CHAPTER I

JENNY

A Village Idyl

BY

M. A. CURTOIS

_Author of ‘Elf-Knights,’ ‘Tracked,’ ‘My Best Pupil,’ &c._

‘Nothing but the Infinite Pity is sufficient for the infinite pathos of

human life.’

--John Inglesant.

_London_

EDEN, REMINGTON & CO., PUBLISHERS

HENRIETTA STREET, COVENT GARDEN

ALL RIGHTS RESERVED

1890

CONTENTS

CHAP. PAGE

I. IN THE TRAIN 1

II. IN THE VILLAGE 8

III. A RANTAN 17

IV. THE HOME THAT WAS RANTANNED 24

V. AN ADVENTURE IN THE NIGHT 31

VI. THE NEXT MORNING 46

VII. TIM 53

VIII. A MORNING CALL 60

IX. AT THE FARM 72

X. AN AFTERNOON VISITOR 84

XI. THE FARMER’S DAUGHTER 103

XII. A CLASS MEETING 111

XIII. THE RETURN OF THE FATHER, AND THE LAST OF THE RANTAN 123

XIV. IN SUMMER DAYS 130

XV. MR JAMES GILLAN MEETS HIS UNCLE 135

XVI. AN OMINOUS CONFLICT AND A FINAL RESOLVE 140

XVII. A PLEASANT EVENING 147

XVIII. A TERRIBLE NIGHT 154

XIX. NAT AND THE SQUIRE 157

XX. A BETRAYAL AND A FALL 165

XXI. LYING ON THE DOOR-STEP 178

XXII. IN THE HOME NEAR THE THACKBUSK 183

XXIII. ALICE AND TIM MAKE RESOLUTIONS 188

XXIV. NAT IN DESPAIR 202

XXV. TIM AND ANNIE 212

XXVI. IN WINTER NIGHTS 218

XXVII. JENNY HEARS STRANGE WORDS IN THE DARKNESS 223

XXVIII. A NIGHT OF DELIRIUM 229

XXIX. THE SQUIRE SENDS FOR NAT 236

XXX. BY THE RIVER IN THE NIGHT 245

XXXI. DRESSING FOR DINNER 252

XXXII. IN THE DRAWING-ROOM OF MR LEE 257

XXXIII. ANNIE SEES A CATASTROPHE 263

XXXIV. A PARTING IN THE STREET 272

XXXV. THE GENERAL CONFESSION AND THE CONCLUSION OF THE WHOLE 280

JENNY

CHAPTER I

IN THE TRAIN

THE chimes of the cathedral had just announced the hour of six when the

train left the station, and passing the tall chimneys which were

overshadowed by the cathedral towers steamed out into the country

beyond the town.

The July day was sinking into evening, an evening light that was soft

and mellow in spite of the line of stormcloud above the cathedral. It

was the first bright day that had been known for many weeks, and all

available hands had been turned to work upon the hay which, green and

damp still from recent experiences, was lying spread or in haycocks on

the ground. Here and there, on soil close to the river’s brink, the

masses of purple loosestrife made a glow of colour; or in some uncut

field where the grass was short and brown the dark red cows were

pasturing quietly; or now and then one, unconsciously picturesque,

would be standing on the bank of the river, a distinct picture there.

The train steamed onwards with its scanty freight of passengers,

between the lines of the river and the canal, in the midst of the quiet

fields and the mellow evening light.

The freight of passengers, as I have said, was scanty, for indeed not

many had left the town that evening--the foundrymen, even those who

lodged in villages, having, for the most part, tramped off to their

homes an hour before; whilst, as it was Thursday, and therefore not

market-day, no women with market-baskets were to be expected in the

train. Some few, however, were returning from their friends; and some

workmen had lingered for the advantage of the ‘ride;’ while there was

also, of course, a small proportion of those who were journeying to

some distant town, some of these being strangers much interested in the

cathedral, and others less interested inhabitants of the city. All

these different classes of people were represented, at any rate, in one

third-class railway carriage--a railway carriage in which we must

journey too.

A dark gipsy-looking woman, with fierce eyebrows and eyes, who had a

dark little girl by her side, seemed to be a stranger to the town, for

she sat by one of the windows and with excited gestures pointed out the

cathedral to the child in the corner opposite, whilst she was observed

placidly by a motherly tradesman’s wife who was conveying to her

daughter in a distant village some parcels of groceries from her

husband’s shop. In another corner, neatly dressed and quiet, was a

young woman who had the appearance of the wife of a village workman;

and opposite to her a lad in working-clothes, pale, grimy, and

over-tired, lounged at his ease. These passengers did not appear to

know each other, and conversation did not flow easily; with the

exception of one or two spasmodic efforts, which fell back rapidly into

silence. These had been made by the gipsy-looking woman, who seemed to

be one of those people who are disposed to talk.

The first cause of her remarks had been the sight of some scaffolding

which had been erected about one of the cathedral towers, and which

appeared to excite her very much, for she leant her head out of the

window that she might be able to observe it more closely. Then she drew

in her head again with a laugh that was short and dry, and an

expression that appeared to border on contempt.

‘_Well_,’ she exclaimed, ‘not finished yet!’ The tradesman’s wife heard

her, and heaved a placid sigh.

‘Ah!’ she breathed out softly, ‘_and it never will be._’ Her manner was

that of one who pronounces some final verdict.

‘An’ yet it must ha’ been many years abuilding,’ the stranger remarked,

with renewed contempt, again leaning out of the window, with her eyes

fixed upon the venerable towers above the town. Her remark was a

challenge, or at least was taken as such, and the tradesman’s wife

hastened to explain herself.

‘You see,’ she said, ‘it’s a fack as I have heerd, as all the

cathedrals belong to the Roman Catholliks, an’ they keeps the woorkmen

always at woork upon ’em, for fear lest the Catholliks should take ’em.

For they ca’ant take ’em, as I’ve heerd, till they be done, so them as

manages do contrive to keep ’em out!’

This extraordinary historical statement was received with a slight

snort but with no incredulity, and the conversation fell once more into

silence. The dark woman, however, was not to be daunted, and after a

while burst into speech again.

‘I’m a-goin’ a good way,’ she said, ‘nigh to the sea, to a child o’

mine as has been ill; I don’t think they’ve done to her all they should

’a done, an’ I’m going to see to it or know the reason why!’ She did

not make this remark to the passenger facing her, but threw it out for

the benefit of all who heard, and it seemed to attract the attention of

the young woman opposite, who was seated in the farther corner of the

carriage. She raised her head, as if she had been herself addressed,

and her words came as if against her will.

‘I’ve a child at home as is badly,’ she said, and then she sighed. Her

words and manner were both very quiet, but there was something in

them so simple and pathetic that they arrested the observation of the

others, and for the moment all eyes were turned on her. The stranger

honoured her with a bold and steady stare; the wife of the shopkeeper

turned towards her with compassion; whilst even the foundry lad, to

whom she seemed familiar, let his glance rest curiously upon her for a

while. Indeed, it must be confessed with regard to her appearance, that

these various eyes might have been worse employed.

She has been described as young, for her slight and youthful figure

gave that impression to all who saw her first, but a closer inspection

soon revealed the fact that she must have owned between thirty and

forty years. Her face, too, was more worn than might have been

expected, although it had preserved much of the delicate beauty of its

outline--a beauty, however, so unobtrusive in character that it needed

some close attention to observe it. She had the simple attire of a

village workman’s wife, without any of the fineries in which the wives

of workmen occasionally indulge, a gown of dark stuff, although it was

summer time, a rusty black jacket, and a close-fitting bonnet of black

straw, already old and limp. The lad could have told the others who she

was, although he had not much acquaintance with her himself; and he

might also have been able to give some explanation of the look of

sadness upon her patient face. This was Jenny Salter, who lived in the

village of Warton, who lived by the Thackbusk, and was Rob Salter’s

wife.

Her appearance was too quiet to maintain the interest she had excited,

the curiosity slackened, and the conversation dropped; save when the

irrepressible stranger now and then made some remark on the fields or

on the cows. Jenny shrank into her corner with her face turned to the

window, and her mind occupied with tender yearning over her sick child

at home; whilst the lad opposite, who had been disturbed by his looks

at her, began turning over in his mind, with some compunction, the

thought of a certain ‘rare game’ with which she was connected, and in

which, in common with the other lads of the village, he intended to be

engaged that night. His compunction did not extend to a renunciation of

his purpose, but it made him a little uneasy all the same.

And now the train was beginning to slacken speed, and already could be

seen the irregular lines of village roofs, the grey church-tower just

peeping above the trees on the hill, and, beneath, the red chapel that

had been lately built. With the timidity of a nervous nature, Jenny

Salter rose to her feet before the train had stopped, and hastened to

take her basket on her arm, that she might be found quite ready to

descend. The movement recalled to her something that her dress kept

concealed, a bruise on her shoulder that a man’s clenched hand had

left.

As she stepped on to the platform of the station, and looked wearily

up the river, aglow with evening light, the sight that she saw was one

that might have attracted a mind less preoccupied than her own. For the

line of storm-cloud was heavy above the cathedral, and beneath was the

glory of an intensely golden radiance, against which the hill that was

crowned with cathedral towers stood out as a shadow of deepest purple.

Jenny looked on these things, but seeing did not see them; she gave up

her ticket, and turned towards the village and her home.

Jenny: A Village Idyl · 第 1 / 35 章