30 Bombardment continued, 83 shells (15 from 2 to 3 A. M.; 16 at

10:30 A. M.; 12 from 4 to 5 P. M.; 40 from 9 to 11 P. M.).

31 Bombardment continued, 34 shells from 9 to 11 P. M.

September, 1917

1 Bombardment continued, 107 shells (83 from 1 to 4 P. M.; 24 at

8:30 P. M.).

2 Bombardment continued, 12 shells (2 at 6:30 A. M.; 7 from 10 to

11:15 A. M.; 3 at 6 P. M.).

3 Third anniversary of the first bombardment of September 3, 1914.

Bombardment continued, 10 shells.

Postscript

The present chronicle stops at the third anniversary of the first

bombardment. On September 2, 1914 the French army evacuated Reims. The

bombardment actually began on September 3, 1914 by the dropping of two

bombs by German aviators. It was an unexpected preface to the formal

bombardment of the next day, when the Germans sent 176 shells into

Reims, although actually in possession of the city. September 3, 1917

thus completes three full years of the bombardment, which has

accomplished nothing save the ruin of the city and the destruction of

its great cathedral.

After a city has been besieged for three years; after it has, for that

time, been subjected to the agony of modern artillery warfare, it would

seem quite time to review such details as are obtainable and survey the

results achieved by the besiegers. The daily summary given in the

foregoing pages shows exactly what the Germans have done and what they

have accomplished. Day after day, particularly in 1917, they have thrown

innumerable projectiles into Reims, and wrought the utmost damage they

could. But the outstanding fact to the French is that the Germans are

still bombarding Reims. The siege did not stop with the end of the third

year, but it is still going on as these pages pass through the press.

This is the triumph of Reims, that it is still French, bent and broken

as it is, bowed as its vast church is with the great trials to which it

has been subjected, the city and its cathedral are still French! Before

this ruined heap of stones--for Reims is scarce more than that, this may

yield small comfort. Yet Reims is still France, knock the barbarian ever

so fiercely.

It is, perhaps ominous that while detailed figures of the German

missiles thrown in Reims have been published in the local newspapers

rather freely, no word as to the destruction they may have accomplished

has been uttered. The veil that covers Reims has not yet been lifted,

nor can the full measure of her agony yet be reckoned.

[Illustration: THE HÔTEL DE VILLE]

The Buildings of Reims

THE CATHEDRAL OF NOTRE DAME

This magnificent church was begun May 6, 1211, the foundation stone

being laid on that date on the site of an earlier edifice burned in

1210. The work was pushed so rapidly that the choir was completed and

occupied September 7, 1241. The architect was Jean d'Orbais, to whom the

initial conception is due, and who continued in charge to 1231. He was

succeeded by Jean Le Loup (1231-1247), who completed the choir and about

1240 undertook the façade of the north transept. Gaucher de Reims

(1247-1255) apparently began the west portals towards 1255, before the

nave was completed. Bernard de Soissons (1255-1290) built the five west

bays of the nave and the great west rose window. He was succeeded by

Robert de Coucy, who died in 1311, to whom is attributed the towers and

the upper parts of the west front. The roof and upper parts of the

cathedral were heavily damaged by fire in 1481, but repairs were

speedily carried out. Restored several times in the nineteenth century,

new restorations were in progress until the time of the first

bombardment.

The cathedral is a vast and splendid church, with a nave of nine bays,

transepts with aisles, and a rather short choir, surrounded with five

chapels. There are no nave chapels. The decorations are of great

magnificence, the external sculptures, especially those of the great

west portals and the portals of the north transept, being most

elaborate, and including some of the finest mediæval sculptures in

France. The interior is noted for the arcaded screen applied to the west

end of the nave, surrounding the central doorway, consisting of a series

of niches with statues. The foliated capitals of the nave piers also

deserve mention. The glass of the windows, which suffered some

unfortunate changes in the XVIII century, was of extraordinary beauty

and interest, and ranked among the finest in France; most of it was

destroyed in the bombardment. The cathedral had a superb collection of

tapestries, fortunately removed to Paris before the fire. The Treasury

of the cathedral contained many rare and beautiful objects.

Notwithstanding the numerous and heavy bombardments to which the

cathedral has been subjected, the statue of Jeanne d'Arc by Paul Dubois,

erected in the open space before the cathedral (Place du Parvis) in

1896, has not yet been touched by shells. The sculpture of the west

front and of other exposed parts were heavily protected by sand bags

immediately after the first bombardment.

Palais Archiépiscopal

Immediately adjoins the south transept of the cathedral. Repaired and

rebuilt many times. The oldest surviving portion is the chapel called

the "Chapelle Palatine," built in two stories, and attributed to Jean

d'Orbais, the architect of the cathedral. It lost its roof early in the

bombardment. The great hall of the place, called the "Salle du Tau" was

built at the end of the XV century; it contains a Gothic chimneypiece

dating from 1498. The apartments of the King consisting of five rooms,

restored in 1825, were richly decorated. The palace was totally

destroyed in the bombardment.

THE ABBEY CHURCH OF ST. REMI

One of the most beautiful Romanesque churches in northern France. The

larger part of its structure dates from 1005 to 1049, having been built

in three efforts within that time. The choir, with its fine circlet of

radiating chapels, was built between 1170 and 1190. The south transept

front was rebuilt in 1506. The church has been many times repaired and

its form and structure modified. The west front was so completely

modified after 1840 that only the two lower stages remain of the earlier

building. The building is of vast size, and the upper windows contained

some remarkable glass. The tomb of St. Remi, the bishop of Reims who

baptized Clovis, and which for centuries was a famous place of

pilgrimage, was built in 1847, replacing an earlier monument destroyed

in the Revolution, which, in its turn, replaced an earlier memorial.

ST. JACQUES

Of the church begun in 1190 and continued in the first years of the XII

century, only fragmentary parts remain. It was partially reconstructed

at the beginning of the XIV century. The choir and its chapels date from

the XVI century. The lantern of the crossing replaced a Gothic spire

removed in 1711, and the north transept and other parts were rebuilt in

1854.

ST. MAURICE

The choir, dating from 1627, is flanked by a beautiful flamboyant chapel

built towards 1546. The nave is modern.

MODERN CHURCHES

_St. André_, built between 1857 and 1864.--_St. Thomas_, built in

1847.--_St. Geneviève_, built in 1877.--_St. Clotilde_, built in

commemoration of the fourteenth centenary of the baptism of Clovis

(496-1896).--_St. Benoît_ and _St. Jean Baptiste de la Salle_ are very

recent churches.

HÔTEL DE VILLE

The fine Hôtel de Ville was commenced in 1627 on the plans of a native

architect, Jean Bonhomme. Begun with the left pavilion, the main façade,

with the central pavilion and its tower, were completed by 1630. Left

incomplete for nearly two centuries, the right pavilion was added in

1823-1825 by Serrurier, also an architect of Reims. Great additions and

new buildings around a central court were added between 1875 and 1880.

The relief of Louis XIII in the central pediment by Milhomme, placed in

1818, occupies the place of an earlier one by Nicolas Jacques, placed in

1636 and destroyed in the Revolution. The building contained the Museum

and Public Library of Reims. Destroyed by fire, May 3, 1917. The more

valuable books of the library, and the departmental archives had long

before been placed in safety elsewhere.

BUILDINGS OF NOTE

The _Place Royale_, begun in 1757, is closed on one side by the _Hôtel

des Fermes_, a stately edifice with a central pediment supported by

columns. In the centre of the Place is a statue of Louis XV by

Cartellier, replacing an earlier statue by Pigalle, inaugurated in 1765

and destroyed in the Revolution. Two allegorical groups by Pigalle for

the pedestal survived.

_Maison des Musiciens_, dating from the time of St. Louis, has a

remarkable façade of large twin-windows alternating with trilobed niches

containing seated statues of musicians, larger than life size. Purchased

by the city and by public subscription in 1905.

Reims contains two other dwellings of the XIII century. A larger house

in the Rue de Tambour, with a completely modernized interior, offers a

façade of much interest, notwithstanding a repair in 1832.--Another

house, in the Rue de Sedan, is a simple artisan's dwelling, retaining

almost intact its gabled façade of the end of the XIII century.--A

Gothic building in the same street, transformed into a school in 1890,

retains parts of the XVI and XVII centuries.--A house in the Rue de

Vesle has a façade of the XIV century, destroyed and burned by the

bombardment of September 19, 1914.--Fragments of the former priory of

St. Bernard remain in the same street behind a modern store front.--A

house in the Rue de la Grue is an interesting type of the end of the

XVII century; ruined in bombardment of September 19, 1914.

_Hôtel de Bezannes_, a large dwelling of the middle of the XV century,

was probably built by Pierre de Bezannes, lieutenant of the inhabitants

of Reims (1450-1467), whose arms remain on the buildings of the court.

It became a school in 1901.

_Hôtel Le Vergeur_, a large building retaining fragments of all styles

since the end of the XIII century.--The _Maison du Long-Vêtu_, the

birthplace of Colbert, the celebrated minister of Louis XIV, has a

façade of the middle ages, and another of the XVII century.--A hotel of

the XV century, in the Rue de Pouilly, was the dwelling of an uncle of

Colbert's. It is now the house of the Soeurs de l'Espérance; a part of

the façade was demolished in 1908.--_Pavilion de Muire_, built by

Nicolas Noel, lord of Muire, towards 1565, a remarkable structure in the

style of Henri III.--_Hôtel de Montlaurent_ of the XVI century, has lost

much of its interior interest, but the court offers some of the

primitive decoration.--_Hôtel de la Salle_, the birthplace of J. B. de

la Salle, is one of the most beautiful types of domestic Renaissance

architecture in Reims; the façade bears the date 1545.--_Cour Mopinot_

has a portico of the XVI century.--_Hôtel Thiret de Prin_ was built

under Henri IV; Richelieu lived in this building during his sojourn in

Reims in 1641.--_Maison de l'Ecu de Reims_ bears the date 1652.--_Maison

de Jean Maillefer_, built in 1651.--_Hôtel Lagoille de Courtagnon_ has a

façade of the XVII century.--_Hôtel Rogier_, built towards 1750; sold at

public auction, in January, 1914.--Two wooden houses with pointed gables

of the end of the XV century, are in the Place des Marchés.--An

inscription on the _Hôtel de la Maison-Rouge_ states that the father

and mother of Jeanne d'Arc were lodged in this building at public

expense in 1429, at the coronation of Charles VII. It was then known as

the _Ane Rayé_.--The Société des Amis du Vieux Reims maintained an

extensive collection of objects relating to Reims in the former _Hôtel

Coquebert_.

The _Porte de Mars_, a Roman triumphal arch of three arches, is the most

considerable monument in Reims dating from Roman times.

EDUCATIONAL BUILDINGS

_Grand Séminaire_, occupies the buildings of the former abbey of St.

Denis. The original parts are of the time of Louis XV; they were

considerably modified and added to in 1822, when the seminary took

possession of them. It later served as the Musée des Beaux-Arts,

inaugurated in 1913.

The _Lycée_ occupies the buildings of the University or college founded

by the Cardinal of Lorraine in the XVI century, and rebuilt in 1676.

Although greatly changed, the interior court, half wood, half masonry,

retains the original aspect of the XVI century. Much new construction

was added at the end of the last century.

HOSPITALS

_Hôtel-Dieu_ [Civil Hospital], founded by archbishop Hincmar in 848, was

transferred to the buildings of the abbey of St. Remi in 1827. Repaired

and rebuilt at various times, they retain few vestiges of the middle

ages. They were partly renewed after a fire in 1774. Burned in the

bombardment of August 13, 1916.--_Hôpital General_, occupies the former

college of the Jesuits, the older parts dating from the XVII century.

The former library, now the linen room, is an apartment of some

magnificence. It adjoins the church of St. Maurice.--_Hôpital St.

Marcoul_, or home for incurables, dates from about 1650; it was added to

in 1651, 1869 and 1873.--_Maison de Retraite_, a modern foundation due

to bequests and munificent gifts.

OTHER BUILDINGS

_Palais de Justice_, built in 1845, on the site of the old Hôtel Dieu; a

new façade was recently added.--_Théâtre_, built between

1866-1873.--_Chambre de Commerce_ occupies the former Hôtel

Clicquot-Ponsardin, in the style of Louis XVI.

The Destructions of the Buildings of Reims

While the material for a survey of the destruction of the buildings of

Reims is not yet available, the following notes may be found of interest

in forming a judgment on the effects of the bombardment, and its

military uselessness. The record is manifestly incomplete, for

practically the entire city has been destroyed.

THE CATHEDRAL

1914

_September 4._ The window glass in the aisle of the north transept was

broken by a bomb falling in the adjoining street. Other shells fell

directly on the cathedral, striking the gable of the north transept; the

upper nave windows were pierced, and the rose window over the central

west portal. Some of the portal statues, including the Virgin of the

group of the Visitation, and an apostle of the south porch were broken.

There were various external indications of projectiles and minor

injuries.

_September 17._ Three shells fell on the cathedral, striking the stone

gallery and roof of the north transept; the chevet was subjected to

similar injury, and the glass of the choir chapel windows was destroyed.

_September 18._ Thirteen shells fell on the cathedral. The windows of

the south aisle of the nave to the transept were broken, many being

emptied of their ancient glass. The buttresses on the south side were

mutilated in their lower parts, and many of the pinnacles broken off or

destroyed. The flying buttress at the angle of the choir and north

transept was entirely destroyed. The stone gallery surrounding the base

of the nave roof was ruined in many places, and parts of it thrown onto

the roof created other injuries and broke windows.

_September 19._ The day of the fire. Sixteen shells on the cathedral,

one on the summit of the north tower. At 2:30 P. M. (the exact hour

varies in different accounts) an incendiary bomb set afire the

scaffolding erected in May, 1913, for the repair of this tower. Although

not the first catastrophe, it was the most serious. The fire spread with

great rapidity, the great roof, with its magnificent internal woodwork

of the fifteenth century, was wholly consumed. The "Clocher à l'Ange",

at the furthest extremity of the roof, and which dated from 1485, fell.

Its name was derived from a copper angel formerly on the summit, removed

for security in 1860. The carillon on the low tower at the crossing of

the nave and transept, and which had been re-established by the Académie

Nationale de Reims, was destroyed. Much of the old glass in the upper

windows, dating from the thirteenth century, was destroyed, as well as

much of the external sculpture. The internal injuries were also very

grave. The cathedral was filled with straw, requisitioned by the German

command for the use of wounded German soldiers it was proposed to place

within the church, but who were only taken there after the evacuation;

some of them lost their lives in the fire. The greater part of the

interior furniture was destroyed, including the eighteenth century

woodwork of the choir, together with the stalls and the archiepiscopal

throne. A tapestry of the coronation of Charles X was lost. The

remarkable sculptures surrounding the interior of the nave doorway were

ruined.

_September 24._ Three bombs struck the cathedral, one of which fell on

the vault of the crossing, bared by the fire of September 19. One struck

the third buttress on the south side of the nave.

_October 12._ A bomb of large calibre fell on the high gallery of the

chevet, ruining eight metres of the arcading. Two gargoyles of the

chevet were broken off.

_October 13._ A shell fell on the north side of the cathedral at 3 P. M.

_November 11._ A bomb fell near the cathedral, enveloping it in thick

clouds of smoke.

_November 12._ A shell exploded on the roof, demolishing a pinnacle on

the south side of the chevet, and damaging some sculptures. Shrapnel

fell within near the high altar.

_November 22._ Two shells fell on the superstructure, accomplishing no

great harm.

1915

_February 26._ Two shells fell on the cathedral.

_March 28._ A Taube dropped a bomb on the cathedral apse.

_June 1._ The "Communiqué Officiel" of this date, for 3 P. M., says the

cathedral was particularly bombarded. This is not mentioned in the local

reports.

_June 15._ Several shells fell on the cathedral.

1917

_April 15._ 15 shells fell on the cathedral. The chapel of the Cardinal

ruined.

_April 19_. 20 shells on the cathedral. The north tower, vaults and

transept injured.

The cathedral was subjected to other injuries on April 20 (2 shells),

April 21 (8 shells), April 22 (3 shells), April 23 and April 24. The

angle of the south transept and the chevet was particularly hurt on the

date last named.

PALAIS ARCHIÉPISCOPAL

Burned on September 19, 1914, in which the cathedral was so seriously

injured. The building was almost wholly destroyed. The chapel lost its

roof and glass. The library and collections of the Académie Nationale

de Reims, which were housed in the palace, were lost, together with the

archeological collections, including the prehistoric collection

(Collection Posteaux) and the ethnographic collection (Musée Guillot).

ST. REMI

Injured in the bombardment of September 4, 1914. The vault of the south

transept fell through, the ancient glass of the apse triforium and of

the upper nave windows was broken, as well as the modern glass of the

apse chapels windows, and in other parts. The interior was ruined, the

losses including a painting "The Entry of Clovis to Reims" and one of

the tapestries of the "Life of St. Remi". The chapel facing the

baptismal font suffered some exterior injury.

A bomb destroyed the apse chapel of Notre Dame de l'Usine et de

l'Atelier on November 16, 1914. On August 13, 1916, the church was

menaced by the fire of the Hôtel Dieu (Civil Hospital). Flames attacked

the north transept, destroying the glass of the rose window.

OTHER CHURCHES

_St. André._ On September 19, 1914, a bomb fell on the left transept

portal, breaking the glass in near-by parts; painting of "The Baptism of

Clovis" lost. September 22, 1914, a shell fell on the church at 11 A.

M. April 15, 1917, it caught fire, and it was again injured on April 28.

_St. Jean Baptiste de la Salle._ 3 shells fell on this church in the

bombardment of December, 1914. The glass was broken and the interior

injured.

_St. Clotilde._ September 22, 1914, most of the glass ruined by a

near-by shell. January 4, 1915, injured by 4 bombs.

_St. Benoît._ 3 shells in January, 1915.

_St. Geneviève._ Injured in the bombardment of April 15, 1917.

CIVIC BUILDINGS

_Hôtel de Ville._ Lost the glass of the west side September 14, 1914.

Received several shells in the bombardment of September 19, 1914. A fire

started, but no essential injury resulted. It was gravely injured April

21, 1917, and was destroyed by fire on May 3.

_Palais de Justice._ Lost the glass of its main façades September 4,

1914. A shell fell through the roof on October 2, 1914, injuring the

interior; both façades were hurt, especially the newer one. February 3,

1916, some fragments of French shells fell on the building. September

18, 1916, a bomb fell through the roof and upper story.

_Hôtel Dieu_ [_Civil Hospital_]. Some shells fell on the buildings on

September 18, 1914; two patients were killed and another buried under

débris; two nurses were badly wounded. On August 13, 1916, the Hospital

caught fire in the bombardment and was destroyed save for two pavilions.

_Théâtre._ The lantern was destroyed in the bombardment of September 4,

1914, and the chandelier suspended from it fell down. A bomb fell on the

building on October 5, 1914.

_Musée des Beaux-Arts._ Injured September 4, 1914, by three bombs on the

west front. Much interior damage and many valuable paintings lost.

_Sous-Préfecture._ Burned September 18, 1914.

_Place Royale._ Many of the buildings surroundings this place were

burned in the bombardment of September 19, 1914.

_Hôtel de la Salle._ Injured by a shell in November, 1914.

_Gothic House in Rue de Vesle._ Wholly ruined in the catastrophe of

September 19, 1914.

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