CHAPTER XV

A MERCHANT, THEN AN ACTOR

Well, something else had to be done to recover my losses and fill in

time. Having the offices on my hands--for I had taken them on a three

months' lease--it struck me that if I became a commission agent, and if I

secured something good to sell, I might make some money.

So I decided to interview several firms in the exhibition with a view to

becoming their agent. My first endeavours met with what I thought was

considerable success. They were mostly foreign firms that I approached,

as I am a good linguist, and they appeared to be delighted to have my

services as their agent. Amongst them, I remember, was a German firm

which had quite a wonderful turning lathe which could turn out table

legs, ornamental posts, banisters for staircases, and in fact all sorts

of wooden legs and posts, in marvellous quick time. Then there was an

American firm with a very reliable and still cheap line of watches, and

so on. But I was not made aware that these firms had already imported

large stocks of their particular goods and were selling them on their own

account, so that there were not many opportunities left of doing further

business for the time being. In the meantime I spent quite a fair sum of

money in advertising their goods, for which, no doubt, they were inwardly

thankful.

Sitting in my office one day I had a visit from a gentleman, who asked me

if I would act as agent for what he informed me was a sure and good line

to sell. I told him it depended on what it was. To my surprise he said,

"Yorkshire hams." I looked at him, wondering whether he was all right in

the head. He noticed my hesitation in answering him, but said:

"All right. The position is this. I am closely in touch with many of the

boats arriving in harbour from England. Most of them are now bringing

certain quantities of Yorkshire hams by way of a little speculation

amongst some of the ship's company. Knowing most of them, they have asked

me if I could place their hams. I have no time myself to do so, but I

thought a firm like yours would take it on."

Well, it didn't appear to me there was any harm in selling "Yorkshire

hams" and getting a good commission out of them, and, at any rate, there

were always people who would eat "Yorkshire hams," and if the market

wasn't glutted they could soon be disposed of. The terms of my commission

were fixed up, and my visitor undertook to start delivering the hams at

the offices in a couple of days. I may tell you that there was a back

entrance to the offices from a side street, and as the offices were

fairly large, one room was set aside for the storage of the hams. It was

to be his business to deliver them and store them. We began operations at

once, and I succeeded in getting orders fairly easily. I discovered

afterwards that the reason of this was that my price was lower than the

actual market price. Having no previous experience in selling hams, and,

as a matter of fact, of selling anything, I had no suspicion that there

might be something wrong in connexion with the business. I just kept on

selling hams as long as there were any available.

Things were looking up, I thought. If I could only get people to buy a

few legs for tables, and banisters for their staircases, good

old-fashioned four-poster beds, and some of the other goods for which I

was presumably agent, business would look up and a fair start would be

made.

But Nemesis was again after me. I received a visit one morning from a

gentleman I knew quite well. He was, as a matter of fact, one of the

senior Customs officers. He was very nice, but he advised me to give up

selling hams. It appeared that these very good hams were all being

smuggled, and found their way up to my offices by all manner of means,

sometimes in cabs, sometimes in sacks on wheelbarrows, and that

consequently I was taking part in a transaction which duly qualified me

for a heavy fine, in addition to a somewhat healthy term of imprisonment.

So my friend the Customs House officer, who was quite aware that I was

innocent of fraud and had no knowledge of what was going on, had come

round to warn me. He hoped, he said, very soon to get hold of the kind

gentleman who had been good enough to introduce the business to me. Well,

there was nothing to be done but "Hands off hams," and as I had been a

commission agent then for some six weeks, and the only merchandise I had

sold was "the hams," I considered it high time to close the business, in

case I might let myself in for something more serious.

Just about this time the notorious bushranger, Ned Kelly, who had been

captured close to Benalla, Victoria, was sentenced to death, and he was

to be hanged at the Melbourne Jail at eight o'clock one morning.

I felt a certain amount of curiosity. I thought it would be an unique

experience to witness his execution. I was a personal friend of the chief

magistrate of the city, and besides, having arranged with one or two New

Zealand papers to communicate to them any matters which might be of

interest during my stay in Australia, I could obtain permission to be

present at the execution as a representative of the Press. The White Hart

Hotel was not far distant from the jail.

I did not feel in the least happy the afternoon before the morning of the

execution, when a permit to be present was handed to me by a police

officer. My dinner that night seemed to disagree with me, and I went to

my bed feeling that I was about to witness a scene that was more than

likely to leave such impressions in my mind as I would probably regret

for the rest of my life. However, it had to be done. I was up early after

a sleepless and restless night, and then walked to the jail. I arrived at

the big entrance gates, the sad and solemn entrance to the

forbidding-looking building, about ten minutes to eight in the morning.

Around those gates a large crowd had congregated.

There was not a sound to be heard from that crowd. There was dead

silence. I made my way to those big entrance gates. A small wicket gate

with a bell-rope attached was in front of me. I pulled the bell-rope. The

little door was quietly opened. Just at the moment a cab arrived, and

three men stepped out. Naturally thinking they were officials connected

with the execution, I stood aside to let them pass through the little

door. I noticed that one of them seemed to be somewhat under the

influence of drink. They passed on into the confines of the jail. I then

asked the gatekeeper who those men were. He said, "That one is the

hangman." He was the one whom I had noticed. My wish, or my intention

rather, to step inside those gates vanished. I thanked the gatekeeper and

told him that I would not trouble him to let me through. The little door

was then shut, and I was more than glad to remain outside. I became one

of that silent crowd who waited outside the gates. It was some twenty

minutes afterwards that the black flag was hoisted on the building. The

full penalty of the law had been paid by Ned Kelly.

I dare say many of those who read this may have seen exhibited the iron

case which Kelly wore over his head at the time of his capture, and on

which the dents of two or three bullets which had struck it when he had

been captured were plainly visible.

I had now been, as you see, really hard at work for over two months, so I

thought I was entitled to a holiday; for there appeared to be no

probability of the appointment for which I was waiting being made just

then.

It was Christmas time, very hot, so the seaside was the place to go to,

and I selected Geelong--why, I know not. I was there but a few days when

I was introduced to some residents whose business was that of wool

broking. We had several mutual friends.

I had told them that I had not been very successful in my business

enterprises, and after two or three days they were good enough to offer

me a position in their offices. I thanked them very much and left

Geelong, as I was afraid that if I started business again so soon after

my late experiences I might get into further difficulties.

But, as a matter of fact, the real reason of my refusing their offer was

that what I almost looked upon as a divine inspiration had come to me in

the meantime. Why should the experiences I had gained while managing the

Royal Artillery Theatre at Woolwich for one whole week be lost to the

world, and particularly to Australia? I had been manager for that week,

and I had been one of the stars of the company. Why, of course, it would

be criminal not to give the Melbourne public the opportunity to judge of

my capabilities as an actor. So, on a Monday midday I called at the Bijou

Theatre, Bourke Street, of which the lessee was Mr. Wybert Reeve, who was

running his own company and playing at that time _The Woman in White_. He

was a good, sound, old-fashioned actor. I interviewed him in his sanctum

and told him that I was anxious to go on the stage.

"Have you acted before?" he asked.

"Oh, yes," I said, quite in a lordly way; and I told him of my

experiences at Woolwich. He was not in the least impressed.

"What salary do you expect?" he then asked.

"I should think that four pounds a week would be a fair commencement," I

answered.

You should have seen the expression on his face. He looked at me for a

few moments in silence, and then exclaimed:

"Why, good gracious! Do you know that I was acting nearly five years

before I earned a pound a week? And you want to begin with four pounds a

week."

"Well," I said, "you must have begun a considerable number of years ago.

Times change. Besides, I have some very excellent clothes, and they are

surely worth something in their way."

Well, he laughed, for he appeared to have been somewhat favourably

impressed by what he no doubt considered my impertinence and

self-conceit, and told me that at the moment his company was full, but

that if I left him my address he would communicate with me as soon as an

opportunity arose.

On the very next Thursday afternoon I received a note from him at the old

White Hart Hotel, asking me if I would call upon him as soon as

convenient. I arrived there at seven that evening, and found him waiting

for me in his dressing-room, where he was preparing to make up for his

part as Count Fosco, in which he had been quite a success. He opened the

conversation by asking me if I was prepared to take on the part of

Careless in _The School for Scandal_, which he had advertised to produce

on the Saturday night next. He explained that the artist whom he had

engaged for the part had been missing for two days, and, from what he had

gathered, even if he presented himself at the theatre, it was more than

doubtful if he would be in a fit condition to appear before the public.

The proposition was a difficult one. To study the part in two days,

appearing in it on the evening of the second day, without an opportunity

of rehearsal, would be a bold venture for one who was setting forth to

earn fame and a high reputation as an actor. I thought for a moment or

two. I remembered that I had seen _The_ _School for Scandal_ played once

or twice in my life. My recollections of the part of Careless were that

he was a somewhat light-hearted, jovial, easy-going person, whose life

was a pleasure to him, and who did not take too serious a view of the

things in this world. Well, was I not, at that moment, in a position when

I might with advantage take on the mantle of Careless's temperament and

chance the result? Yes; I consented. Wybert was evidently relieved. He

told me afterwards, in confidence, that he so admired what he considered

my consummate self-confidence that he decided to give me the opportunity,

subject to an informal rehearsal to be held on the next day, Friday, in

the afternoon. I then inquired whether Careless's costume would be ready

for me. A serious look came over his face.

"By Jove!" he said, "the Careless that's missing is only about five foot

nine. It's quite impossible to put your six feet two inches into his

clothes. What's to be done? Can you get them made in time?"

I relieved his mind by telling him that, as good fortune would have it, I

had been at a fancy dress ball at a friend's house in Toorak just ten

days before, and that a friend of mine, who was private secretary to one

of the then Governors of Australia, and who was about my height and

build, had appeared at the ball as Careless, and his costume was a

particularly handsome one. I had no doubt if I asked him he would lend it

to me. Once more the smile came across his face. He looked at me for a

bit and then remarked:

"I'm beginning to think honestly that you're pulling my leg all the time.

Say so, if you are; otherwise I shall postpone the production of _The

School for Scandal_ and continue _The Woman in White_ for another week."

I felt sorry for a moment that he had considered me to have been somewhat

flippant. I had no doubt he had some right to think so, so I very

sincerely and seriously told him that such a thing as pulling anybody's

leg had never entered my mind. Indeed, very far from it; that my

experience since I had been in Melbourne was exactly the opposite, and

that it was I who had suffered much from having my leg pulled by other

people, especially those commercial magnates whose business I had been so

anxious to promote. My explanation seemed to please him. There was one

more point which required arranging, and an important point too, and that

was whether my salary would be four pounds a week or not. So I asked him.

He answered very readily that if he was satisfied with the results of the

rehearsal next day, and in view of the fact that I was finding my own

wardrobe, and that an expensive one, he would pay the four pounds a week.

I at once thought to myself that I had made a mistake. I was giving

myself away too cheap, but I would keep it in mind for our next business

interview. I did remember, as you will see presently.

Friday afternoon came, and, as the stage was occupied in preparing the

new scenery for _The School for Scandal_, we held a so-called rehearsal

in one of the corridors. It was very informal, but I had mastered my

book. Wybert closed on our bargain, and the comedy was produced on the

Saturday night before a very large, select and enthusiastic audience,

amongst whom there seemed to be an inordinate number of my own personal

friends. All went well. I had made up my mind to succeed or go right down

under. I was in a very happy mood. My friend the private secretary's

clothes fitted me to perfection, and, to the astonishment not only of

Wybert Reeve himself, the company, and the professional critics in front,

I introduced at times some light dancing steps, which cheered me on in my

efforts and apparently highly pleased our audience. Between the acts

Wybert took the opportunity, while encouraging me, to suggest that it

would be an awful pity to spoil the splendid work I was putting in, as he

called it, by overdoing it. I could see how anxious he was. I opened a

good bottle of champagne, we had a drink together, and I assured him that

all would be well. And so it was; and at the end of the performance we

answered repeated calls before the curtain. When we had made our last

bows to the audience, the company met in what was then an old institution

at the back of the scenes, namely, the green-room, where Wybert himself

insisted on opening the champagne and was no longer anxious as to how

many glasses we drank to the success of _The School for Scandal_.

Sunday was a happy day. I spent it with some friends near Point Cook, at

Port Phillip Bay, which spot, years afterwards, I selected to establish

the first aviation school in Australia. Most of the country in that

district belonged to the Chirnside family, the first of whom had made

good in the early days of the Colony of Victoria. Werribee House was

their headquarters. So had the Clarkes made good, the Manifolds, the

Blacks and many others whom in after years I had to thank for much

kindness and hospitality.

On the Monday, which was known amongst actors as Treasury morning, I duly

attended Wybert's office to collect my first hard-earned wage. It had

been arranged that, though my engagement dated only from the previous

Thursday, I would be entitled to a week's wages if all was well on the

opening night. I was as contented as anyone could be, for I knew I had

made good. The two leading morning papers had most favourable notices,

the production was a success, and even Careless had been favourably

commented on by them. I duly received four golden sovereigns. I felt this

was a much better line of business than editing sporting newspapers or

selling hams and table legs.

But I was remembering the fact, yes, that I had asked for too low a

salary, and that having come out on top I was entitled to more money. How

much was it to be? I bethought to myself that a rise of two pounds would

not be an extravagant request, taking everything into consideration. So,

after thanking Wybert, I informed him that I could not think of

continuing in the play unless he raised my salary to six pounds a week.

He was cross, I could see, and he also pretended to be hurt.

"How can you make such a request after the chance I have given you? It is

preposterous. I am surprised at you."

"Well," I said, "I agree with you as far as being surprised. I am

surprised myself. And it would never do for you to lose another Careless

within a week, and unless I get the extra two pounds a week I might be

lost to-night myself." The idea of such a happening seemed to strike him

as possible. He hesitated; then he gave in, and my salary was fixed at

six pounds a week, but, more than that, he took me on at that rate for a

term of six weeks. I practically became a real live member of his

company, and was to be ready to play any part from Hamlet to an imbecile

old butler in a fool of a farce, if asked to do so. I was not

downhearted. I felt I could play anything. The six weeks passed only too

quickly. Wybert produced three other plays within that time, and then

came the end of his lease and the breaking up of our company.

Our leading lady was Madame le Grand, who, I think, was (or had been)

Mrs. Kyrle Bellew in private life. Mr. Ireland was one of our leading

men, the father of that gifted young actress, Miss Harry Ireland. Maggie

Oliver, an irrepressible and most clever soubrette, was ever happy and a

source of pleasure to us all. Old Daniels, a Jew, was the funny man. He

was a first-rate low comedian who never overdid his part. Then there was

Hans Phillips, a polished actor, who, I think, married the daughter of

Gordon, then the best scenic painter in Australia. Poor Hans Phillips

unfortunately died at a comparatively early age. Then I remember those

two charming sisters, Constance and Alice Deorwyn, who afterwards became,

one, Mrs. Stewart, and the other Mrs. Holloway, the mother of another

charming young actress, Beatrice Holloway.

During this time I was introduced to, and became intimate with, many of

the leading managers and actors in Australia. There was Coppin, the doyen

of the profession. Maggie Moore and her husband, J. C. Williamson, had

"struck oil." The four Stewart Sisters were at their best. In a pantomime

the youngest of them, Nelly, then only about sixteen, was bewitching her

many admirers, singing "For he wore a penny paper collar round his

throat," and dancing like a sylph. What a favourite she became, and how

for many years she continued to be at the top of her profession, all

Australia knows. Who that saw her can forget her as Sweet Nell, and who

that had had the pleasure of knowing her but thinks of her, not as "Sweet

Nell of Old Drury," but as Sweet Nellie Stewart herself.

The friendships I made then have lasted till death has intervened. During

the many years I spent in Australia I counted many shining lights of the

theatrical profession as close personal friends--and I do so now. Violet

Loraine was the last. At the end of my first and short engagement we got

up a benefit on behalf of the two Deorwyn sisters.

The opening piece was a farce named _Turn Him Out_, in which I played the

leading part, Eglantine Roseleaf. This was my last public appearance as a

professional actor.

An event happened which put an end to any reasons why I should stay in

Victoria awaiting the military appointment which had been promised me.

The finances of the colony were in a low state, retrenchment was

imperative, and the Premier, Graham Berry, set to work to carry it out

with a heavy hand. The public services suffered heavily, and amongst them

the military vote heaviest of all. Instead of any new military

appointment being made, a large percentage of the officers serving were

retrenched. I felt bitterly disappointed, but I could not blame my

friend, General Scratchley; in fact I could not blame anybody.

My friends, or at least some of them, advised me to continue my

theatrical efforts. They even offered me a tempting rise on my last

salary and fairly long engagements, but I was in no way keen. I had tried

it only as an experiment, and the ways of the theatre were not alluring

to me, and especially after having gone through them personally. There is

a good deal of fun to be got out of it, but few people know how hard one

has to work, and what a slave to duty one has to become in order to rise

to the top of the tree.

There was nothing for it now but to return home. I said good-bye to all

my friends and left for Adelaide, South Australia, en route for

Scotland.

The Chronicles of a Gay Gordon · 第 15 / 18 章