We have been deluged of late years with figures in regard to the cost

of living in this country and in that, and never are statistics such

"damned lies" as in this connection. There is better and cheaper food

in Berlin, and in the other cities of Germany, than anywhere else in

our white man's world. Having for the moment no free-trade, or

protectionist, or tariff-reform axe to grind, and having tested the

pudding not by my prejudices but my palate, and having eaten a

fifteen-pfennig luncheon in the street, and climbed step by step the

gastronomical stairway in Germany all the way up to a supper at the

court, where eight hundred odd people were served with a care and

celerity, and with hot viands and irreproachable potables, that made

one think of the "Arabian Nights," I offer my experience and my

opinion with some confidence. You can get enough to stave off hunger

for a few pfennigs, you can get a meal for something under twenty-five

cents, and the whole twenty-five cents will include a glass of the

best beer in the world outside of Munich. If you care to spend fifty

cents there are countless restaurants where you can have a square meal

and a glass of beer for that price; and for a dollar I will give you

as good a luncheon with wine as any man with undamaged taste and

unspoiled digestion ought to have.

There is one restaurant in Berlin which feeds as many as five thousand

people on a Sunday, where you can dine or sup, and listen to good

music, and enjoy your beer and tobacco for an hour afterward, and all

for something under fifty cents if you are careful in your ordering.

During my walks in the country around Berlin, I have often had an

omelette followed by meat and vegetables, and cheese, and compote, and

Rhine wine, with all the bread I wanted, and paid a bill for two

persons of a little over a dollar. The Broedchen, or rolls, seem to be

everywhere of uniform size and quality, and the butter always good.

Paris is fast losing its place as the home of good all-round eating as

compared with Berlin. Of course, New York for geographical reasons,

and also because the modern Maecenas lives there, is nowadays the

place where Lucullus would invite his emperor to dine if he came back

to earth; but I am not discussing the nectar and ambrosia classes, but

the beer, bread, and pork classes, and certainly Berlin has no rival

as a provider for them.

After all our study of statistics, of figures, of contrasts, I am not

sure that we arrive at any very valuable conclusions. American

working-classes work ever shorter hours, gain higher wages, but they

are indubitably less happy, less rich in experience, less serene than

the Germans. This measuring things by dollars, by hours, by pounds and

yard-sticks, measures everything accurately enough except the one

thing we wish to measure, which is a man's soul. We are producing the

material things of life faster, more cheaply, more shoddily, but it is

open to question whether we are producing happier men and women, and

that is what we are striving to do as the end of it all. Nothing is of

any value in the world that cannot be translated into the terms of

man-making, or its value measured by what it does to produce a man, a

woman, and children living happily together. Wealth does not do this;

indeed, wealth beyond a certain limit is almost certain to destroy the

foundation of all peace, a contented family.

A shady beer-garden, capital music, and happy fathers and mothers and

children, what arithmetic, or algebra, or census tells you anything of

that? The infallible recipe for making a child unhappy, is to give it

everything it cries for of material things, and never to thwart its

will. We throw wages and shorter hours of work at people, but that is

only turning them out of prison into a desert. No statistics can deal

competently with the comparative well-being of nations, and nothing is

more ludicrous than the results arrived at where Germany is discussed

by the British or American politician. Whatever figures say, and

whatever else they may lack, they are better clothed, better fed and

cared for, and have far more opportunities for rational enjoyment, and

a thousand-fold more for aesthetic enjoyment, than either the English

or the Americans. That they lack freedom, in our sense, is true, but

freedom is for the few. The worldwide complaint of the hardship of

constant work is rather silly, for most of us would die of monotony if

we were not forced to work to keep alive, and to make a living.

The city, with its broad, clean streets, its beautiful race-course,

shaded walks, its forests and lakes, toward Potsdam, or at Tegel, or

Werder, when the blossoms are out, with its well-kept gardens, its

profusion of flowers and shrubs and trees, is physically the most

wholesome great city in the world; but Hans bleibt immer Hans! Goethe,

after a visit to Berlin, wrote: "There are no more ungodly communities

than in Berlin." [1]

[1] "Est giebt keine gottlosere Voelker als in Berlin."

No one knows his Berlin better than that prince of German literary

Bohemians, Paul Lindau, and he makes a character in one of his novels

say of it: "untidy and orderly, so boisterous and so regulated, so

boorish and so kindly, so indescribable--so Berlinish--just that!" [1]

[1] "Staubig und ordentlich, so Taut und geregelt, so grob und

gemuetlich, so unbeschreiblich, so berlinerisch, gerade so!"

In another place the same author writes: "Berlin as the Capital of the

German Empire! There are many respects in which it nevertheless hasn't

yet succeeded in taking on the character of a cosmopolitan city." [2]

Not even literature finds material for a city novel. There is no

Balzac, no Thackeray. Germany is still dominated by the village and

the town. Goethe, Auerbach, Spielhagen, Heyse, Gottfried Keller,

Freytag, my unread favorite "Fritz" Reuter, deal not with the life of

cities. There is as yet no drama, no novel, no art, no politics born

of the city. There is no domineering Paris or London or New York as

yet.

[2] "Berlin als Haupstadt des deutchen Reiches: in mancher Beziehung

hatte es sich dem weltstaedtischen Charakter doch noch nicht aneignen

koennen."

After some years of acquaintance with Germany as school-boy, as

student at the universities, and lately as a most hospitably received

guest by all sorts and conditions of men, I do not remember meeting a

fop. A German Beau Brummel is as impossible as a French Luther, an

American Goethe, or an English Wagner. We have had attempts at foppery

in America, but no real fops. A genuine fop, whether in art, in

literature, or in costumes, must have brains, ours have been merely

effigies, foppery taking the dull commercial form of a great variety

of raiment. It is a strange contradiction in German life that while

they are as a people governed minutely and in detail, forbidden

personal freedom along certain lines to which we should find it hard

to submit, they are freer morally, freer in their literature, their

art, their music, their social life, and in their unself-conscious

expression of them than other people. There is a curious combination

of legal and governmental slavery, and of spiritual and intellectual

freedom; of innumerable restrictions, and great liberty of personal

enjoyment, and that enjoyment of the most naif kind. They seem to have

done less to destroy life's palate with the condiments of

civilization, and therefore, still find plain things savorous.

I am not sure that the ecumenical sophistication, known as

world-etiquette, marks a very high degree of knowledge or usefulness

anywhere. To know which hat goes with which boots, and what collar and

tie with what coat and waistcoat, and what costume is appropriate at

10 A. M., and what at 10 P. M., and to know the names of the head-waiters

of the principal restaurants, are minor matters. These are the

conveniences of the gentleman, but the characteristic burdens of the

ass. Such a mental equipment is not the stuff of which soldiers,

sailors, statesmen, explorers, or governors are made.

We must not overrate the value of this feminine worldliness in judging

the Germans. This effeminate categorical imperative of etiquette has

not influenced them greatly as yet. But on the other hand, one must

claim for the amenities of life that they have their value, that they

are, after all, the external decorations of an inward discipline. It

is not necessarily a fine disdain of material things, but rather a

keen sense of moral and physical efficiency, which pays due heed to

wherewithal ye shall be clothed, at any rate outside of Palestine.

Those who dream and discuss may wear anything or nothing. It mattered

not what Socrates wore. But men of action must wear the easy armor

that fits them best for their particular task. Men who toil either at

their pleasure or at their work must change their raiment, if only for

the sake of rest and health. Now that government is in the hands of

the vociferators rather than the meditaters, even politicians must

look to their costumes, merely out of regard to cleanliness. Evening

clothes with a knitted tie dribbling down the shirt front; a frock-coat

as a frame for a colored waistcoat, such as at shooting, or

riding, or golf, we permit ourselves to break forth in, as a weak

surrender to the tailor, or to the ingenuity of our womenfolk who are

not "unbred to spinning, in the loom unskilled"; the extraordinary

indulgence in personal fancies in the choice of colored ties, as

though the male citizens of Berlin had been to an auction of the

bastards of a rainbow; the little melon-shaped hats with a band of

thick velvet around them; the awkward slouching gait, as of men

physically untrained; the enormous proportion of men over forty, who

follow behind their stomachs and turn their toes out at an angle of

more than forty-five degrees, whose necks lie in folds over their

collars, and whose whole appearance denotes an uncared-for person and

a negligence of domestic hygiene: these things are significant. No man

who walks with his toes pointing southwest by south, and southeast by

south, when he is going south, will ever get into France on his own

feet, carrying a knapsack and a rifle. Cranach's painting of Duke

Henry the Pious, in the Dresden Gallery, gives an accurate picture of

the way many Germans still stand and walk; while every athlete knows

that runners and walkers put their feet down straight, or with a

tendency to turn them in rather than out. The Indians of northwest

India, and the Indians of our own West are good examples of this.

It is evident that the orderliness of Berlin is enforced orderliness

and not voluntary orderliness. Both pedestrians and drivers of all

sorts of vehicles, take all that is theirs and as much more as

possible. There is none of the give and take, and innate love of fair

play and instinctive wish to give the other fellow a chance, so

noticeable in London streets, whether on the sidewalks or in the

roadway. There is a general chip-on-the-shoulder attitude in Prussia,

which may be said, I think not unfairly, to be evident in all ranks,

from their recent foreign diplomacy, down to the pedestrians and

drivers.

Many people whom I have met, not only foreigners but Germans from

other parts of Germany, are loud in their denunciations of the

Berliners. "Frech" and "roh" are words often used about them. There is

a surly malice of speech and manner among the working classes, that

seems to indicate a wish to atone for political impotence, by braggart

impudence to those whom they regard as superior. When we played horse

as children, we champed the wooden bit, shied, and balked and kicked,

and the worse we behaved the more spirited horses we thought

ourselves. There is a certain social and political radicalism verging

upon anarchy, which plays at life in much the same way, with no better

reason, and with little better result. Shying, balking, and kicking,

and champing the political bit, are only spirited to the childish.

Their awkward and annoying attentions to women alone on the streets;

their staring and gaping; their rudeness in pushing and shoving; the

general underbred look, the slouching gait, the country-store clothes,

hats, and boots; the fearful and wonderful combinations of raiment;

the sweetbread complexions, as of men under-exercised and not

sufficiently aired and scrubbed; their stiff courtesy to one another

when they recognize acquaintances with hat-sweeping bows; their fierce

gobbling in the restaurants; their lack of small services and

attentions to their own women when they go about in public with them;

their selfish disregard of others in public places, their giving and

taking of hats, coats, sticks, and umbrellas at the garde-robes of the

theatres, for example; their habit of straggling about in the middle

of the streets, like the chickens and geese on a country road: all

these things I have noted too, but I must admit the surprising

personal conclusion that I have grown to like the people. A good pair

of shoulders and an engaging smile go far to mitigate these nuisances.

It makes for good sense in this matter of criticism always to bear in

mind that delicious piece of humor of the psalmist: "Let the righteous

rather smite me friendly; and reprove me. But let not their precious

balms break my head." The "precious balms" of the lofty and righteous

critic are not of much value when they merely break heads.

I have been all over Berlin, and in all sorts of places, by day and by

night. I have found myself seated beside all sorts of people in

restaurants and public places, and I have yet to chronicle any

rudeness to me or mine. I like their innocent curiosity, their

unsophisticated ways, their bumpkin love-making in public; and many a

time I have found entertainment from odd companions who seated

themselves near me, when I have strayed into the cheaper restaurants,

to hear and to see something of the Berliner in his native wilds.

Their malice and rudeness and apparent impertinences are due to lack

of experience, to the fact that their manners are still untilled, I

believe, rather than to intentional insult. They are not house-broken

to their new capital, that is all, and that will come in time. Their

malicious jealousy peeps out in all sorts of ways. In the lower house

of the Prussian Diet, recently, a member protested vigorously against

the employment of an American singer in the Opera House! Chauvinism

carried to this extreme becomes comic, and is noted here only to

indicate to what depths of farm-yard provinciality some of the

citizens of this great city can descend.

They are dreamers and sentimentalists too. There are more kissing,

more fondling, more exuberance of affection, more displays of

friendliness in Germany in a week than in England and America in six

months. I confess without shame that I like to see it, and when it

comes my way, as beyond my deserts it has, I like to feel it. How

lasting is this friendliness I have no means of knowing till the years

to come tell me, but that it is a pleasant atmosphere to live in there

can be no doubt.

The driving is of the very worst. A man behind a horse, or horses, who

knows even the elements of handling the reins and the whip and the

brake, would be a curiosity indeed. I have not seen a dozen coachmen,

private or public, to whom my youngest child could not have given

invaluable suggestions as to the bitting, harnessing, and handling of

his cattle. On the other hand, I one day saw a street sign twisted out

of its place. I was fascinated by this unexampled mark of negligence.

I determined to watch that sign; alas, within forty-eight hours it was

put right again.

Let it not be understood that there are no fine horses to be seen in

Berlin. You will go far to find a better lot of horse-flesh, or

better-looking men on the horses, than you will see when the Kaiser

rides by to the castle after his morning exercise; and he sits his

horse and manages him with the easy skill of the real horseman, and

looks every inch a king besides. It is told of Daniel Webster, walking

in London, that a navvy turned to his companion and remarked: "That

bloke must be a king!" You would say the same of the Kaiser if you saw

him on horseback.

At horse shows and in the Tiergarten, and in riding-places in other

cities, I have looked at hundreds of horses, and, if I mistake not,

Germany is both buying and breeding the very best in the way of

mounts, though their civilian riders are often of the scissors

variety. There are comparatively few harness horses, and in Berlin

scarcely a dozen well-turned-out private carriages, outside the

imperial equipages, which are always superbly horsed and beautifully

turned out; so my eyes tell me at least, and I have watched the

streets carefully for months. The minor details of a properly turned-out

carriage (bits, chains, liveries, saddle-cloths, and so on) are

still unknown here. I have had the privilege of driving and riding

some of the horses in the imperial stables; and I have seen all of

them at one time or another being exercised in harness and under the

saddle. I have never driven a better-mannered four, or ridden more

perfectly broken saddle-horses. There are three hundred and twenty-six

horses in his Majesty's stables, and for a private stable of its size

it has no equal in the world. I may add, too, that there is probably

no better "whip" in the world to-day, whether with two horses, four

horses, or six horses, than the gentleman who trains the harness

horses in the imperial stables. This German coachman would be a

revelation at a horse show in either New York or London. If the

citizens of Berlin were as well-mannered as the horses in the imperial

stables, this would be the most elegant capital in the world. It is to

be regretted that his Majesty's very accomplished master of the horse

cannot also hold the position of censor morum to the citizens of

Berlin. Individual prowess in the details of cosmopolitan etiquette

has not reached a high level, but in all matters of mere house-keeping

there are no better municipal housewives than these German cities and

towns.

As a further example, the statues of Berlin are carefully cleaned in

the spring, but what statues! With the exception of the Lessing, the

Goethe, and the Great Elector statues, the statue of Frederick the

Great, and the reclining statues of the late emperor and empress, by

Begas, and one or two others, one sees at once that these citizens are

no more capable of ornamenting their city than of dressing themselves.

Poor Bismarck! Grotesque figures (men, women, animals) surround the

base of his statue in Berlin, in Leipsic; and in Hamburg, clad in a

corrugated golf costume, with a colossal two-handed sword in front of

him, he is a melancholy figure, gazing out over a tumble-down beer-garden.

At Wannsee, near Berlin, there is, I must admit, a really fine

bust of Bismarck. On a solid square pedestal of granite, covered with

ivy and surrounded by the whispering, or sighing, or creaking and

cracking trees that he loved, and facing the setting sun, and alone in

a secluded corner, just the place he would have chosen, there are the

head and shoulders of the real Bismarck. Here for once he has escaped

the fussy attentions of the artistry that he detested. Lehnbach, who

painted Bismarck so many scores of times, never gave him the color

that his face kept all through life, and with the exception of this

bust, of the scores of Bismarck memorials one sees all commiserate the

lack of artist ability; they do not commemorate Bismarck. If this is

what they do to the greatest man in their history, what is to be

expected elsewhere? What has poor Joachim Friedrich done that he

should pose forever in the Sieges Allee as an intoxicated hitching-post?

What, indeed, have his companions done that they should stand in

two rows there, studies in contortion, with a gilded Russian dancer

with wings at one end of their line, and a woodeny Roland at the

other? But there they are, simpering a paltry patriotism, insipid as

history and ridiculous as art. What has become of Lessing, and

Winckelmann, and Goethe, and their teachings? Is this the price that a

nation must pay for its industrial progress?

The German, with all his boasting about the "centre of culture," has

not discovered that the beauty of antiquity is the expression of those

virtues which were useful at the time of Theseus, as Stendhal rightly

tells us. Individual force, which was everything of old, amounts to

almost nothing in our modern civilization. The monk who invented

gunpowder modified sculpture; strength is only necessary now among

subalterns. No one thinks of asking whether Frederick the Great and

Napoleon were good swordsmen. The strength we admire, is the strength

of Napoleon advancing alone upon the First Battalion of the royal

troops near Lake Loffrey in March, 1815; that is strength of soul. The

moral qualities with which we are concerned are no longer the same as

in the days of the Greeks. Before this cockney sculpture was planned,

there should have been a closer study of the history and philosophy of

art in Berlin.

It is true that we in America are living in a glass house to some

extent in these matters, but where in all Germany is there any modern

sculpture to compare with our Nathan Hale, our Minute Man, and that

most spirited bit of modern plastic art in all the world, the Shaw

Monument in Boston? You cannot stand in front of it without keeping

time, and here lips of bronze sing the song of patriotism till your

heart thumps, and you are ready to throw up your hat as the splendid

young figure and his negro soldiers march by -- and they do march by!

It is almost a consolation for what Boston has done to that gallant

soldier and humble servant of God, that modest gentleman, Phillips

Brooks. In a statue to him they have travestied the virtues he

expounded, slain the ideal of the Christ he preached, theatricalized

the least theatrical of men, and placed this piece of mortifying

misunderstanding in bronze under the very eaves of the house that grew

out of his simple eloquence. There is in Leipsic a similar misdemeanor

in a statue of Beethoven. He sits, naked to the waist, in a bronze

chair, with a sort of bath-towel drapery of colored marble about his

legs, and an eagle in front of him. He has a chauffeurish expression

of anxious futility, as though he were about to run over the eagle.

Men are without great dreams in these days, and art is elaborate and

fussy and self-conscious. The technical part of the work is

predominant. One sees the artist holding up a mirror to himself as he

works. Pygmalion congratulates the statue upon the fact that he carved

it, instead of being lost in the love of creating. It is as though a

lover should sing of himself instead of singing of his lady. The

subtle poison of self-advertisement has crept in, and peers like a

satyr from the picture and from the statue. Even the most prominent

name in German music at this writing is that of a man who is notorious

as an expert salesman of symphonic sensationalism.

Though the streets are so well kept, the buildings in these miles of

new streets are flimsy-looking, and evidently the work of the

speculative builder. The more pretentious buildings ape a kind of

Nuremberg Renaissance style, and are as effective as a castle made of

cardboard. This does not imply that there are not simple and solid

buildings in Berlin and, in the case of the new library and a score of

other buildings, worthy architecture; but the general impression is

one of haste multiplied by plaster.

The whole city blossoms with statuary, like a cosmopolitan 'Arriet who

cannot get enough flowers and feathers on her Sunday hat. A certain

comic anthropomorphism is to be seen, even on the balustrades of the

castle, where the good Emperor William is posed as Jupiter, the

Empress Augusta as Juno, Emperor Frederick as Mars, and his wife as

Minerva! On the facades of houses, on the bridges, on the roofs of

apartment houses, on the hotels even, and scattered throughout the

public gardens, are scores of statues, and they are for the most part

what hastily ordered, swiftly completed art, born of the dollar

instead of the pain and travail of love and imagination, must always

be.

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