CHAPTER V

AN ADVENTURE IN THE NIGHT

NAT had rushed up the stairs and thrown himself on his bed with that

sense of injury which is so keen at seventeen, and which compels us to

find relief in tramping heavily, and flinging ourselves down without

taking off our boots. A few passionate tears, however, wore off its

sharpest edge, and with renewed vigour he soon sat up again; and it was

not without even some feeling of enjoyment that he began to ask himself

what was the next thing he should do. His mother’s order did not

concern him much; Nat was quick in compunction, and not slow in

penitence, but in spite of these qualities it must be owned that he was

not the ideal of an obedient son.

An artist might have taken his picture as he sat up on the bed, with

his eyes still bright with tears, and a face alive for fun, and his

hair as rough as its want of length would permit, for it had crisp

ends, although cut too short for curls. A handsome boy! (all the

members of his family were good-looking), with deep-set, grey eyes

beneath fair, curved eyebrows, and lips which, though small and

full, yet found themselves able to close as obstinately as thin

lips could do. It was a face undeveloped, passionate, full of

contradicting, opposing qualities; a face that was rich in many

promises, but whose future must yet remain a problem. Under any

circumstances he would not have been easily trained, and his home

education had not been satisfactory; he was too young to appreciate

what was best in his mother, and his father’s career could only be

thought of as a disgrace. We commend such lads’ characters to the

instruction of experience; but Experience is an instructor who teaches

with the stick.

Guarded at home, educated in a Board School, trained to out-door work,

and yet in too many respects unguarded, untrained, uneducated, at this

moment sore with anger, and with a pinch of hunger, all ready for

adventures, and ripe for mischief, Nat sat up upon the bed and

considered what he should do. A lad of his nature does not long

reflect; adventures lie ready and can be found easily.

‘I’ll go to t’ Farm, an’ take Miss Gillan’s basket. I’d like to see

Miss Gillan, they say such things o’ her! An’ Alice’ll give me a bit o’

cake; I’m sure I’m in want of it, goin’ without my supper! She’ll like

be vexed if she knows that mother’s angered, but I can’t attend always

to what Alice says. I’ll try an’ see Miss Gillan, although it is so

late; they _do_ talk so of her, all the lads do!’

With gleaming eyes, and a keen sense of adventure, he got off the

bed and took his cap in his hand, and went to the little window that

stood out from the roof to see if he could open it and let himself down

from there. It might have been well if he had not undone that

fastening, or if his mother had come upstairs, or if he had reflected

that he had vexed her once that evening, and that it would be better

for him not to vex her again. But the rusty fastening only detained him

for a minute, and there was no sound of any footstep on the stairs, and

he only thought that he had been already punished, and that his mother

and Annie should not triumph over him. So easily, with such heedless

footsteps, do we make our own paths to the temptations of our lives.

All was quiet outside when he had dropped from the window; the noise in

the village had completely died away; in the west, beyond the great,

dim field of the Thackbusk, a pale after-glow from the sunset still

lingered. The public-house at the corner was quiet, though it was

lighted; he came out of the lane into the lower village-street; and,

turning into the principal street, where the Rantan had begun, he began

to mount the hill towards the Manor Farm. A wan, blurred moon was

shining, the street was dark and dim, from a public-house and from

shops there came faint streams of light; there were lounging lads like

dark shadows in the corners, or tramping together towards the

public-house. In one of the shop-windows there was a light behind rows

of bottles, and this threw the shadows of the bottles across the

road; they stood in a row on the cottage wall opposite, with a curious

effect, like that of an upright regiment. Nat passed by these things,

and by the dim steps and church, without stopping once either to loiter

or to speak; for he had no wish to join himself to the shadows in the

corners, and was glad that the night-time kept his face concealed. It

was only when he had reached the top of the street and hill, a more

silent part of the world where no wayfarers were, that he turned aside

to the fields upon the left, and sat down on a ledge of stone beneath a

stile.

All was quiet, the Fens were dark in the distance, there was the soft

noise made by cows grazing in the darkness. Nat leant his head against

the stile, and lingered--the ledge was a familiar resting-place for

Sunday afternoons, but he had never rested here at this time of night

before. Perhaps the strangeness frightened him, or his own natural

nervousness, for he began to ask himself whether after all he should go

on. What should he say to Miss Gillan when he gave back her basket?....

it was so late, she would not understand why he had come.

But oh! he must see Miss Gillan, cried the spirit of adventure; he must

know for himself why the ‘folk talked so of her;’ he had heard ‘such

a-many stories from the lads,’ and he would like to know if these

things were true. For there were many who said that she was ‘quite

a beauty;’ and others, that she had come from London, and had been an

actress there; and others, that she was a relation of old Mr Lee in

Lindum, and that he was going to leave her his money when he died. The

village propriety shook its head over her, with the village propensity

to surmise the worst, but this spice of doubtfulness did but add to the

curiosity that had been excited in the breasts of old and young. And

Nat was a boy, with a true boy’s eagerness, and a determination to find

out all he could.

Yet he knew that he would be frightened, that he would blush and

stammer, that he would stand in her presence and not know what to say,

and it was the presentiment of this incapacity beforehand that made him

feel hot and foolish even then. Uncertain, half-frightened,

undetermined what to do, he slowly rose from his cold seat with a yawn,

and it was more from the sense of long use than new desire that his

wandering footsteps turned to the Manor Farm. He would see Alice

Robson, at any rate he would see Alice.... and it was so cold and dark

sitting out here in the night....

In a few more minutes he was standing in the yard of the Farm, with the

blurred moon shining from out of the sky at him, and the dog in the

distance just stirring at his footstep, and the pump looking a

mysterious object in the darkness. His presence was a familiar one,

the dog did not bark at him, and his knock brought a servant to the

back-door speedily, a small, rough creature of the maid-of-all-work

order, who, village lad as he was, treated him with much respect. Oh,

yes, he could see Miss Gillan, she was quite sure he could--Miss Gillan

was in the ‘owd kitchen,’ she would tell her he was there--he would

perhaps come in to the fire and wait there for a bit, for Mr Robson and

Miss Alice were not back from Lindum yet. Nat was relieved to hear that

his friends had not returned, and yet not quite pleased with himself

for being relieved. Declining mutely the invitation to the kitchen, he

stood by the back-door without entering, and waited there. The kitchen

at his right hand looked warm and bright, but he did not feel any

disposition to go in--his eyes followed the servant who went a few

steps down the passage, and knocked at a door beneath which was a gleam

of light. As if in answer to the timid knock she had given, a burst of

music was uplifted from within. Nat stood and listened, seized with

sudden astonishment; he had never listened to singing like this before.

It was a wild song, with a monotonous refrain, and the voice of the

girl sounded wild, and sweet, and deep, the whole performance did not

resemble anything that he had ever heard. At first he thought of the

recurring refrains in games, and then he thought of Moody and Sankey’s

hymns, and then he was carried quite beyond himself, and could no

longer attempt to understand. The servant had paused with her hand

upon the door, as if uncertain whether to proceed or not.

‘Whither upon thy way so fast,

(_Christabel, Christabel_)

With morn scarce reddened, or darkness past?’

(_As dawns a summer’s morning_).

‘I am called to find a bridal bower,

(_Christabel, Christabel_)

Where I may be free from hatred’s power,’

(_As dawns a summer’s morning_).

‘And where wilt find that bridal bower?

(_Christabel, Christabel_)

Ah! where wilt find that bridal bower?’

(_As dawns a summer’s morning_).

‘If you please, miss, there’s a young man as wants to speak to you.’

‘A young man!’ cried the deep voice, ‘oh! let him come in, I shall have

done my song directly.’ And the song broke forth again.

‘I am called to the river deep and wide,

(_Christabel, Christabel_)

Where I and my love may rest, side by side,’

(_As dawns a summer’s morning_).

‘If thou so black a weird must dree,

(_Christabel, Christabel_)

A curse is on thy love and thee,’

(_As dawns a summer’s morning_).

Nat stood at the door, not daring to go farther, and she stopped for a

moment to glance round at him. It was but for a moment, and again

the song vibrated, more wild and mournful still.

‘The curse be on them who thus have blest,

(_Christabel, Christabel_)

Thy love shall find no earthly rest,’

(_As dawns a summer’s morning_).

‘Yet cold the river, and dark the night,

(_Christabel, Christabel_)

And I fain would flee towards the light,’

(_As dawns a summer’s morning_).

‘My heart is cold, and my brain on fire,

(_Christabel, Christabel_)

They are cold and burned with vain desire,’

(_As dawns a summer’s morning_).

She looked round at him as he stood entranced, and laughed; and then,

turning to the piano, poured out the notes again, with the fulness and

passion of one who is drawing to a close. The boy stood still, he could

scarcely breathe or see, the whole air seemed to be full, to vibrate

with the notes she sang.

‘Ah! if one ray could shine again,

(_Christabel, Christabel_)

I might be saved from death and pain,’

(_As dawns a summer’s morning_).

‘Let me alone, I dare not stay,

(_Christabel, Christabel_)

The voices are calling, I must away!’

(_As dawns a summer’s morning_).

‘There, there!’ cried Miss Gillan, springing from her seat, with a

lightness and activity such as he had never seen; ‘my song is done,

and you shall not be kept waiting longer, and you shall come into the

room, and tell me what you want.’ She put out her hands as if she would

draw him in, and as he shyly advanced he saw her face. In one respect

at least she was like her song, she resembled nothing that he had known

before.

She was small and dark, and in a black lace evening dress--it was the

first time that he had seen an evening dress--whose sleeves left bare

from the elbow her soft, brown arms, and whose lace rested softly upon

the curves of her neck. Her hair, which was rippling, and very short

and thick, was gathered into a loose, rough crown on her head; there

was a golden tint in it in spite of its darkness, and although her

eyebrows were very dark beneath. Her dark eyes shone till they seemed

to ripple too; her lips, which were not small, were full and very red;

and there was a lovely colour in her cheeks, which came and went easily

through the darkness of her skin. She seemed altogether full of health

and life, of the brilliant spirits of youth and loveliness, the only

contradiction rested in her mouth, which could take curious expressions

that gave her face an older look. Nat observed this for an instant as

she looked steadily at him, but in the next moment her lips were

radiant too.

‘Oh! tell me who you are, and why you have come,’ she cried;’ I have

been so dull all the evening by myself! I am quite sure that you

must have something good to say, but that is because I’m so glad to

hear anything at all!’ Her manner was free, but not with village

freedom; it did not make the lad shy, but it made him confused. With a

feeling of caution to which he was not accustomed, he held out the

basket without answering. She took it with surprise as if she had not

expected it, and her dark eyes dwelt curiously on the handsome lad.

‘My basket!’ she said, ‘how did you come by that? I have been looking

for it since yesterday. The little girl thought she had taken it down

the village’--and there came a strange alteration in the expression of

her face. Nat observed the change, and it seemed to him an accusation;

he hastened to defend his family and himself.

‘Molly brought it down to us yestermorn,’ he said, vexed to find his

voice thick and his face hot. ‘Mr Robson had sent some raspberries to

us, and we thought that the basket must belong to him. But I saw your

name in the corner of it, miss, an’ so I thought as I’d bring it up to

you.’

She turned it over with the prettiest little movement, and looked at

the name in the corner, and glanced up at him and smiled. ‘T. G. ...

Tina Gillan ....’ she read out to herself; ‘it was clever of you to

guess that it was mine. And I am sure it was kind of you to bring it up

to-night, and you shall have my very best thanks before you go.’

And then, all at once, as if some sudden idea had seized her, she bit

her red lips, and looked down, and was mute. When she spoke to him

again she did not raise her eyes, and the change in her voice made it

sound quite differently.

‘What is your name?’

‘Nat Salter,’ he said, surprised at her altered manner, but too much

surprised to be offended yet.

‘Salter .... Salter .... I remember that name .... Do you know my

brother--have you come to speak to him?’

‘I don’t know what you mean, miss,’ answered Nat. ‘I’ve never spoke to

your brother in my life.’ She looked at him with a hard, searching

glance, and then lowered her eyes once more, and seemed to think.

Whatever her thoughts were they did not appear to soothe her, for when

she spoke again her voice was sharp and quick.

‘You have not come up here to receive a letter; you will not take away

a letter when you go?’

‘I don’t know what you mean at all, miss,’ replied Nat, confused. ‘I’ve

never took no letters, except the letters of the Squire.’ Apparently

she believed him, for she did not question him further; and when she

spoke her voice had become soft again. It was time, for the angry

colour had mounted to his forehead, the feeling that he was suspected

had roused his pride.

‘You live down in the village?’ she asked him, gently, as if she were

sorry, and wished to show interest in him. ‘Have you many brothers and

sisters in your home? Do sit down whilst you talk, for I know you must

be tired.’

The gentle voice and the lingering glance she gave had on him the

effect of a new experience; he was touched and confused as he had never

been before. But, although he sat down as she bade, it was with the

manner of a village-boy, for he became very red, and he turned away his

face.

‘I’ve one sister,’ he blurted, as one making a confession; ‘she be a

year older nor me, an’ she live with me at home.’ He could feel that

her eyes were upon him as she spoke; although he had not the courage to

turn his face to her.

‘And is she like you--your sister?’ she asked gently, as if the subject

were one that was interesting. Nat did not answer, for he did not know

how to answer, it was a question that he had never considered.

‘Is your sister pretty--do the village people think so?’ She seemed

somewhat amused to see him blush.

‘Some folk does, miss,’ answered Nat, with difficulty. She drew her

lips close and tight as she heard the words.

‘Ah! ah!’ she sighed to herself. And then, with a sudden movement, she

threw up her arms, and clasped them above her head. For a few minutes

she remained in that attitude, with her face averted; and, then,

letting her arms drop slowly, she turned to him again. If some

excitement had caused that sudden gesture it was only visible now in

the glow upon her face. She had her former expression of sympathy and

interest; her voice was a murmur; and, as she spoke she looked at him.

‘And you--you,’ she whispered; ‘what do you do with yourself all day?

Are you always working?’ and, as she looked, she smiled. Nat did not

know what to do with her glances or her smiles, but he made an effort

to answer, as he had done before.

‘I’m at work most-whiles, miss, at the hay, or with the Squire. I don’t

get let off, not till the evening come.’

‘But in the evening you have some time for yourself? Do you think you

would be able to do some work for me?’ She looked at him with her

gleaming smile again.

‘I’d be most glad, miss,’ cried Nat, with a sudden thrill--he could not

understand, poor boy, why he cared so much. But, on her part, she

seemed to understand quite well, as she stood with her arms drooping,

and her fingers clasped.

‘Then come up to me,’ she murmured.... ‘Come at eight o’clock, and I

will give you work to do.... And do not talk to too many people about

it, they gossip so in the village about everything.... I want to hear

about your mother, and your family .... your sister, and everything

else.... Here is my brother, I hear him, you must go.’ Her movement

was so sudden that he retreated hastily; the door was closed upon him,

and he found himself in the passage and alone.

Alone, confused, bewildered by the darkness, not knowing in his

bewilderment what to do or what to think, with the voice of the

stranger still within his ears, with her face and the lighted room

before his eyes! Oh, what did it all mean, what had he been doing since

he left his home? Scarcely conscious of his actions, he stumbled

through the passage, and into the dark yard, and then into the road.

Tired, hungry, and giddy, with his head confused, with the remembrance

again of his mother’s anger, he stumbled along to the ledge where he

had rested, and sat down on that, and vexed himself, and cried. But

there was no good in crying alone there in the night, and he dragged

himself to his feet, and wandered on.

His home was dark when he reached it, though the door was left

unfastened, and there was a light in the room where his sister

slept--he did not attempt to mount the stairs after he had entered, for

he did not wish to see his mother again that night. When he had locked

the door, and made sure that everything was secure, he laid himself

down on the rug with his head upon a chair, his heavy head which sank

down upon the cushions as if it would never be able to raise itself

again. Yet, tired as he was, at first he could not sleep, and then his

sleep was confused with a strange, broken dream--he thought he was

wandering on some unknown path, and that he could not be certain where

it would lead. And still, as he wandered, and felt that he was lost, he

could hear in the room above his sister’s tread, pacing ceaselessly up

and down with restless footsteps, which seemed a part of the confusion

of his dream, until, as deeper slumber closed on his fatigue, both

footsteps and dream were lost in the stillness of the night--the

night-time which bears on its pinions so many wandering fancies of the

wandering souls soothed for a while to rest. No lasting relief can it

give, and yet to men’s fierce impatience that interval of rest may not

be quite in vain.

Jenny: A Village Idyl · 第 5 / 35 章