthlessly slay their husbands and brothers, but
he could not have laid the weight of a finger in anger upon a woman.
Wherefore many of that interesting division of humanity who had come
under the spell of his politeness declared their disbelief in the
stories circulated about Mr. Kid. One shouldn't believe everything one
heard, they said. When confronted by their indignant men folk with
proof of the _caballero's_ deeds of infamy, they said maybe he had
been driven to it, and that he knew how to treat a lady, anyhow.
[FOOTNOTE 81: muy caballero--(Spanish) very much a gentleman]
Considering this extremely courteous idiosyncrasy of the Kid and
the pride he took in it, one can perceive that the solution of the
problem that was presented to him by what he saw and heard from his
hiding-place in the pear that afternoon (at least as to one of the
actors) must have been obscured by difficulties. And yet one could not
think of the Kid overlooking little matters of that kind.
At the end of the short twilight they gathered around a supper of
_frijoles_, goat steaks, canned peaches, and coffee, by the light of a
lantern in the _jacal_. Afterward, the ancestor, his flock corralled,
smoked a cigarette and became a mummy in a grey blanket. Tonia washed
the few dishes while the Kid dried them with the flour-sacking towel.
Her eyes shone; she chatted volubly of the inconsequent happenings of
her small world since the Kid's last visit; it was as all his other
home-comings had been.
Then outside Tonia swung in a grass hammock with her guitar and sang
sad _canciones de amor_ [82].
[FOOTNOTE 82: canciones de amor--(Spanish) love songs]
"Do you love me just the same, old girl?" asked the Kid, hunting for
his cigarette papers.
"Always the same, little one," said Tonia, her dark eyes lingering
upon him.
"I must go over to Fink's," said the Kid, rising, "for some tobacco. I
thought I had another sack in my coat. I'll be back in a quarter of an
hour."
"Hasten," said Tonia, "and tell me--how long shall I call you my own
this time? Will you be gone again to-morrow, leaving me to grieve, or
will you be longer with your Tonia?"
"Oh, I might stay two or three days this trip," said the Kid, yawning.
"I've been on the dodge for a month, and I'd like to rest up."
He was gone half an hour for his tobacco. When he returned Tonia was
still lying in the hammock.
"It's funny," said the Kid, "how I feel. I feel like there was
somebody lying behind every bush and tree waiting to shoot me. I never
had mullygrubs like them before. Maybe it's one of them presumptions.
I've got half a notion to light out in the morning before day. The
Guadalupe country is burning up about that old Dutchman I plugged down
there."
"You are not afraid--no one could make my brave little one fear."
"Well, I haven't been usually regarded as a jack-rabbit when it comes
to scrapping; but I don't want a posse smoking me out when I'm in your
_jacal_. Somebody might get hurt that oughtn't to."
"Remain with your Tonia; no one will find you here."
The Kid looked keenly into the shadows up and down the arroyo and
toward the dim lights of the Mexican village.
"I'll see how it looks later on," was his decision.
At midnight a horseman rode into the rangers' camp, blazing his way by
noisy "halloes" to indicate a pacific mission. Sandridge and one or
two others turned out to investigate the row. The rider announced
himself to be Domingo Sales, from the Lone Wolf Crossing. he bore a
letter for Señor Sandridge. Old Luisa, the _lavendera_, had persuaded
him to bring it, he said, her son Gregorio being too ill of a fever to
ride.
Sandridge lighted the camp lantern and read the letter. These were its
words:
_Dear One_: He has come. Hardly had you ridden away when he came
out of the pear. When he first talked he said he would stay three
days or more. Then as it grew later he was like a wolf or a fox,
and walked about without rest, looking and listening. Soon he said
he must leave before daylight when it is dark and stillest. And
then he seemed to suspect that I be not true to him. He looked at
me so strange that I am frightened. I swear to him that I love
him, his own Tonia. Last of all he said I must prove to him I am
true. He thinks that even now men are waiting to kill him as he
rides from my house. To escape he says he will dress in my
clothes, my red skirt and the blue waist I wear and the brown
mantilla over the head, and thus ride away. But before that he
says that I must put on his clothes, his _pantalones_ and _camisa_
[83] and hat, and ride away on his horse from the _jacal_ as far
as the big road beyond the crossing and back again. This before he
goes, so he can tell if I am true and if men are hidden to shoot
him. It is a terrible thing. An hour before daybreak this is to be.
Come, my dear one, and kill this man and take me for your Tonia. Do
not try to take hold of him alive, but kill him quickly. Knowing
all, you should do that. You must come long before the time and hide
yourself in the little shed near the _jacal_ where the wagon and
saddles are kept. It is dark in there. He will wear my red skirt
and blue waist and brown mantilla. I send you a hundred kisses.
Come surely and shoot quickly and straight.
[FOOTNOTE 83: pantalones and camisa--(Spanish) trousers and
shirt]