Chapter IX

THE LUXURY OF NIMES

When the Romans captured a place and established themselves in it they

generally built, first an Arch of Triumph in celebration of their

victory; then an arena and a theater for pleasure; finally a temple for

worship. Sometimes, when they really favored the place and made it a

resort, they constructed baths. I do not find that they built an Arch of

Triumph at Nimes, but they built an arena, baths, and a temple, for they

still stand. The temple is the smallest. It is called the "Maison

Carree," and it is much like the temple we saw at Vienne that day in the

rain, but in a finer state of preservation. Indeed, it is said to be one

of the best preserved Roman temples in existence. It is graceful and

exquisite, and must have suited Henry James, who did not care for Roman

arenas because they are not graceful and exquisite, as if anything built

for arena purposes would be likely to be anything less than solid and

everlasting. We did not go into the Maison Carree. It is a museum now,

and the fact that it has also been used as a warehouse and stable

somehow discouraged us. It would be too much done over. But the outside

was fascinating.

We thought the garden of the Roman baths and fountain would be well to

see in the evening. We drove along the quay by the side of the walled

river which flows down the middle of the street, and came to the gates

of the garden and, leaving the car, entered.

At first it seemed quite impossible to believe that a modern city of no

great size or importance should have anything so beautiful as this

garden, or, having it, should preserve it in such serene beauty and

harmony. But then one remembered that this was France, and of France it

was the Provence and not really a part of the sordid, scrambling world

at all.

It is a garden of terraces and of waterways and of dim, lucent pools to

which stairways descend, and of cypresses, graying statuary, and marble

bridges and fluted balustrades; and the water is green and mysterious,

and there is a background of dark, wooded hills, with deep recesses and

lost paths. We climbed part way up the hillside and found a place where

we could look out on the scene below. In the fading light it seemed a

place of enchantment.

It is not easy to tell what part of this garden the Romans built and

what was added from time to time during the centuries. It seems to have

been liberally reconstructed a hundred or so years ago, and the statuary

is none of it of the Roman period. But if there was ever any incongruity

the blurring hand of time has left it invisible to our unpracticed eyes.

We lingered in this magic garden, and spoke softly of the generations

that for nineteen centuries have found their recreation there, and we

turned often for a last look, reluctant to leave something that seemed

likely to vanish the moment one turned away.

Our hotel was on the square in which stands the arena, so that it was

but a step away at any time. We paid it one thorough visit, and sat in

the seats, and scaled the upper heights, and looked down on the spot

where tragedy and horror had been employed as means of pleasure for a

good portion of the world's history. I am sorry the Provence is still

rather cruel minded, though I believe they do not always kill the bull

now in the Sunday-afternoon fights. It is only a few times in each

season that they have a fight to the death. They had one the Sunday

before our arrival, according to the bills still posted at the entrance.

In the regular Sunday games anyone has the privilege of snatching a bow

of red ribbon from the bull's forehead. I had a fever to try it, but,

this being only Tuesday, it did not seem worth while to wait.

On the whole I think we did not find the arena at Nimes as interesting

as the one at Arles, perhaps because we had seen Arles first. It is

somewhat smaller than the Arles circus, and possibly not so well

preserved, but it is of majestic proportions, and the huge layers of

stone, laid without cement in the Roman fashion, have never moved except

where Vandal and Saracen and the building bishops have laid despoiling

hands.

Not all the interest of Nimes is ancient; Alphonse Daudet was born in

Nimes, and the city has set up a statue and named a street in his honor.

Daudet's birthplace is not on the street that bears his name, but on the

Boulevard Gambetta, one of the wide thoroughfares. Daudet's house is a

part of the Bourse du Commerce now, and I do not think it was ever the

"_habitation commode, tout ombragee de plantanes_" of which he writes so

fondly in Le Petit Chose--the book which we have been told is, in part,

at least, his own history. There is nothing now to indicate that it was

ever the birthplace of anyone, except the plaque at the door, and as we

sat reading this we realized that by a coincidence we had come at a

fortunate time. The plaque said, "Born May 13, 1840." Now, seventy-four

years later, the date was the same. It was the poet's birthday!

The Car That Went Abroad: Motoring Through the Golden Age · 第 9 / 37 章